Showing 7942 items matching " artist"
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Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The solid shapes of printmaking materials fan out in a pattern around the centrally placed intials J GPencil signature bottom rightprintmaking, bookplate, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Work on paper - Artwork - Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Black and white print on buff paper showing nude woman sitting on a printing press with a globe of the world in the background .1) buff paper .2) buff paper (green)Pencil signature in the bottom right hand cornerkeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking -
Federation University Art Collection
Work on paper - Artwork - Bookplate, 'John Gartner Ex Libris'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland. (http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Black and white Bookplate made with the etching process featuring a nude woman in a spherical frame. The figure 08 appears on the sphere.Signed lower centre [illegible]keith wingrove memorial trust, bookplate, australian bookplate design awards, john gartner, printmaking - etching, nude, life drawing -
Federation University Art Collection
Work on paper - Bookplate, 'Ex Libris Bookplate for John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Nude woman wearing sun glasses seated amongst foliage. One leg is raised and rests on the seat.Nonekeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, nude -
Federation University Art Collection
Work on paper - Bookplate, 'Ex Libris Bookplate for John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Etching showing a bearded man with fur-lined hat and jacket. Includes one circle in each corner.Signaturekeith wingrove memorial trust, bookplate, australian bookplate design awards -
Federation University Art Collection
Work on paper - Bookplate, 'Ex Libris Bookplate for John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Oval design depicting the face of a monk, possibly St Francis, with hands showing stigmata and a dove near his headSignature bottom rightkeith wingrove memorial trust, bookplate, australian bookplate design awards -
Federation University Art Collection
Work on paper - Artwork - Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Black and white print showing a domed gazebo with boat on a lake in the foreground and trees in the backgroundkeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, johm gartmer -
Federation University Art Collection
Work on paper - Artwork - Bookplate, 'Ex Libris Bookplate John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Etching showing a reclining nude woman holding the letter E in the foreground and a printmaker in the background. Signature bottom right hand cornerkeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, nude -
Eltham District Historical Society Inc
Document - Folder, Pittard, Chris and Mary-Lou
Chris and Mary-Lou Pittard, and their daughter Jessie, are ceramicists in Eltham. Contents Newspaper article: "Students put up mural", Diamond Valley Leader, 15 August 2007. Mary-Lou Pittard, artist in residence at Ivanhoe Grammar School, with the students, created a tile mural. Newspaper article: "Sculptor takes prize", Diamond Valley Leader, 7 July 2010. Chris Pittard wins annual Nillumbik arts prize. Newspaper article: "Thanks for the memories", Warrandyte Diary, February 2022. Mary-Lou Pittard worked with Warrandyte senior citizens on ceramic mural. Flier, no date: Chris and Mary-Lou Pittard Studio Gallery. Newspaper article: "Artistic talent on show", Diamond Valley Leader, 7 March 2018. Jessie Pittard took part in Nillumbik Artists Open Studios program. Newspaper article: "Esther Schouten in conveersation with Mary-Lou Pittard", Warrandyte Diary, edition 583, April 2024. Interviewed by Esther Schouten.Newspaper clippings, A4 photocopies, etcchris pittard, ivanhoe grammar school, round square, montsalvat, nillumbik arts prize, jessie pittard, ceramicists, warrandyte, anderson's creek now warrandyte, warrandyte uniting church peace wall, warrandyte community hall, nillumbik artists open studios, potters cottage warrandyte, mary-lou pittard -
Federation University Art Collection
Bookplate, Robert C. Littlewood Ex Libris Bookplate by John Ryrie
This bookplate was part of the 2013 Australian Bookplate Award.Framed ex Libris wood engraved bookplate for Robert C. Littlewood.john ryrie, ryrie, artist, artwork, available, available bookplate, littlewood, bookplate, ex libris, printmaking, available framed bookplate, framed bookplate -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: ANA COMPETITION PIANO CERTIFICATE
