Yields information about the Sturt St, tram 31 and the city tram stop.Agfa colour slide, white cardboard mount, photo by Keith Caldwell on 8/3/1960 of: Tram 31 arriving at the City tram stop with the destination of Victoria St and a Castrol roof advertisement. A conductor is standing by the stop pole. In the background is the Town Hall.Stamped on bottom of slide "8 Mar 60". tramways, trams, sturt st, lydiard st, tram stops, conductors, tram 31

Front page of "Ballarat News" of Wed. 11/6/1997 - has colour photo of member, Bill Whitford standing on step of 18 at Gardens Loop on 8/6/1997 - with heading "Bills waiting for a fare" and associated caption. Photo by Alan Marini.trams, tramways, operations, passengers, btm

Black and white print of Jack Prisk, SEC Driver and daughter Marg standing in front of a bluestone walled building in formal clothing. Printed on Kodak paper/ See worksheets in Reg. Item 3140 for details about Jack and his SEC driving career.On back of photograph in black ink "Jack Prisk Sec. Driver & Daughter Marg."tramways, trams, secv, drivers, esco, crews

Has a strong association with the formal opening day of the BTPS's Wendouree Parade tramway on 1/2/1975 and two of the volunteer workers.Colour photograph of Gavin Young and Graham Jordan standing in front of No. 26 on 1-2-1975, the day of the official opening of the BTPS tramway. Photo taken by Lilian Butler. See note re inscriptions. 2nd copy added 25/7/2010On rear in blue ink "With my compliments, Lilian Butler, 1st February 1975, Botanical Gardens Ballarat Victoria"btps, opening, ballarat tourist tramway, tram 26

Yields information about Ballarat 's 29 decorated for the 1939 Ballarat Floral Festival and its appearance and its use and publicity.Digital image from the Wal Jack Ballarat Album of a photograph featuring the 1939 Floral Tram, Ballarat No. 29 decorated for the 1939 floral festival in Sturt St, note the four SEC hostesses standing in the doorways. See image i2 for rear of photograph.trams, tramways, floral tram, decorated trams, sturt st, tram 29

Colour. After closure of the railway line, Gellibrand looking towards Beech Forest on 26 April 1964. The station buildings and water tank are still standing as well as clear impressions left by the tracks. Telephone lines are marked. A person is near the water tank.gellibrand; railways;

Colour photo of Graham McDonald, Pete Ellis and Rob Willis standing in front of microphones at the CD launch at the National Folk Festival in Canberra. Written on the back: Graham McDonald Pete Ellis Rob Willis CD launch at National Folk Festival Canberra.photo, group, male, peter ellis collection, graham mcdonald, pete ellis, rob willis, national folk festival canberra

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenn’th [sic] Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by Bailey as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.Small copy of an original photograph of Herbert Joseph Chambers, a member of the male staff of the Kew Mental Hospital, standing between two unidentified men at Circular Quay, Sydney. The donor believes his father, Herbery Chambers, was in Sydney attending a conference in 1962."Nursing Conference Sydney 1962 / Unknown | Herbert Chambers | Unknown"herbert joseph chambers, kew mental hospital

A temple tomb in the form of a Greek temple with a triangular pediment. Dark pillars on a flat, paved base support the plinth of the memorial. The memorial is situated on lawn, surrounded by trees and shrubs. Between the pillars, a glass enclosure can be clearly seen. The enclosure was removed at a later date. Harold Desbrowe-Annear designed the Springthorpe Memorial, while Bertram Mackennal sculpted the statuary on the sarcophagus. William Guilfoyle is belived to have advised on the design of the garden.An early black and white postcard of the Springthorpe Memorial in the Boroondara General Cemetery. There are numerous often undated postcards showing the memorial. This example features two women standing at left and a man at right. Based on the women's costumes, the postcard can be dated to 1900-1910.A Temple Tomb / Boroondara springthorpe memorial, boroondara general (kew) cemetery, postcards -- cemeteries, postcards -- kew (vic.)

Bruce P. Hedderwick was the son of the Kew lawyer and politician Henry Hedderwick and lived with his family at 'Garoopna' on the corner of A'Beckett and Barry Streets, Kew. This photograph is part of a larger donation of items relating to the Hedderwick family of Kew.The only photograph of this (demolished) historic villa in a public collectionMonochrome, sepia print copy of 'Garoopna' in A'Beckett Street, built for Henry Hedderwick, lawyer and local politician. Standing at the front of the double-fronted brick villa is Alice, the wife of Henry Pitcairn Hedderwick, and two of her sons, Bruce (left) and Peter (right). garoopna -- a'beckett street, historic houses -- kew (vic.), henry hedderwick, bruce hedderwick, peter hedderwick, alice hedderwick

