Showing 4111 items matching "wtter-mill"
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Clunes Museum
Photograph, PRIMARY SCHOOL
PHOTOGRAPH OF PUPILS AT SOUTH CLUNES SCHOOL NO. 136. WHICH CLOSED IN 1923. LATER THE BUILDING BECAME A KNITTING MILL, AND IS NOW A BOTTLE MUSEUM.SEPIA PHOTOGRAPH OF CLUNES PRIMARY SCHOOL, MOUNTED ON CARDBOARD, WHEN IT WAS SOUTH CLUNES SCHOOL. LATER IT BECAME A KNITTING MILL.Hand written on paper and glued to the cardboard mounting; Horace Williams, Evelyn Dowielocal history, photographs, schools 136, primary school -
National Wool Museum
Program, Retsol Welcome Home
Program for a 'Welcome Home' held by the RSS Mill on Friday, 21 June, 1946, to welcome back their ex-employees who had enlisted in the Second World War. The program includes a list of employees who served, where they fought and a list of those who were killed.Program to welcome home the RSS Mill employees who enlisted in World War II.RETSOL / WELCOME / HOME / Friday, 21st June, 1946 / With the Compliments of the Directorate of the / Returned Sailors' & Soldiers' Woollen & Worsted / Co-operative Manufacturing Coy. Ltd. - - Geelongworld war ii, textile mills, returned soldiers and sailors mill -
National Wool Museum
Trophy
Sporting trophy. Inscription on trophy reads 'G.I.C.A., G V Spark Cup, Section Premiers. Won by Valley Mill 1941-42'. GICA probably stands for Geelong Industrial Cricket Association. Used at Foster Valley Mill.G.I.C.A., G V Spark Cup, Section Premiers. Won by Valley Mill 1941-42sporting teams textile mills - sporting teams, valley worsted mill foster valley mill pty ltd, sport, sporting teams, textile mills - sporting teams -
Kiewa Valley Historical Society
Photograph - Mt Beauty timber Industries, 1960's (estimate only)
Hume and Hovell discovered the area in 1824 and by the end of the 19th century the valley was transformed by logging, dairy and beef cattle properties and tobacco farms. Timber was required for construction of McKay Creek Power Station which began construction in 1951 and also the camps and houses for the workers and their families. There was a need for housing and infrastructure for an increasing population of workers for the hydro-electric scheme as there was a general shortage of this commodity. A timber mill was started in Tawonga by Mates, of Albury, in 1945, and electricity became available in 1946 the S.E.C. bought the mill, and enlarged it. In 1960 it was purchase by a local family. They also started a timber mill in Mt Beauty and worked both until 1980 when they closed the Tawonga mill and enlarged the mill called Mt. Beauty Timbers Pty Ltd which employed approximately 50 people. A pictorial record of the development of the Mt Beauty community and the local timber industry.Colour photograph of aerial view of Mt Beauty Timber Mills and surrounding area including pondage and part of airfield. Photo taken in 1960’s (estimate only)Handwritten in ink on back of photograph in very faint writing – Recent photo of Mt Beauty Timber Industries Mt Beauty Operationsmt beauty timber industry, timber industry, timber mill, secv -
National Wool Museum
Envelope
Envelope produced by the Stamina Clothing Company, manufacturers of work clothes, who used Crusader brand cloth produced by the Australian Woollen Mills complex at Marrickville, NSW. It was made to house a set of 16 information cards on the manufacturing processes in a woollen mill. They were issued as give aways and could be found in the pockets of Stamina brand clothing.Envelope for 16 information cards (4350-4365) which were promotional give aways from Crusader Mills, c.1945-1955.Crusader / With the good wishes of the / makers of Crusader Clothaustralian woollen mills pty ltd stamina clothing company -
Kiewa Valley Historical Society
Photos - Mills Family x 15
Brian and Jill Mills lived with their children at Lakeside Ave. Mt Beauty. Brian was in the airforce.4 photos were taken during the construction of the Kiewa Hydro Electric Scheme. 1. The "Mills Kids" beside the river - show the fashion of the time and how families spent their recreational time. 2.& 3. The "70 Lakeside Ave" photos show the type of housing provided by the SECV and that the garden hadn't been created. 4. SEC marshalling yards, Mt Beauty c 1940s-50s. An historic photo of 1940s/50s buses used to transport KHES workers to their work sites, some of which were on the High Plains.15 large photos scanned in colour. 5 have labels written on the backOn the back "Brian Mills" (in airforce uniform); "Mills Kids / 78 L/side Ave"; "70 Lakeside Ave"; "70 L/side Ave" and "SEC Marshalling yards - Mt Beauty (and Donor's name and address.lakeside ave mt beauty, brian mills -
Bendigo Historical Society Inc.
