Showing 6047 items
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Kiewa Valley Historical Society
Bottle - Spirits, 1940's
Spirits came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape and the glass colour of bottles varied.Historical: Change of bottles - shape, glass, embossing Aesthetic: Display showing shape and seal Clear brown glass bottle with original metal screw top attached. Sides are straight three quarters of the way up from the bottom then tapers to the neck which finishes at the lip where the top seals the opening. Looking at the base the shape is oval on one side and an inverted oval on the other. Embossing on the base.Base: 'GB 114' or '68 114'. At one end of the base: '521'spirits, brown glass, metal screw top -
Halls Gap & Grampians Historical Society
Photograph - Photocopy
4 men in photo - all standing and wearing suits. Two of them have cigarettes in their mouth.people -
Port Melbourne Historical & Preservation Society
Domestic object - Ashtray, Capace Liquor Store, Goodwill Products Consolidated, 1960
Con Talarico owned Capace Liquor Store, corner Lalor and Pool Sts in 1960s. Con also owned a family delicatessen at 173 Bay St in the late 1980sTriangular red plastic ashtray with groove for cigarette on each corner promoting Capace Liquor Store.CAPACE liquor store. "Let Capace keep you in good spirits" Cnr Pool and lalor Streets, Port Melbourne 643385 64 3304advertising, business and traders - wine and spirits, capace - port melbourne wine merchant, con talarico -
Benalla Art Gallery
Painting, Bernard HALL, Lamplight, Not dated
Born: Liverpool, Lancashire, England 1859; Arrived: Melbourne, Victoria, Australia 1892; Died: London, Middlesex, England 1935TonalismGift of Wooleen Pty. Ltd., 1980Interior with seated figure wearing dinner suit with cigarette and lamp. Gold brushed timber frame.Signed "B. Hall" in dull cream oil in l.l.c of composition; Not dated; Not titlepainting, interior, figure, lamp, man, glass -
Numurkah & District Historical Society
Cigarette cards in a tobacco tin
WD & HO Wills Cigarette cards of footballers, Actresses, etc Smile Away Tobacco tincigarette cards, tobacco tin, collection, hobby, smoking, -
Mont De Lancey
Plastic Cigarettes, W.D. & H.O. Wills
'Kiddicraft' Minature Plastic Cigarettes in original Packaging-Collectors item. Blue Black bubble plasticcigarettes, cigarette packets, smoking equipment -
Glenelg Shire Council Cultural Collection
Photograph - Photographs - Lighthouse, Portland Victoria, n.d
Two black and white photos of lighthouse at Portland. One slightly lighter than the other Identifying numbers 7891 a, bFront: 'LIGHTHOUSE PORTLAND VIC TOYE PHOTO' in white print, bottom of each photo -
National Vietnam Veterans Museum (NVVM)
Weapon, Ammunition
Black coloured card with various items attached. Displayed are several rounds used in various weapons, a splintex arrow and a lighter.5.56 - M 16 round armalite rifle - AK47 - 7.62 short 7.62 x 59 nugent armoured piercing ;splintex arrow (part of a cannister round ).50 cal machine gun round; 7.62 Nato round with M 60 machine gun link. Donated by John Spitzers. Ex I BN RAR SVN 1965 /66ammunition -
Moorabbin Air Museum
Book - Fundamentals of Fighter Design, Ray Whitford
This book covers the conceptual fundamentals of fighter design and operation. Covering multiple fighter designs and time periods, it covers the concepts that define the role and operation of fighter aircraft.The front is a deep blue with a stylization of air flow over a fighter concept. The back is a lighter blue with a photo of a jet fighter.non-fictionThis book covers the conceptual fundamentals of fighter design and operation. Covering multiple fighter designs and time periods, it covers the concepts that define the role and operation of fighter aircraft.fighters, aircraft -
National Vietnam Veterans Museum (NVVM)
Equipment - Equipment, Army, Metal Cup
Aluminium Cup with hinged handle (scarred by bullets). Fits onto base of water bottle.this cup was used during ambushed in Vietnam by 5 RAR in 1966.metal cup, 5 rar -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, R. Priester, Pte. Albert Stiles, 1945
Portrait of Private Albert John Stiles, internment camp 1.Khaki and brown pencil and water colour sketch of man in Army uniform with dagger like weapon and part of a rifle. Bullet belt over one shoulder.R. Priester 1945 private albert john stiles, r. priester, internment camp artists -
Flagstaff Hill Maritime Museum and Village
Bottle Corker, late 1800's to early 1900's