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Beryl initially lived in East Melbourne after they married. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. The children attended Mont Albert Central School. Lily's sister Alice married Hector Williamson (1892-1981) in 1921. Hector was a civil servant and worked at the Melbourne Museum, where accommodation was provided. They had one daughter Margaret. Another sister Minnie (Min) married Hector's brother Charles (Charlie) Prosser Williamson (1893-1961). Charlie was an engineer and ran a hardware business in Whitehorse Road (near the tram terminus). They lived at 12 Barloa Road and had one son, Donald Williamson, born 1924. Donald (Service number VX146389) entered RMC on 28 February 1942 and graduated on 14 December 1943. He enlisted the following day as a Lieutenant with the 2/32 Infantry Battalion. He was mentioned in Despatches "for exceptional service in the field S.W.P. area". Promulgated in the Commonwealth of Australia Gazette 6 March 1947; was killed in action in Brunei on 3 July 1945. Williamson was buried in grave B.C.10 in Labuan War Cemetery, Borneo, Malaysia.This is part of a large donation related to the Deakin, Mair and Young families with connections to the Surrey Hills / Mont Albert area.A sepia coloured photo with a cream border of 2 girls in either a front or back garden. One is sitting on a cane chair and holding a young baby; the other is standing close by. The fence behind appears to be of constructed of posts with a metal horizontal support and wire mesh. REAR: In blue biro "Isabel Beryl / Margaret Williamson / (cousin) / Auntie Alice & Uncle Hec / her mother & father" The handwriting is believed to be that of Beryl Mair. margaret williamson, beryl mair, isabel mair, children

Murray Comrie Collection. William Morgan Davies, Licensee, at far left. (Source: Separate paper caption by Murray Comrie). This photograph is a reasonable copy created from an older original. Monochrome photograph depicting people standing outside the Victoria Hotel and Theatre in Commercial Road, Tarnagulla. Other text on building reads: 'William M. Davies'. Members of the Davies Family and hotel employees can be seen. The gentleman on the left is William Morgan Davies. tarnagulla, hotels, victoria hotel and theatre, businesses, commercial road

Murray Comrie Collection. Monochrome photograph, image depicting a man standing in front of a baker's delivery vehicle with motor car wheels. Signage on vehicle reads ' C.J. Petersen Baker Newbridge'. This is a very dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.newbridge, food, businesses, petersen, baker, transport, newbridge, victoria

Percy Fairlam was an early 20th Century photographer living and working in Cheltenham. Fairlam captured important social and landscape scenes in and around the Cheltenham area including cliff faces, sea baths, and rock pools. With the outbreak of World War I (WWI), Fairlam began training in Seymour and documented preparations for war, comradeship and the voyage to France and war. Shrapnel to the shoulder, on 4 January 1917, saw Fairlam evacuated to England and resulted in him being separated from his personal possessions. As such, all these images have been lost. After the war, Fairlam moved into the family business and no longer pursued professional photography. However, he continued to take an interest in the art form capturing intimate family moments as well as continuing to capture social and landscape scenes.Black and white photograph of a Richard William Percy Fairlam (Percy Fairlam) standing in the doorway of a small wooden building. Above the doorway is a painted sign advertising it as the photography business of R.P. Fairlam. In the large window at the front of the shop a number of photographs can be seen.Handwritten in red ink on reverse: 115% Black printed text on a white round sticker on reverse: 71

This image is of Arthur Dawson, a well-known local footballer who played for the Fitzroy, St Kilda, Brighton and Moorabbin Football Clubs. As the villages of the Moorabbin area continued to grow and establish, sporting teams for both men and women were created and competitions played. Arthur Dawson went on to play for St. Kilda Football Club in the VFL in 1918, 1919 and 1921. His jumper numbers were 30 and 20. Black and white photograph of a young man wearing a striped football jersey, white shorts, striped knee-high socks and boots. He has his arms crossed and is standing in front of an ornate fence. The date 1914 is underlined in the top lefthand cornerHandwritten in red ink: 30%football, moorabbin, leisure, sport

History of the PribislawThe two timbers on display are salvaged from the wreck of the ship 'Pribislaw' which transported the Ziebell family and the other Westgarthtown settlers from Germany to Australia. The model of the 'Pribislaw' was handmade by Geoffrey Borrack, a Ziebell family descendantFree-standing display board containing diorama in centre of shipwrecked Pribislaw. Information given of the ship itself. Attached to the bottom are 2 wooden sections of the Pribislaw ship with brass nails. Wooden sections have been fitted to a wood stand for display purposes.As per photomaritime technology, ship relics, information, board, drawings, documents, pribislaw, 1849, 1850, german migration, ship

Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.One of five colour photographs of Port Melbourne Historical and Preservation Society volunteer cataloguers at work in our rooms at the Town Hall (Tuesday group) c1999. L-R Seated Glen STUART, Pat GRAINGER and Glen COSHAM. Standing, Peter LIBBIS.societies clubs unions and other organisations, glen cosham, pat grainger, peter libbis, glen stuart, port melbourne historical & preservation society, pmhps

Digital image of two tramway cable tram employees, in full uniform - both gripmen? No bell punch safety pins in use. Shows the style of the uniform - cWW1. Note the Masonic badge on the person sitting. The donor advises that Edwin is standing - see notes.trams, tramways, mto co, cable trams, personnel, employees, gripmen, masons

Set of two photos of Harry Parris, who became the MMTB Distribution Engineer in 1947. .1 - Harry c1916/17. .2 - Harry standing alongside a motor vehicle in England 1925. See htd4574doc for a list of the file contents provided by Peter Hogan.On rear of each photo, written in ink, details of dates and source.trams, tramways, mmtb, electrical engineering, mmtb, engineers, personnel

Colour photograph of Keith Kings and Bob Prentice standing either side of S164 during a tour at Malvern Tram Depot. Tram has destination of "Malv Tn Hall". Keith noted on an envelope received from Don English 20/9/1987.trams, tramways, tours, malvern depot, s class, malvern town hall, tram 164

Sepia photograph of a young man with moustache, wearing suit, fob watch and broad brimmed hat standing with right arm at hip, left arm draped over shoulder of second young man with moustache, wearing suit and hat, seated with hands on lap.george bennett, jim ching, surman collection

The portrait is one of two portraits which were located in a basement storage area beneath the library at Glen Eira City Council Town Hall. This image does not have the name of the sitter below, however it has been identified as an image of Perceval St John Hall, Mayor 1910, by an copy of the same image in the series of portraits of mayors in the corridor of the Glen Eira City Council Town Hall. B/w portrait photograph, mounted and framed in wooden frame, no glass covering image. Image of Perceval St John Hall wearing a Mayoral robe with a fur trimmed collar and a visible shirt and tie. He is shown standing beside a side table.

The Great Spotted Woodpecker is found throughout Europe and Asia. They are generally solitary birds and do not migrate unless found in northern climates. They are omnivorous and can extend their tongue when feeding on insects, insect larvae, and seeds, among other things. They generally only stay with the same mating partner for one season and are extremely territorial. The Great Spotted Woodpecker generally has red eyes and a deep red lower belly. The males have a red nape, whereas the females do not. They have a white upper chest and white and black head, back, tail feathers, and wings. Juveniles are less vibrant in colour and their undertails and lower bellies are a dirty pink or brown. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Great Spotted Woodpecker specimen is a juvenile female. The undertail is a faint pink while the head and neck is black and white. The tail feathers and wings are a faded grey-brown and the underbelly is white. This specimen is standing on a wooden mount with a swing tag attached to its leg.Swing tag: 2e(?). / Great-Spotted Woodpecker / Catalogue page, 66 / Metal tag: 4304 / torn swing tag: (?)s ma(?)- / q. / Nord- Deu(?)- / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, great spotted woodpecker, woodpecker

The Bendigo Horticultural and Agricultural Show began in 1859 when a meeting was held at the Shamrock hotel to form a committee. The first competitive event was a ploughing competition held at Lockwood in June 1859.Photograph - black and white. A group of men, sitting and standing in the Bendigo Showgrounds (now known as Tom Flood Centre) looking South. On the 30th Nov.2001 James Lerk gave his opinion that the above is correct. Bendigo Agricultural and Horticultural Show Society.organization, club/society, agricultural and horticultural show, bendigo agricultural and horticultural show.

historic, social, familyIn Lal Lal forest, Hughes family in front of primitive bark miner's hut with shingle roof, rough stone chimney on left, parents and youngest daughter standing, two older daughters seated, scrubby grass in foreground, rough picket fence and a cow. incomplete label: "...diggings having been worked out, the inhabitantshave gradually left the locality, and Mr. and Mrs. Hughes only remain. They live in a remote part of the forest." lal lal, hughes family, miner's cottage

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Quartermaster Capt John Knowles (standing) at the 1st Australian Field Hospital, Vung Tau, South Vietnam. He is discussing with his Warrant Officer the preparation, construction and supply of some medal ribbons for issue to members of the hospital unit.photograph, quartermasters store, capt john knowles, 1st australian field hospital, vung tau, gibbons collection catalogue, denis gibbons, photographer, vietnam war

Thirty six page knitting pattern book featuring twelve colour pages. The front cover shows a woman standing in a paddock next to a fence, holding a walking stick and wearing a knitted jumper, knitted scarf, knitted cardigan, skirt, beret and boots.front: [printed] Cleckheaton / FABULOUS / 8 PLYknitting, pattern, fashion, knitwear, cleckheaton