This photograph was taken not long after the Ballarat Town Hall tower was builtFramed sepia photograph showing a bird's eye view of Ballarat looking south from the tower of the Ballarat Town Hall. Businesses shown in the photograph include Town Hall Hotel, West's Hotel, National Loan Office, Edinburgh Castle Hotel, Magill and Coglan, Dana Street Primary School, Band of Hope and Albion Mine, I. Dean auctioneer, Pritchard, Murray, Victoria Foundry. Just south of West's is the Phoenix Foundry.ballarat, ballarat town hall, ballarat streetscape, ballarat townscape, william bardwell, fotobiennale

Postcard - silver colour, heavy card ? Image shows gentleman dressed in three piece suit, turn down colour, tie, monocle in right eye, leaning on basket type ledge. Written on bottom 'Rt Hon. J. Chamberlain' On rear : addressed to Miss. L. Pethard, Tarax Café, City Market, Bendigo' On top printed: this card can be sent only under cover. Write here for inland postage only'person, individual, chamberlain, j, bendigo, pethard, tarax, lydia chancellor, chamberlain

Bendigo Advertiser "The way we were" from Friday, December 31, 2004. Fire: Golden Square fire brigade's annual Christmas sports day gave brigades the chance to display their talents. In this photograph, taken in 1942, Keith James (assistant), Bill Rodda (ladder man), Bill Curnow (pole), George Symons (coupler) and Dick Turner (hydrant) display their talents under the watchful eye of the judge, Bob Houston. The clip is in a folder.newspaper, bendigo advertiser, the way we were

NSW Mounted Rifles officer's mess dress waistcoat worn by Lieutenant William Augustine Newman (1873-1955) during the Second Boer War. Born in Campbelltown, NSW, William began working in the colonial public service at the age of eighteen. In 1899 he travelled to South Africa to fight in the Second Boer War as an officer of the 1st NSW Mounted Rifles. Returning to Australia in time for Federation on 1 January 1901, William rejoined the public service and was appointed to the original staff of Prime Minister Sir Edmund Barton, attending the first opening of Federal Parliament in Melbourne as Barton's private secretary. He went on to serve as the chief clerk of the Home Affairs Department, Commonwealth Electoral Officer for Victoria and official secretary to the Governor-General. In 1927 he was appointed Administrator of Nauru, a position he occupied until his retirement at the end of 1932. He retired to Brighton, where he lived with his family at 43 Martin Street until his death in 1955.Black NSW Mounted Rifles officer's mess dress waistcoat. Black superfine wool front, with black cotton back and cream cotton lining. The neck, front and bottom front edge are edged with gold metal lace and gold cording in an Austrian knot style. Two front pockets are edged in the same looped cording. The left front opening is edged with a row of decorative gold metal studs, with hook and eye fastenings underneath.Handwritten in pen on lining: "MESS WAISTCOAT / BOER WAR / LIEUT. NEWMAN / Gift of Mrs. D. Kelly, daughter".military uniform, nsw mounted rifles, boer war, william augustine newman

Northern District School of Nursing trainee nurse's base uniform from 1972Nurse's one piece dress in yellow with yoke and central front chest panel in white. Dress fastens with full back zip to waist and metal hook and eye. There are two pockets at sides below waist. There is a gusset to each side of back to sleeve. There is a long sleeved, waist length jacket, satin lined, with round neck with five buttons and button holes at front. The fabric is of stretch cotton. There is a metal press stud at the top of the jacketDress has a white label with gold embroidered 'House of King, Melbourne' stitched to left rear neck facing. Stitched to the top of this label is another small white label with the name 'Anne Fitzpatrick' in green embroidery. The jacket has a white label stitched to the lining at base of neck with 'Florgale Uniforms, Melbourne, Sydney" in gold. 'SW' and a female figure in long dress is embroidered in navy blue on the label.nurses uniform, northern district school of nursing, dress, jacket

To encourage the development of audio books, a series of awards were established by the National Library of Australia in 1988, and sponsored by TDK from 1991 until their demise in 2000. Open to both commercial and non-commercial publishers, it aimed to recognise the quality achievements by individuals and publishing houses and to promote the inclusion of audio books into the mainstream market. In 1994 the winner of the Unabridged Fiction Category was "White Eye" by Louis Braille Books.1 wooden cassette box shaped like a book and with ability to hold cassettes insidelouis braille audio, awards, association for the blind

Annual report providing overview of activities and achievements including: launch of the Life Ready program and Big Visions book series, departure of Andrew Moffat as director and Chair, acknowledgement of Dorothy Hamilton's 40 year involvement with AFB/VAF/VA, partnership with ACMI to conduct audio-described tours, expansion of Seeing Eye Dogs in NSW, and held 100K Your Way and Bay of Fires trek fundraising campaigns.1 volume with illustrations providing overview of organisational achievementsvision australia, corporation records, alessandra dimarco, andrew moffat, ron hooton, bill jolley, graeme craig, natalie kaine, sekinda senan, dorothy hamilton, ellie hudson, craig shanahan, matt formston, sam rai, alex lonsdale, jacqui birchall, bill shorten, chris edwards, john barlow, nicola cotton, rolf geerlings, kylie gersch, abi howes, jess mckenzie, ashleigh reeves, koa reeves, jake reeves

