‘Relax, We’re Doing Great’ explores the mixed messages and lottery of language we have been exposed to during COVID19. Sourced from local and global leaders, warning signs and public messages, the text ranges from instructional to in-denial; to even epidemiologically dangerous rhetoric.These works connect into the hand-made, digital and 24/7 news cycles - key coping mechanisms for fears and uncertainty - of this pandemic period. The power and importance of language is highlighted when experienced en masse. The repetition of the layout of these works also allows for the creation of GIFs – mimicking the flickering of LED signage.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it.

Leaving Isolation is play on words; a pun. It is a joke shared with new imaginary friends found while living alone, in isolation. Processing emotions, sanitising theories, engaging in shadow play; these works show individual native leaves that resemble expressive faces collected on permitted daily walks. 30 small, 15 x 21 cm still life studies in ink and watercolour are hung to reference a calendar month during COVID-19. The work considers the nature of ecology in the anthropocene while confronting emergent psychological myth-scapes during Lockdown.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it.

Score for Multi-Species Partnerships is a participatory performance and moving image assemblage. The score offers a guided framework to become reacquainted with the everyday, queering notions of community and care through meditative movement practice. Inter-species collaborators partake in a series of propositions which facilitate a ‘becoming-with’, deepening their sense of place and comfort with one another and their environment.Seeking alternative forms of connection during isolation, this global project uses embodied praxis and visualisation to bring together artists and non-artists, humans and non-humans, to consider how we co-exist and affect one another through material and energetic transference. Initiated in April 2020 following the COVID-19 outbreak, participants chose whether to practise anonymously or document their experience and contribute to the visual archive. The private becomes public as intimate encounters in domestic settings are shared, speaking to cultures of performativity and voyeurism in the digital age. Artist/Director: Luigi Vescio. Performers: Adina Kraus, Anna McDermott, Claudia Lomoschitz, Josh Freedman, Luigi Vescio, Martin Lee, Maximilian Bishop, Melanie Cobham, Nathan Dubber, Niharika Senapati, Omar Felix Faber, Pia Lauritz, Rachel Jessie-Rae O’Connor, Shamira Stone, Will Hall, Yuiko Masukawa.Many thanks also to those who chose to participate in private.This project was also supported by Creative Victoria through the Sustaining Creative Workers initiative.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it. Video

A sticker with the picture of a man with a spade and a pitchfork, holding a bottle at his feet three more bottles. At the top the words: I'm an Australian Bottle Collector. At the bottom: distributed by the Australian Bottle Review, PO Box 245, Deniliquin NSW 2710, Australia. at the side artwork by Rex Barber.magazine, club, australian bottle review

Artwork. Norman Penrose collection: 2 creamy pages of differing strokes of the pen to create drawings using light and heavier pressure. 1 page of pen practice. It has letters and strokes. Also some border design. Signed N W Penrose in the bottom right corner.N W Penrosedrawing, print, norman penrose collection, pen handling and practice, lettering and strokes

End of the line: a history of the Beech Forest to Crowes extension railway, 1911-1962. Norman Houghton. Artwork, layout, printing: Desktop Dynamics. ISBN: 978 0 9593013 7 3. Soft cover. iv, 54p., illus, diagrams. Published: 2011. Publisher: Norman Houghton.

This artwork, titled Eltham Copper Butterfly is made from recycled materials by community artist Felicity Gordon and is one of several of her projects at Edendale Community Farm. jim connor collection, artists, edendale community farm, eltham copper butterfly, felicity gordon, public art

Booknon-fictionWritten by two muralists and a sociologists the book documents the community based mural movement in the late 60s and early 70s in Canada and the USA.political art, revolutionary art, community arts, large scale works

Owned by the Leviny family. Collected by Kate Leviny. The Leviny women at Buda in Castlemaine were keen collectors of artworks by women printmakers from the early twentieth century.This original print by Australian woman artist, Mildred Lovett, is from a period in Australia's history when women artists and printmakers were gaining recognition for their work that had been a previously been an area dominated by male artists.Hand coloured linocut of a jug full of assorted berries, mounted in a frame. By Tasmanian artist, Mildred Lovett. Paper, ink, paint.Lower left corner 'Tasmanian berries'. Lower centre 'coloured linocut'. Lower right 'M. Lovett'. Verso '44' encircledmildred lovett, tasmania, linocut print, tasmanian berries, australian women printmakers, leviny collection, buda, castlemaine

Limited edition plaque containing artwork by Dick Evans to commemorate the 70th Anniversary of the Returned Services League of Australia created exclusively for members of the RSL and their next of kin.Silver plate frame with black mount containing RSL crest and sketch of Airman"Commemorating the 70th Anniversary of the Returned Services League of Australia 1916-1986rsl, 70th anniversary

Limited edition plaque containing artwork by Dick Evans to commemorate the 70th Anniversary of the Returned Services League of Australia created exclusively for members of the RSL and their next of kin.Silver plate frame with black mount containing Returned Services League crest above sketch of soldier holding automatic rifle"Commemorating the 70th Anniversary of the Returned Services League of Australia 1916-1986"rsl, 70th anniversary

The artist is currently a member of the Tramways / East Melbourne RSL, and has donated these prints himself. Framed print of the image created by 'Andrew Archibald'. Print is signed by the artist and editioned as 11/ 100. Image shows a young child receiving medical attention in AfghanistanPlate states 'Donated by Craig Horne' andrew archibald, afghanistan, medcap, children, medical treatment, doctors, artworks, war

