Showing 8554 items matching "petrified-wood"
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Tennis Australia
Racquet, Circa 1973
A Wilson Stan Smith Tournament tennis racquet. Base of head features Wilson logo.Throat and shaft feature the model name, with a gold and white chevron device within a circle. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features triangular-patterned perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Ribbon, Plastic, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1973
A Wilson Stan Smith Autograph tennis racquet. Base of head features Wilson logo, flanked by two pairs of brown diamond devices. Throat features model name, with a black and red silhouette of Smith in action. Lower shaft and butt cap feature 'W' trademark. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Ribbon, Plastic, Fibreglasstennis -
Tennis Australia
Racquet, Circa 1978
A Wilson Jimmy Connors Professional Champ tennis racquet. Base of head features Wilson logo. Throat and shaft features model name, with a red and black stylised column device. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features patterned perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Ribbon, Plastictennis -
Tennis Australia
Racquet, Circa 1978
A Wilson Chris Evert Champ racquet. Base of head features Wilson logo. Throat features model name. Base of shaft and butt cap feature 'W' trademark. Leather handle grip features X-formation perforations. Autograph by Evert features along shaft on obverse. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Plastic, Ribbon, Adhesive tape, Inktennis -
Tennis Australia
Racquet, Circa 1957
A Regent, Don Budge Contender, Tournament Model tennis racquet. Regent logo features across the crown, and base of the head. Model name features on the throat and shaft. Decal head image of Budge features on lower shaft. Leather handle grip features quatrefoil perforations. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Paint, Leather, Ribbon, Ink, Adhesive tape, Plastictennis -
Tennis Australia
Racquet, Circa 1970
A Regent, Flight II tennis racquet. Regent logo features across the base of the head. Model name featuresalong the shaft. 'R' trademark features at base of shaft. Model details feature on the right side of the shaft. Leather handle grip features X-formation perforations. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Paint, Ribbon, Ink, Plastic, Adhesive tape, Leathertennis -
Tennis Australia
Racquet, Circa 1980
A Regent Triumph tennis racquet. Regent logo features across the base of the head and plastic butt cap. Model name features across the throat. 'R' trademark features at base of shaft. Model details feature on the left side of the shaft. Leather handle grip features quatrefoil perforations. Materials: Wood, Nylon, Glue, Lacquer, Metal, Ink, Plastic, Adhesive tape, Leathertennis -
Tennis Australia
Racquet, Circa 1915
A wooden tennis racquet with parchment shoulder reinforcements (around underside), black and red whipping, and a bald handle. Partially legible inscription along throat on obverse: THE/W[INNER] . Inscription across throat, on reverse: F.J. BANCROFT/PAWTUCKET/R.I. Manufacturing details also feature along left side of shaft. Materials: Wood, Gut, Leather, Glue, Lacquer, Metal, Ink, String, Parchmenttennis -
Tennis Australia
Racquet, Circa 1950
A Bancroft Wimbledon tennis racquet, with plastic whipping from shoulders to shaft, and leather handle with patterned perforations. Bancroft logo features across base of head. Throat features model name, and a decal image of Wimbledon main court. 'B' trademark features on lower shaft. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Cloth, Adhesive tape, Paint, Stringtennis -
Tennis Australia
Racquet, Circa 1974
A Bancroft real tennis racquet, with traditional gut stringing, lobbed head, solid convex throat, double screwed shaft (dowels), and long, fine grooved handle. Bancroft logo, and wreathed black 'B' trademark feature across the throat. The inside of the base of the head is reinforced with hide. The throat is reinforced with white painted fibreglass. Materials: Wood, Glue, Lacquer, Ink, Hide, Fibreglass, Guttennis -