Document - Shade Card, 2003
The Bendigo Woollen Mills were initially designed as a mail order company that sold its wool both domestically and internationally. The mill uses first cross merino wool from Australia that is then sent to China for scouring before returning to Bendigo for grading, dying and spinning. It now includes factory shop sales to the public.Bendigo Woolen Mills Shade Card (With samples of different coloured wool, pattern selections which were available at the Factory Shop Order Form.history, bendigo, merle lummis collection, bendigo woolen mills -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1984
Rev David Mills was ordained in 1982, minister at Beeac-Cressey-Rokewood 1983 - 1984, Principal of Tupou College Tonga 1985 - 1990, Bendigo East 1990 - 1997, Brunswick from 1998.Colour photograph of the Rev. David Mills, his wife Wendy and their two children Lindy and Joe, taken outdoors.david mill, wendy mills, lindy mills, joe mills, uniting church, minister, tupou college, tonga -
Clunes Museum
Equipment - DYE SCALES IN CABINET
METALIC SCALES USED IN DYE ROOM AT CLUNES KNITTING MILL KNOWN AS CLUNES INTERKNIT HOSIERY CO. FROM COMPLETE SET OF SEVEN WEIGHTS FROM .100 TO 1 GRAMSSET OF METAL SCALES AND WEIGHTS USED TO WEIGH DYE SUBSTANCES AT CLUNES KNITTING MILL. ENCASED IN A GLASS AND TIMBER CABINETlocal history, textile, knitting mill interknit hosiery co. -
National Wool Museum
Certificate, South Australian Chamber of Manufactures Centennial Exhibition, 1936
Certificate awarded to the Geelong RSS Mill for winning the gold medal for the most attractive still grouped exhibit at the South Australian Chamber of Manufactures Centennial Exhibition in 1936.Certificate awarded to the RSS Mill for the most attractive still grouped exhibit at the South Australian Chamber of Manufactures Centennial Exhibition, 1936.South Australian Chamber of Manufactures / INCORPORATED. / Centennial Exhibition / MARCH 20th to MAY 16th, 1936. / GOLD MEDAL / AWARDED TO / GEELONG RETURNED SAILORS' & SOLDIERS' / WOOLLEN & WORSTED MANUFACTURING CO. LTD. / Most Attractive Still Grouped Exhibit. / Section A. / H.E. WINTERBOTTOM, Secretary. / Modern Printing Company, Chancery Lane, Adelaide. Phone, Central 283.woollen mills history, textile mills, returned soldiers and sailors mill, 1918: australians in france - exhibition (19/02/2000 - 30/04/2000), woollen mills - history -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1984
Rev David Mills was ordained in 1982, minister at Beeac-Cressey-Rokewood 1983 - 1984, Principal of Tupou College Tonga 1985 - 1990, Bendigo East 1990 - 1997, Brunswick from 1998.B & W photograph of the Rev. David Mills, his wife Wendy and their two children Lindy and Joe, taken outdoors.david mill, wendy mills, lindy mills, joe mills, uniting church, minister, tupou college, tonga -
Dutch Australian Heritage Centre Victoria
Mustard Pot
A small, lidded ceramic pot decorated in imitation of Delft Blue with images of mills, flowers and abstract designs. The lid has a cork section underneath. "Echte Zaanse Mosterd" - (Genuine Mustard from Zaandam) "Mosterdmolen De Huisman" (Mustard Mill The Huisman) Anno 1786 The word "Delfts" appears on the bottom of the jar. All words and illustrations are in blue. -
Hume City Civic Collection
Photograph
Lochton was owned by William Morris Hunter who built and established the three storey flour mill on the horseshoe bend near Deep Creek in Bulla in the mid 1850s. The mill was steam driven. Since the 1960s when the Boral Company acquired Lochton, the property was leased out until January 1994.A coloured photograph of a former bluestone flour mill on a horseshoe bend of the Deep Creek. Trees are growing along the banks of the creek and sparsely covered hills are along the skyline.flour mills, hunter, william morris, lochton flour mill, deep creek, boral company, george evans collection -
