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Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.3 No.6 : December 1981
Council holiday programme / p1. Family neighbourhood b.b.q. [Cr Martin Solomons] / p1. Citizens Advice Bureau / p1. Kew Library new hours / p1. Kew City Council [new phone number] / p1. Kew Chess Club / p2. La Verna Open Day / p2. What's doing in Kew for December / p2&3. Fairyland in Kew / Elizabeth Mackie p3. Hyde Park Fellowship [Hyde Park Uniting Church] / p3. Any questions? Information available from Kew Historical Society / p4. Uniting Christmas Special [East Kew Uniting Church] / p4. Sunday Treasure Market [Kew Lions Club] / p4. GROW [programme of growth to maturity] / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionCouncil holiday programme / p1. Family neighbourhood b.b.q. [Cr Martin Solomons] / p1. Citizens Advice Bureau / p1. Kew Library new hours / p1. Kew City Council [new phone number] / p1. Kew Chess Club / p2. La Verna Open Day / p2. What's doing in Kew for December / p2&3. Fairyland in Kew / Elizabeth Mackie p3. Hyde Park Fellowship [Hyde Park Uniting Church] / p3. Any questions? Information available from Kew Historical Society / p4. Uniting Christmas Special [East Kew Uniting Church] / p4. Sunday Treasure Market [Kew Lions Club] / p4. GROW [programme of growth to maturity] / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.3 No.8 : March 1982
... . Kew Historical Society / p3. New courses [Kew Uniting Church ...Kew Festival - 19th - 28th March [programme] / p1&2-3. Pre-Festival event [Victorian Concert Orchestra] / p1.What's doing in Kew for March / p2&3. Helping people: Merlan Voluntary Services / p2. Hyde Park Fellowship [Hyde Park Uniting Church] / p2. Kew Historical Society / p3. New courses [Kew Uniting Church] / p4. Kew Philharmonic Orchestra / p4. Savoy Players / p4. Heritage Week Report [Kew Historical Society] / p4. Kew Garden Club / p4. Australian Association for Better Hearing / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionKew Festival - 19th - 28th March [programme] / p1&2-3. Pre-Festival event [Victorian Concert Orchestra] / p1.What's doing in Kew for March / p2&3. Helping people: Merlan Voluntary Services / p2. Hyde Park Fellowship [Hyde Park Uniting Church] / p2. Kew Historical Society / p3. New courses [Kew Uniting Church] / p4. Kew Philharmonic Orchestra / p4. Savoy Players / p4. Heritage Week Report [Kew Historical Society] / p4. Kew Garden Club / p4. Australian Association for Better Hearing / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.4 No.8 : April 1983
Easter at Kew Library / p1. Easter Services / p1. Hyde Park Fellowship (Hyde Park Uniting Church) / p1. Easing the loneliness of language (Migrant Education; Adult literacy) / p1. The Park Reserve of Boroondara [James Bonwick; Studley Park) / Barbara Giles p2. Save the Children Fund / p2. Kew Garden Club / p2. North Kew Playgroup / p2. Kew Citizens' Advice Bureau / p2. East Kew Uniting Church (calendar of events) / p3. Kew Self Help Group / p3. Treasure and Trash sale / p3. Family and Community Services programme (F.A.C.S.) / p3. Exercise: the rhythmic way (Rosemary Smart) / p3. Native Plant Group / p3. Day Centre for elderly people / p3. Building confidence through movement (Rosemary Smart) / p3. Drivers or non-drivers - do you live in this part of Kew? (Meals on Wheels; Volunteering) / p4. Community Aid Abroad / p4. Kew Philharmonic Society / p4. Call for new members - Merlan Voluntary Services / p4. Scrabble / p4. Easter Service (East Kew Inter Church Council) / p4. Anyone for hockey? / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionEaster at Kew Library / p1. Easter Services / p1. Hyde Park Fellowship (Hyde Park Uniting Church) / p1. Easing the loneliness of language (Migrant Education; Adult literacy) / p1. The Park Reserve of Boroondara [James Bonwick; Studley Park) / Barbara Giles p2. Save the Children Fund / p2. Kew Garden Club / p2. North Kew Playgroup / p2. Kew Citizens' Advice Bureau / p2. East Kew Uniting Church (calendar of events) / p3. Kew Self Help Group / p3. Treasure and Trash sale / p3. Family and Community Services programme (F.A.C.S.) / p3. Exercise: the rhythmic way (Rosemary Smart) / p3. Native Plant Group / p3. Day Centre for elderly people / p3. Building confidence through movement (Rosemary Smart) / p3. Drivers or non-drivers - do you live in this part of Kew? (Meals on Wheels; Volunteering) / p4. Community Aid Abroad / p4. Kew Philharmonic Society / p4. Call for new members - Merlan Voluntary Services / p4. Scrabble / p4. Easter Service (East Kew Inter Church Council) / p4. Anyone for hockey? / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.4 No.9 : May 1983
