Showing 762 items
matching green family
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Whitehorse Historical Society Inc.
Functional object - Baby's Bath, c1880s
Used by Donor's mother's family. Grandfather Webber Parish Minister. Used by donor for her own familyTin baby bath painted yellow inside and green outside. Two bear decals insidedomestic items, ablutions -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book, E-Gee Printers Pty.Ltd, Local History : Carrum to Cheltenham, 1999
A small softcover book dark green in colour at the top of the front cover is the authors name written in purple and the book's title written in large red letters there is also a charcoal drawing of a person driving a horse and dray with what looks like sacks of produce in the back on the back cover is text by the author and three reviews by different people.The book also contains a lot of old black and white photos of the family and places of note in the area.cheltenham, kingston, pioneers, moorabbin, carrum, mordialloc, picnic, asylum, hobsons bay, brighton, beach boxes, bridge hotel. -
Federation University Historical Collection
Postcard, World War One Souvenir Christmas Postcard, c1916
Soldier Harry Holmes of Ascot, Victoria sent this postcard to his family while serving in the Australian Imperial Forces (AIF) in France. HENRY SMERDON (Harry) HOLMES was born in 1897 at the family property, ’Sauchieburn’, 17 km north of Ballarat, in the Ascot district. He was the youngest of four children. After finishing his education at St Patrick’s College, Ballarat, Henry joined the Holmes family farming interests. At the age of 18 he enlisted and served with AIF in Egypt, France and Belgium 1915-1918. Henry served at the famous battlegrounds of Ypes and Somme in the Australian Army 8th Battalion. He was a Driver with the 4th D.A.C. The postcard is of "The Ascot" boys. Includes [Samuel] Gordon Spittle, Henry [Harry] Holmes's first cousin, and other Ascot lads and district connections: neighbours, Ascot State School classmates and football mates from Clunes / Creswick districts. (Research by Jane Dyer) White Postcard with embroidery on white silk. The embroidery features green ivy leaves and red berries, and the words "Happy Christmas".Verso "All good wishes to all the dear ones at home for a happy Xmas and a bright New Year from Harry 11/11/16."chatham - holmes family archive, chatham, holmes, harry holmes, world war, world war 1, world war one, world war i, france, christmas -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Cleeve, Lucas, Yolande the Parisienne by Lucas Cleeve, 1900
Hardcover book, 314 pages. Book has a green cover with black printed text and a family creat. Lower corner of book has a yellow label attached.fictionlucas cleeve, fiction -
Warrnambool and District Historical Society Inc.
Book, Stories Untold and Faces Forgotten By James Affleck, 2015
This project started from the discovery of named photographs which were discovered behind an Honour Roll at the Koroit Primary School during renovations in 2009. These two volumes contain enlistments in the First World War, from the area of Koroit, Port Fairy, Macarthur, Penshurst and surrounding hamlets. It stretches from Codrington in the West through to Byaduk, Penshurst, Caramut in the north, and down though Woolsthorpe, Winslow and Dennington. It includes the personal family details, military records, photographs where possible, and fate of each soldier. Enlistments from the district numbered 250 men who paid the supreme sacrifice and 1100 who returned. It includes citations for bravery, excerpts from correspondence and local press.The significance and value of these two volumes lies in the fact that they bring together a large amount of information from various sources and link them effectively to the area of the Western district. They tell the stories of the many district soldiers of the first world war.Volume 1 Cover has collage of photographs of soldiers over coloured with different shades of green. Title text is white on black banner. Back cover is in shades of green, yellow and black with photograph of soldier and his bride in the centre. 348 pages Volume 2 has the same front cover with a family plaque on the back cover commemorating the four Dix brothers. Page numbers continue into Volume 2 up to page 654. The full index of names is contained in Volume 2. Signed James Affleck, April 17, 2015 on title page. The volumes are dedicated to “The brave men of the AIF, particularly those written about in these volumes.” stories untold and faces forgotten by james affleck., soldiers from the western district ww1, codrington, byaduk, penshurst, caramut, warrnambool -
Glenelg Shire Council Cultural Collection
Accessory - Sash, n.d
