This group portrait was taken at a City of Greater Bendigo function marking the 100,000th visitor entering the Grace Kelly: Style Icon exhibition.Colour photograph taken at the Bendigo Art Gallery of gallery staff and volunteers, Visitor Centre staff and volunteers, Mayor Sandner, CEO Craig Niemann and various other COGB staff.city of greater bendigo tourism, bendigo art gallery, mayor sandner

Mother Courage (Stoneridge Scooter Imp P 1.50.8 - Talk To Me Vic P 1.59.6 (What's Next)) Bay Mare. Foaled 1995 (3rd Foal) Breeder/Owner: Castle Family Pty Ltd. Trainer B Morgan. Mother Courage raced from 1998 (2yo) through to 2003 (7yo). Career: 30 wins 19 seconds 9 thirds 81 starts $462,520 1.56.9 Winning Drivers: JJ Caldow (27) BR Gath (3). Won on 8 Tracks: Moonee Valley (14) Ballarat (6) Bendigo (2) Horsham (2) Maryborough (2) Kilmore (2) Hamilton (1) Mildura (1)Mother Courage won the 2002 Bendigo Pacing Cup at Bendigo over 2415m at a mile rate of 1.59.4. Driven by JJ Caldow. Defeating Wally Walton 2nd and All For One 3rd. Two Handled Cup Shaped Trophy on a Wooden Base2002 / Moama Bowling Club / Bendigo / Pacing Cup / Saturday 23 March 2002 / Won by Mother Courage trophy, harness horse, mother courage, 2002, bendigo, pacing cup, jj caldow, john caldow, bruce morgan

Postcard contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Rose Series Postcard No. 2858, titled "Looking S.E Down View Street Bendigo". Has the T&G and has "The Union Bank of Australasia Limited" in the background. Published by the Rose Stereograph Co. Armadale Vic, has the rose logo on the rear and a statement "A real photograph produced in Australia". No space for the stamp or address line. On rear in ink "Birney 28" and in pencil "WJ"trams, tramways, bendigo, rose postcards, view st, tram 14

The letter to William John Turner relates to his resignation from the Bendigo RSL Sub Branch Committee and was accepted with reluctance and regret and that his health improves. Refer Cat No's 8029 and 8030 for his awards, volunteer and committee work with the sub branch and WW1 service details.Letter yellowed paper, top has the letter head of the "R.S.S.A.I.L.A" followed by the telephone No "95" and the RSL Logo, date then text typed in black, signed at the bottom."21 June 1951" "W.J. Turner Esq - 121 Barnard St Bendigo" "Yours sincerely - Vic Palmer - Honorary Secretary"brsl, smirsl, letter

Page 6 of Ray Pearson's Photo Album. Brown card page with three photographs (landscape format) placed on page using clear plastic photo corners. All photographs depict trams in Bendigo. A hand written inscription appears beneath the top left photo. The brown paper is indented in some places from text written on facing page and also has minor damage to bottom right corner where it looks like an adhesive photo corner has been removed.Hand written inscription in biro under top left photo: 4/3/72 BENDIGObendigo tramways, bendigo tram, vintage tram

Consists of formation history, track and route dates, operator, SEC takeover and route lengths. One page of statistics - 1935 to 1969, only completed to 1968 and last year filled in by hand. Gives Income, Expenditure, Loss, passengers and car miles. Car miles have been handwritten and pasted over the typed sheet. Probably prepared late 1960's by Les Denmead (assumption here - See Reg item 3289 and 3478 for Geelong Bendigo version), given the hand written notes etc.Yields historical notes and statistics on the Bendigo Tramway system - the statistical information being the most important. Four sets - original and three copies - foolscap typed documents, three pages each, titled "Bendigo Tramways Early History". 'BTPS 407" in top right hand corner.trams, tramways, bendigo, sec, esco, history, statistics

Produced by the North Sydney Boys High School Railway club, prior to the closure of the Bendigo system - little else written and published at the time about the history and details of the system. A very good booklet for the time - produced entirely by the wax cut stencil process. Has a strong association with the people who prepared the document. Lower significance as not directly associated with Ballarat.Twenty page booklet on the history, operation and tramcars of Bendigo, produced by the Nth Sydney Boys High School Railway Club in September 1971. Printed on a wax cut stencil process, with green covers, drawings, maps, track layout, fleet list, gives tentative closure dates, route descriptions, sketches, stapled on edge. Title "The Bendigo Tram". Inside front cover notes written by A. Weston and typed by Geoff Clark. See Reg item 302 for the Ballarat version.trams, tramways, bendigo