National Wool Museum
Invitation
Invitation from the Mayor of Geelong to the President of the Geelong Branch of the RSSILA, to lunch after the laying of the foundation stone for the Geelong RSS Mill on Wednesday 15th February 1922 at 1.30pm.Invitation to the President of the Geelong Branch of the RSSILA to lunch, following the foundation stone laying ceremony at the RSS Mill, 15-2-1922.textile mills, returned soldiers and sailors mill, 1918: australians in france - exhibition (19/02/2000 - 30/04/2000) -
National Wool Museum
Film - Hirst Family Films, Cedric L Hirst, 1950s
Copy of Godfrey Hirst family videos/photograph on CD. Including 1951 floods at Mill. All video content filmed at Godfrey Hirst Woollen Mill, Swanston Street, South Geelong. Godfrey Hirst's children. Family home in Newtown and holiday home in Eastern View.Compact disc (CD) containing colour video footage. Film has no audio content. Visual content outlined below: 00:00 – 00:05 – External view of brick building – Godfrey Hirst & Co. Pty. Ltd. 00:05 – 00:10 – Exterior garden setting, three men in suits with fabrics and object 00:10 – 00:28 – Exterior garden setting showing eight women, most likely on a break from working at the Godfrey Hirst factory. The footage shows them all getting up and walking back towards the building at the end. 00:28 – 00:38 – Exterior garden setting, showing seven men in white shirts and ties seated and standing around a table, turning pages on a folder on the table. 00:38 – 00:52 – Interior factory setting, showing four men in coats handling green and red wool. 00:52 – 1:08 – Three men in suits in an exterior garden setting looking at paperwork. 1:08 – 1:23 – Four men in coats in a garden handling coloured wool samples. 1:23 – 1:42 – Four men in suits in a garden setting handling woven fabric. Two of the men are holding pipes. 1:42 – 1:57 – Interior factory setting showing men operating machinery. 1:57 – 2:05 – Exterior factory setting showing a man driving machinery carting wool bales. 2:05 – 3:14 - Flood scenes, showing the exterior of the Godfrey Hirst building with a man rowing a boat down the street, and a horse and cart in flood waters. There are scenes of flooded streets, exterior of flooded buildings and people standing in flood waters. 3:14 – 3:40 - Interior building views of flood waters in factory with people, machinery, equipment and textiles in flood waters. 3:40 – 4:03 - Exterior views showing a tractor, boat, horse and people in flood waters. 4:03 – 7:02 Exterior setting showing crowds of people watching a fashion parade. The fashion parade is of women in various clothing, including suits jackets, skirts, coats and hats. 7.02 - END"Hirst family films 1936-1964 Incl. Godfrey Hirst and co P/L Woollen mills"geelong, godfrey hirst & co. pty. ltd., family films, factory, flooding, 1950s, wool processing, fashion, textiles, horse and cart, wool bales, transport, machinery, fashion parade, working life -
National Wool Museum
Textile - Blanket, Albany Woollen Mills, c1950s
Collector says "I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from Collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Please refer to the following worksheet for a full breakdown of the collection." Checked blanket, pink, blue and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills -
Bendigo Military Museum
Photograph - PHOTOGRAPHS WW1, 1) & .2) 1917
Photos relate to James Worland MILLS No 3441 59th Battalion. James in all photos is the soldier sitting. Refer Cat No 169P for his service details..1) & .2) Post card photos, sepia, showing 2 soldiers - 1 sitting & 1 standing, both holding crops. .3) Photo, copy of .1) & .2)..1) On rear in blue pen: “Very Sincerely Yours, James Mills 59th Battalion AIF, 6th Dec 1917” .2) Yours very Sincerely, “James W Mills 59th - remainder unreadable”photos, 59th -