Barry Dunstan graduated with a Bachelor of Applied Chemistry, from the Ballarat School of Mines in 1960. He taught at Yallourn Technical College, including as Head, School of Applied Science at Gippsland Institute of Advanced Education (GIAE); Dean, Academic Affairs, Monash University College, Gippsland; Campus Director of Monash University, Gippsland; and member of the Monash University Vice Chancellor's Executive.Framed academic portrait of Professor Barry Dunstan.tom alberts, artists, artworks, academic portrait, gippsland campus, churchill, barry dunstan, gippsland institute of advanced education

Sourced from Alex Stitt's extensive archive, this well used index book provides a fascinating insight into the operations of the designer's graphic design studio in the 1970s. Used as a repository to catalogue client artwork, each contact print was given a hand-written code, evidence of a simple system to manage the process of creating artwork. The book's monochromatic pages speak of a time long past when design was a manual undertaking, a time of hard copies, not hard drives. Dominic Hofstede, 2017Index book containing contact prints relating to businesses and promotional campaigns.graphic design

Handwritten letter on Amalgamated Mining Managers' Association of Australasia letterhead inviting students of the Ballarat School of Mines to attend the lecture on 'A Chapter in West Australian Geology' delivered by F.G. Johnson, F.G.S. at the Ballarat Mining Exchange. The artwork on this letterhead may have been executed by Henry James Hall.amalgamated mining managers' association of australasia, letterhead, j. sharpe, ballarat mining exchange, f.d. johnson, west australian geology, henry hall

Artwork. Norman Penrose collection: pencil drawing of a border type depicting a bird feeding on some berries. The design is set in the curving tendrils of the vine. Drawing mounted on cardboard with a grey matt. Drawing from Cast for Drawing Teachers Secondary Certificate. Norman W. Penrose. Initialled J.P.S.N. Penrosedrawing, pencil, school of mines, norman penrose collection, artwork, drawing from cast

Images taken around the Vision Australia Geelong office at 79 High Street, Belmont in 2008. Amongst the view of the foyer and walkway are the client artworks and banners sewn by volunteers.10 colour photographs taken around the Geelong officevision australia, geelong, volunteers

Electronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom. Blue paper sleeve housed in yellow plastic case. CD printed black and blue.non-fictionElectronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom.university of ballarat, federation university, graphic design, drawing, research, hdr, mt helen, school of arts, hearing loss, deafness, loris button, ross morgan, amanda george

Series of photos donated to the museum by Brian Bongiorno, creator of the artwork for his home. Brian Bongiorno's family's' shop "Bongiorno's", which was located on Sturt Street, is featured in the central photograph.Wood frame containing 11 photographic prints of Sturt Street locations, featuring Tram 11 from Adelaide in top right hand corner. Framed with perspex card backing, paper, tape and fitted on the rear with a hanging cord.ballarat, ballarat tramways, sturt st, btm, tram 11, adelaide, south australia

The pram was made by Otto Gottlieb, for his daughter Ruth's fifth birthday. Otto and family were internees in camp 3. Artwork by unknown artist. Originally had a hood but this is missing.Timber pram on metal rectangular "Wheels". Red metal handles. Sides are painted grey and trimmed in red. Hand painted animals, sea creatures, boats and a lighthouse. otto gottlieb, ruth gottlieb, internment camp wood work

Artwork. Norman Penrose collection: pen and ink drawing of cast iron fountain, Pall Mall, Bendigo. Also 1/2 plan, scale 1-1/2 inches = 1 foot. Part of brown matt remaining. Signed N. Penrose. Bendigo. Measured Drawing for A (rest is missing).N. Penrosedrawing, ink, norman penrose collection, artwork, cast iron fountain, pall mall, bendigo

The convention was held in the Brunswick Street Methodist Church, Cantebury Road, Surrey Hills on the 13th, 14th, 15th, 16th, 17th June 1940. It was arranged and convened by the Methodist Local Preachers' Association.Souvenir program for the 24th Holiness Convention. The program has a reproduction of the artwork "The Light of the World" by William Holman Hunt. The back cover is umber coloured with an image of a bible and card with the words "Behold I stand at the door and knock. If any man will open I will come in! Have YOU opened it yet?"Front cover: "I am "The Light and Hope of the World""methodist local preachers' association melbourne branch, brunswick street methodist church, fitzroy

From the front cover; "TWENTY-FIFTH ANNIVERSARY/ of Australian service in / Timor-Leste/ The Australian Peacekeeping Memorial/ Anzac Parade, Canberra/ Friday 20 September 2024".Soft Cover book. Cover - cardboard, with dark blue print on front and back. Illustrated - in colour, artwork - "Dili Wharf by Rick Amor 1999". 60 pages - cut, plain, white paper. Illustrated colour and black and white photographs, maps and flags. Front and back end papers illustrated.publication, book, peace keepers, timor-leste

Debra Couzens, Vicki Couzens, Lee Darroch and Treahna Hamm revived their communities' craft of cloak-making. Comprises tools, artworks, ornaments and two magnificently worked possum skin cloaks.vii, 64 p. : chiefly col. ill., map, ports. ; 18 cm.ISBN 1876944366aboriginal culture, possum skin cloaks

Heather was a TAFE student at Ballarat when this artwork was completed. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. If you are able to assist us make contact with the artist Heather O. please leave a message via the comment box below.art, artwork, peace, dove, heather, alumni

In 2001 Vision Australia clients were asked to submit artwork for consideration of inclusion into the annual Vision Australia Foundation calendar. These 12 images were selected from the many that were submitted.12 images used in the 2001 calendarvision australia foundation, fundraising

In 2002 Vision Australia clients were asked to submit artwork for consideration of inclusion into the annual Vision Australia Foundation calendar. These 12 images were selected from the many that were submitted.12 images used in the 2002 calendarvision australia foundation, fundraising