The newspaper is the very first edition of The Age. The central shield has the words "COLONY OF VICTORIA" printed below it. the handwritten script has the name John Pascoe, and the location of Fawner, a suburb of Melbourne. There are eight pages comprising of two large sheets, folded one inside the other and all sides printed on. This edition was printed and published by Francis Cooke, for the publishers Francis Cooke & Co. at The Age Newspaper and General Printing Office, 21 Elizabeth Street, South Melbourne, in the Colony of Victoria, which came into being on July 1st, 1851.This edition of The Age newspaper is very significant as it is the first edition, printed 17th October 1854, and contains shipping news amongst may other topics in its eight pages. Newspapers were very significant in Colonial times for a meas of communication throughout the colony. Newspaper, The Age newspaper, Vol. 1, No. 1, first edition, Tuesday October 17th 1854. eight pages. Large format. Inscription in script on top of first and last page. Handwritten in script "John Pascoe" "Fawkner" "COLONY OF VICTORIA" "PRINTED DAILY" "PRICE SIXPENCEflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the age, newspaper, melbourne, colony of victoria, first edition, 1854, john pascoe, fawkner

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Titan Bridge, Warrnambool – The name Titan Bridge is likely to be a reference to the huge Titan crane that was used in the construction of the Breakwater in the late 19th century. Shelly Beach is a popular swimming area with the added attraction of rock pools to investigate and rock formations to climb. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The image of the Titan Bridge rock formation with figures on it suggests that the location was a popular place to visit. It captures a time when the rock formation was publically accessible. The choice of subject for this postcard indicates the popularity of Warrnambool's natural environment as a tourist attraction at a time when ships called coastal traders brought passengers and cargo to the Port of Warrnambool from ports along Victoria's southwest coast. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image shows two figures, one seated and one standing, beside the sea on a rough rock beside a rock formation resembling a bridge. There is no correspondence written on the card. The back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain.Front, in red: “TITAN BRIDGE / SHELLY BEACH, NEAR WARRNAMBOOL” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, shelly beach, titan bridge, titan, rock formation

Product label in tones of blue and white showing printed text and a graphic of a woman, lion, shield and pitchfork. front: [printed] ALBION MILLS GEELONG / The . . / BARWON RUG / GUARANTEED / ALL WOOL / No. / Weight / lbs. Size 72 x 60 / MERCER PRINT GEELONGalbion mills, archives, wool industry, blankets, rugs, products, advertising, geelong, packaging, label, graphic design

.1) Soft cardboard cover. Brown print on front & spine, white background, sepia photo of full length portrait of soldier in uniform, above a street scene drawing on front. Back has a drawing of a mounted volunteer. Back end paper is illustrated. 105 pages, cut, plain, white. Illustrated black / white photos, maps & illustrations. .2) Beige paper with black print & hand written signature. .3) Business card, black, brown & green print..2) Printed: With the Compliments of” Handwritten: “Michael Garnett” .3) Printed: “KYNETON RSL SUB BRANCH INC, KYNETON MOUNTED RIFLES, MICHAEL GARNETT”book, rifle corp, kyneton

A colour slide of a boy studying at a desk in a bedroom of Blamey House, Burke Road Kew, in 1970. There 10 slides from the same roll of film, some are marked 'Blamey 1970'. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children of deceased servicemen with their education.Colour slide of a boy studying at a desk in a bedroom in Blamey House in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' in yellow ink. Printed with slide date 'Feb70M3' and slide number '20' in black ink. Handwritten '13' in blue ink. Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, blamey house

A colour slide of two boys studying by bookcases in Blamey House, Burke Road Kew, in 1970. It is possibly a library or study room. There 10 slides from the same roll of film, some are marked 'Blamey 1970'. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children of deceased servicemen with their education.Colour slide of two boys near bookcases in Blamey House in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' in yellow ink. Printed with slide date 'Feb70M3' and slide number '20' in black ink. Handwritten '13' in blue ink. Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, blamey house

A cotton fabric printed with a fluorescent rainbow striped background, and scattered purple hibiscus. Designed for Bush Couture's 'Bush Kids' children's line.Printed on the selvedge: 'Linda Jackson handprint 1989'textile design, australian fashion

In March 2003 military forces of the Coalition of the Willing, including 2,000 men & women of the Australian Defence Force (ADF) invaded Iraq. Since July 2003 working with the interim Iraqi Government, the ADF has continued to contribute to Multinational Force efforts to develop a secure & stable environment in Iraq & assist national recovery programs. In mid Jun 2005 some 1,400 ADF personnel were serving in Iraq.Small enamel badge showing face of a soldier which is attached in the centre of cardboard. Cardboard shows coloured print of children welcoming an Australian soldier.Printed on badge: “Remember Iraq” Printed bottom of cardboard: “Iraqi children welcome an Australian soldier in a small village on the outskirts of As Samawah. Photograph courtesy of Department of Defence” Printed back of cardboard: “Remember Iraq”badge, iraq, 2003

Document, theatre program, Royal Princess Theatre, Saturday 18 August 1917 at 2.45pm. ''Grand Matinee'' by the ''Maldon Pierrots''. To provide comforts for the fighting men. 5th, 6th, 7th, 8th, 38th Battalion Depots. W.A. Brockley print Bendigo.W.A.Brockley Print,Bendigo.program, theatre, royal princess theatre