Twenty page booklet on the history, operation and tramcars of Bendigo, produced by the Nth Sydney Boys High School Railway Club in September 1971. Printed on a wax cut stencil process, with green covers, drawings, maps, track layout, fleet list, gives tentative closure dates, route descriptions, sketches, stapled on edge. Title "The Bendigo Tram". Inside front cover notes written by A. Weston and typed by Geoff Clark. See Reg item XXX for the Ballarat version.trams, tramways, bendigo

Page 7 of Ray Pearson's Photo Album. Brown card page with two photographs (landscape format) placed on page using clear plastic photo corners. Both photographs depict trams around Bendigo. A hand written inscription is located between the two photographs. The brown paper is indented with text written on the facing page and also has minor damage in two places (top and bottom right) that looks like places where adhesive photocorners have been removed.Hand written inscription in biro between top and bottom photograph: BENDIGO / CALIFORNIA GULLEY 4/3/72bendigo tramways, vintage trams, bendigo tram, california gulley

Operated by John McLean and Son Situated just south from opposite Arthur Street, opposite the Eltham Village Shopping Centre. In 1974 the site was the location of the B.P Garage and opposite was the Woolworths Arcade. The Produce Store sold hay and grain. To the right was Garnet Burges' second hand scrap metal and bottles, then the blacksmith shop, which was later taken over by Garnet with second hand furniture and next door to that was Ray Staff's grocery store. The brick building has signage to promote Tanox Paint and Permoglaze products. This building was demolished by 1963 for the BP Evergreen Service Station. Photo taken at same time as Shire of Eltham Pioneers Photograph Collection No. 785 which is a view from near Arthur Street and Main Road intersection.Colour photograph copy of original photoshops, main road, eltham, eltham produce store, tanox paint, permaglaze, produce station, john mclean and son, garnet burges

The Bendigo & District Servicemen's Club was a Co Operative of the 3 Bendigo RSL Sub Branches. Roy Leslie Thurlow was a tireless worker for the Servicemen's Club, he was President 1984 - 85, 1988 - 89, he was made a life Member of in 1986. With the Bendigo RSL Sub Branch he served on the Committee from 1980 - 93, he was Jnr Vice President 3 years and 4 years as Snr Vice President. Refer Cat No 4688PBadge metal, colours are red, blue and gold. The top section is rectangular shape with the wording "Bendigo and District Servicemen's Club, centre of has 3 figures as per the RSL Logo, a membership pin for the year "1987" is attached. Rear has details and maker. Attached to the badge section via rings has the wording "LIFE MEMBER".On rear, "R.L. Thurlow" - 0004 - 1986"brsl, smirsl, bdsc, life member

Two vehicles including a Holden FC Special Sedan and ca 1958 Ford 100 truck are parked outside the Eltham Produce Store, Main Road, Eltham near Arthur Street. The brick building has signage to promote Tanox Paint and Permoglaze products. It also sold hay and grain. Operated by John McLean and Son. Situated just south from opposite Arthur Street, opposite the Eltham Village Shopping Centre. To the right was Garnet Burgess' second hand scrap metal and bottles, then the blacksmith shop, which was later taken over by Garnet with second hand furniture and next door to that was Ray Staff's grocery store. The store was demolished by 1963 for the BP Evergreen Service Station. See also: Cross Ref 00161 (print) and 01831-15 (negative duplicate) and SEPP_0785, See 00161, 01831-15, 01895-21This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image. Copy of original photograph.sepp, shire of eltham pioneers photograph collection, eltham, eltham produce store, main road, tanox paint, permoglaze, holden fc special sedan, ford 100 truck

Black and white illustration from the South Pacific Electric Railway Co-op (Sydney Tramway Museum) - Dec.. 1974 calendar of Charing Cross Bendigo from an elevated viewpoint. Overlooks intersection has tram 3 waiting to proceed to Quarry Hill while another bogie tram turns from Pall Mall into Mitchell St. Photo undated, but most likely during the early 1970's. Photo by G. Buckman Has the EZYWALKIN store and other stores in the background.On bottom right hand corner "SPER Calendar Dec. 1974"trams, tramways, bendigo, charing cross, pall mall, mitchell st.