Large piano certificate mounted on cardboard. It was awarded to Miss M Foster for Piano Solo under 17. First Prize in the Annual Competitions 1906 of the Eaglehawk Branch A. N. A. R. F. Willis, President and John Trevean, Secretary. Certificate is cream, light green and dark green. At the top is the Coat of Arms. At the bottom is a lady playing a harp. There is a broad leaf plant beside her. Under the plant is the word Music. On the left is a man holding a scroll. He is standing on a pedestal with Oratory on the side and on the right is a lady holding an artists board and brushes. She is standing on a pedestal with Art on the side. All are dressed in Roman type attire. There is a green and cream geometric border. No. 10 printed on the lower left of the frame.document, certificate, music, foster & wilson collection, piano certificate, miss m foster, r f willis, john trevean, eaglehawk branch a. n. a. annual competitions -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Porcelain figure of a doctor holding a baby
Porcelain figurine of a doctor holding a baby. The figure is male in appearance, and is wearing a long white coat which is enclosed at the collar and extends below the knees. The figure is wearing brown trousers and black shoes, and is standing upright with legs together. The figure has black hair, an exaggerated protruding nose, and has a serious expression, looking slightly upwards. The figure is holding a baby by the waist in his right hand, supporting the baby's feet with his left hand. A small Certificate of Origin is attached to the figure's left arm by a short length of green ribbon. The certificate is signed by the artist and indicates the piece was made in Italy. The base of the statue, between the figure's feet, is painted with the inscription 'PoG'. Underside of base is painted with the inscription '72/17'1/ITALY'. -
Wangaratta Historical Society
The Painted Glass Window
This window was originally above the door at 29 Murphy Street, a butcher shop run by Jas. Ferguson and Company and later bought by Bob Hoysted who had worked for Jas Ferguson as an apprentice. The window sits in a painted wood frame and illustrates a pastoral scene with a cow, two grazing sheep and a path leading to an open gate. Butcher shops typically illustrated their business with illustrations of the animals they sold. The painted glass pieces are held together by lead. Some of the pieces are textured. The artist is unknown. It is possible that the window was imported from Europe since decorative glass works in Australia at the end of the 19th century were rare, if not non-existent. Decorating store fronts with windows such as this one was popular in Melbourne at the end of the 19th century. -
Ballarat Tramway Museum
Drawing - Illustration/s, Gordon Thurling, B&W drawing of tram 39 and Ballarat Town Hall, 1971
890.1 - black and white drawing of tram 39, with destination "Sebastopol" with Ballarat Town Hall in background. Has words "Greetings from BTV 6" by the top of the trolley pole and "The last tram Sturt St. Ballarat - 19th September 1971" with a thick black border. Printed onto white paper with a slight gloss. Understood to be a copy of the drawing used on Ballarat TV channel 6's Christmas card for 1971. 890.2 - same drawing printed on one half of dark orange heavy paper, but without the words "from BTV6". Understood to be used as a Christmas card by the City of Ballarat for 1971. See btm6422 for a coloured large version. Original drawing by Gordon Thurling, BTV6 graphic artist at the time.trams, tramways, 39, city of ballarat, btv 6, town hall -
Flagstaff Hill Maritime Museum and Village
Artwork, other - Shipwreck Board, The Eye of the Needle: Shipwrecks, Stranding's and Collisions, ca 2002
The Shipwreck Board is a feature of Flagstaff Hill Maritime Museum and Village/ its subject is explained briefly in the Museum's handbook, The Flagstaff Hill Navigator, published in 2008: - "Known as the ‘Eye of the Needle’ the treacherous entrance to Bass Strait is littered with the wreckage of large international vessels and smaller sail and steam craft used in coastal trade. The vessels bringing emigrants and cargo to Australia found the western entrance to Bass Strait the most dangerous part of their voyage. They had to thread their way between the southern point of Victoria (Cape Otway) and the northern point of King Island, a stretch of water less than 90 km wide. Many smaller coastal vessels were lost at Portland, Port Fairy, Warrnambool and Apollo Bay which are not safe harbours in certain weather conditions. "The Shipwreck Board shows shipwrecks, strandings and collisions which occurred in this area up to