Rotary Club of Kew 7th Annual Art Show / p1. Kew Recreation Program: Term Two (courses) / p1. Kew Kite Club / p1. R.A.A.V. (Rheumatism and Arthritis Association of Victoria) / p2. Daytime Garden Club / p2. Hyde Park Fellowship (Hyde Park Uniting Church) / p2. Community Aid Abroad / p2. Uniting Church East Kew (calendar of events) / p2. Native Plant Group / p2. Luncheon / p2. School Holiday Program / p3. Kew Holiday Program 10-17 years / p3. Drop In Centre (Sacred Heart School) / p3. Kew Traffic School / p3. Playcentre (St Paul's School for the Blind) / p3. Toddler Playgroups (Uniting Church of Kew) / p3. Mobile New Games Trailer / p4 Sports Coaching: Tennis/Football / p3. History on a postcard / Barbara Giles (Lawrie Kohlmayer; postcard history) / p4. Kew Library / p4. Dinner & Music (Kew Uniting Church) / p4. Evening Mission Group (Kew Uniting Church) / p4. Kew Garden Club / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionRotary Club of Kew 7th Annual Art Show / p1. Kew Recreation Program: Term Two (courses) / p1. Kew Kite Club / p1. R.A.A.V. (Rheumatism and Arthritis Association of Victoria) / p2. Daytime Garden Club / p2. Hyde Park Fellowship (Hyde Park Uniting Church) / p2. Community Aid Abroad / p2. Uniting Church East Kew (calendar of events) / p2. Native Plant Group / p2. Luncheon / p2. School Holiday Program / p3. Kew Holiday Program 10-17 years / p3. Drop In Centre (Sacred Heart School) / p3. Kew Traffic School / p3. Playcentre (St Paul's School for the Blind) / p3. Toddler Playgroups (Uniting Church of Kew) / p3. Mobile New Games Trailer / p4 Sports Coaching: Tennis/Football / p3. History on a postcard / Barbara Giles (Lawrie Kohlmayer; postcard history) / p4. Kew Library / p4. Dinner & Music (Kew Uniting Church) / p4. Evening Mission Group (Kew Uniting Church) / p4. Kew Garden Club / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.4 No.11 : July 1983
Art exhibition: Trinity Grammar School / p1. A new Musical at St Hilary's Kew ('Rocky & the Bloke' / p1. Visitors welcome (Rheumatism and Arthritis Association of Victoria) / p1. Uniting Church Congregational Casserole Dinner / p2. 1st Kew Scout Group bottle recycling depot change / p2. Native Plant Group / p2. Save the Children Fund / p2. Kew Citizens' Advice Bureau / p2. Kew Historical Society / p2. Kew Library (displays) / p2. Billabong Club for boys and girls primary school age (Kew Baptist Church) / p2. Th treasures of our city (Villa Alba; Historic houses; Heritage planning; Louis Kahan - Kew Synagogue windows) / p3. C.A.B. volunteers need (Citizens' Advice Bureau) / p3. Daytime Garden Club / p3. East Kew Uniting Church (calendar of events) / p4. Kew Garden Club / p4. Evening Mission Group (Kew Uniting Church) / p4. Hyde Park Fellowship (Hyde Park Uniting Church) / p4. 'Rotaract Rave' / p4. Scrabble / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionArt exhibition: Trinity Grammar School / p1. A new Musical at St Hilary's Kew ('Rocky & the Bloke' / p1. Visitors welcome (Rheumatism and Arthritis Association of Victoria) / p1. Uniting Church Congregational Casserole Dinner / p2. 1st Kew Scout Group bottle recycling depot change / p2. Native Plant Group / p2. Save the Children Fund / p2. Kew Citizens' Advice Bureau / p2. Kew Historical Society / p2. Kew Library (displays) / p2. Billabong Club for boys and girls primary school age (Kew Baptist Church) / p2. Th treasures of our city (Villa Alba; Historic houses; Heritage planning; Louis Kahan - Kew Synagogue windows) / p3. C.A.B. volunteers need (Citizens' Advice Bureau) / p3. Daytime Garden Club / p3. East Kew Uniting Church (calendar of events) / p4. Kew Garden Club / p4. Evening Mission Group (Kew Uniting Church) / p4. Hyde Park Fellowship (Hyde Park Uniting Church) / p4. 'Rotaract Rave' / p4. Scrabble / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.5 No.1 : September 1983
