Newspaper clipping about Mary Benin working at the Williamstown Mission to Seamen in the 1960s containing two photographs.williamstown, mission to seamen, mary bennion, the missions to seamen, 1964, port kembla, warden, caretaker, 139 nelson place

Plan of Williamstown in 1855The map helps locate the Wesleyan church on Ann Street which was converted in the Sailors' Rest in 1875.ann street, wesleyan church, sailors' rest, williamstown

Commander Crawford Atchinson Denman Pasco (1818–1898), Royal Navy, was member of the Mission's Committee. He was the son of Rea-Admiral John Pascoe (1774–1853) who served in the Royal Navy between 1784 and 1853. On 7 April 1803 he was assigned to Nelson's flagship HMS Victory and was appointed as signal officer by Nelson on the day of the Battle of Trafalgar. In this role he was to hoist the famous signal "England expects that every man will do his duty".Sepia tone photograph of man in uniform seating in armchaircrawford atchison denman pasco (1818-1898)

The photograph was taken on board the English four-masted barque Crocodile which was a a regular visitor of the Port Phillip bay ports, transporting wheat from Australia to the UK. A rare photograph of seamen's intimate life on board.Sepia photograph depicting the two seamen eating their dinner on board the ship Crocodile.Written in pencil at the back: "12"cook, barque crocodile, liverpool, tureen, goldsmith album, life on board, meals, steward, portholes

The author of the letter the Princess Royal is patron of the Mission to Seafarers in Australia. The letter marks the centenary in 2007 of the establishment of the Seafarers Service in Australia. Letter, signed, on Buckingham Palace letterhead mounted and housed in gilt painted frame, glazed . Fitted with single twist hanging wire, and 4 felt stoppers; Core flute backing with Brown paper tape to seal. Signature bottom right in Black ink "Anne" / Conservation Framer's label initials in black ink : "E LH 22/2/08"mission to seafarers, commemorations, princess anne, princess royal, letter, 2007, centenary, seafarers service

These armchairs seem to be dated from the 1960s and are seen in a photograph taken by the Melbourne Harbour Trust around 1963.3 armchairsarmchairs

Belaying pins used on the Polly Woodside, former Rona, ship now berthed on the Yarra River.The Polly Woodside was saved in the 1970s and use as a Maritime Museum until its collection was dispersed. Now one of the National Trust assets. Some Mission's volunteers were also part of the team of volunteers restoring the Polly Woodside in the 1970s.Painted: 1885 POLLY WOODSIDE 1977polly woodside, rona, yarra river, national trust, interest group

A Williamstown local, Ethel Margaret Musther nee Barber (1872-1956) was the daughter of Captain John Henry Barber (1842-1924), a sea pilot and Janet Lidell (1846-1891) Her grandfather, Captain Lidell, was also a seaman. In 1900, she married Nathan George Musther,(18..-1933) a chemist, and dentist in the Navy. They had two daughters: Rosamund Janet Musther(born 1903) and Nanoya Gwendoline Musther (born 1906). She was the principal of the Ladies' College in Footscray. She was involved in many philantropic associations especially for sailors but also during WWI and WW2. She worked for the Anzac Club, the Red Cross, She formed: 1941: the R.A.N. Friendly Union of Sailor's Wives and Mothers. 1943: the Lightkeepers Auxiliary to help the Mission raised funds. The plaque was a gift of the Lightskeeper Auxiliaire and unveiled on 30 July 1959 at the St Nicholas Chapel, by her eldest daughter, Mrs Jean McDonald.It was originally on stained and polished hardwood mount made by Mrs Murdoch (AR1959, page 24). On the day, a desk service-book was also dedicated in memory of Dr John Thompson at the request of his daughter, Mrs Sparrow.In early 1943, Ethel Margaret Musther formed the Lightkeepers' Auxiliaire and raised funds for the third building purchased for the Williamstown branch of the Victorian Seamen's Mission, the former E,S & A Bank. Thanks to her philanthropic work, she was rewarded with a Medal of the British Empire in 1953 for all her charitable work.Invitation card to the dedication of a brass plaque in memory of Ethel Margaret Mustherethel margaret musther, st nicholas' mariners' chapel, nelson place, williamstown, lightkeepers' auxiliary

