Showing 2226 items
matching black dress
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Greensborough Historical Society
Photograph - Digital image, Plain and Fancy Dress Ball 1906 - Greensborough Rechabite Hall, 02/11/1906
Group photo of participants in the 1906 Plain and Fancy Dress Ball held in the Greensborough Hall. A newspaper article from the time is attached as a Word document. Some participants are identified in article.Digital copy of black and white group photograph.greensborough hall, fancy dress ball, rechabite hall greensborough -
Greensborough Historical Society
Photograph - Digital image, A make believe wedding, 1932c
In this photograph, members of the Partington family dress up for a 'make-believe wedding'. Shown are Eva Partington, Wyn Partington (nee Leed), Grace Partington and Jessie Partington.Digital copy of black and white photograph.partington family, wyn partington, wyn leed, grace isobel partington, eva partington, jessie partington -
Greensborough Historical Society
Photograph - Digital image, Jessie Partington, 08/03/1954c
Jessie Partington was born at Willis Vale in 1911 and worked around the farm at Willis Vale. Here she is formally dressed for a function, possibly taken on 8th March 1954 in acceptance of invitation to meet Queen Elizabeth.Digital copy of black and white photograph.jessie may partington -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Police escort for Duke of Gloucester, Portland, 1934, 1934
HRH Prince Henry Duke of Gloucester came to Australia in late 1934, and to Victoria in time for the Centenary Celebrations (of pastoral settlement of the Port Phillip District, beginning with the Hentys settlement at Portland Bay on 19 November 1834). From Trove - 20 November 1934 Historic Portland was the scene yesterday of unprecedented celebrations when the Duke of Gloucester arrived from Tasmania to join in festivities marking the beginning of Victoria's second century. A great crowd estimated at more than 60,000 people watched the re-enactment of the landing of Edward Henty, Victoria's first permanent settler, on November 19, 1834.Black and white photograph rows of men in formal dress with white jodhpurs, dark coats and white hats. Five rows in all, with one man at the front. Buildings in the background. Police escort for Duke of Gloucester, Portland, 1934Front: (no inscriptions) Back: Police escort for Duke of Gloucester Portland 1934royal visit, 1934, duke of gloucester -
Glenelg Shire Council Cultural Collection
Photograph, 1934
Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing two women in full-length dresses, posed indoors, standing on a patterned carpet before striped wallpaper. The woman on left is holding an open fan and is wearing a bonnet. The woman on right is out of focus and blurred.esther winifred hall, photography, portland centenary, 1934, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Contact Print - Portland Botanical Gardens, n.d
Black and white contact print from glass plate negative. Image shows a young woman sitting on, and two others standing near a bridge in Portland Botanical Gardens. Dress is late 19th, early 20th century.portland botanic gardens, photography, 19th century, 20th century -
Glenelg Shire Council Cultural Collection
Book, WILLIAM SHAKESPEARE, The Merchant of Venice, c. 1905
Antonio, an antisemitic merchant, takes a loan from the Jew Shylock to help his friend to court Portia. Antonio can't repay the loan, and without mercy, Shylock demands a pound of his flesh. The heiress Portia, now the wife of Antonio's friend, dresses as a lawyer and saves Antonio.Book of the William Shakespeare play, 'The Merchant of Venice', plus 'The Adventures of Giannetto' and other illustrative pieces. Dark red hard cover, gold print and decorationAntonio, an antisemitic merchant, takes a loan from the Jew Shylock to help his friend to court Portia. Antonio can't repay the loan, and without mercy, Shylock demands a pound of his flesh. The heiress Portia, now the wife of Antonio's friend, dresses as a lawyer and saves Antonio. -
Glenelg Shire Council Cultural Collection
Book, WILLIAM SHAKESPEARE, Twelfth Night, n.d