This hand held, wooden bottle corker would have been used by soft drink or wine producers to insert corks into their bottles to seal the drink inside. It seems it may have had a metal tip on the end of the plunger, as do other similar bottle corkers, because this plunger has a compressed end and a ring shape impressed into the wood a little way up from the tip. How to use the bottle corker … - soak a long, bullet shaped cork in water to soften it - place the bottle corker over the bottle’s neck - insert the cork through the side opening and place onto the metal funnel - push the plunger down onto the cork, forcing it into the tapered, which will squeeze the cork to size as it enters the bottle. Use a mallet or hammer if necessary The design of this bottle corker is very similar to “"Redlich's Apparatus for Corking Bottles", which was invented and patented by Henry Redlich of Chicago, USA, in 1862, US patent #35,325. H. Redlich’s gave the following instructions for the use of the bottle corker: “DIRECTIONS: SOAK THE CORK, DROP INTO THE OPENING AND TAP THE PLUNGER WITH A MALLET OR HAMMER.” This hand held, wooden bottle corker would have been used by soft drink or wine producers to insert corks into their bottles to seal the drink inside. It seems it may have had a metal tip on the end of the plunger, as do other similar bottle corkers, because this plunger has a compressed end and a ring shape impressed into the wood a little way up from the tip. How to use the bottle corker … - soak a long, bullet shaped cork in water to soften it - place the bottle corker over the bottle’s neck - insert the cork through the side opening and place onto the metal funnel - push the plunger down onto the cork, forcing it into the tapered, which will squeeze the cork to size as it enters the bottle. Use a mallet or hammer if necessary The design of this bottle corker is very similar to “"Redlich's Apparatus for Corking Bottles", which was invented and patented by Henry Redlich of Chicago, USA, in 1862, US patent #35,325. H. Redlich’s gave the following instructions for the use of the bottle corker: “DIRECTIONS: SOAK THE CORK, DROP INTO THE OPENING AND TAP THE PLUNGER WITH A MALLET OR HAMMER.” Bottle corker, a hand operated wooden corking device for sealing bottles. Bottle corker has two parts comprising a wooden plunger rod with knob handle, and wooden cylinder containing a metal tube that is flared to a funnel shape on the top. The cylinder has a hole the diameter of the rod at both ends and an oval insertion slot in one side. The tip of the plunger rod is slightly compressed and it has an indented line around the circumference as though it has had something attached to it. Manufactured in the late 1899s to early 1900s in Melbourne.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, cork -
Tennis Australia
Cigarette swap card, Circa 1930
Set of 15 cigarette cards (of a possible 25 available in the series). The "Lawn Tennis Series" produced by Godfrey Phillips Cigarettes. Each card presents a playing technique used in tennis. Sepia images, brown and cream text side. Materials: Paper, Inktennis -
Orbost & District Historical Society
tin, Mid to late 1900s
The British Australasian Tobacco Co. was based in Melbourne and Sydney. The parent company was founded in England, circa 1902. This item "HAVELOCK" is one of many ready rubbed tobacco tins produced by the British Australasian Tobacco Company.The ready rubbed tobacco held within the tin was mainly used by those smokers who rolled their own cigarettes. These smokers would have mainly used their palm and formed a cup then placing their choice of the amount of tobacco to be rolled. This would then be placed on the fine cigarette paper and rolled and sealed (using saliva in the mouth) into the required shape. There were mechanical "roll your own" gadgets on the market but most rural users, especially males used their palms. (Ref Victorian Collections)Roll your own cigarettes were popularly used in rural areas, especially when "tailor made" cigarettes were more expensive. Tobacco consumption in Australia is decreasing and fewer smokers are "rolling their own" cigarettes.A dark green rectangular shaped metal Havelock tobacco tin with a weave pattern. It is made from tin plated thin rolled steel. The lid is attached by two hinges.Lid - top left in gold coloured letters "HAVELOCK". bottom -"READY RUBBED TOBACCO" "2oz NET WEIGHT WHEN PACKED". Rim - "THE BRITISH AUSTRALASIAN TOBACCO CO. PTY. LTD." Inside lid -black print on gold background - "Every tin of genuine HAVELOCK Ready Rubbed Tobacco has the mane Havelock printed on the paper lining, and also on the band or wrapping sealing the tin. On the hinge side of the lid is "HAVELOCK READY RUBBED"tobacco cigarettes tin -
Kiewa Valley Historical Society
Ash Tray Pocket, Circa mid to late 1900s
This flip top pocket steel ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. Tin plated mild steel round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access. personal effects, tobacco waste products, smoking accessories -
Kiewa Valley Historical Society
Ash Tray Pocket
This flip top pocket aluminium ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This light weight aluminium pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. The covered lid reduces odors and eliminates ashes from being blown around.Aluminium round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access.personal effects, tobacco waste products, smoking accessories, tobacco -
Warrnambool and District Historical Society Inc.
