Small booklet (fifteen pages) for Bendigo funerals. On the cover a picture of the Bendigo funeral centre and of Simon and Sue Mulqueen owners of Bendigo funerals. Funeral planning guide and information booklet designed to assist you and your family.bendigo, business, mulqueen

117 pp : illustrated : Appendices Chapters: Preface / Robert Baker p4. The collection / Robert Baker p5. Cartwheel penny / Robert Baker p6. Creek and old watering stage / David White p10. John Carson: Mayor 1863–4 1 / Julie King p4. Wedding dress / Suzanne McWha p18. Back to Kew 1875 / Judith Scurfield p22. Barnard’s clock / Margaret Robinson p26. Denbigh quilt / Suzanne McWha p28. Fragments of art decoration / Robert Baker p32. Mr Richardson’s sock / Felicity Renowden p36. Kew Volunteer Fire Brigade / David White p38. Kew Where We Live / Judith Scurfield p42. [MMBW} Detail Plan No. 1580 / Judith Scurfield p46. Adeney Avenue / Suzanne McWha p50. Young Workers’ Patriotic Guild / Margaret Robinson p54. Roll of Honor [Thomas Rand] / Robert Baker p56. Alice Anderson in her tourer / Felicity Renowden p60. Kew War Memorial / David White p62. Beaded dance dress / Suzanne McWha p 66. The great flood of 1934 / Desley Reid p68. Depression-era toolbox / Robert Baker p72. War Savings Street / Julie King p74. Kew Public L.ibrary / Suzanne McWha p78. Signature supper cloth / Desley Reid p82. View from the garden of Rockingham / Desley Reid p86. Cr Marie Dalley / Felicity Renowden p90. Centenary of Kew / Robert Baker p94. Doris Dickinson’s gown / Julie King p98. [Model Dairy] Milk bottles / Robert Baker p100. Kew Civic Centre / David White p102. Bicentennial tapestries / Margaret Robinson p106. Crest of the City of Kew / Desley Reid p110. Town Crier [outfit] / Desley Reid p112. Acknowledgements p114. List of works p115.non-fiction'Stories They Tell : A history of Kew through objects' explores diverse narratives from European settlement to the first decades of the twenty-first century. These stories use as their starting point artworks, texts and artefacts from the nationally significant collection of the Kew Historical Society. Limited to 100 copies.collection -- kew historical society, museum catalogues, henty family, cartwheel pennies, kew lunatic asylum, patchwork quilts, john carson, george bouchier richardson, gb richardson, coombs family, james dannock, back to kew 1875, francis barnard, denbigh family, cullis hill & co, ordsall, southesk, kew volunteer fire brigade, jfc farquhar, henry kellett, mmbw detail plan 1580, william nicholls anderson, young workers patriotic guild, roll of honor -- town of kew, alice anderson, kew war memorial, flapper dresses, fairfield bridge, chandler highway bridge, warren trestrail, furniture -- 1930s, war savings streets, kew library, children's libraries, voluntary aid detachments - kew (vic.), rockingham, james govett, centenary of kew, mayoresses -- kew (vic.), model dairy -- kew (vic.), doris dickinson, crests -- city of kew (vic.), town criers -- kew (vic.), joy stewart, australian bicentennial -- kew (vic.), kew civic centre, ak lines mcfarlane marshall, adeney avenue -- kew, wwi

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Postcard sent to 'Dossie' (Dorothy Richardson, later Rogers) by her brother during World War 1.Dossie Picture of where we landed for you from your soldier brother Frank with love & good wishes from Egypt. xxxxxxxworld war 1, dorothy rogers, cairo

The historian Dorothy Rogers records (A History of Kew, p.5) that "In 1888 he [Arthur Wills] took over his estate, 'Willsmere', and conducted it as a dairy farm. He was an architect by profession, and having established the farm he rented it, and returned to live in Barry Street, Kew, where his only child, Dorothy was born in 1889. He entered Kew Council in 1891, and three years later built a new house in Fellows Street, on land that Thomas had purchased at the 1846-47 sales. He became Mayor of Kew in 1896-97, and during his term of office sold this house and built the present 'Willsmere' [pictured] on the corner of Willsmere and Belford Roads. ... Never a house of great distinction, it has now been demolished to make way for a freeway."This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Willsmere, the home of the Wills family of Kew, designed by the architect Arthur Wills, circa 1896. arthur wills, willsmere, belford road, willsmere road, dorothy rogers, kew, wills family