C..R. Chief Ranger - Preside over the Court and endeavours to preserve proper decorum, promote due attention to business and administer justice without partiality. The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Small purple sash, green stripe down both sides * SCR (Chief Ranger), coat of arms, AOF (Ancient Order of Foresters) printed / embroidered in green and goldancient order of foresters, sash, society -
Glenelg Shire Council Cultural Collection
Domestic object - Doll's Sugar Bowl, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, PortlandPorcelain sugar bowl with stamped relief pattern. Transfer image of violets and leaves. Gold highlights. Glazed with green glaze around base, white elsewhere. Made from two-piece mould. Sugar bowl: Base: 9.5 x 6 Height: 5.3 Lid: Base: 4.5 x 3.5 Height: 4.3 -
Glenelg Shire Council Cultural Collection
Accessory - Sash, n.d
The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Small red sash, green stripe down each side. *JW, coat of arms, A.O.F. (Ancient Order of Foresters) embroidered in green and goldancient order of foresters, friendly society, societies, victoria -
Glenelg Shire Council Cultural Collection
Accessory - Sash, n.d
The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Small red sash, green stripe down each side. *S.B., coat of arms, A.O.F. Printed / embroidered in green and gold AOF - Ancient Order of Forestersancient order of foresters, societies, friendly society -
Glenelg Shire Council Cultural Collection
Ceremonial object - Sash - Ancient Order of Foresters, n.d
The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Plain green sash, cloth, hemmed, a narrow piece of lighter green ribbon attached to one of the long sides, about a quarter of the way along. -
Glenelg Shire Council Cultural Collection
Accessory - Sash - Ancient Order of Foresters, n.d
The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Plain green sash, red fringe either end *T and a bunch of keys in gold and black, printed on to sashancient order of foresters, friendly society, sash -
Glenelg Shire Council Cultural Collection
Ceremonial object - Sash - Ancient Order of Foresters, n.d
The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Plain green sash, red fringe either end, sash in two pieces, there is also a hand-sewn seam. -
Glenelg Shire Council Cultural Collection
Leisure object - Milk Jug - Doll's, n.d
Part of Graham Colection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, PortlandPorcelain jug with stamped relief pattern. Transfer image of violets and leaves over exterior surface. Gold highlights painted on. Green glaze around base, white elsewhere. Made from a two-part mould. -
Glenelg Shire Council Cultural Collection
Album - Ward Family Photograph Album, 1890s
Displayed in History House. Sign from History House reads: Donated by Miss M. Batson, PortlandDark green leather bound album. Numerous thick gold-edged pages for single photographs.Front: (inside cover, label) The Ward family photograph albumward family records, family history, family photography -
Glenelg Shire Council Cultural Collection
Leisure object - Coffee Pot - Doll's, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, PortlandPorcelain pot with lid. Decorated with a stamped relief pattern. Transfer images of violets and leaves, highlighted with gold paint. Green glaze around base, white elsewhere. Made from a two-part mould. -
Glenelg Shire Council Cultural Collection
Costume - Sash, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland. Displayed in jewellers box (3370.3 & 3370.4).Long narrow green-gold sash woven in satin-like textile with an overt weave pattern. Long silver-gold tassels on each end (approximately 9 cms), sewn into sash with 3 rows of silver thread. -
Glenelg Shire Council Cultural Collection
Costume - Sash, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland. Displayed in jewellers box (3370.3 & 3370.4).Long narrow green-gold sash woven in satin-like textile with an overt weave pattern. Long silver-gold tassels on each end (approximately 9 cms), sewn into sash with 3 rows of silver thread. -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Butter Dish - Portland Lighthouse, 1930s
Owned by James and Ada Brimblecombe, Heywood. Later owned by Merle Lewis, Mt. Gambier. R.H. Plant founded Tuscan Fine China in 1878 in Staffordshire. This area known as the Potteries, was England’s centre for the production of china. The Plant family already had a long history in producing china. Tuscan specialized in decorative fine bone china dinnerware that is very fine and light. Despite their reputation for quality, the company suffered the fate of the other potteries with lower sales and higher costs after WW2. Wedgwood purchased the company in 1967. However, Wedgwood continued producing china under the Tuscan name. However, in 1967 the new owners added the Royal prefix to the name. Despite this production ceased in 2006.Leaf-shaped butter dish of white glazed china, edged in gold. Black and white image of a lighthouse on a cliff with a tall flagpole behind it. There is a broken fence running to the edge of the cliff in the right foreground.Front: Lighthouse Bluff, Portland, Victoria (printed with image in centre of dish) Back: Tuscan China/England (stamped logo, green)souvenir of portland, portland harbour, whalers bluff, domestic item, butter dish -