the year 1940. Wrecks are identified by a yellow light and collisions/strandings by a green light. These lights also identify the decade the wreck occurred by lighting up when the relevant decade button is pushed. Interesting happenings of the decades are listed next to the buttons." The Shipwreck Board's demonstration of The Eye of the Needle is an interactive visual display that helps teach the perils and dangers faced by early settlers in Victoria. It tells of the vast number of lives lost. It lists the names of many infamous shipwrecks and significant events.The large stained and lacquered timber board is mounted in a timber, frame. It is painted with a small sketch of Australia, and an enlarged outline of the southern coast of Victoria, King Island and the North West coast of Tasmania. The interactive display highlights the shipwrecks, standings and collisions suffered by many vessels as they navigated the 'Eye of the Needle', a narrow stretch of Bass Strait. The locations of the Lighthouses are pinpointed. Lists of groups of ships are below the coastlines. A painted scroll shows eight major shipwrecks with the number of lives lost for each one. A table shows historical facts associated with the decades from pre-1830 to 1940. A system of coloured lights compares the decades with the vessels that suffered damage. The board was created by artist and signwriter, Alex O'Flynn Computer Signs.flagstaff hill, maritime museum, maritime village, shipwreck coast, eye of the needle, shipwreck locations, bass strait, basses strait, king island, north west tasmania, south coast of victoria, cape otway, victorian lighthouse, king island lighthouse, strandings, coastal tracers, emigrant ships, sea trade, 1930s-1940s, shipwreck board, the eye of the needle, collosions, alex o'flynn, alex o’flynn computer signs, shipwrecks of western victoria -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Painting, John 'Jack' Courier, Blue Landscape
It is likely this item was received from the estate of John 'Jack' Courier. Courier left a bequest to the College consisting of a significant number of artworks by himself and others.Abstract artwork on paper. Artwork consists of a range of geometric shapes in shades of blue, brown and black. The artwork has been adhered to a piece of brown board. Title of work written at bottom left is partly obscured, but appears to read 'Blue Landscape'. The artist's name is handwritten at bottom right and reads 'J. Courier 5/12'. The board appears to have been previously housed inside a frame, as the back edges of the board have suffered losses from the removal of tape. Handwritten inscription on the back of the work has been partially lost, but reads '...E LANDSCAPE/J. COURIER/368 TOORAK RD/STH YARRA/Price $22'. There are four small stickers from Gibson's Auctioneers attached to the back of the artwork. -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: COLONIAL BENDIGO ON DISPLAY
BHS CollectionCopy of an Advertiser Article titled Colonial Bendigo on display. The article mentions an exhibition organised by the Bendigo Art Gallery to celebrate Victoria's 150th anniversary. Mentioned are the artists George Rowe and S T Gill. The photographers Alex Fox and Nicholas Caire. Thomas Ham introduced engraving in a commercial capacity. Edwin Stocqueler and Ludwig Becker are also mentioned. Written above the article is: Mining on Victoria Hill, also known as Ironbark Hill. Dec 1 - 1984. On the back glass plates are mentioned. Also S T Gills water colours, lithographs and engravings. There is a photograph by Nicholas Caire, taken in 1875, showing the excavation of quartz reef and mine buildings, popper legs and chimneys near Ironbark Hill.bendigo, history, long gully history group, the long gully history group - colonial bendigo on display, bendigo art gallery, george rowe, s t gill, alex fox, nicholas caire, thomas ham, edwin stocquelerthe advertiser, ludwig becker, burke and wills, victoria hill, ironbark hill -
Warrnambool and District Historical Society Inc.
Book - World War 11 Cartoons by Armstrong, Harold Armstrong, Argus cartoonist, War Without Tears - 100 of the War's Wittiest Whimsies, late 1940s
World War 11 War Cartoons by ArmstrongThis is a book of war cartoons. The cover has two cartoons in colour and black and white and red and black printing. The spine is slightly torn.The pages contain comic sketches in colour, black and white and brown and white and sepia tones. Some pages at the front are of a shorter width than the other pages. The pages are stapled.fictionWorld War 11 War Cartoons by Armstrongworld war two, world war two cartoonist armstrong -
Warrnambool and District Historical Society Inc.