Tennis Australia
Racquet, Circa 1965
A collection of two identical Spalding 'Top-Flite' tennis racquets (.1-.2), with: original gut netting, and red support strings; brown/black with gold, perforated leather handle grips; ribbon whipping around shoulders; and original plastic handle grip packaging. Materials: Wood, Gut, Adhesive tape, Leather, Paint, Ink, Ribbon, Vinyl, Lacquer, Glue, Metal, Plastic, Stringtennis -
Tennis Australia
Racquet, Circa 1895
An F.H. Ayres transitional flat-top tennis racquet, with solid, convex throat, fine-grooved handle; and leather end wrap and butt cover. Hand carved monograms: on obverse, CAM; and, on reverse GHC. Manufacturer's logo impressed along sides of shaft, on obverse. Racquet is housed within a Badminton set (TA 2009.287). Materials: Wood, Metal, Lacquer, Glue, Gut, Leathertennis -
Tennis Australia
Racquet, Circa 1879
A lobbed headed racquet with solid convex throat, velvet collar, and fine-grooved smooth handle, with leather end wrap and butt cover. Inscription across crown, on obverse: [THE ALEXAND]RA. Inscription across throat on obverse: 14OZ 1/2 /FELTHAM/LONDON. Feltham 'fleur de lis' trademark features in between text. Materials: Wood, Gut, Metal, Lacquer, Glue, Velvettennis -
Tennis Australia
Black and white digital print, Circa 1900, Circa 2001
An e.21st century digital print on canvas, of an original e.20th century black and white photographic print. Image features a large group of men and women enjoying a tea party on the courts and lawns of a tennis club, with a merchandise booth and covered wagon in the mid-ground, and, the impressive club house in the background. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis -
Tennis Australia
Black and white digital print, Circa 1900, Circa 2001
An e.21st century digital print on canvas, of an original e.20th century black and white photographic print. Image features two male youths holding a tennis racquet each, posing in a photo studio, in front of an exotic backdrop. A tennis court net acting as a studio prop, seperates the two youths. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis -
Tennis Australia
Black and white digital print, Circa 1877, Circa 2001
An e.21st century digital print on board, of an original l.19th century black and white photographic print, featuring a mature woman playing tennis against a teenaged girl, and a young girl. The subjects are playing on an hour-glass shaped court, and the court net features wing nets at the two ends. Materials: Cardboard, Ink, Wood, Metal, Paper, Paint, Cardboard, Glasstennis -
Tennis Australia
Sheet music, 1881
'Lawn Tennis Quadrille' sheet music and dance figures (instructions). Visible from front are the cover of document (depicting a lawn tennis match) and its penultimate page (describing the figures). Visible from back of frame is back cover of document. Copyrighted 1881. Front glass UV, back is regular glass. Materials: Ink, Paper, Cardboard, Wood, Metal, Adhesive label, Glasstennis -
Tennis Australia
Print, 1885, Circa 1990
Reproduction of 1885 painting depicting a tennis match between a male player and a female wearing a white dress and straw hat with pink flower.. Both players using flat top racquets. Two spectators, one with parasol, at right. Artist signature reproduced lower right may read 'J.LARRY'. Materials: Paper, Ink, Glass, Cardboard, Glue, Wood, Metal, Adhesive labeltennis -
Tennis Australia
Page from card Album, Circa 1885
Page from an album designed for Allen & Ginther collectible cigarette cards. Features place holder for one card (depicting RD Sears). Framed with galss backing to also display back of card. Text on back of card: 'SECOND SERIES/THE WORLD'S CHAMPIONS/ONE PACKED IN EACH BOX OF 20 RICHMOND STRAIGHT CUT NO.1 CIGARETTES'. Materials: Paper, Ink, Glass, Woodtennis -
Tennis Australia
Page from Magazine, 03 Apr 1882
Front page from Harper's Young People magazine of April 3, 1883; and digital reproduction of reverse of same page mounted beside each other. Left folio features a lithograph entitled 'HENRY THE EIGHTH PLAYING TENNIS'. Also presents article entitled 'THE ROYAL GAME OF TENNIS'. Article continues on reprosuction of reverse of page. Materials: Paper, Ink, Metal, Wood, Glasstennis -