Glenelg Shire Council Cultural Collection
Ceremonial object - Sash - Ancient Order of Foresters, n.d
The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Plain green sash, red fringe at either end. *S embroidered in yellow. Remains of red ribbon attached to one, about 1/4 of the way along it. -
Glenelg Shire Council Cultural Collection
Administrative record - Book - C.R. Formularies and Lectures of the Ancient Order of Foresters Friendly Society, c. 1939
The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Emerald green hard cover booklet, RITUAL in gold, front cover. -
Glenelg Shire Council Cultural Collection
Accessory - Sash, n.d
The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Small red sash, green stripe down each side. Central white stripe, coat of arms of the Ancient Order of Foresters. Embroidered in green and goldancient order of foresters, friendly society, societies -
Glenelg Shire Council Cultural Collection
Functional object - Doll's sugar bowl, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, PortlandA sugar bowl. The lid has relief design and gold highlights, and there are small areas of green glaze.dolls, toys, childhood, children -
Glenelg Shire Council Cultural Collection
Administrative record - Sash, n.d
The Ancient Order of Foresters, which originated in England in the mid 1700s, established its first branch (Court) in Victoria in 1849. Foresters was set up as a non-profit organisation, the founding principles of the Society being to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. The Society is now known as the Foresters Friendly Society and in July 1999 was incorporated as a public company limited by shares and guarantee.Small red sash, green stripe down each side, coat of arms, Ancient Order of Foresters - A.O.F. Yellow and gold, central white stripeancient order of foresters, sash, friendly society, societies -
Brighton Historical Society
Clothing - Dress, Day dress, circa 1870
The donor and family of this gown were long-term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. Originally owned by Elizabeth Emma Adams and Cecilia Elizabeth Adams, it is believed that the dress was brought to Australia by either a half brother, James Smith Adams, or a younger sister, Sophia Charlotte Louisa Adams (later known as Mother Rose Columba Adams). Elizabeth and Cecilia were the daughters of James Smith Adams (a squire, 1780-1860) and Elizabeth Emma McTaggart (1793-1843) of Tower House, Woodchester in Gloucester, a property which Elizabeth later inherited. Originally a monastery, Tower House had been converted into a stately home after the Reformation. According to information originally provided by the donor, both this dress and the dress T0004.3 were made for Elizabeth and Cecilia, to be worn at the young Queen Victoria’s first 'drawing room ball' following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecilia would have been twelve years old and Elizabeth would have been ten years old. It is possible that the dress T0004.3 was worn by one of the girls to this event as it is of appropriate dimensions for a child of that age, although its design is very formal and adult. However, it is unlikely that either of the girls wore this dress at the ball due to the size and styling of the dress. It is likely that the dress belonged to one of the girls, but was worn at a later date. Elizabeth was born on 30 June 1828 at Tower House and died on 1 May 1909. She created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18. The validity of the marriage was later formally investigate and, while it was confirmed as valid, a second church wedding was subsequently held. Thomas died in 1878. Elizabeth subsequently remarried Reverend R. E. Blackwell, but was widowed again by 1889. Cecilia was born on 17 December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. Elizabeth and Cecilia's sister Sophia converted to Roman Catholicism in 1851 and became a nun, taking the religious name 'Rose Columba'. In 1883 Mother Rose Columba led a group of eight to Australia, answering a call for Dominican sisters to nurse the sick in Adelaide. Upon arrival, she founded St. Dominic's Priory and the Church of Perpetual Adoration in North Adelaide, using her inheritance to build the chapel. Elizabeth's second son, George Henry Somerset, who inherited the Adams family