National Wool Museum
Book, The Weaver from Meltham, 1950
Obtained by Ken Hirst, great grandson of Godfrey Hirst while working at the mill during 1970's -80's. All employees received a copy of the book during this time.Hardback book with dust cover "The weaver from Meltham" " The true story of an Old Colonial Mill by Ivan Southall" -
Tarnagulla History Archive
Photo-postcard depicting Company's Dam, Tarnagulla, Late 1919 or in 1920
Murray Comrie Collection. Image must have been made after October 1919 when the Memorial was erected and before 1920 when the Flour Mill was relocated. This is an original photo-postcard. Sepia photo-postcard depicting Company's Dam, Tarnagulla. In the backgrond the Soldiers Memorial, the Wesleyan Church and the Flour Mill complex are visible.Reverse is printed as standard postcard format (blank/unused).tarnagulla, dam, water, company's dam, flour mill, wesleyan church, soldier's memorial -
National Wool Museum
Textile - Blanket, Albany Woollen Mills, Albany Woollen Mills blanket, c 1950s
Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, pink, lemon and violetAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills -
National Wool Museum
Textile - Blanket, Albany Woollen Mills, Albany Woollen Mills blanket, c 1950s
Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, blues and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills -
Stawell Historical Society Inc
Photograph - Framed Photographic Print, John Bennet Director North Western Woolen Mills, 1926
Boardroom Photograph Donated from Bennett Family North Western Woolen Mills became Norwellan Textiles then AUNDE Large framed portrait of man in tweed jacket, shirt and tie with glassesJohn Bennett First Managing Director North Western Woollen Mills Pty Ltd 1926 manufacture -
National Wool Museum
Rug
The rug was made at Albion Mills in Geelong. It was owned by Norman Downie, the uncle of Mary Virr (the donor) who inherited the rug after Mr Downie's death in the early 1990s. Mr Downie and his family had several connections to the wool industry in Geelong. He would send pieces of fabric out to Mrs Virr and her mother in Cobden every year. See attached history.W7215 Statement from Mary Virr on offer of donation Written family history by Mary Virr, page 1 Written family history by Mary Virr, page 2 Partial family tree of Mary Virr, including connections to the wool industry. Photocopy of marriage certificate dated 13th April 1881, marriage between James Downie and Mary Cairns, the grandparents of Mary Virr. A photocopy of a reference dated 15/09/1919 from Mr E. Plumridge from the Corio Wool Scouring Company for Miss M. DownieAlbion Mills Geelong Albion Rug All Wooltextile industry textile mills, albion woollen mills co. pty ltd, albion woollen mills, weaving, geelong, victoria, textile industry, textile mills -
National Wool Museum
Photograph, Leesona Winders, Worsted Division, Federal Woollen Mills, Geelong
Leesona Winders, Worsted Division, Federal Woollen Mills, Geelong, c early 1960'sLeesona Winders, Worsted Division, early 1960's/ Federal Woollen Mills, Geelong 19/87textile mills - staff woollen mills - history, federal woollen mills ltd, winding machinery, textile mills - staff, woollen mills - history -
Bendigo Military Museum
Photograph - PORTRAIT PHOTOGRAPH, 1916 - 1919
JAMES WORLAND MILLS No 3441 enlisted in the AIF on 7.9.1916 aged 18 years 5 months in the 9th reinforcements 59th Batt. Enlistment papers signed by his parents stated that he was not to embark for overseas until he turned 19 years. Embarked 16.7.1917. While in France he passed Lewis Gunnery School. Reached the rank of T/Sgt on 6.3.1919. Discharged from the AIF on 10.10.1919. A much larger photo in an ornate wooden frame is in the collection. Refer 403P, other refer 166.3, 167.6.Photo, black & white of JAMES WORLAND MILLS in great coat and peak hat.photography-photographs, portraits -