Kew Little Athletics / p1. R.A.A.V. Action Program 1983 (Rheumatism and Arthritis Association of Victoria) / p1. New style Kewriosity Sheet / p1. Hyde Park Fellowship (Hyde Park Uniting Church) / p1. National Arthritis Week / p1. Kew Library (holiday activities) / p1. Kew Historical Society [25th] Birthday Celebrations / p2. Kew Hebrew Congregration / p2. Happy Birthday Rotaract / p2. Family and Community Services Program (F.A.C.S.) / p3. Kew Garden Club - Daytime Garden Club / p3. Native Plant Group / p3. Uniting Church Normanby Road Pre-School Support Group / p3. Deafness Awareness Group / p4. East Kew Uniting Church (calendar of events) / p4. Springtime Fair (East Kew Uniting Church) / p4. Kew Historical Society / p4. Asia Evangelical Fellowship / p4. Anyone for tennis? (Holy Trinity Church Tennis Club) / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionKew Little Athletics / p1. R.A.A.V. Action Program 1983 (Rheumatism and Arthritis Association of Victoria) / p1. New style Kewriosity Sheet / p1. Hyde Park Fellowship (Hyde Park Uniting Church) / p1. National Arthritis Week / p1. Kew Library (holiday activities) / p1. Kew Historical Society [25th] Birthday Celebrations / p2. Kew Hebrew Congregration / p2. Happy Birthday Rotaract / p2. Family and Community Services Program (F.A.C.S.) / p3. Kew Garden Club - Daytime Garden Club / p3. Native Plant Group / p3. Uniting Church Normanby Road Pre-School Support Group / p3. Deafness Awareness Group / p4. East Kew Uniting Church (calendar of events) / p4. Springtime Fair (East Kew Uniting Church) / p4. Kew Historical Society / p4. Asia Evangelical Fellowship / p4. Anyone for tennis? (Holy Trinity Church Tennis Club) / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Kew Historical Society Inc
Postcard, River Yarra, Kew, 1905-1914
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.One of a series of pictorial postcards showing a woman on a bicycle near to the River Yarra in Kew.Polychrome postcard of the River Yarra at Kew, showing a woman with a bike (right) looking away from the River.My dear friend I suppose you will think I am a "beauty", but I have no excuse to offer for not writing, only the longer I put it off the longer I want to. I hope the change did you a lot of good & that you feel quite well & strong. Everything here is something about the same. Our two new ministers are nice but I like Mr Dowsing better so far. The weather lately is glorious, just the thing for long walks. Jane Rowe & I go for a walk after church on Sunday nights. That is the most walking I do lately. No room for more. Love from your friend C.G.[sic]postcards -- kew (vic.), postcards -- yarra river -- kew (vic.), colour postcards -- kew (vic.) -
Kew Historical Society Inc
Programme - Souvenir Programme, Kew Baptist Church, A New Call to the People of Kew: 1956 Centenary of the Kew Baptist Church, 1956
... Centenary of the Kew Baptist Church A New Call to the People of Kew ...This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A New Call to the People of Kew: 1956 Centenary of the Kew Baptist Churchkew baptist church, churches -- kew (vic) -
Kew Historical Society Inc
Programme, Messrs Edward Cook & Co, Service of Prayer in this Time of National Crisis, 29 December 1915
Edward Cook & Co were soap makers and chemical manufacturers in Bow, London. The company registered its new name in 1898. It was later taken over by Unilever. The document, issued for use during the First World War for its employees is dated 29 December 1915. While days of prayer were traditionally conducted in parish churches, large companies also undertook to hold the services during World War 1. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Order of Service of Prayer held on 29 December 1915. The service included a Prayer for our Soldiers and Sailors and a Prayer for Victory and Peace. world war i, wwi, the great war, religious services, homefront, first world war, 1914-1918 -
Kew Historical Society Inc