estate dropped the 'i' in Gardiner and added the maiden name of his grandmother. Therefore, the family name has now become Gardner McTaggart. These Adams family entries have been updated with information provided by Dr Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggart contacted the society after finding our entries online.A hand sewn white purple, pink, green, blue and yellow floral silk chiffon dress from circa 1870. The dress consists of two pieces worn together as a dress. This dress has received a great deal of mending and alteration and so it is difficult to be sure of what constitutes its original state. The following description is of its current state. The bodice has a high neck with a simple shallow band collar, an olive braid and a press stud closure. The bodice fastens down the centre front with ten hook and eyes closures and two sets of ribbon ties . The bodice has three darts providing shaping into the waistline. The bodice finishes at the waist and gently tapers towards the front creating a 'V' line. Down the centre front from the neck to the waist concealing the bodice opening is a pressed pleated ruffle of the dress fabric and a line of olive braid. The dress features pagoda sleeves finished at the hem with pressed pleated ruffle of the dress fabric, a line of olive braid and a silk fringe of 4 cm pale pink and white. The skirt part of the bodice section attaches to the front of the dress with two hooks and eyes on the left hand side of the waist. The fabric drops down to approximately the knees at the front, curving up and splitting on either side over the hip. The edge of this piece is also trimmed with a pressed pleated ruffle of the dress fabric and a line of olive braid. Just below the hip on either side is a large bow of pink, cream, purple and green taffeta. The bodice at the back is shaped with four panels into the waistline. Where it joins the bodice skirt the skirt is pleated, creating fullness. The skirt of the dress ensemble secures at the waist on the left hand side. At the front it has two pleats (that may have been repositioned during repair), and is fully gathered at the back. At the front the dress falls to the floor whilst at the back it is longer to accommodate the bustle and possibly a small train.cecilia elizabeth adams, elizabeth emma adams, 1870s fashion, tower house, woodchester, james smith adams, elizabeth emma mctaggart, mary rose columba adams, sophia charlotte louisa adams -
Port Melbourne Historical & Preservation Society
Photograph - John & Louisa Park, 1900
2 portrait black and white photos .01 John and Louisa (?) Park in studio pose .02 Louisa Park in studio pose Both were associated with Coggin Fruiterer and Green Grocer shop at 42 Ingles St.domestic life, families, john park, louisa park, louisa coggin -
Greensborough Historical Society
Folder, Black Family - Greensborough, 1900o
Contents: Family tree; small school books from family member; copy of map and advertisement for Watsonia Electric Station Estate; receipts; cemetery information; article on James Black and descendants; copies of un-named photos taken on Bundoora farm.The Black family owned a large portion of land from Greensborough to Watsonia. This collection is partly from family members.20-page plastic binder, green cover. Contains documents relating to the Black family of Greensborough and Watsonia.Collected by Greensborough Historical Society. Folder commenced 2012black family, shirley fraser, james black, watsonia electric station estate -
National Wool Museum
Textile - Child's Pinafore, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red and green plaid children's pinafore with green hem binding and in-built petticoat with lace edging.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
National Wool Museum
Textile - Cardigan, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. This garment was owned and worn frequently by Assunta herself, as part of an ensemble. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Forrest green cardigan with black edged scallop detailing on collar, button band and faux pockets.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
National Wool Museum
Textile - Skirt, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. This garment was owned and worn frequently by Assunta herself, as part of an ensemble. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Forrest green skirt shaped with darts and has an elastic waistband. Has a brown silky lining. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
National Wool Museum
Textile - Skirt, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Teal knitted skirt shaped with darts and with a back vent. Skirt has a silky lining in slightly darker green with an elastic waistband. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community