This is a smaller version of the large framed photograph donated to the new City of Kew by Cr Wishart. The framed photograph was hung in the Walpole Street Town Hall. Presumably, each of the Councillors in the portrait was presented with a smaller version.This photograph was donated by a descendant of the Kellett family. This picture, like it framed counterpart, is historically significant as a record of a major civic event in Kew's history. It is also aesthetically significant as the last official photograph taken by the photographer Josiah Earl Barnes before his death in the same year.Kew Becomes a City, 1921. Small photograph mounted on card of the official portrait of the Mayor and Councillors of Kew in 1921. Josiah Earl Barnes, the photographer, posed the group in front of the Jubilee Rotunda in the Alexandra Gardens in Cotham Road, Kew. At the centre of the group in mayoral robes is the then mayor of Kew, Cr. F.G.A. Barnard. This was to be the last major commission by the Council for J.E. Barnes, who had been responsible for creating the series of 19th Century portraits of former mayors that was displayed in the Kew Town Hall in Walpole Street.J. E. Barnes / Photoj.e. barnes, kew (victoria), kew city council, alexandra gardens, f.g.a. barnard

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Wedding party, ca. 1900-ca. 1920. A bride and groom pose for a family portrait in the garden of a family home. The bride in the photo can also be seen in 1995.0038. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.weddings, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. An outing to the beach, ca. 1900-ca. 1920. A group portrait of six adults and two children, taken at the beach. Given that the negative, of unknown provenance was in a collection that included a photograph of the grave of Violet Steel, the photo may be of her brothers and sisters, whose family home was in Elsternwick. The woman third from the right is the bride in 1995.0037. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.beaches, bathers, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Three generations, ca. 1910-ca. 1920. A portrait of four women, four young girls and an infant are posed for what may be a family portrait on the verandah of a house. The matriarch of the family sits at the centre of the group. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.family portraits, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Portrait of a family. Thirteen members of what is perhaps a family group comprised of multiple generations pose at the front of a house for a group portrait. The clothing worn by individuals in the photo range from the late Victorian period to that current when the photograph was taken. family portraits, glass negatives

An item from a diverse collection, assembled by members of the Christian and Washfold families of Kew.A set of picture postcards, printed on light-weight paper, which fold out accordion-style from an outer envelope (folder). These typically contain more than 5 cards.washfold family, postcard folders -- melbourne (vic.), christian-washfold collection

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Postcard folder. Selection of ‘beauty spots’ along Yarra between Princes Bridge and Heidelberg via Studley Park. Boat advertises Harding’s Launches Studley Park & Heidelberg. Pictured boat is ‘25 Canberra’.harding's river cruises, river yarra -- tourism, harding's boat cruises, christian-washfold collection

An item of ephemera relating to tourism and recreation on the Yarra River in Melbourne in the first half of the twentieth century.An item from a large collection assembled by the Christian and Washfold families of Kew, including photographs, postcards, and ephemera. Many of the items in the Christian-Washfold Collection relate to the Yarra River and its use as as a recreational resource. Numerous items in the collection are historically important in that they are rare and often unique records of vanished locations or past recreational activities.Flyer for a ‘beautiful trip on the Upper Yarra on the motor boat ‘Minerva’. The proprietor is named as E. Burn. There is a picture of the Minerva with passengers on the front and an advertisement for Woodrow’s Hats on the reverse. christian-washfold collection, river yarra -- recreation, yarra -- boat trips, motor boat -- minerva

The Hedderwick family lived in a number of houses in Kew, including 'Illapa' and 'Garoopna'. Illapa, pictured here, was built for Henry Hedderwick in c.1890. The house was to become 'St Joseph's Tower' and more recently 'Rylands' Kew This photograph is part of a larger donation of items relating to the Hedderwick family of Kew.Monochrome, Black and white print copy of 'Illapa' in Princess Street, built for Henry Hedderwick, lawyer and local politician.henry hedderwick, illapa -- princes street