Viola, separated from her twin Sebastian, dresses as a boy and works for the Duke Orsino, whom she falls in love with. Orsino is in love with the Countess Olivia, and sends Viola to court her for him, but Olivia falls for Viola instead. Sebastian arrives, causing a flood of mistaken identity, and marries Olivia. Viola then reveals she is a girl and marries Orsino.Book of the play by William Shakespeare, 'Twelfth Night' (The Junior School Shakespeare). Red cloth soft cover, black print.Viola, separated from her twin Sebastian, dresses as a boy and works for the Duke Orsino, whom she falls in love with. Orsino is in love with the Countess Olivia, and sends Viola to court her for him, but Olivia falls for Viola instead. Sebastian arrives, causing a flood of mistaken identity, and marries Olivia. Viola then reveals she is a girl and marries Orsino. -
Glenelg Shire Council Cultural Collection
Book, WILLIAM SHAKESPEARE, The Merchant of Venice, n.d
Antonio, an antisemitic merchant, takes a loan from the Jew Shylock to help his friend to court Portia. Antonio can't repay the loan, and without mercy, Shylock demands a pound of his flesh. The heiress Portia, now the wife of Antonio's friend, dresses as a lawyer and saves Antonio.Book of William Shakespeare's play 'The Merchant of Venice'. The Plain-Text Shakespeare. Red cloth limp cover, black printAntonio, an antisemitic merchant, takes a loan from the Jew Shylock to help his friend to court Portia. Antonio can't repay the loan, and without mercy, Shylock demands a pound of his flesh. The heiress Portia, now the wife of Antonio's friend, dresses as a lawyer and saves Antonio. -
Glenelg Shire Council Cultural Collection
Photograph, Mrs. Jane Henty, 1984
Displayed at History House. Original presented by Edward Henty Smallpage to Stokesley in around 1934Black and white photograph of a standing woman in 19th century dress. Her dress is a dark colour and she is wearing a white cap with trailing lace/fabric back. She is posed in a room with floral wallpaper, standing behind a chair with her hands clasped in front of her. At bottom of frame are the details of the donation of this item. Framed under glass in wooden frame.Front: PRESENTED TO THE TOWN OF PORTLAND BY THE PARISH COUNCIL OF STOKESLEY, ENGLAND 1984 (typed, upper case). Mrs. Jane Henty, wife of the Hon. Stephen George henty, M.L.C. The first white woman in Portland, the earliest permanent settlement in the State of Cictoria, Australia. Born at Stokesley, 8th February 1817, daughter of Captain Walter Pace. Landed at Portland, June 1836. Died at Hamilton, Victoria, 3rd February 1906. This portrait is presented on the Centenary Anniversary of the foundation of Victoria, 19th November 1934, by her Great Grandson, EDWARD HENTY SMALLPAGE, M.B., Ch.M. (Syd), F.R.C.S. (Eng).henty, jane henty, portrait photography -
Glenelg Shire Council Cultural Collection
Clothing - Skirt - Portland 150th Anniversary, c. 1984
In November 1984 Portland marked the 150th anniversary of European settlement and the foundation of the City of Portland. Various events happened in and around Portland, many community led.Skirt, steel blue in colour, with black vertical stripes, 'shiny' fabric. Long, gathered waist, deep frill at bottom, decorated with black lace. Made for Portland's 150th celebrations in a period styleportland 150th anniversary, costume, womens dress -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Man in fancy dress clown suit, n.d
Black and white photo postcard. Man in fancy dress - clown; suit, spats, white gloves, waistcoat and chain, check bow tie and pocket handkerchief, beard, face paint (?mask), top hat with miniature flags, walking stick -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Percy Street Portland, Victoria, n.d
Black and white photo postcard. Percy St. looking north, taken from middle of road, just north of Julia St. intersection. Row of Norfolk pines either side of road, (unmade); man on bicycle, boy on 3 wheeler, girl standing nearby, horse and buggy; buildings ? shops behind trees. People in period dressFront: 'PERCY ST. PORTLAND LOOKING NORTH 6' - white print, bottom edge of card Back: Handwritten message on back -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Portland State School 1934 Celebrations, Kodak Austral, n.d