Photograph - Alma and Silvia Figuerola, D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.This photographic is part of a series that is historically and aesthetically significant, in that they record the appearance of an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew. The facade facing Barry Street. The original front of the property faced Studley Park Road where the front door is still located. This is a newspaper photograph, part of a series on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Annotation on reverse: "View showing side of mansion there is a wing running from left hand side. / Owner with her sister Silvia and "the Head".alice figuerola, australian artists, d'estaville, 7 barry street -- kew (vic.) -
Kew Historical Society Inc
Photograph - Alma Figuerola in the drawing room of D'Estaville, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in her drawing room at D'Estaville, Barry Street, Kew, holding her pet dog while gazing into the fireplace. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Stamp of The Age on reverse.australian artists, d'estaville -- 7 barry street -- kew (vic.), alma figuerola, melbourne artists -- twentieth century -
Kew Historical Society Inc
Photograph - Alma Figuerola painting in her garden at D'Estaville, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola painting in her garden at D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -
Kew Historical Society Inc
Photograph - Interior, D'Estaville, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville. A chiffonaire owned by the artist Alma Figuerola and located in her house, D'Estaville in Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -
Kew Historical Society Inc
Photograph - Alma Figuerola, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola. A posed portrait of the artist Alma Figuerola. Figuerola lived in D'Estaville, Barry Street, Kew. This is a magazine photograph and may still be covered by copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in December 1970, so the photograph predates this. A stamp on the back identifies the publisher as Woman's Day No. 570.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -
Kew Historical Society Inc
Photograph - Interior, D'Estaville, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville, Barry Street, Kew, the home of the artist Alma Figuerola. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -
Kew Historical Society Inc
Photograph - Interior, D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville, Barry Street, Kew. The section of the house photographed is of the hall looking into the drawingroom. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -
Kew Historical Society Inc
Photograph - Alma Figuerola in her Studio, D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in her Studio, D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Kew Historical Society Inc
Photograph - Alma Figuerola in the drawingroom of D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in the drawingroom of D'Estaville, Barry Street Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Kew Historical Society Inc
Photograph - Alma Figuerola at the front door of D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola standing in the portico of D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Kew Historical Society Inc
Photograph - Window, D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Window, D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.Annotation on reverse: "Bars on pantry window were for protection against raiding blacks. Retained for historic interest."australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Kew Historical Society Inc
Photograph - 'D'Estaville', Barry Street, c.1970
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew. The facade facing Barry Street. The original front of the property faced Studley Park Road where the front door is still located. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Kew Historical Society Inc
Photograph - Garden of D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Kew Historical Society Inc
Photograph - The Figuerola Sisters in the Garden of D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola and her sister standing beside a creeper growing up the wall of D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Kew Historical Society Inc
Photograph, Unknown, Congregational Church, Walpole Street, 1977