Tennis Australia
Cigarette card, Circa 1936
A framed collage of fifty Player's cigarette cards. Each card depicts a different famous player from the 20s and 30s. Cards have green background and (most) a player wearing white. Framed with glass backing so reverse of cards is visible. Reverse of cards features instructional information for playing better tennis. Materials: Ink, Paper, Glass, Metal, Wood, Adhesive tapetennis -
Tarnagulla History Archive
Photograph: Shire of Bet Bet Councillors, 1961, 1961
Donald Clark Collection. A monochrome photograph of Shire of Bet Bet Councillors posed outdoors in 1961. Caption stuck on front lists the following names of subjects: L to R Standing at rear: N. McCartney (Secretary), Crs D.W. Clark, F. Ross, John Lloyd (Engineer), K. Jardine, R.A. Gray Seated: Crs David Wood, J.J.A. Freemantle, H. Whitehead, J.P. Mason. Original photograph. shire of bet bet, dunolly town hall, local government, governance -
Wodonga & District Historical Society Inc
Functional object - Thornton-Pickard Ruby Enlarger, Thornton-Pickard, c1890
Thornton-Pickard was a British camera manufacturer which was established in 1888 and closed in 1939. The company was based in Altrincham, near Manchester, and was an early pioneer in the development of the camera industry. The Thornton-Pickard company was founded by John Edward Thornton and Edgar Pickard in Manchester,. Also referred to as a Magic Lantern Projector, the Ruby enlarger was used to project images from glass negatives using a variety of light sources and eventually adapted for electricity.. As photography technology developed the size of slides became smaller and the "magic lanterns" were replaced by more compact film and slide projectors.This item is significant as it represents a step in the development of photographic technology and home entertainment in the early 19th century.A large photographic enlarger made primarily of wood, tin plate and glass. The enlarger is fully intact and has the original patent and registration on a badge attached on one side. The enlarger extends when in use but folds up accordion style when not required. Its length at maximum extension is 90 centimetres. It has a slot on one side for glass negatives negatives to be inserted in a wooden holder.Badge attached to side:- 'THORNTON-PACKARD/ RUBY ENLARGER/ ALTRINCHAM" On metal rectangle: "PROTECTED BY / PAT. No. 18478. 08. / REG. No8. 529944 & 580047."thornton-pickard, photographic equipment, ruby enlarger, glass negatives -
Glenelg Shire Council Cultural Collection
Painting, Danny Lovett, Within (the Serpent Creation)
The Creation Serpent is the central image moving through the land. As well as being the creator of the land, it's whole image, coloured blocks and individual dots represent the Gunditjmara Nation, tribal groups and individual clans respectively. The four hands in the corners mark all peoples who at present form our community. They show the people that live on the land in the north, south, east and west of the Shire. The two shaded hands in the background represent the spirit of the old people living within the land. They not only point to the law which governs the country but also remind us of the spirits of those elders whose lives were lost both in battle and in life itself.This artwork was the cover art chosen for the Memorandum of Understanding between the Glenelg Shire Council and Indigenous Communities of 2005. Danny Lovett is a Gunditjmara artist.An image of a serpent in the centre of the work. The serpent is depicted in white dots. Its body has sections of yellow and blue. It's head is burgundy. Surrounding the serpent in each corner there are four handprints. The background of the work is painted blue, red and yellow areas which look sponged. Surrounding the artwork is a border of black and white also with a sponged effect. It is framed in dark brown plain wood.first nations, aboriginal art, serpent -
Kyneton Fire Brigade
Memorabilia - Trophy
