The C grade premiers of the V.G.B.B.A in 1927, no team name is given.The team photo does not have a team name, and the V.G.B.B.A may possibly be an acronym for Victorian Girls Basket Ball Association, just as the V.W.B.B.A is the Victorian Women's Basket Ball Association. Myrtle McLeod (nee Robinson) is in the team photo, she goes on to become a significant player in the 1930s in the Victorian state teams.Team photo of the 1927 C Grade Premiers of the V.G.B.B.A, no team name is given.Back Row: - J. Collister, I.O'halloran, F. Belcher, A. Minto, J. Goding, M. Robinson Front Row: - E. Gardner, N. Thorp, C. Hildebrand MR. H. D. Taylor Burlington, Melb.womens basketball, women's basketball, netball, victoria, netball victoria, 1927, 1920s, womens netball, women's netball, sport, vic, netball australia, collister, o'halloran, belcher, minto, goding, myrtle robinson, myrtle mcleod. gardner, thorp, hildebrand, taylor

Small round red wicker Chinese sewing container, lid with pink glass ring handle & Chinese coin.domestic equipment, food storage & preservation, chinese

Small round woven rattan Chinese food container with lid, brown tones, handle of 3 glass beads, pink & Yellow joined by knotted cotton plus unravelled silk tassel.domestic equipment, food storage & preservation, chinese

Carlton FC U15 Squad for 1985 Schoolboy CarnivalPhoto of Players & Officials thate represented Carlton FC at 1985 Schoolboy Carnival. Notable individuals; Shane Heal basket baller represented Australia played NBA, Craig Devonport represented St Kilda & Carlton at senior level, Fraser BrownCareer : 1989 - 2000 Debut : Round 1, 1989 vs Footscray, aged 18 years, 226 days Carlton Player No. 954 Games : 177 Goals : 99 Last Game: Preliminary Final, 2000 vs Essendon, aged 30 years, 8 days Guernsey No. 20 Height : 181 cm (5 ft. 11 in.) Weight : 90 kg (14 stone, 0 lbs.) DOB : 18 August, 1970 Premiership Player 1995 Best and Fairest 1998 Carlton Hall of Fame (2006) Photo Location unknownTimber, Glass & Paper Framed Photo

Wedding present to Dorothy and Karl Adamson in 1936.Oval silver cake dish with patterned edge. Has decorative handle.baskets, tableware

Brown small hardcover book with black leaf design and lines on front and back cover. Back cover also has the Publisher initials in a swirled design. Gold lettering of title: The Lost Baby - a Story of a Flood. Black and white illustrations throughout. Researched author as none listed on title page - Emma Leslie c. late 1800.fictionA schoolgirl story about friendship clashes. A baby is accidentally left in a washing basket and is washed away in a flood. All is resolved and the baby is reunited with the family. Strong religious theme.children's fiction, friendship, school, religion

Wedding gift to Mr and Mrs Thomas Sebire 1902.Silver cake dish with folding handle and four knobbed feet.Made in England E.P.N.S.baskets

The wicker crate for delivering drinks was used in the J. Mann & Sons General Store in High St., Wodonga and is Part of the 'Mann' collection in the Wodonga Historical Society. J. Mann and Sons was first established as a farm produce store in 1921. The range of products was extended in the 1930s and included groceries and hardware, as well as the first petrol bowser in Wodonga outside the store. After WWII, the premises were extended and the range of products continued to increase. In the 1960s the Mann Family opened a new supermarket in Wodonga, in addition to the hardware business, providing steel, plumbing and industrial supplies, and they employed over 100 people at one stage. With changes in the retail industry, the Mann Family sold the main hardware business to Bunnings and the produce business to the Kelly brothers in 2006. The wicker crate for delivering bottled drinks has local significance due to its use in the J. Mann & Sons General Store in High St, Wodonga and the association with the prominent Mann family in Wodonga.Rectangular wicker crate with 12 individual compartments and handles at each narrow end, used in the J. Mann & Sons General Store for delivering bottled drinks. Two wooden slats extending the length of the underside to provide structural support.drinks basket, mann, j. mann & sons, general store, high street, wodonga, commerce, local business

“The sweet-smelling chocolate lily is a favourite of mine. It has a scent similar to that of chocolate and can be eaten raw and added to other foods as a decoration on top of cakes. I like it because it is a pretty little plant that you can’t walk by without noticing. The cabbage butterflies are ancestral spirits watching.” — Deanne Gilson In 'Karrap Karrap Beenyak — Flower Baskets of Knowledge', Deanne Gilson depicts dilly bags and baskets drawn from the South Eastern collection of artefacts held within the Melbourne Museum, and gifts from family and friends. They reclaim cultural knowledge, mixing tradition with the lived experiences of her ancestors and re-enriching her life with culture, Country and connection, through the creation of new art. The works highlight the use of Indigenous plants for healing and bush foods, and the Wadawurrung Creation Story and connection to Dja (Country). Dr Deanne Gilson is a proud Wadawurrung woman and an award-winning visual artist living and creating from her ancestral home of Ballarat in Victoria. Her multidisciplinary art practice interrogates the colonial disruption of her family and explores ways in which contemporary art can create a platform towards healing, acceptance and reclaiming cultural identity, often drawing upon traditional knowledges of her ancestors. The Victorian bush where Gilson grew up features predominantly in all of her paintings, alongside many Indigenous plants, trees and birds from her Creation Story. Gilson draws upon layers of tangible and intangible knowledge, she talks about the presence of the intangible as spiritual connections to Country and her ancestors, while the tangible knowledge reflects artefacts and other objects of daily Wadawurrung life. Her works portray a rich cultural history that continues to thrive and grow today despite the restrictions placed on her family by settlement. Gilson’s practice defines Aboriginal women’s business past and present through contemporary art. Traditional marks alongside contemporary marks, link her to the practices of Indigenous mark-making, especially that on her body when in ceremony. Stating that “all of my artworks are an extension of my women’s business and draw on ochre sourced from Wadawurrung Dja (Country)”. The white is used in traditional ceremonies, while the charcoal is a direct link to Gilson’s matriarchal line of her mother’s business. Gilson’s mother, Marlene Gilson, also an artist, gathers charcoal from her daily fire, passing this onto her daughter, extending upon the old and the new ways of sharing knowledge and connection to Country. Painting

A brown coloured cardboard cover with what looks like water marks on it. Under the British Insigna are the details of the booklet. The bottom right corner has torn away. There are three punch holes down the left hand side of the booklet. the spine of the booklet has some tear marks on it.ministry of defence (army), british army, physical training, allied subjects, basket ball, gymnastics, fencing