A Williamstown local, Ethel Margaret Musther nee Barber (1872-1956) was the daughter of Captain John Henry Barber (1842-1924), a sea pilot and Janet Lidell (1846-1891) Her grandfather, Captain Lidell, was also a seaman. In 1900, she married Nathan George Musther,(18..-1933) a chemist, and dentist in the Navy. They had two daughters: Rosamund Janet Musther(born 1903) and Nanoya Gwendoline Musther (born 1906). She was the principal of the Ladies' College in Footscray. She was involved in many philantropic associations especially for sailors but also during WWI and WW2. She worked for the Anzac Club, the Red Cross, She formed: 1941: the R.A.N. Friendly Union of Sailor's Wives and Mothers. 1943: the Lightkeepers Auxiliary to help the Mission raised funds. The plaque was a gift of the Lightskeeper Auxiliaire and unveiled on 30 July 1959 at the St Nicholas Chapel, by her eldest daughter, Mrs Jean McDonald. It was originally on stained and polished hardwood mount made by Mrs Murdoch (AR1959, page 24). On the day, a desk service-book was also dedicated in memory of Dr John Thompson at the request of his daughter, Mrs Sparrow.In early 1943, Ethel Margaret Musther formed the Lightkeepers' Auxiliaire and raised funds for the third building purchased for the Williamstown branch of the Victorian Seamen's Mission, the former E,S & A Bank. Thanks to her philanthropic work, she was rewarded with a Medal of the British Empire in 1953 for all her charitable work.Folded booklet on creamy colour paper and black inkethel margaret musther, st nicholas' mariners' chapel, nelson place, williamstown, lightkeepers' auxiliary, dr john thompson

Margaret Woodward is a an artist and an an associate professor of design at Charles Sturt University. Artist statement: "The Sea is All Around us is a multi-layered event which creates a memorable experience for those visiting the Dome Gallery and the Mission to Seafarers in Melbourne’s Docklands. The event acknowledges and raises awareness of the often difficult and dangerous working lives and journeys of seafarers by making visible their role in transporting commodities, materials and objects to and from Australia’s shores. This installation at the Dome Gallery in the Mission to Seafarers in Melbourne’s Docklands marks the third stage of an ongoing research project which seeks to reveal the ‘social life’ of souvenirs. Beyond their representational role souvenirs also trigger intangible, affective qualities – reminders of journeys and places, new associations with tastes, sounds and people, and thereby becoming objects which focus and hold memories. This installation invites seafarers and visitors to participate in a global project which aims to witness sea journeys and trace the mobile life of seafarers and souvenirs. For a fortnight in May 2015, the Dome Gallery became an architectural large scale compass, with the circular floor marking the intersection of its latitude and longitude (37 º 49'21" S 144º 57'03"E). Over these two weeks the Dome Gallery was inscribed with marks recording journeys made by seafarers, recording destination and departure ports, home lands and waterways, and in doing so making visible a small segment of the global patterns of seafaring. Custom-made souvenirs designed for the installation are given to seafarers as gestures of welcome and a memento of their visit. The souvenirs originating in Poland continue their journey by sea, to destinations beyond the Dome becoming part of the global network of seafaring, with an invitation for seafarers to record their future journeys using QR code scanning technologies. It is hoped that by releasing the 200 limited edition souvenirs accompanying the seafarers the mobile life of souvenirs and seafarers will also become visible. Like messages in bottles they leave our shores, becoming ambassadors, representing the Dome Gallery at the Mission to Seafarers, the waters of Port Phillip Bay, Australia’s red soil and vegetation, and carrying memories of visiting Melbourne." The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Orange enamel and teal mug created for the art installation by artist Margaret Woodward at the Mission to Seafarers. On one side it is decorated with a compass and a latitude and longitude; on the opposite side, a leaf, a QR code on the bottom takes you to the website.Written at the bottom of the mug: Please scan to map the journey of this souvenir * www.sensingtheremote.net *2015cultural events, norla dome, mso, 2015, art installation, margaret woodward