Introduced in 1974, the Braille Book of the Year was created to both acknowledge excellence in writing as well as raise the profile of Braille books. In 1994, the award was won by (information needed)'. The Bathurst Award for Narrator of the Year award went to Beverley Dunn for the audio version of 'White Eye: a novel', whilst 'Coming of Age' by Anne Deveson won 'Book of the Year'. Presentations were made by Anne Deveson and Beverley Dunn.4 colour photographs of the eventawards, association for the blind, anne deveson

The Musk Lorikeet is a bright coloured bird which commonly resides in south-eastern Australia. They also live in the drier areas of Tasmania. These birds are common in suburban and urban areas and are nomadic, meaning they are willing to travel significant distance to find flowering trees. The bright colours of this Lorikeet enable the bird to camouflage in dense foliage. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Musk Lorikeet is a beautiful species of parrot with mainly green plumage. it has a patch of yellow on the side of the breast which has faded to a grey on this specimen. This could be due to the impact of the taxidermy process or a product of time. The bird has an orange patch on the forehead and band through he eye to the ear coverts which has also faded from a brighter red colour. The crown of this bird is grey and would have been a grey-blue colour originally.87a / (89a)? Musk Lorikeet / See catalogue, page 24. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, lorikeet, musk lorikeet

The Musk Lorikeet is a bright coloured bird which commonly resides in south-eastern Australia. They also live in the drier areas of Tasmania. These birds are common in suburban and urban areas and are nomadic, meaning they are willing to travel significant distance to find flowering trees. The bright colours of this Lorikeet enable the bird to camouflage in dense foliage. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Musk Lorikeet is a beautiful species of parrot with mainly green plumage. It has a patch of yellow on the side of the breast which has faded to a grey on this specimen. This could be due to the impact of the taxidermy process or a product of time. The bird has an orange patch on the forehead and band through he eye to the ear coverts which has also faded from a brighter red colour. The crown of this bird is grey and would have been a grey-blue colour originally.88a / Musk Lorikeet / See Catalogue, page 24. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, lorikeet, musk lorikeet

1975 World Swimming Championship Games.Flared leg trousers of light green fabric with fine self stripe. Legs have 6 cm turned up cuffs. Fastened at front with 20 cm metal zipper, metal hook and eye and tab with button. Eight belt keepers.Two front pockets and two back pockets of white synthetic fabric. Back pocket on RHS fastened with now X 1.3 cm light brown plastic button.Label on back pocket lining, ''Exclusively Fashioned by DALE'', ''Pinfeather GALEY Loro USA'' 75% Dacron 25% cotton. Printed Washing Instructions ''36/30''. ''Monaghan'' written in pen inside waist band.costume, male, light green trousers

This dress was featured in the book "Love Vintage", published 2009 by Carter's and has appeared in vintage fashion parades at the "Love Vintage" fair and the 2016 Glen Eira Storytelling Festival. This dress is an example of the "atomic" style printed design that was popular in the '50s and also shows adaptive use by its wearer, to facilitate breast-feeding.Sleeveless day dress with flared, mid-calf length skirt and big style front. Extra deep pockets and black piping trim to ornament. Bib style front features two large buttons and has been adapted for breast-feeding: the front is secured with press studs and the centre front seam underneath has been opened up, secured with a hook and eye. Side metal zipper. Printed cotton in multi-coloured "atomic" style design. Labelled Julius Pollack Original

Resusci Anne was used for teaching both emergency workers and members of the general public. Developed by Asmund S. Laerdal, Peter Safar, and James Elam and produced by the company Laerdal Medical.The first version of rescue Annie was presented by Laerdal in 1960. Later the design was refined and included a simulated carotid pulse, eye pupils that could dilate and constrict and a system for recording the trainee's resuscitation performance on a paper tape. Ref. WikipediaUsed in the Kiewa Valley by Educators of First Aid and emergency workersSee KVHS 0542 for Resusci-Anne Repair Kit Doll type model with face, arms and legs folded into a 1950s carrying case. The model has blue clothing. Enclosed are the instructions for packing the model and papers for treatment of an unconscious patient.resusci anne, first aid, emergency education

Oval photograph of James Parry blacksmith as older gentleman. James Parry owned General Blacksmith Shoeing Forge in Lower Main St. Stawell. James and his family lived in a house close to the business. Letters 6.9.1994 from grand daughter & 20.11.1995 Gwenyth Parry Peace ( Enquiry file Parry) states grandfather James Parry had a glass eye. The result of some flying sheet from his forge.Black and White Portrait Photograph of James Parry. The photo is in an oval shaped dark rectangular card. He is dressed in a suit, vest and bow tie and has grey hair and beard.Back of photograph, written John (crossed out) James Parry.stawell portrait