Artefact, Cardboard tie preserver. Cramond & Dickson, Circa 1930's
John Glass Cramond 1829 and James Dickson 1831-1910 were founders of a large drapery store. Both were Scots and both came separately to Australia in 1852. Cramond initially came for gold but soon opened a store in St Kilda with a post Office attached and he was the first post master there. Dickson was a farmer’s son but became a draper and while he was unsuccessful on the Bendigo diggings and then returned to Melbourne where he met Cramond and soon after they opened a store on Lonsdale Street. They opened their business in Warrnambool in 1855 as a general store with groceries, drapery and ironmongery. Both partners were involved with the community and James Dickson was an original director of the Warrnambool Woollen Mill 1909 and the Warrnambool Cheese and Butter Factory. He also served on the committee of management of Warrnambool Base Hospital. The business in the late 1970's. This shape preserver would have been an item given to customers to maintain their tie in good condition. The shape would indicate that it would have been used around mid 20th century.A common object from one of Warrnambool's longest established businesses.Brown cardboard in the shape of a gentleman's tie with a hanging hole on one end and black text with company details and instructions for use. front surface is smooth while the back is coarse.With Compliments from Cramond & Dickson Tailors, Mercers and general Drapers. Warrnambool and London. warrnambool, cramond & dickson -
Tatura Irrigation & Wartime Camps Museum
Ashtray, 1940 - 1946
Miniature bath shaped metal ash tray. On one side there is a rest for a cigarette. The bath shape rests on 3 ball shaped legs. Has been painted blue by the donor. Originally metal unpainted. The head end is higher - sloping down to the foot end. Presumably made by POW's during WW2. Found in 1956 in a tunnel by a Dhurringile boy.ash tray, metal work, dhurringile pow camp, presbyterian church, orphans, orphanage -
Wangaratta RSL Sub Branch
Badge
WW2 propeller badges - larger of the two badges has appearance of trench art; the other manufactured Metal badge in the shape of the sleeve propeller worn as a symbol of rank by leading aircraftmen. The main body of the badge has been shaped from one piece of brass.Attached to the centre of the badge is a central boss made from a circular piece of brass. It has an impressed circle in the centre with engraved lines extending from the small circle.Two brass coloured metal badges in shape of a propeller - one badge slightly larger appears handmade (trench art) from silver metal. and has rear clips attached.propeller badge, trench art, ww2 -
Bendigo Historical Society Inc.
Document - WARNE COLLECTION: ANTI CIGARETTES PLEDGE
Anti cigarette and tobacco smoking league - Pledge - I, Norman Warne promise, by Divine assistance, to abstain from smoking cigarettes and tobacco in any form and will discountenance their use by others. Signed by Norman Warne, witnessed by Harold Hooper and dated Feb. 15, 1903. -
Port Melbourne Historical & Preservation Society
Container - Cigarette boxes, 1900s
In a box dug up during renovations at 78 Station StreetSeven cigarette boxes dug up during renovations at 78 Station Street. From a box of objects dug up at 78 Station Street: cigarette box, matchbox, greeting card "Remembrance" and advertising card for "throat weakness", dating early to mid 1900sdomestic life -
Bendigo Historical Society Inc.
Container - PITTOCK COLLECTION: CAPSTAN CIGARETTE TIN CONTAINING MIXED WOOD DRILLS AND PUNCHES
Pittock collection tools - Capstan cigarette tin containing mixed timber drills and one punch. Capstan Navy Cut Cigarettes tin, W.D. & H. O. Wills (Australia) Ltd. Sydney. Items stored in Pittance Coach builder's box, reference 13000.1. -
Victoria Police Museum
Photograph (police car), Kodak
Photo taken in 1942 of damage caused by bullets to a Mercury Wireless Patrol car. White tape has been placed where the bullets struck the car. All five crew members were awarded the Valour Badge for bravery during the pursuit. Photo shows the headlights covered during the Melbourne "brown out" period during WW11.A 1940 Mercury, registration number CW-394, circa 1942police vehicles; transport branch; wireless patrol; motor police branch; motor traffic section; ford mercury car; -
Orbost & District Historical Society
pack saddle, Early 20th century
A pack saddle is designed to be secured on the back of a horse so it can carry heavy loads. It would rest on a saddle blanket or pad to spead the the weight of the saddle. The underside of the saddle is curved to fit the shape of the animal's back. It would be symmetrically divided by a gap at the top to ensure it does not rest on the animals' backbone and to provide ventilation. This saddle was possible owned by the Forestry Department for use by fire spotters.Horses played a vital role in the agricultural and transport history of Orbost. This item is connected to that role.A large brown leather pack saddle. The underside is curved to conform to the shape of the horse's back. It is divided into two parts for weight distribution. The upper side is like a rack for the load to rest on and for it to be tied down.saddle pack-saddle equestrian -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, Walker & Hall, C.1910-1920