Photos RAN.Black / white print of photo of the Royal Australian Navy Seaplane Carrier HMAS Albatross with a flight of 4 Seagull III's on the left. Beneath is a photo of a Seagull III Amphibian being hoisted into the ships hanger. Print is No 5 in a series of 25. Print is mounted with white border, gold metal frame with masonite backing & wire hanging strap.Printed on RHS bottom corner of border: “ROYAL AUSTRALIAN NAVY 75TH ANNIVERSARY”photograph, 75th, anniversary, ran

Colour print showing the installation of the wooden shelter at Gardens Loop by the Museum prior to the installation of the interpretative board in the shelter. The shelter was subsequently replaced by the Council with a new structure.Yields information about the shelter installed by the Museum at Gardens Loop during 1994. Colour photograph print on Fujichrome paper.museum, shelter, gardens loop, shelters

A book with printed perforated pages to send one half to owner of property demanding outstanding payment of rates prior to Council taking possession of land.A mottled blue and brown hard cover book with black spine. Printed and handwritten pages. Printed pattern very worn on front and back covers."Shire of Bulla/Notice of Intention..."1890s, shire of bulla, george evans collection

Colour print of a group at the launch of the horse tram on 7-11-1992 - left to right - Richard Gilbert, David Frost, Glenise Kellett and Dave Kellett. Dave was a SECV Ballarat tramway inspector.Yields information about some of the attendees on the day of the launch of the horse tram in Ballarat.Colour print with plain back.tramways, btps, trammies, dave kellett, david frost, richard gilbert

Heavy card sign printed in black. Code of Signals, including winding, pumping, interplat signals. Firing Signal printed across middle of sign. Winding signals: 1 Stop when in motion, 1 Heave up, 2 Lower, 3 Hold fast! Danger, 4 Men on, 6, Cage at liberty, 7 Change Tanks or Cages, 8 Put drum in or out of gear, 9 Turn Air on or off, 10 Accident, 15 Serious Accident. Firing Signal 4 pause 3 - holes charged ready to fire, 1 Heave up.Boltons Print, Bendigobendigo, mining, code of signals

Blank card for certification and identification of a person who has been appointed to carry out evacuation duties. The word 'Authority' is printed on the rear of the card.Cream card, backed in orange, printed in black.Stamped with number 660wwii, world war ii, victorian state evacuation committee

"Vesta case" containing 3 cm long waterproof matchesSmall tin, hinged lid, nickle plated, printed lid, containing blue-headed waterproof matches, known as "Vestas"Bell's Waterproof Wax Vestas printed in green and redmatches, match containers, vesta cases, vesta matches

Linocut print. Printer's Proof'P/P' in bottom left below printed section, 'ULMAI' in centre, signed along bottom right edge of paper.culture, pattern, linocut

Line up of four different types of trams at the dept: Duncan & Fraser car 2, Pengelly cars 18 and 21, Meadowbank car 25 and Birney car 27. The photograph shows the wartime blackout precautions that were applied: white bumpers and hoods over the upper portion of the front headlights. Car 21 has the new lineout, 1942Black and white print on paper.13-6 and GSR710/13/1/6 written in pencil on the reverse. No. 1 inside a circle printed in pen on the reverse.geelong tramway depot, duncan and fraser, geelong car 2, pengelly tram car 18, pengelly tram car 21, meadowbank tram 25, birney car 27, tram wartime blackout precautions

Colour print showing two of the SEC tramway timetable boards, that was located at the City Tramway centre on display on the end of tram 39 before the construction of an entry into the Museum display.Demonstrates methods used to display information at the Museum during 1994. Colour photograph print on Fujichrome paper.museum, timetable boards, tram 39

Photograph of some 94 traffic staff in front of the Malvern Depot, possibly near the time of the MMTB absorption of the PMTT. The employees are wearing two different styles of uniforms (63 dark and 31 light) all with caps. Shows the roller doors at the top of the depot and the overhead trolley mechanism that allowed the doors to close and bypass the trolley wire. There are four trams behind the men - each showing a different destination - Windsor, Esplanade, Mont Albert and Burke Road. The three cars on the right appear to be C class cars. Yields information about PMTT depot employees c1919Black and white print mounted onto a light brown card Under the print is a letter machine blue / white Dymo label under - "KEW DEPOT"tramways, personnel, uniforms, destination boxes, pmtt, mmtb, trams, c class, malvern depot

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Colour postcard of the interior of St Paul's Cathedral, Melbourne by Max Ahearne, Renwick Pride, Gravure Print.St Paul's Cathedral, Melbourne, Australia - Sanctuary / Foundation stone, 1880; Consecrated 1891; Spires computed 1931. Exterior length, 276 feet. Moorhouse spire, 317 feet in height. Architect, William Butterfield, 1814-1900. / Colour photo by Max Ahearne, Renwick Pride, Gravure Print.st paul's cathedral -- melbourne (vic.), postcards -- churches -- melbourne (vic.)

Rose pink satin scroll with names of donors printed upon it rests inside a brown wooden box. A plastic cover protects the scroll, and printed upon this is an image of the stone archway (from the first building housing the Sydney Industrial Blind Institution) as well as the words 'The Presidents Club'. To view the scroll, turn the handles up or down. List of names represents people who donated to an appeal (date unknown). Box was designed to be mounted on a wall.Wooden box with satin scroll of printed namesThe Presidents Clubroyal blind society of nsw, fundraising