Fire Brigade Trophy - no inscriptionPart of Kyneton Fire Brigade trophy collectionSilver teapot decoration on lid and top section of pot. Lid surmounted with acorn as knob. Decorative handle with centre piece of turned wood. Four arms that link to stand. Card inside teapot : "UNDER THE PATRONAGE OF HIS EXCELLENCY / THE EARL OF HOPETOUN / Country Fire Brigades Demonstration / WARRNAMBOOL / 6th, 7th & 8th March 1894 / SECOND PRIZE / PRESENTED BY ??? Hose (?) Race for 4 Men kyneton fire brigade, fire brigade demonstrations, country fire authority, trophy, warrnambool -
Bialik College
Mixed media - ‘Bialik College Upper Primary and Secondary Division’ Reg No 1626 D.M. Goldsmith M. Sc. Dip. Teaching. Principal, ‘Bialik College Upper Primary and Secondary Division’ Reg No 1626 D.M. Goldsmith M. Sc. Dip. Teaching. Principal. Sign
School Sign: ‘Bialik College Upper Primary and Secondary Division’ Reg No 1626 D.M. Goldsmith M. Sc. Dip. Teaching. Principal. Wood, tin, white and blue paint. ‘Bialik College Upper Primary and Secondary Division’ Reg No 1626 D.M. Goldsmith M. Sc. Dip. Teaching. Principal. Condition: Fair. Front has some paint missing, but all text can still be easily read. Glue and holes are evidence from previous hangings. CAUTION ADVISED for reverse handling with rusty nails present. -
South Gippsland Shire Council
Painting, Oil, Coastline Near Inverloch, 1992
Framed oil painting titled: "Coastline near Inverloch" painted by Mary Hennekam. Set in cream card window mount with brass plaque affixed to lower edge. Gold painted wood frame. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69. -
Orbost & District Historical Society
frying pan, Late 19th century - 1930's
This was a Slab Hut (Orbost Information Centre) display item. Cast iron was a suitable material for pots and pans because it heats up fairly quickly and retains the heat for some time. Soot from the fire would cover the cast iron and give the pot its black appearance. This was considered good because dark colours absorb heat more readily. The were used for cooking in a variety of situations, such as on an open fire and wood-burning stove. The long handle was essential for cooking on open fires to keep the flame of the fire at a distance, and to avoid burning one’s hand.This pan is an example of a common domestic item used in the late 19th century by early residents of Orbost.A shallow cast iron frying pan with a long tubular handle. In the top of the handle is a hole for hanging.On the handle is the number 3.domestic-utensils kitchen-ware cast-iron frying-pan -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of the Buxton Hotel in Buxton. The Buxton Hotel was built by William Burchall, probably in the late 1870s. The first owner, who also had land locally, was Frederick Nichols (1833-1904). The Buxton Hotel is located directly opposite the General Store. It was fronted with two huge oak trees and bordered and backed by large pine trees. It was a weatherboard structure with a painted corrugated iron roof. Old split wood shingles were covered by corrugated iron, which overlaid the shingles to make the roof watertight. The wooden shingles date back to the 1850s.A colour photograph of the Buxton Hotel in Buxton.buxton, victoria, australia, buxton hotel, william burchall, frederick nichols, accommodation, carlton draught, photograph -
Flagstaff Hill Maritime Museum and Village
Tool - Drill Brace, 1800s
The subject item is an early Victorian Scotch Brace with a 10-inch sweep. They were also known as a six penny or "gentleman's" brace and were designed to accept tapered square shank bits, early designs have a thumb screw to help secure the bit. Later designs had a catch to secure drilling bits. This type of brace was used in wagon making for boring & drilling holes into the wood for a variety of purposes, including driving screws. The subject item is unmarked but could have been made in Glasgow Scotland by John Fray in the 1800s A significant early example of a drill brace made in the UK during the 1800s demonstrates the evolution of this type of tool from this time that today is a rare and collectable example of woodworking tools.Drill Brace metal with socket and thumbscrew, varnished wooden head and handleNoneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, brace, carpenders wheel brace, cabinet makers tools, drilling tool, wagon makers drill