Photocopies- 3 of. Black and white. 2 of the same man, wearing a thick beard and moustache. The other photocopy is of a older man,top hat and unbrella.person, individual, male, portrait of 2 unknown men.

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a sailboat moored beside a rope fence, with a man carrying a woman across the shallow water, and another man standing holding a line.catalogue number on reverse in pencilchurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a man and horse taking a break from pulling a hay baler aloft. The windmill can be seen in the background along with another horse and man.Catalogue number written on reverse in pencil Handwritten on pen in reverse 'Having a break from pulling the hay grabber aloft. Churchill Island Easter Festival 30/03/2013'churchill island, photograph

Colour Photograph. Band members on stage older man on Emu Creek washboard. Younger man playing accordian. Partial member playing guitar.photo, group, musicians

Suggested reading - David Mitchell, A Forfar Man - Pamela Vestey. (National Library of Australia ISBN No. 0646104977 Second edition - 1996.A discussion paper by Murray Houghton, Warrandyte Historical Society, on the excavation of Pound Bend tunnel and examination of information sources suggesting David Mitchell's association with gold mining at Warrandyte." ... Just what then was Mitchell's actual association with mining in the Anderson's Creek goldfield? As an initial means to determining this, a number of biographies devoted to the man's lifetime achievements have been consulted. Some two of these were found to contain rather brief references to his involvement at Warrandyte. In the 1992 booklet entitled "David Mitchell a Forfar Man" written by a Mitchell family member, viz., Pamela, Lady Vestey, of Coombe Cottage, there is included a passge which commences "Another of David Mitchell's early interests was gold mining". This is appended by the bald statement "In 1870 he formed the Evelyn Tunnel Gold-Mining Company with a capital of £16,000." The other account of a Mitchell involvement with an unnamed Warrandyte company is contained in Joan Campbell's 1974 biographical article entitled, "Mitchell, David (1829- 1916) builder, contractor and businessman, etc.", in Volume 5 of the "Australian Dictionary of Biogaraphy". Campbell mentions that "In 1890 (sic) Mitchell formed a company to mine a channel and tunnel on the Yarra River at Pound Bend, Warrandyte," i.e., at a period some 18 or so years after it is known that the Evelyn Tunnel Gold-Mining Company had actually ceased operations. She then continues with the bizarre statement that "he employed gangs of Chinese to work three miles of river bed for gold". Neither of these respective excerpts indicate evidence of having been directly referenced from a legitimate original source, from which either author's contained comments might be authenticated. For any historian with an enquiring mind these statements demand further clarification. ..." - Murray Houghton

A photo taken at the parade held on 29 September 1985, in conjunction with the flower show, commemorating the 150th anniversary of Major Mitchell's visit There was also the unveiling of a plaque commemorating the Wildflower Show and its many volunteers.The photo shows a man and a woman in conversation with another man and woman who are almost out of the shot (on the right). The woman to the left is holding a brown paper bag and a spray of thryptomene. The man on the right (who is almost out of shot) is also holding a spray of thryptomene.events, wildflower show, events, parades

The telephone number beginning with '9' against the artist's name on the back of the painting dates it as 1995 or later, that being the year this landline telephone numbering format was introduced.Unframed portrait of a man wearing a jacket and tie.Handwritten notation on back of painting - "Jan Sebinski 97295172".

Replica Dead Mans Penny in presentation casemedals, ww1, general

One of 17 photographs donated by Olive BlameyColour postcard of shoreline with man and dog in foreground."Scene McCaffey's Reef, Cowes" Letter on back to Arthur Blamey from his cousin Keith and all at Heath Hill, Rhyll, Phillip Island wishing him many happy returns of the day.coastline phillip island

Gus and Ellen Knight with eldest son, Charles in their Stanley Steam car built by gus C1910Photo shows a man, woman and baby in a carpeople, knight

Photo shows Gus and Ellen Knight with baby Charles in tier handmade Stanley SteamerPhoto shows a man, woman and baby in a carpeople, knight

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .4) A tintype portrait of a man, attached to a card. little gem, tintype, man, unidentified man

Robert Clark was the owner of the Ballarat Courier.Black and white photograph portrait of a bearded man.robert clark, courier, ballarat courier

John McAllister was a lecturer in Mining at Ballarat University College, a predecessor institution of Federation University Australia.Colour photographuc portrait of a man - John McCallister.ballarat university college, mcallister, mining

David Ham was an early resident of Ballarat.An image of a bearded man known as David Ham.david ham, ham

Artwork of a man and a woman in parallel to each other.Pencil mark of 18692 on back.art,artwork, university of ballarat, man,woman, embrace,

William Foster Stawell was Chief Justice of the Supreme Court of Victoria from March 1857 until September 1886. He was president of the Ballarat School of Mines Council from 1876 until 1889.Photographic portrait of a man named William Stawellwilliam stawell, legal, supreme court of victoria, ballarat school of mines, ballarat school of mines council, sir william foster stawell

Port of Portland Authority archivesFront: (no inscriptions) Back: Robert Menzies PM/ Signing visitors Book/ 18 July 1958 (pencil, upper left)port of portland archives, robert menzies, prime minister, 1958

Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner/ Tugmaster (blue pen, centre left)port of portland archives, portrait photography, david milner, tugmaster

Ration Pack One Man One Dayequipment, somalia, army

WW2 $1 Dollar Coin "Dancing Man"ephemera, general

COLOUR PHOTOGRAPH OF building. Man going in the doorway.photograph, building

Photograph - Man on Bike On Rear: Tim Deckerrecreations, sports, cycling, bendigo advertiser

Churchill Island has a large photographic collection dating from the nineteenth century. Photograph of man wearing earmuffs and mowing in an orchardcatalogue number on reverse in pencilchurchill island, photograph