Displayed at History House.Black and white photograph of large crowd of people outside a wooden building. They are not posed for the camera. All adults are wearing semi-formal dress with hats.Front: (no inscriptions) Back: This was taken at the school at Portland. Wal is the only one of us in the photo. He is the second from the left (ink, left), Otway Street (blue pen, centre). -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Group of people in fancy dress, 22/05/1923
Black and white photo mounted on grey matte board. Large group of people in fancy dress standing in a group in a hall, flag bunting on walls.Front: 'P.S.A.C. 26th ANNIVERSARY 22.5.23' 'ANDREWS PHOTO' -white print bottom left and right corners of photo -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects,men's shirt studs, c1900
A shirt stud is a decorative fastener that fits onto a buttonhole on the front of a pleated shirt, or onto the starched bib of a stiff-front shirt. Such shirts have special buttonholes solely for shirt studs. A shirt stud may be fashioned from alloys, precious metals, and gemstones—materials uncommon to buttons sewn on shirts. The stud may have an inlay, such as of pearl or onyx. Dress code of the modern western world reserves shirt studs for men's formal wear and some semi-formal occasions. In the western world, shirt studs were first used in the mid-19th century, when some shirt fronts were too stiff to close with buttons. So remains the case for the heavily starched, modern full dress shirts worn with white tie. A collection of men's shirt studs in black and white and in various styles,and sizesclothing, shirts, menswear, early settlers, pioneers, moorabbin, bentleigh, cheltenham, jewellery, dinner suits -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, bow tie black, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A gentleman’s black Bow tie neckties, bow ties, formal wear, fashion, menswear, moorabbin, bentleigh, cheltenham, early settlers, market gardeners -
Geelong RSL Sub Branch
Uniform Jacket, Service Dress Jacket RNZ Artillery, Circa 1950's
The Jacket would have been made circa 1950's and belonged to a member of the RNZ Artillery.This Jacket belonged to a Captain of the RNZ Artillery.Khaki Service Dress Jacket, pure wool Garbardine, two pleated breast pockets, two pleated map pockets, synthetic lining.Captains badge of Rank, all buttons RNZA, lapel Badges RNZA, Shoulder Patches blue with red writing Royal New Zealand Artillery, on the right sleeve Black Colour Patch and a Parachute Patch. There are six ribbons of decorations above the left breast pocket. There is a fine leather plaited lanyard - light brown - through the right epaulette and the end placed in the right breast pocket.rnz artillery, captain -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Naval Cadets, 1966
Black and white photograph of men dressed in naval uniforms posed in two rows (one kneeling, one standing) at the base of a cliff. A further row of people are posed at top of cliff. Bottom third of framed work includes names of those in the image.Front: Portland Naval Cadets Corination Day King George V 22-6-1911 Front Row Standing (L to R): G.P.C. Fitzpatrick, William Redfern, James Kean, Benjamin Lear, William Dusting, Thomas Hardie. Front Row Kneeling (L to R): Edward Peters, Percy Dawkins, Leonard Tonkin, Hugh Keiller, Frank Edwards, William Alexander, Harry Goldsmith, George Jarrett, Roy Taylor, Roy Laidlaw, Thomas Herbertson, Dudly Brown, Sydney Pitts, Leslie Adams, William Patterson, jack Edwards, Norman Dusting, Eric Dusting, Noel Henry, William Mallett, Stanley Dusting, Herbert De La Cour, Joseph Cleghorn, Murry Douglas, Clarence Patterson. Back Row Standing (L to R): John Spikin, Charles Fredericks, Roy Campbell, Charles Gibbs, Bruce Douglas, Herbert Arkill, Archie Mathes, Murry Parker, Frank Edwards, Benjamin Davis, Osbourne Cruse, Oliver Westlake, Edward Pitts, Robert Edrich, James O'Brien, Edward Cook, William Paterson, Thomas Cook, George Lanagan, Frank Wilson, Ralph Taylor, Edward Jennings, George Parker. Presented by Harry Goldsmith. Back: To my boyhood friend Noel Henry to be hung wherever he thinks fit. Harry Goldsmith 16/7/66.gpc fitzpatrick, william redfern, james kean, benjamin lear, william dusting, thomas hardie -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Jackass Fern Gully, Glenelg Shire, 1970s