The Jacksons Creek is prone to flooding when rainfall is very heavy. The flood pictured in the photograph occurred either in 1916 or 1917 and reached at a level close to the arches on the Macedon Street bridge.A sepia photograph backed on cardboard of a two arched bridge with a river in flood.floods, jacksons creek, macedon street bridge

The Sunbury Post Office with a residence pictured in the image was the first official post office building in the town. It opened on the corner of Brook and Evans Streets in 1892. Prior to that time postal services were conducted in an office at Sunbury Railway Station. Although the present day post office is still on the Brook-Evans Streets corner, the building has undergone many changes in services and appearances over the years. Like many country towns, the post office offered many services to the residents over the years. short message has been written on the back to a person in Stirling WA.sunbury post office, sunbury railway station, brook street, evans street, post offices

The post card is an early view of the intersection of Brook and Evans Street looking west and towards Sunbury Station. Mount Holden is in the distance. Chris Christianson's shop is on the LHS of the picture with the post office on the RHS. This image is an early view of Sunbury town centre with the railway station and post office. Like many country towns of this era, The roads have been formed but not surfaced. A sepia photograph in post card format of a view of a town centre showing an intersection and some small buildings with a hill in the distance.TO THE RAILWAY/SUNBURYbrook street, evans street, sunbury railway station, christianson, chris.

The photograph shows a picture of Evans Street Sunbury taken from the T intersection at Macedon Street and looking south. When the photograph was taken it was one of Sunbury's main residential areas. Since the 1980s the houses in the image have been demolished and replaced with commercial development. Over the years Evans Street has undergone much change from being a residential strip to being the main commercial hub in Sunbury.A sepia photograph with a white border across the bottom and in post card format of a streetscape with a row of trees growing along the footpath and a number of weatherboard Victorian style double fronted cottages. Both the roadway and footpath are not surfaced and the gutter is lined with stone pavers.EVANS STREETevans street

W. V. Hill Collection - William Valentine Hill was a journalist. He and his wife Annie and family came to 10 Pembroke Street in 1904. Jocelyn Hall notes suggest that the boy pictured is a son. If this is the case it would most likely be Albert Clement Hill born in 1902. The image looks too young to be a contemporaneous photo of him. None of the direct family have service records.A black and white photograph of a young boy's face framed by the words in an oval shape - "War Souvenir Advance Australia / 1916"In grey lead pencil on rear in Jocelyn Hall's handwriting: "Hill family / 10 Pembroke / St / SH/ Keep"william valentine hill (mr), albert clement hill (mr), pembroke street, surrey hills, fundraising events, stamps, ww1

William Kleinert (Friedrich John Wilhem Kleinert) made wine from the grapes he grew. The house was built in 1905 and was the home of William and Emily Kleinert from 1905. William was a coach-builder, wheelwright and blacksmith. He moved from Prahran to Surrey Hills. His son Ernest worked with him as a coach painter and also worked as a painter undertaking intricate hand painting on early cars. Their other son Martin played for the Surrey Hills Football Club. In return for the support given to the club by Mrs Emily Kleinert, it built a rotunda in South Surrey Park as a memorial to her. Alan Holt research: Lot 6 was sold to Martin Klienert by Karl Richter in 1860 together with a portion of another adjacent lot. From 1860-1885 Martin worked it as a market garden leasing some land for grazing when it was not required for gardening. He died in 1898. In a formal document, William declared he was the son of Martin "who purchased land in 1860, died in 1898 and the land has been continually occupied by father and family since. It has been cultivated as a market garden; when not being used for gardening it was let for cultivation and grazing." William died in 1939 and the property passed to his sons Martin and Ernest. The Kleinert land extended from Union Road to Essex Road. They ran horses, ducks and fowls and Emily Kleinert grew flowers. The Kleinert property later became the South Surrey Park. The family sold the land to the Camberwell Council in the 1950s. Ernest and Ida Kleinert lived on the corner of Scotsdale and Warrigal Roads. The donor of the photo Nada Harris, nee Kleinert, was Ernest and Ida's daughter. Ida lived to a good age (> 93 years) and in later life lived in Burwood.Black and white photo of a group of men and women posed against the backdrop of a timber house. Immediately behind the group is a large grape vine and drying racks can be seen to the left of the picture. The group is identified as: Standing L to R: Ernest Kleinert, Rose Kleinert, William and Emily Kleinert, ? (unidentified), Ida Kleinert (nee de Vasey) Seated (L to R): Martin Kleinert, Nada Kleinert (daughter of Ernest and Ida and 1st grand-daughter of William and Emily), great-grandmother Maria Radford, Ivy Kleinert.surrey hills football club, blacksmiths, wheelwrights, coachbuilders, harris, rotunda, william kleinert, vineyard, ernest kleinert, rose kleinert, ida kleinert (mrs), ida de vasey (miss), martin kleinert, nada kleinert (miss), ivy kleinert (miss), friedrich john wilhem kleinert, emily florence radford (miss), maria dina radford (mrs), maria dina aylwin (miss)