Plaque, Why Fail
This is one of a series of plaques which commemorated some of the winners of the Grand Annual Steeplechase which is held each year in Warrnambool. It is the longest race at a public course in Australia.The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. This series of plaques were painted by local artist Leslie Lamey and were originally in the members enclosure at the Warrnambool Racecourse. Why Fail won the Grand Annual in 1935 with jockey H Perrett . These items relate to a significant part of Warrnambool's sporting and social history. Primary Significance Criteria Painted white rectangular tin plaque with rolled edges with painting of jockey's silks and cap. The jockey silks have mustard yellow sleeves and cap with green front and back.Why Fail in black texta written on the back of plaque.warrnambool, grand annual steeplechase, horse why fail, jockey h perrett 1935 -
Warrnambool and District Historical Society Inc.
Plaque, Spring Fortune, C 1990
This is one of a series of plaques which commemorated some of the winners of the Grand Annual Steeplechase which is held each year in Warrnambool. It is the longest race at a public course in Australia.The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. This series of plaques were painted by local artist Leslie Lamey and were originally in the members enclosure at the Warrnambool Racecourse. This plaque notes the win of horse Spring Fortune (NZ) in 1987. These items relate to a significant part of Warrnambool's sporting and social history..1 Painted white rectangular tin plaque with rolled edges with painting of jockey's silks and cap. The colours are green and blue in opposing squares on the front with blue sleeves. The cap is green with white lines. . Six holes are around the edge. .2 Galvanised rectangular metal plate with engraved text. .1 SPRING FORTUNE .2 Messers K.T. MYERS J. McLEOD & T.F. DANAHER SPRING FORTUNE (NZ) WINNER OF THE GRAND ANNUAL STEEPLECHASE 1987 warrnambool grand annual steeplechase, spring fortune -
Eltham District Historical Society Inc
Document - Folder, Nillumbik Shire Council, Discussion draft: Refocused guidelines for the Art in Public Places Program, 2003
Document includes discussion of impetus, preamble, policy context, objectives of the Art in Public Places Program, What is Public Art, Identification of sites and opportunities, funding, initiation the commissioning of works, selection of artists, project management, consultation, conservation and maintenance, de-accession guidelines, ownership, documnetation, and list of 11 pieces of Public Art Pieces in the Nillumbik Art Collection. Separated from Folder 73 from Harry Gilham Collection 8 pagesnillumbik art collection, public art -
Mortlake and District Historical Society
Painting, William Alen, The Old Windmill, 1916
The Old Wind Mill in Mill Street Mortlake was constructed in 1856 by Thos. Bostock. It was erected to process locally-grown grain to supply the increased population of the Ararat goldfields with flour. It was painted in 1916 by W.Alen a local artist, who did not have first-hand knowledge of the old Mill, but would have relied on descriptions from those living in the district who did, as well as possibly recollections of windmills in Europe and Britain. The Mill has been a prominent landmark in Mortlake for over 150 years. It was converted to steam after it was sold in 1857 to Hamilton, Aikman and Geddes. Its use declined after the Ararat goldfields petered out, the diggers moved on and local soils proved unsuited to the sustained cultivation of wheat. The existing Mill Chimney is Heritage listed and is part of the National Estate.1 paintingSigned W.Alenmill windmill mortlake national estate hamilton bostock aikman geddes -
Federation University Historical Collection
Magazine - Emagazine, Fedpress Magazine, 2016-2019