HMAS BENDIGO (J187) was an Australian made "Corvette" which served throughout WW2 until 'paid off' on 27 September 1946. The Bendigo Military Museum also holds the last ensign of HMAS BENDIGO, it has a large number of auto graphs. We also hold the wooden crest and Battle Honours Board, this is on loan for 5 years. Refer to Cat 4546 Ensign.1. This is a medium size ships bell. It is cast from Brass. It has a protrusion on the top with a hole in it, used for mounting. The words HMAS BENDIGO 1941 are engraved into the side and painted black. The exterior surface has a few pits, but has been polished numerous times. The interior surface is rough cast, with a large quantity of dints, where it has been struck by the clapper. 2. This is the clapper. There is a steel hook under which is a weight of steel. Under that is a ring. Suspended from the bottom ring is the rope handle. This is an excellent example of navy rope work. At the top of it is a metal ring. Under that is a white and red stylised crown. Under the 'headband' of the crown is a white rope handle with blue inserts. At the bottom is a large rope "Ball" with numerous rope threads of about 180mm length.ww2, ran, hmas bendigo

"Bunty"Lawrence of Bendigo is credited with inventing the drip water method of time delay firing a rifle. The idea was used on the withdrawal from Gallipoli.This is a cutting from the Bendigo Advertiser - Wednesday June 18, 1986, Page 3. It has a photo of Bunty Lawrence looking at a 7Bn Association Magazine. The article surrounds the photo. Printing is in black ink. The photo is Black & White. The newspaper has browned with age.ww1, gallipoli, "drip rifle

Yields information about the closure of the Bendigo Tramway system and the bus replacements made by the Transport Regulation Board, can be compared to that for BallaratDigital print of a scanned Poster, titled "Bendigo Bus Services" printed on white paper. Produced shortly before the closure of the State Electricity Commission of Victoria operated Bendigo Tramway system. Gives details of the replacement bus services as well as the existing bus services and other changes planned. Provides notes on the operator, timetables, fares, route numbers and dates when the services would be changed. Map shows the bus routes, route numbers, section points and City stands and stops. Authorised by the Transport Regulation Board. trams, tramways, bendigo, map, closure, buses

Covers the development of the battery tramway, depot, battery tramcar operations, steam locomotives, horse trams, steam trams, track, managers of the private company, ESCo purchase, electric trams, trams from Melbourne, SEC, description and extension to North Bendigo. May have been copied from another source.Yields information about the history of tramway operations in Bendigo and the tramcars.Handwritten copy of an article or an original article, titled "Bendigo Tramways 1890 - 1942" Eleven pages. Contained within Reg Item 5485 - Service Exercise Book, black covers, with label, red binding titled "No. 2 - Ballarat Tramways & S.E.C. Systems". trams, tramways, bendigo, battery trams, steam trams, sec, esco

Vessels for storing water such as these are common throughout the ages and evident in the pottery of the middle east, Mediterranean and Africa. Between 1880 and 1910 Bendigo Pottery produced these as part of their terracotta ware range. Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running Pottery’s in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative war as well as artistically, being responsible for training and supporting many potters locally. The City of Greater Bendigo has had a long history of partnering with Bendigo Pottery to produce tourism tableware and art pieces and the Civic Collection holds a number of important items within its collection.Polished terracotta water holder with saucer and stopper. Globular body with rounded base. The shoulders taper into long cylindrical neck, no handle or pouring spout. Surface is undecorated expect for two rings at base of neck. This is the smaller of the two. 0430a stopper; 0430b vessel; 0430c saucerNone foundbendigo pottery, george gutherie, city of greater bendigo tourism