He served as an Anglican curate at St Stephen’s Church, Port Kembla (1941-42), and as an assistant at the Missions to Seamen, Sydney (1942). An honorary curate (1942-46) at St John’s Church, Rockdale, he married Beryl Ruth Knox, daughter of the rector, there on 3 October 1942. On 16 September he had been appointed as a temporary chaplain in the Royal Australian Navy, an event which he described as the determining factor in his future ministry. He served in HMAS Australia (1942-44) and in shore establishments before being demobilised in February 1946. In 1953 Craven-Sands joined the Missions to Seamen, Sydney, as senior chaplain, leading a team who worked for the spiritual and social welfare of seamen. Large poster with a stylised depiction of Sydney Mission to Seamen on George Street with a large flag of the Mission on a map with streets names and the port and Sydney bridge in the backgroundmissions to seamen, sydney, george street, reverend colin craven-sands (1917-1987), rawson institute, mariners' church, bethel union

He served as an Anglican curate at St Stephen’s Church, Port Kembla (1941-42), and as an assistant at the Missions to Seamen, Sydney (1942). An honorary curate (1942-46) at St John’s Church, Rockdale, he married Beryl Ruth Knox, daughter of the rector, there on 3 October 1942. On 16 September he had been appointed as a temporary chaplain in the Royal Australian Navy, an event which he described as the determining factor in his future ministry. He served in HMAS Australia (1942-44) and in shore establishments before being demobilised in February 1946. In 1953 Craven-Sands joined the Missions to Seamen, Sydney, as senior chaplain, leading a team who worked for the spiritual and social welfare of seamen. Large poster with a stylised depiction of Sydney Mission to Seamen on George Street with a large flag of the Mission on a map with streets names and the port and Sydney bridge in the backgroundmissions to seamen, sydney, george street, reverend colin craven-sands (1917-1987), rawson institute, mariners' church, bethel union

He served as an Anglican curate at St Stephen’s Church, Port Kembla (1941-42), and as an assistant at the Missions to Seamen, Sydney (1942). An honorary curate (1942-46) at St John’s Church, Rockdale, he married Beryl Ruth Knox, daughter of the rector, there on 3 October 1942. On 16 September he had been appointed as a temporary chaplain in the Royal Australian Navy, an event which he described as the determining factor in his future ministry. He served in HMAS Australia (1942-44) and in shore establishments before being demobilised in February 1946. In 1953 Craven-Sands joined the Missions to Seamen, Sydney, as senior chaplain, leading a team who worked for the spiritual and social welfare of seamen. Large poster with a stylised depiction of Sydney Mission to Seamen on George Street with a large flag of the Mission on a map with streets names and the port and Sydney bridge in the backgroundmissions to seamen, sydney, george street, reverend colin craven-sands (1917-1987), rawson institute, bethel union, mariners' church

W.H.C. Darvall was a solicitor; ha became the Honoray Secretary of the Mission in 1895. Interested in libraires and archives, he kept a scrapbook of the events organised at the Mission during his time. He also wrote an Epitomised History. Hugh Reid ws a member of the Harbour Trust, the Sailors' Home and the Mission.This letter of recommandation shows that W.H.C. Darvall was highly respected.Typewritten letter in purple ink onto creamy colour paper with The Victorian Seamen's Mission, Institute & Rests letterhead.hugh ronald reid, william henry charles darvall (1830-1906)