This electroplated teaspoon made by Walker & Hall of Sheffield. It was recovered from an unknown shipwreck in the coastal waters of Victoria in the late 1960s to early 1970s. The shipwrecks in the area range from around the 1840s to the early 1930s. It is part of the John Chance Collection. Walker & Hall’s Marks on this teaspoon, the SHIELD and the FLAG, date the spoon between 1910 and before 1920. The letters, possibly N S, within a shield may stand for Nickel Silver. The first Sheffield licence to make electroplated pieces of work was granted to John Harrison in 1843. One of his employees, George Walker, had been sent to learn electroplating skills at Elkington’s in Birmingham, who had patented the process discovered by Dr John Wright. Walker left Harrison in 1845 and started up his own company with Samuel Coulson and William Robson, to become George Walker & Co., electro-platers and gilders, taking out a licence with Elkington’s. In 1848 Robson retired and Henry Hall joined the partnership, operating at Electro Works at 11 Howard Street Sheffield, with a showroom in at 45 Holborn Viaduct, London. The firm had changes in the partnership and by 1853 it was called Walker & Hall. Over the years the company grew, with branches in the UK and overseas in Australia and South Africa. Then John Bingham, and later his brother Charles Bingham, became involved in the business, increasing profits. In 1861 the firm registered its first Trademark, a stamped ‘Flag’ with a banner with letters ‘W & H’. In 1884 Walker & Hall were one of the largest manufacturers and the second to introduce a voluntary system of using dating marks for silver plate, based on the alphabet and styles of shields or figures. The firm grew and prospered. It was described as ‘comprehensive … touching almost every department of Social life’, selling all manner of silverware and other goods. In 1920 the firm became Walker & Hall Limited and continued to expand in the goods produced and the member employed. Then the effects of war brought economic depression and fewer people able to afford the quality luxury goods. Eventually, in 1963, the company amalgamated with Mappin & Webb and Elkington & Co., becoming British Silverware Ltd. Although the spoon is not linked to a particular shipwreck, it is recognised as being historically significant as an example of cutlery, perhaps part of a passenger’s luggage or imported for use in Victoria in the early 20th century. This spoon is significant for its association with makers Walker & Hall, famous for silverware and silver plate in the mid-19th to early-20th century. It is the only example in Flagstaff Hill’s shipwreck artefact collection. The spoon is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Spoon, teaspoon, electroplated, silver-bronze colour with dark flecks. Old English design. Maker’s Marks on back of spoon. Made by Walker & Hall, Sheffield.Embossed individual stamps “W”, “&”, “H”, “S” Embossed shape [SHIELD] with letters within, possibly “N S” Embossed shape of [FLAG] with letters with “W & H” flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, sheffield, cutlery, eating utensils, electroplate, silver plate, silverware, flatware, antique flatware, old english flatware pattern, spoon, teaspoon, silver flatware, dining, silver plated, epnns, 20th century silverware, walker & hall, george walker, henry hall, john wright, elkington -
Frankston RSL Sub Branch
Knives, Butter (set of 3)
This is a set of 3 trench art butter knives. The handles are made of chrome plated spent bullet cartridges (0.303 inch) and the blades are made from chromed steel. On the base of the cartridge is the marking 'MG 1941 V11'ww2, trench art, butter knives -
National Vietnam Veterans Museum (NVVM)
Equipment - Equipment, Army, Bottle Lamp
Small glass bottle with improvised lamp made from hollowed out bullet and biro mechanism. Taken from viet Cong after ambush. 5RAR 1966Lamp with cup.ex ambush 6 RAR1966 - J.P. O'Callaghan5 rar, lamp, viet cong -
Orbost & District Historical Society
jasper
This rock was found at Buchan. Inspected by George Rawlings 6.2.2013.A lump of reddish brown rock with crustaceans in a lighter colour. They are gastropod turritella. The rock is Jasper, a form of chalcedony ( an impure variety of silica).fossils jasper gastropod-turitella -
Stawell Historical Society Inc
Accessory - Costume and Accessories
Three Pair of Stockings. One pair Tan. A lighter colour with seams. A finer texture with seams. Mrs E McClure (Dalkin) stawell clothing material -
Friends of Westgarthtown
Jar
Salt-glazed terracotta jar with flanged rim on opening. Two toned brown colouring with two handles on lighter coloured area.S.S written in black marker on base.domestic items, food storage and preservation, jar, terracotta, two-toned, domestic.