National Wool Museum
Blanket sample book
Book of blanket samples manufactured at Gold Medal Mill.First entry of blanket sample book."crenella" banket luxury made especially for Carrigans Invicta Gold Medal Mill Made in Australia Pure New Woolwoollen mills, textile mills, invicta mills pty ltd, blankets samples -
Lakes Entrance Historical Society
Photograph - Elaine Benton , Anne Mills and Jane Martin, Lakes Post Newspaper, 1/04/1995 12:00:00 AM
Elaine Benton and Anne Mills receiving awards for their patchwork skills by Jane Martin of Pfaff Sewing Machines Lakes Entrance VictoriaBlack and white photograph showing Elaine Benton and Anne Mills receiving awards for their patchwork skills by Jane Martin of Pfaff Sewing Machines Lakes Entrance Victoriapeople, handcrafts -
National Wool Museum
Photograph
Photograph, of two people looking at the flood levels 1880 and 1951, marked on a wall. The photograph is possibly of the Godfrey Hirst and Co Pty Ltd mill c1951Photograph, of two people looking at the flood levels 1880 and 1951, marked on a wall. The photograph is possibly of the Godfrey Hirst and Co Pty Ltd mill c1951.W C Meyer Photographer/ 233 Myers Street/ East Geelong. Phone 3289textile mills - history textile mills - staff, godfrey hirst and co. pty ltd excelsior woollen and worsted mills, textile mills - history, textile mills - staff -
Flagstaff Hill Maritime Museum and Village
Textile - Flour bag - W.C.Thomas, Warracknabeal
This flour bag came from the W.C. Thomas Flour Mill at Warracknabeal, Victoria. W.C. Thomas ran a number of flour mills throughout the Victorian wheat belt, with the Warracknabeal Mill operating from 1884 to 1964. After their use for flour storage, flour bags were able to be reused for bulk storage of other dry goods or sewn into domestic objects such as tea towels, pillowcases or waggas.This is a good example of a flour bag from a prominent Victorian flourmill, operating from the late 19th century to the mid-20th century.Calico flour bag for 'Roller Flour' from the flour mill of W.C. Thomas in Warracknabeal, a large wheat growing area in Victoria. The stencil on the front of the bag includes an image of wheat overlaid with the written information in scroll format.W.C. Thomas, Finest, Patent, Roller Flour, Warracknabeal, Victoria, Australia. Wheat image.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, flour bags, calico, domestic object, textile, food storage, w.c. thomas, warracknabeal, flour mill -
National Wool Museum
Booklet, With the Compliments of the Directorate of the Geelong Returned Soldiers' Woollen Mills
Commemorative, souvenir booklet of the visit to the RSS Mills by HRH Prince Henry, Duke of Gloucester on Saturday, 3rd November 1934. HRH stayed at 'Ercildoune' at Burrumbeet, Victoria, home of H. Alan Currie, MLC, and a merino stud containing descendents of the historic King George III flock. HRH sheared a sheep during his stay, and the fleece was taken to the RSS Mill where HRH later visited to see it being made into a Royal and Hunting Stewart tartan travelling rug.WITH THE COMPLIMENTS / OF THE DIRECTORATE OF / THE GEELONG RETURNED / SOLDIERS' WOOLLEN MILLS / GEELONG / VICTORIA, AUS., / NOVEMBER, 1934royal visits, textile mills history, merino sheep history, textile mills, returned soldiers and sailors mill, 1918: australians in france - exhibition (19/02/2000 - 30/04/2000), fairnie, mr edward john - returned soldiers and sailors mill schofield, mr albert m.b.e. - returned soldiers and sailors mill currie, hon. h. alan m.l.c., ercildoune stud, burrumbeet, textile mills - history, merino sheep - history