Blue wooden hammer with steel face plate and two bolts, used for battening down ships' hatches.transport - shipping, piers and wharves - waterside workers

8324.1 - Overall angular mudstone with one face showing two small but well-formed leaf fossils

8320.1 - Roughly prismatic pieces of mudstones, clearly showing on one face numerous plant leaf fossils.

8388.1 - Brass-faced spring-balance scales, with hook and rope-ring, rated up to 200 pounds.- Salter's spring balance No 20 made in England - Silvester's (?) patent to weigh 200lb

8375.1 - High-grade black coal; has very glass-like or obsidian-like fracturing and faces.

Metal oval buckle. No discernible decoration remains on the face. Reverse has the remains of clasps. Object is rusted.bendigo, gold mining, qc binks, qc binks.

Flying helmet with radio controls attached and painting of tiger face on front, name "Locky" written on back.helmet

Electric Clock - Smiths Setric Clock From 1937 the trademark "Sectric" appears on their synchronous models.Usually on the dial but sometimes also on the back cover. Early clocks had a prominent "T" in sectric. Smiths English Clocks 1931 Smiths, then called S. Smith and Sons (Motor Accessories) Ltd, entered the domestic clock market and formed a new company, Smiths English Clocks Ltd, as the Clock and Watch division with Cricklewood as the main factory. Smiths were one of the first companies to produce synchronous electric clocks. These were put on the market towards the end of 1931. Smiths formed a subsidiary company called Synchronous Electric Clocks to produce these clocks as the first models carry this name. 1932 Smiths purchased English Clock and Watch Manufacturers of Coventry, and acquired the trade names Astral and Empire. 1934 Smiths produced a synchronous alarm clock which they named the Callboy. 1934 They bought the Enfield Clock Co. The Smith's 8 day Calotte clock made its debut at the British Industries Fair in 1934. Prior to this date calottes had been exclusively of foreign manufacture. Also that year, Smiths introduced the Batriclock which was intended for areas where the synchronous clock could not be used. 1935 They introduced the Synfinity, which Smiths described as "the clock that never stops". They said it was "the remarkable combination of a synchronous electric movement with the essential elements of a fine precision lever escapement". If the electric supply failed the clock would run for up to six hours and rewind when the power returned. Apparently the synchronous motor also corrected the mechanical time train at intervals. Smiths produced a synchronous electric chiming clock. 1937 The trade name Sectric appears on Smiths electric clocks. Also the introduction by Smith's of a calotte clock with an alarm movement.Historic - Smiths English Setric Electric Clock Electric Clock - Smiths Setric Clock It is round with the numbers one to twelve, three hands with a white face. Smiths Sectricpuffing billy, clock, time, smiths sectric

George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure

Commenced production in 1920's Doll factory burnt down in 1951.Shurlie Doll manufactured in Stawell. Some signs of wear and tear, Hair loose, some cracks in face.doll, log cabin

Coloured Photo of children having their face painted by Jason the Fairy Tale Man at 1999 Wisteria Party.wisteria party, 1999, nunawading and district historical society

Used to record the start/finish times and days of work by its employees. A card with a unique employee identifier was inserted in the machine by the employee at the start and end of a shirt and the information was sent to the human resources/pay section to allow the updating of staff records and pays. This example was in in use at the Victorian Civil Ambulance Service from at leats the early 1960s (source Chas Martin AHSV curator 17 October 2016).Grey metal box. Clock face set in centre and slit in bottom. Cut power cord at back.Clock on and off

From the Wyuna, a twin-screw diesel electric pilot cutter. Introduced in 1953 and served with the Port Phillip Sea Pilots until 1979.The MV Wyuna served as a Pilots tender from 1953 to 1979 before fast pilot boats were introduced. During this time the Wyuna would lower a work boat to transfer a pilot onto a ship which would have had to come to a full stop to allow transfer, thus losing time and extra fuel. Today the fast pilot boats come along side a still moving vessel to allow pilot access outside Post Phillip Heads. Brass ships clock from galley of pilot vessel Wyuna. White face, black roman numerals. port phillip sea pilots, mv wyuna, gally clock

Grey enamel plate with the alphabet in bold black letters around the rim. Faded clock face in bowl .local history, domestic items, food & drink consumption

From birth of the Sub Branch, this plaque is what is looked towards in reflection of times past.The Long Tan Cross is highly significant to all Vietnam Veterans; this plaque is highly significant to members of the Diamond Valley Sub Branch.Rectangular wooden plaque with black face and gold lettering describing the historical background of the Long Tan Cross.Text describing the historic background of the Long Tan Cross.vietnam, vietnam war, diamond valley vietnam veterans sub branch

school type bag manufactured by Holden and FrostTwo pocket leather satchel with shoulder straps and carry handle on top with three brass buckles on faceGEERBEZleather, bag/satchel, ca 1900, back pack