Black and white photo. A group of men and three women at Jackass Fern Gully. The women and two other men are sitting on a log, the other men are either standing on trunk of large ferns, or standing near them. Group dressed in fashion late 19th, early 20th century.drumborg, jackass fern gully, camping, recreation -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Seascape, Portland, 1970s
Black and white stereoscopic contact print from glass plate negative. Image shows a group of men and women sitting on a rocky platform, against a cliff. Sea in background. Strange shaped rock formation on edge of rock platform. Fishing gear in foreground. Dress late 19th, early 20th century.seascape, portland, photography -
Glenelg Shire Council Cultural Collection
Photograph - Contact Print, 1970s
Black and white contact print from glass plate negative. Image of stone house with shingle roof and stone chimneys. Verandah with iron support poles and lace work. Vines growing up poles. People standing on verandah and in garden. Dress late 19th, early 20th century.Back: 'Mellons' - blue birophotography, portland -
Glenelg Shire Council Cultural Collection
Photograph - Contact Print, 1900s
Sheet of 2 black and white contact prints from glass plate negatives. Top: 4 men, 2 women picnicking on bank of river/creek. Bottom: Tennis court in foreground. Portland Tennis Club pavilion with numerous people in and to one side, at Botanic Gardens. Dress late 19th, early 20th century.Front: Bottom - PTCP PORTLAND - white printportland tennis club, botanic gardens, recreation, tennis, sport -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Steam Packet Inn, 1960-1979
Black and white photo. Front view of Steam Packet Inn. Woman holding small child behind front fence. Small boy and girl outside fence. Dress late 19th, early 20th century. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Miss Narrawong 1951, 2009
Black and white reprint. Young woman in bathers and wearing a 'Miss Narrawong 1951' sash, shaking hands with an older woman in a spotted dress and large hat. A man in jacket, shirt and tie and long trousers standing between them. They are all on some sort of platform, above a crowd of people. Surrey river in background.Front: 'Miss Narrawong 1951 Shirley Levitzke Names of others in photo' - blue biro -
Glenelg Shire Council Cultural Collection
Print - Contact print from glass plate negative, 1960-1970
Black and white contact print from glass plate negative. Image shows a group of men and women posing on a rocky platform above the sea, rocky cliffs behind. Most are holding long fishing poles. Dress late 19th, early 20th century. -
Glenelg Shire Council Cultural Collection
Photograph, 1890-1910
Original black and white photo mounted on white card overlaid with grey/green indented card. Image is of two women in a rural setting, holding handles of a group of several furled umbrellas. Dress is late 19th, early 20th century style. -
Glenelg Shire Council Cultural Collection
Print - Contact Print, 1960-1979
Black and white contact print from glass plate negative. Image shows a group of 5 women and a boy sitting on a rock platform, with their backs to a cliff. Dress late 19th, early 20th century. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Queen of the Murray Beauty Contest 1949, n.d
Black and white photo. Two women, standing, in evening dress and sashes. Queen of the Murray 1949, and Queen of the South 1949, who is also wearing a Miss Warrnambool 1949 sashBack: 'J. Moore' - red biro. 'Queen of the Murray 1949 Miss M. Bridey'' 'Queen of the South 1949 Miss V McLaren ' - pencil -
Glenelg Shire Council Cultural Collection
Print - Contact Print, 1960-1979
Black and white contact print from glass plate negative. Image is of a group of 8 women and a man, sitting or standing on lawn with a backdrop of trees. Dress is late 19th or early 20th century.