Formerly known as Hotch Potch, FedPress is the student publication of Federation University Australia. FedPress is a space for students to showcase their written and visual talents. The editorial team aim to inform, inspire, and entertain. We are looking for a range of different creative individuals — journalists, reviewers, poets, designers, artists, and photographers — to submit content. FedPress Magazine prints four issues a year and is distributed across FedUni's Ballarat, Wimmera and Gippsland campuses. PDFs of the Federation University Magazine 'fedpress'. Hardcopy of the following years: Issue No 3, October 2014 (Rianh Silvertree, Mathew Lambrou, India McGee, Kayla Elizabeth Stone, Amber Dance, Australian University Games,Amphipipolis Tomb) Issue 4, February 2015 (Kayla Elizabeth Stone. Clubs and Societies, Monash University Gippsland Student Union, Federation University Football Club, Student Senate, Student Connect, Kaitlyn Ashmore, Issue 5, April 2015 (Ellen Sabo, Sexual Education, Gippsland Campus, Monash Campus, Sammy Desai, Zach Mullane, Feduni Living Kakoda Trek) Issue 6, 2015 (Southern University Games, Student Senate, Memories of War Project, Survivors of Suicide, Gippsland Campus, Lucinda Horrocks, Exam Information For Students, Tania McMullenNational Student Leadership Workshop, Mining Games, AUSIMM, The History of MMO, FEdUnied Soccer) Issue 7, July 2015 (PASS - Peer Assisted Study Sessions, Mad Swan Productions, Student Senate, Adam Bignold, Rainh Silvertree, Rebecca Fletcher, Pietro Angeli) Issue 9, October 2015 (Student Senate, Jeannie King, Australian Space Agency, S. Hooley, Rebecca Fletcher, Animal Rights, Breanna Alexander, Pietro Angeli, Jody Dontje, Amanda Mill, Frank Gartlan. Joel King) Issue No 10, 2016 (Unibar, Stone Cutters, Australian Hospitality, Jogy Dontje, Jess Kelly, Pietro Angeli, Getting Through Semester One, Online Student understanding, Liana Skewes, Brianna MacDonald, Student Services, Student Senate, S. Hooley, HECS Help, Ashleigh Dyer, Six things that can cost you easy marks, Laura McLachlan, Surviving grief, Theahna CoburnTenneill Pearl, Rochelle Jardine, Zach Mullane, Dakota Richards, Survival Guide, Scarlette Baum) Issue No 11, May 2016 (Rebecca Fletcher, Joshua Paddon, Hooliganism, Catherine Elliott, Fedpress School of Rock, Dakota Richards, Zach Mullane, Scalette Baum, Clubs, Societies, Sport, FedUni Ultimate Frisbie Club, Geolgoy, Dean DiQuinzio, FedUni Geology Society, Sebastian Wolfe) Issue No 12, 2016 (Crows, Joshua Paddon, Sarah McLean, Fandom, Learn Another Language, Laura McLachlan, Planes, Pietro Angel, Cover Co, mpetition, Megan Corder, Jess Kelly, The Secret Life of Post-Grad Students, Cale Hellyer, What I hate about Facebook, Damian Brown, National Student Vounteer Week, Premnath Chakarvarty, Selin Kasif, Brendan Caffrey, Senate Six, Fed United, Awards, Ultimate Frisbee, Ashleigh Dyer, Cassandra Lovett, Rochelle Jardine, Dakota Richards, Freya Fogliani) Issue No 13, 2016 Issue No. 14, February 2017 Issue No. 15, May 2017 (James Charlton, Rebecca Fletcher, Timothy Kirkham, Mohammad Sami Baardarani, Lajan Maharjan, Jennifer Pont, Kate Williams, Damian Brown, Matthew James, Zoe Ormiston, Freya Fogliani, Myles Hema, Jess Powell) Issue No. 17, October 2017 (Jack Barnes, Damian, Syed Zain Ali, Molly Irvine, Rebecca Fletcher) Issue No. 18, February 2018 (Submission Dates, Guidance for the Shell-Shocked Graduates, Pills, Shark, How to be a Writer, Climate Summit) Issue No. 21, October 2018 (Bianca Bedford, Kelsey Knight, Laura Benney, Rainbow Collective, Smartphone, Sarah McLean, Monique Stephens, Clare Hartigan, Liam Carter) Issue No. 22, March (2018) 2019 (Elizabeth McCracken, Troy Anthony Platt, Liam Carter, O.R. Brayne, Dakota Powell, Elizabeth McCracken, Dan Schweinzer, Jordyn Presley, Sarah McLean, Bianca Bedford, Bronwyn Nel, Beck Small, Tara Parada) Issue No. 23, July 2019 (Beck Small, Jasmyne Tziziras, Jodie Flower-Russell, Maxwell Waterhouse, Dhogaluxmi Chemen, Alisha Hendrick, Elizabeth McCraken, Trent Bowes, Will La Grue, Laura Benney, Sir Troy Anthony Platt, Harrod Boadie, Kathryn Drum, Jordyn Presley, Bianca Bedford, Bronwyn Nel, Olly Brayne, Cherise Oosthuizen, Chloe Waddell, Nyalat Pel Kun, Autism Issue No 25 (April 2021) (Jesse Noonan-Wade, Laura Wilson, Chloe Hopkins, Jordyn Presley, Ruby Sait, Lauren Johnson, Kymberley Loats, Darren Rout, Maddison Gill, Baklava, Covid-19 pandemic, exercisefedpress, brad paisley, selin kasif, dakota