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Three columns of hieroglyphs and remains of a red/brown paint on the face of the cone and on body, end broken off. Small paper label inscribed with 'A6' attached to cone.funerary cone, james dodgson, aquila dodgson, flinders petrie

Sepia photograph of a young woman wearing high necked dress and hair drawn away from face."Mrs Hitchens".mary hitchins, mary rankin

Painted plaster statue of boy with bag on his green jacket, red shirt, dark face and pants. Mark rear of base: 13 Triaca & Picchi

Black and white photo of rock face at Yarran Dheran Reserve used by Pioneers for building material (captioned)pioneers, yarran dheran

Donated by wearer; worn to churchWhite, chenille, off the face, 1960s bonnet shaped hat; small gilt brooch pinned on front.costume, female headwear

Four coins. A Florin - silver coin valued at two shillings. Has sword and mace with Crown and 'Australia' above, 'Florin' below the Southern Cross. Dated 1901 - 1951.An impression of King George VI on the face of the coin.Shilling - Impression of Queen Elizabeth II on the face,Rams head on the rear,word 'Australia' above and 'shilling' below coin dated 1961.|Sixpence - Queen Elizabeth II impression on the face, Australian coat of arms (kangaroo and emu) and the word 'sixpence' on the rear, coin dated 1962.|Threepence- Queen Elizabeth II on the face, three sheaves of wheat and the words 'threepence and Australia on the rear. Coin dated 1955.numismatics, coins

All soldiers are believed to be in the 38th Bn AIF not yet identified. .3) the original/negative is held in the Grinton collection. That were all in a collection of photos, records, magazines from the 38th BN reunion Association Melbourne.Three photos 2 B & W portrait no background, 1 sepia with building in background, all rectangular shape, soldiers in uniform. .1) Soldier face with Cpl stripes on arm. .2) Soldier face on wearing a great coat. .3) Soldier sitting side on a log..3) On rear, “Ted M”photographs, 38th bn

A joiners mallet constructed with a mortised handle into a metal shell bound around the striking faces. It is used for tapping wooden joints together such as mortise and tenon joints. There is an unidentified symbol on one side of the metal casting. Wooden striking faces are a reddish colour and could be red gum. Symboljoinery, woodworking, timber forestry branding hammer

There are three paper notes printed by WW2 Japanese Govt. 1. Face value is one pound. Printing in green ink. It depicts some palm trees and a beach. The letters OA OA are printed in Red. 2. Face value is one shilling. Printing in blue ink. It depicts Palm Trees and a beach. The letters OC OC are printed in red ink. 3. Face value is 1/2 shilling, purple ink. Depicts Palm trees and a beach.ww2, invasion money, japan

This clock was brought out to Australia in 1849. it was then bought in Ballarat by Samuel Richardson in 1865 and brought to Orbost when he settled there. The Richardson family was one of the very early settler families to establish themselves in the Orbost district. Samuel Richardson was builder of the Paddle Steamer Curlip. This clock may have been used as a marine clock. The Richardson family was one of the very early settler families to establish themselves in the Orbost district. Samuel Richardson was builder of the Paddle Steamer Curlip. A wooden mantle clock in a rectangular cabinet. It has pendulum striking. The face has blue and gold decorations. the numerals are Roman. The face surround is white and the numerals black.There is a glass door with red,blue and green decorations on the lower quarter. There is a faded printed label behind the clock and pendulum.Scratched onto the back: "To Australia in 1849. Samuel Richardson bought this clock in Ballarat1865"

2 Ladies wrist watches, 1 with black leather band circular white face with luminous numbers and hands, separate seconds dial, marked Election Swiss made. The other smaller with no band, white circular face with black numerals and red 12 and wavy pattern on case.Swiss made 0935 84 116361 2horology, watches

The mantel clock has a rich history that dates back to the 18th century. These smaller clocks were designed during an age when people wanted elegant timepieces that fit on mantels or shelves. Their compact size and decorative designs made them a popular choice for homes of the time. They graced the mantelpieces or tables in homes, serving as both functional timepieces and sophisticated decorations. These clocks often feature ornate wooden carvings and intricate designs, with their gentle ticking and chimes adding a cozy ambiance to living spaces. It was used by the Manders family. Peter Mander.A wooden steeple cased mantel clock with a hinged highly decorative glass front, black roman numerals and metal hands on the enclosed white face. It has a decorative brass pendulum with an eight sided star with a woman's face design on the star. Brass trimmings are seen throughout the mechanism.mantel clocks, clocks, timepieces, shelf clocks