Small illustration by Charles George Darvall (1831-1924), cousin of William Henry Charles Darvall.Born in England in 1831, he arrived in Victoria in 1858. A watercolour artist, he travelled around the goldfields and later taught at the Sandhurst School of Arts and Design.Small ink seaside landscape found on the 1896-1902 scrapbookBottom right corner: C.G.D. 99charles georges darvall (1831-1924), william henry charles darvall (1830-1906)

After an attempt of building a Seamen's Hospital in Williamstown, the ship Emily was transformed in a floating chapel to welcome seamen for service. Captain Charles Ferguson (1813-1868) was one of the members of the committee who founded the floating church. The ship Emily may have been a convict ship sailing from England to the Van Diemen's land in 1842 and 1844. Before 1856, it was used as a "water police hulk" then transformed in an accommodation for Reverend Kerr Johnson and his large family and fitted to receive 200 attendees in the chapel.The article is significant as it describes the ship and its location: "The hulk is moored midway between Sandridge and Williamstown, and is distinguished by a blue flag flying at the mainmast with "Bethel" inscribed on it; and in one corner of the flag is the star of Bethlehem, in another a dove with an olive branch."1 column article in the Argusship emily, floating church, reverend kerr johnston, 1812-1887, hobson's bay, sandridge, captain ferguson, captain charles ferguson (1813-1868), convict ships

The Exhibition of Nautical Curios and Fancy Fair was held on the 14th of November 1901 at the Melbourne Athenaeum. It was opened by the Governor, Lord Hopetoun.Digitally enhanced copy of the flyer pasted in the 1896-1902 scrapbooknautical curios, fancy fair, melbourne athenaeum

Small sketch in blue ink published in the Jottings in 1916walter richmond butler (1864–1949)

In 2018, excavations in the vicinity of Flinders Street Railway Station uncovered about 300 aboriginal artefacts which indicated that the site was used for corroborees and other celebrations. Results of other archeological digs in the city area are also described by archaeologist Jeremy Smith.2 p. Article from "The Age" 25/05/2023, text and colour imagesnon-fictionaboriginal heritage sites, melbourne - history, jeremy smith

The boat in the painting belonged to a seafarer, my Uncle Bill who used it to fish from when on shore leave.This weathered boat is a familiar image to many who walk the shorelines and ponder the question, "I wonder who the owner is?" Maritime art, Marine artpainting of the prow of a wooden boat fully mounted and with black mitred frame and glazed with perspex. Cord hanger sealed backing with labelsArtist signature at lower right corner facing in white paint uc : "BERNIE AYRE"artwork, 2013, berni ayreart, artwork-paintings, maritime art prize, anl, boat

RMS Queen Mary a retired ocean liner by 1971 that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard Line (known as Cunard-White Star Line when the vessel entered service ( Wikipedia) Maritime ArtLong framed unglazed landscape format painting predominantly depicting in foreground an ocean liner painted black hull and white superstructure with three funnel stacks painted red with black trim, under full sail against a blue sky. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks. Brown paper backingat lower right corner single uc word in white paint : "CV WRIGHT (artist symbol of crossed anchors) / 3 ? '71"marine painting, ocean liners, rms queen mary, royal mail ships, p & o steamships, ww2, artwork-paintings, hobbies, bosun, c.v. wright

During the Open House Melbourne 2011 artist nicknamed "586" participated in one of the Norla Dome Project Space events sponsored by Bendigo Wealth. The original large print was on display and smaller prints were also sold to raised funds for the Mission. The postcard was printed as a marketing to raise awareness of the work of the Mission.The postcard llustrates the typical early 21st services such as money exchange, modems, sim cards et al and facilities such as a free bus service and collection available through the Mission. Also documents the continuity of services offered to Seafarers over 100 years in the current building at 717 Flinders St (1917-2017).Full colour promotional and information postcard featuring artwork collage print ( MTSV 0650) on one side and black on white information about the Flying Angel Club on the reverse.flying angel club, flinders street, mission to seafarers, seamen's mission, artist 586, open house, fundraising, marketing