The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas. The Kew Historical Society's Pictures Collection is comprised of photographs, postcards and original works of art. The photographs include original (mainly) images dating from the 1870s to the present. A number of these photographs derive from the former City of Kew's Civic Collection while others are the work of amateur and professional photographers. Most of the images in the collection depict people, places and objects within the suburbs of Kew and Kew East. Other photographs depict other locations in Melbourne and Victoria. A number of the photographs are of statewide and/or national significance.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School)Inscriptions on reverse: "KH-99. Congregational Church Walpole St Kew. Built 1854. Now amalgamated with United Churches 1977."congregational church, walpole street (kew), charles vickers -
Kew Historical Society Inc
Photograph, Unknown, Congregational Church, Walpole Street, 1977
The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas. Photograph of an historic church in Kew by noted architects Charles Vickers and Alfred Purchas.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School)Inscriptions on reverse: "KH-100. Congregational Church Walpole St Kew. First church built in Kew 1860. Chapel on site 1854. Became a member of the United Churches 1970s". congregational church, walpole street (kew), charles vickers -
Kew Historical Society Inc
Photograph, Congregational Church, Walpole Street, 1977
The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School) Inscriptions on reverse: "K.H.701. Congregational Church Walpole St Kew. First church in Kew. Now amalgamated with the United Churches."congregational church, walpole street (kew), charles vickers -
Sunbury Family History and Heritage Society Inc.
Photograph, C1880 - 1910
The building in the photograph was the first Sunbury State School No.1002. Prior to the school being built, lessons were conducted in the Presbyterian Church. After parents organised a petition in 1869 for the school to be housed in a proper building and a committee of management was formed, work on a new school building commenced. The old building had many structural deficiencies and the red brick building was built on the same site in 1911. A black and white photograph of an austere looking rendered building with a flagpole attached to a small portico at the entrance of the building. The roof is corrugated iron and has two air vents and two chimneys on it. There is a picket fence with a gate across the front and a tree is growing in the front.sunbury state school no. 1002., macedon street, stawell street -
Whitehorse Historical Society Inc.
Article, Cole, George Henry (1859 - 1919), n.d
Article on George Henry Cole - Methodist minister born 7/12/1859 at Mickelham, Victoria, son of William Cole, a selector who arrived in Australia 1849. Ordained 1886, served at Sale, Murtoa, Eaglehawk, Armadale and Geelong. He was a minister of the Primitive Methodist Church. Methodist Union, 1902 enabled him to implement his brainchild, a boy's training farm and gave agricultural instruction to complement spiritual reformation and general education. A tour of New Zealand raised funds to purchase land for Tally Ho at Burwood. He was Superintendent 1904 - 1919. Died 1919. Buried Burwood Cemetary.cole, george henry, cole, william, cole, elizabeth, walton, w.h. (rev), cole, mary euphemia, primitive methodist church, lygon street, carlton methodist mission, tally ho boys home -
Whitehorse Historical Society Inc.
Pamphlet, All Saints Church Paper, 01/08/-/09/1973 - 1974
Parish papers of All Saints Church, Nunawading.Parish papers of All Saints Church, Nunawading, mentioning the dedication of memorial music cabinet to the memory of Florence Lillian McCall and Vicar's notes on the new Memorial Garden.Parish papers of All Saints Church, Nunawading. all saints anglican church nunawading, mccall, florence lillian -
Ringwood and District Historical Society
Newspaper - Clipping, Norwood High School, Ringwood, Victoria - New School Chaplain Appointed
Ringwood Mail 30 March 1988 report incluing photo caption: The newly inducted chaplain for Norwood High School, the Rev Heather Marshall, with the director of the Council for Christian Education in Schools, the Rev Andrew Curnow, and the Moderator of the Uniting Church, the Rev Hamih Christie-Johnston.