The photo was taken in 1928 and the young child is definately Jocelyn Francesca Cerini, elder daughter of Natale Cerini and his wife Ethel (MS: Swan). The Cerini family lived at 215 Union Road. Most likely that the photo was taken in the back garden of 215 Union Road which backs onto 11 and 13 Barton Street. Thus the houses in the background are the two houses occupied by Barton family members - No 11 and 13 Barton Street, Surrey Hills. The photo card index compiled by Jocelyn Hall (nee Cerini) identifies the elderly lady as Miss Annie Barton, sister of Rev John Barton, second minister of Wyclif Congregational Church. She was a nurse. However the age of Jocelyn (born 1922) makes it more likely that this is Mrs Annie Eliza Barton (nee Duncan), wife of the Rev John Barton and mother of James Duncan Barton, John Saxon Barton, Ida Grace Barton, Albert Edward Barton, Annie Barton and Harold Arthur Barton. Annie Eliza (Duncan) Barton was born in 1845 and died on 16 Jan 1933, which is consistent with the age of the lady pictured. By the time this photo was taken her husband, the Rev John Barton (1844-1919) had died. He was minister of the Wyclif Church in 1896 and continued in that role until 1907. After a further appointment John Barton retired and continued to worship at Wyclif, residing at 13 Barton Street. On Federation in 1901 the street name changed - it was originally Kent Street. John Barton was born in 1845 in Ainsdale, Lancashire, son of James Barton and Ann Rimmer and grew up in Formby - the name later given to No 13 Barton Street. His family appear to have remained in the UK. He married Ann Eliza Duncan in 1872 in Queensland. Of the 2 daughters who were nurses: Ida Grace Barton (b 1877) did not marry. She trained at the Homeopathic Hospital (later Prince Henry's Hospital), graduating in 1909. Annie Barton (b 1883, Geelong) trained at the Melbourne Hospital. She was Matron AANS during WW1 in charge of the Base Hospital (Military) in St Kilda Road. She married Dr John Hodgson Nattrass. She died in 1965 at Caulfield. John and Ann Eliza Barton are buried in Box Hill Cemetery - C0044.A black & white photo of an elderly lady seated in a cane chair in an outdoor setting. To one side is a young girl also seated in a chair and holding a doll; to the other side is a doll's pram containing another doll. The background is indistinct but appear to be houses.clothing and dress, 1928, miss jocelyn francesca cerini, mrs jocelyn hall, annie eliza duncan, annie eliza barton, box hill cemetery, rev john barton, jocelyn cerini, dolls, 215 union road