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.The Finishing Touch, homeware and gifts on the corner of what is now High and Elgin Street. Including John Penny’s Sewing Centre and sewing machine service. At various times it has also been occupied by Elders Real Estate and Jim Matthew's cycles A "Malvern Star" sign is still visible in this photo. It was also previously A. Arnold & Co, General Merchant. In 1924, Arthur Arnold and his father Wilhelm Arnold had established a general store in High Street, near the water tower, but in 1931–32 they moved to new premises in High Street on the corner of what is now known as Elgin Boulevard. In 1933-34 they widened the frontage of the shop and added new premises at the rear for the sale of produce. As customer debt mounted during the depression, it became difficult for Arthur and Wilhelm to re-stock the shop, so they enticed customers into paying their accounts by rewarding them with a small individual cream or milk jug upon payment. The jugs were made in Czechoslovakia and displayed the war memorial, water tower and bandstand from Woodland Grove, Wodonga. The Arnolds continued to trade until they finally closed their store in 1950. Wilhelm Arnold was a brother of J G Arnold, whose business ultimately became the present-day Arnold’s Fruit Market, Wodonga. wodonga businesses, high st wodonga, the finishing touch, a arnold general merchant

Part of the Reverend Chaplain Major Thomas Bruce Williams No 556101 Collection.Plain black Christian religious stole with two embroidered crests consisting of a Maltese cross under a central circle with the motto 'In This Sign Conquer'. The cross is ringed by a floral wreath and topped with a queen's crown. Three folds are sewn into the mid section of the stole.Inside the middle section - supplier's name in gold lettering on a black tag.army chaplains, personal equipment, major thomas bruce williams

Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized Checked blanket, lemon, tan and greenMyrall/Pure Wool/Myer's Own Brand/Made in Australiawool, blanket, blanket fever, myer

Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. King sized checked blanket, pinks and grey Myrest/Super Lambswool/Made in Australia/Expressly for the Myer Emporium Ltd.wool, blanket, blanket fever, myer

Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized checked blanket , khaki, cream and green Royal Slumber/Woolmark Emblem/Pure New Woolwool, blanket, blanket fever, royal slumber

Large hardcover book with picture of children playing in the snow on cover. Contains many coloured plates and line drawings.fictionBoys annual containing many short stories by different authors. children's books, fiction, annuals

Grey mens hat, size 6 3/4, with grey ribbon hatband.The Strand, Pockerweighthats

Beech Forest and Otway District Produce Society: (a) Second Prize, D. Towers, for Snowflake, A.W. MacKenzie, Secretary. (b) Seventh Annual Show, 1923, Second Prize, D. Towers, for Best Collection Dressed Forest Timbers, exhibit no. 2, C.J. Brammer, Hon. Secretary. (c) Twelfth Annual Show, Second Prize, D. Towers, Class B Section 2 Ex 1, Cr. J.C. Gardner JP, Pres., W.J. Gray FABI SFAI, Hon. Sec. (d) Fourteenth Annual Show, 27 May 1931, First Prize, D. Towers, Class B Sec 1, Mr J. Perry, President, W.J. Gray FABI SFAI, Hon. Sec. (e) Fourteenth Annual Show, 27 May 1931, First Prize, D. Towers, Class B Sec 2, Mr J. Perry, President, W.J. Gray FABI SFAI, Hon. Sec. (f) Fifteenth Annual Show, 25 May 1932, First Prize, D. Towers, Cup Section 5, J.A. Perry, Pres., W.J. Gray, FCI (Eng.), Hon. Sec. (g) Fifteenth Annual Show, 25 May 1932, Second Prize, D. Towers, B 1/7, J.A. Perry, Pres., W.J. Gray FCI (Eng.), Hon. Sec.beech forest; otway; produce; prize;

Printed black and white postcard of Charing Cross Bendigo with three trams in the view and several horse-drawn cabs. Has Town Hall and other buildings in the background. See item 3451 for a similar photograph with a different crop, produced for the visit of The American fleed in 1908. The card was printed in Saxony, Germany.Yields information about Charing Cross Bendigo and ESCo trams.Postcard - black and white, divided back, used as a letter.Hand written letter on rear.tramways, trams, bendigo, charing cross

The main sepia photo is Francis A Burchnall VX58285 POW. The small inset photo is Francis R Burchnall 1666 and VX64477 WW1, WW2, POW WW2. Refer Cat No,s 1116P and 1117P for their service details.Main photograph sepia tone of a soldier in uniform menus a hat, small B & W photo glued on top left hand corner, frame is metal with a plastic covering protecting the main photo, Small photo is not protected.“Vincent Kelly Bendigo”photopaper, framed, pow, sandakan