richards, emma gamble, damian brown, clare hartigan, tanya bird, freya fogliani, scarlett baum, amanda mill, jess powell, feduni quidditch, rebecca fletcher, bridget o'brien, lisa tops, jordyn presley, jack barnes, emma-lee winters, brook forrest, bianca bedford, jessica rae, laura wilson, laura benney, monique stephens, kelsey knight, sarah mclean, liam carter, bronwynn nel, olly brayne, cherise oosthuizen, chloe waddell, nyalet pel kun, trent bowes, elizabeth mccracken, beck small, jasmine tzaitziras, jodi flower-russell, will la grue, laura benny, maxwell waterhouse, sir troy anthony platt, dhogaluxmi chemen, jarrod boadle, alisha hendrick, autism -
Tatura Irrigation & Wartime Camps Museum
Photo
Ken Hill was a member of the Australian Army Amenities Service - AAAS Mobil Cinema Unit No. 36 around 1946-47. He was based at Murchison Camp 13 where Josef Thum, an artist, was a Prisoner of War. Hill was a Mobile Cinema Operator during this period, after hostilities had ceased and Thum was permitted to assist in the presentation of "Pictures", to use the common term of the period, each time pictures were screened.Black and white photo of an army truck which was used by Australian Army Amenities Service around 1946/47 which was based at Murchison Camp 13photography, photograph, slides, film -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Salt Fire Platter by Peter Steggall
Peter STEGGALL This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.A large, decorated ceramic platter.jan feder memorial ceramics collection, ceramics, artwork, gippsland campus, peter steggall -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Salt Fire Platter by Peter Steggall
Peter STEGGALL This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.A large, decorated salt fired platter.ceramics, artwork, jan feder memorial ceramics collection, peter steggall, platter -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Salt Fire Platter by Peter Steggall
Peter STEGGALL This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.A large, decorated ceramic platter. peter steggles, ceramics, jan feder memorial ceramics collection, artwork -
Federation University Art Collection
Ceramic, Davies, Terry, 'Lake Wendouree Man' by Terry Davies, 11/2012
Terry DAVIS Awarded a Bachelor of Arts (Hons) Art and Design, North Staffs Polytechnic, UK; Master of Arts Humanities, Flinders University of South Australia; and Doctor of Philosophy, Humanities, Monash University, Victoria. Terry Davies was an artist-in-residence at the University of Ballarat (now Federation University) in 2011. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Ceramic bustart, artwork, terry davis, ceramics -
Federation University Art Collection
Painting, Lyn Cooke, 'Rainforest Home' by Lynne Cooke
Lyn COOKE An artist specialising in wildlife, Lyn Cooke draws from the rich heritage of wildlife art in Australia beginning with the natural history illustrations of John William Lewin and John and Elizabeth Gould. Her aim is to accurately depict the natural environment and this is reflected in her highly detailed paintings. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a frog in landscape.Signed lrs 'L. Cooke'art, artwork, lyn cooke, frog, available, rainforest -
Surrey Hills Historical Society Collection
Watercolour Painting, The Rotunda in the Surrey Gardens,1966, 1966
The rotunda in the Surrey Gardens was built in 1912 and demolished in the early 1970's. The rotunda was dedicated to John Gray in appreciation of his service to the community. The watercolour was painted in 1966 by Miss Barker of Union Road. The artist may be Valerie Jean Barker of Unit 5, 246 Union Road. (REF: 1963 electoral roll). There is no knowledge of the identity of the lettering in the lower right hand corner of the painting. The medium is grey lead ink and watercolour. Framed watercolour of the rotunda in Surrey Gardens painted circa 1966. The medium is grey lead ink and watercolour.On the back: "The Rotunda in the Surrey Gardens, 1966/, Ink and watercolour by Miss Barker of Union Road, Surrey Hills/ [Could be Valerie Jean Barker, 5/246 Union Road - ref:1963 electoral roll]"