Albert and Hazel Crump at their home ‘Hazeldene’, 1 Leopold Crescent in 1916. ‘Hazeldene’ was opposite the end of Albert Crescent. Albert and Hazel lived here from the time of their marriage in 1913 until 1918 when they moved back to Dandenong. This Federation house is of rather unusual design with verandas on the front corners and the centre room projecting. It was demolished in the 1960s and replaced by units. From 1913-1918 Albert was proprietor of the grocery store in Canterbury Road (next to the present Surrey Lodge). This was owned by Alfred Geer and had opened in 1885 by George Sim. Pictured with their daughters Thelma and Joyce Joyce Kathleen Crump - BIRTH 1916, Surrey Hills; DEATH 16 MAY 1990, Pakenham [Married Thelma Osborne Crump - BIRTH 5 June, 'Hazeldene', Surrey Hills; DEATH 25 JULY 1943, Richmond [Married Reginald Thomas Elvish] Not pictured: Betty Nevill Crump.A sepia coloured photograph of a family group seated outside a house. The baby is seated on the ladies lap.(mrs) hazel crump, (mr) albert crump, (miss) thelma crump, (miss) joyce crump, house names, hazeldene, leopold crescent, surrey hills, federation style, grocer, clothing and dress, 1916, albert henry crump, hazel may crump, hazel may ordish

This dress, which was made around 1820, was passed down through five generations of a single family before its donation to Brighton Historical Society in 2007. It originally belonged to a great-grandmother of Margaret Reynolds (1881-1958) of Hertfordshire, England, who herself came into possession of the dress around the early twentieth century. Having no daughters of her own, in 1945 the 64-year-old Margaret sent the dress as a Christmas gift to her niece, Margaret Willoughby Reynolds (1907-1996). In the letter accompanying the parcel, donated to the Society with the dress, the elder Margaret writes that she loves the dress very much but has now outgrown it. She makes reference to her own mother Mary Reynolds (nee Lloyd)'s pleasure at seeing the dress worn, indicating that it may originally have belonged to one of Mary's grandparents. She had two requests of her niece: first, that the younger Margaret wear the dress on Christmas Eve as a treat for her Mary (the letter includes styling advice on how the dress should be worn and accessorised), and second, that she one day pass the dress on to her own daughter or niece. In March 1968, the younger Margaret gifted the dress to her Australian-born niece, Dorothy May England (nee Reynolds, 1924-2013), along with a letter of her own. Dorothy, a Bayside resident, donated the dress and both letters to the Society in 2007. The letters paint a picture of the significance of the dress within the Reynolds family and its journey from England to Australia.A white, mauve, purple, red, and green paisley / floral printed cotton day dress from circa 1820. The day dress features a wide scooped neckline, with a dropped shoulder line. At the head of the sleeve is has three lines of gathering creating a narrow arm hole around the shoulder, flaring out into a leg of mutton sleeve. The sleeve finishes neatly at the wrist with a cuff that secures with two brass hook and eye closures. The dress bodice is open at the centre front and secures with six hook and eye closures to the empire line waist. Over the breast on either side of the opening are six diagonal pleats, pressed and secured facing towards the neck. This pleated detail is on a facing that extends from shoulder to shoulder and finishes with a bound edge. The remainder of the front bodice is plain and secures to the skirt at the empire waistline. The skirt pleats onto a binding, wrapping around the torso and securing to the bodice with eight hook closures. At approximately knee, height the skirt has an additional gathered flounce with the dress finishing at approximately ankle length. From the back, the bodice is plain and the skirt is gathered and sewn to the bodice at Empire line. Alterations to the garment have been made with the addition of hooks and eyes. The garment is generally in good condition although the skirt at the front shows evidence of damage and subsequent repair.day dress, 1820s, migration, dorothy may england, margaret willoughby reynolds, margaret reynolds

H25.7 cm; 362p;non-fictionBruce experienced first-hand life at the top of Melbourne's social strata in the early 20th century. In rich detail, he describes his childhood years living at Harrison House in Spring Street, and paints a vivid picture of inner-city Melbourne in the early to mid- 1900s. His family's social standing gave Bruce a rare perspective on Melbourne life, as illustrated through his many brushes with iconic politicians and celebrities over the years.melbourne, social life and customs, australian football - history, history- 20th century

Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. These boxes were designed to be reused, with a pop out section in the base.2 x metal coin collection tins with printed sidesFront: The Royal Victorian Institute for the Blind St Kilda Road The only Institute in Victoria for teaching blind adults trades & professions educating & maintaining blind children & babies (Lighthouse with words radiating out from light) Modern cottage homes Pensions - after care & sick fund Prevention of blindness lectures, etc. Free wireless radio for needy cases Boat shed & club house Professions & trades Blind babies nursery Wireless sets Social club Happiness for the blind every day & night Musical education Higher education Domestic science classes for blind women & girls A free education Maintenance of blind children The Lighthouse! As a thanksgiving for sight Please place a coin in this box and help to keep the Beacon Light flashing for the Institute's Blind Adults, Babies and Children Side: (Picture of two girls playing with dolls house) Our blind babies and pupils will probably spend 70 years in our Royal Victorian Institute for the Blind St Kilda Road As a thanksgiving for sight please help make their years very happy ones by placing a coin in this box! Reverse front: (Drawing of a man holding his hand to his eyes as a blast occurs in front of him, pushing small objects towards his body.) It might hit You or Me! Please! Will You? As a thanksgiving for the sight you and your dear ones possess, please place a coin in this box to assist the Royal Victorian Institute for the Blind, St Kilda Road, and its Blind Adults, Children and Babies! Reverse side: (picture of workshop at RVIB) One of our many spacious workshops provided by public subscription! The Royal Victorian Institute for the Blind is faced with the problem of employing and otherwise assisting its blind workers. It gives them charitable allowances in addition to their earnings, amounting to approximately 15,000 (pounds) every year, to enable them to support their wives and families! No profits can therefore be made! This 15,000 (pounds) is distributed because the great handicap of blindness prevents blind persons from earning as much as their more fortunate sighted fellows. Please! Ask Storekeepers for our Baskets, Mats, Brooms, etc. And as a thanksgiving for Your Sight place a coin in this box for our blind adults, children and babies! Embossed on the top of the box is Royal Victorian Institute for the Blindfundraising, royal victorian institute for the blind

Handwritten letter from Jan Downman (nee Macauley). Typed biography of John Thomas Macauley, Manager/Curator of Poultry Testing Unit/Egg-laying Competition. Photocopies of photographs: (1) "John Thomas Macauley," as a child. (2) "J T Isobel Macauley." (3) "Picture appeared in 'The Weekly Times'." (4) "Macauley family c.1921." (5) "July 1942 3 generations" "J.T, Barry & W.E. (Bill) Macauley." (6) "c 1923." (7) "at Blackburn c.1946." Also Obituaries and a Memorandum for the Agricultural Superintendent from Mr. Jessep recommending that he continue to be employed after his retirement.jan downman (nee macauley, john thomas macauley, manager, curator, poultry testing unit, egg-laying competition, j t isobel macauley, barry macauley, w.e. (bill) macauley, obituaries

P.443.fictionSant' Ilario is an absorbing story depicting the impact of social change on an Italian family during the late 1800s. Set mostly in Rome, it tells the fascinating tale of Sant' Ilario, A Lady of Rome, and Giovanni Saracinesca. The novel presents an interesting picture of the period, describing the spiritual and economic concerns of the aristocracy at a time when its power and position were under attack from the emerging forces of modernity.england - fiction, italy - history

Harry R Howe served in 2/5 Infantry Battalion AIF 6 div in Africa in the Battle of El Alamein then brought home for jungle training then sent over to fight in the Pacific and died whilst in serviceRelic set of medals; original set held by familyPicture in black plastic frame VX44599 Harry R Howe 2/5 infantry battalion A.I.F picture, wwii, howe family

Part of the set of William Charles Clark collection of family memorabilia.An assortment of items loaned to the RSL by the Grandson, Lance Richard Flynn in February 2009, of Cpl Clark VX34546Photograph framed in IMC celluloid processed Plaque. Subject is Irene Madeline Joyce, wife of William Charles ClarkeOn reverse side written on white stick-on label are; Irene Madeline Joyce/ 27/2/10 - 28/9/1983/ Married/ William Charles Clark/ 10/03//1934photograph, framed picture, clark