Edward Charles Owen No 409435 enlisted in the RAAF on 15.8.1941. Served in No 460 Sqd and was awarded the DFC in a Raid over Germany. Flying K2 “Killer” he was WIA on 9.11.44 in the left eye over Wanne Eickel Oil Refinery, unable to fly the Bomber until near landing when he took over making a near perfect landing. He was discharge from the RAAFwith the rank of Flight Lieutenant on 14.3.1946. Refer 1492.6.Framed colour photo gloss surface with portrait of an Australian RAAF flying officer.Marked on bottom right hand side is: "With love Darling 15.2.46”raaf, framed photo’s, dfc

Lynne MAKINGs (1950- ) Artist Lynne Makings is an instigator and member of the Soldiers Hill Artist Collective, an eclectic group of artists from all various disciplines, residing within the region of Soldiers Hill, Ballarat. When this work was undertaken Lynne Makings was enrolled in a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy. The work was awarded a Deputy VIce Chancellor's Award, and was acquired from the 'End of Year Exhibition' (EYE).Double sided artwork comprising of numerous Indian Bean Tree seeds (Catalpa Bignoniodes). The seeds have been placed between to sheets of perspex. Artist's Statement: 'continuity by a thread' A loose line and a tight grid Continuity by a thread, [the makings of], represents a body of work exploring the overarching grid that links a fragile thread, the mortal coil, that binds and unites the disparate forces of continual change underpinning human existence. The thread symbolises the connecting life force that has been a constant companion working within the formal boundaries and structure of living my being. and so it goes... it will take me where it may.lynne makings, artwork, artists, indian bean tree seeds, catalpa bignoniodes, dvc award, end of year exhibition, eye

.1) Is re Evan. EVANS No. 3114 in 6th Batt. 10th Reinforcements then transferred to 1st Pioneers. .2) "To Joe & Linne from cousin Leslie 3rd/38th Batt." .10) Letter is to Joe & Linne from apparently "Jim" .1) Re Evans. There is an Evan Owens No 3114 enlisted in 10th reinforcements 6th Batt AIF on 10.7.1915 age 21 years. Em bark for Egypt 29.9.1915, transfer to 1st Pioneer Batt 12.3.1916, embark for France 2.3.1916, WIA 22/27 .7.1916 GSW head, rejoin unit 16.10.1916, discharged from the AIF 3.8.1919. .2) Re Leslie. This possibly Albert Leslie Owens (brother to Evan) No 953, enlisted in the AIF in C Coy 38th Batt on 21.2.1916 age 24 years. Embark for England 20.6.1916, hospital with Measles 18.8.1916, embark for France 22.11.1916, detached to 10th Light Trench Mortar Battery, WIA 6.5.1917 GSW to face and left eye, while recovering he was admitted to hospital 13.8.1917 with Retinitis (eye), returned to Australia and discharged medically unfit 5.2.1918..1) Photo, sepia colour showing large group of soldiers (46) seated on a hill side. A small dog in the front row. .2) Postcard photo of soldier in pith helmet beside palm tress, B&W. .3) Postcard photo of soldier standing with crop, B&W. .4) Postcard photo of soldier standing with officers cane, B&W. .5) Postcard photo of soldier standing with riding crop, B&W. .6) Postcard photo of 11 soldiers outside a hut, B&W. .7) Photo postcard of soldier with "Red Cross" on arm, B&W. .8) Photo postcard of soldier, portrait, B&W. .9) Photo, postcard of group of soldiers (10) outside tents, B&W. .10) Photo, postcard of soldier standing outside building holding a crop, B&W. Letter written on the back in ink, B&W.photography-photographs, military history - army

A porthole, sometimes called bull's-eye window or bull's-eye, is a circular window used on the hull of ships to admit light and air. Though the term is of maritime origin, it is also used to describe round windows on armoured vehicles, aircraft, automobiles (the Ford Thunderbird a notable example) and even spacecraft. On a ship, the function of a porthole, when open, is to permit light and fresh air to enter the dark and often damp below-deck quarters of the vessel. It also affords below-deck occupants a limited view to the outside world. When closed, the porthole provides a strong water-tight, weather-tight and sometimes light-tight barrier (not in the case however). A porthole on a ship may also be called a side scuttle (side hole), as officially termed in the International Convention for the Safety of Life at Sea. This term is used in the U.S. Code of Federal Regulations. It is also used in related rules and regulations for the construction of ships. The use of the word "side scuttle" instead of "porthole" is meant to be broad, including any covered or uncovered hole in the side of the vessel. This porthole is a useful demonstration of naval technology to give people an insight into life at see. Small windows such as this example could be all people would see on long see voyage across rough seas. Commanding officers scuttle made of brass with glass opening windowmaritime technology

Clothing. Wedding Skirt.Cream silk long skirt. Waist band with metal hook and eye fastening. Back placket with metal hooks and hand made loops (2). Pintucks- 36 cms deep from waistline. Band of pintucks 26 cms deep around hemline. Back of skirt dips to a short train trimmed with ruffles of skirt fabric, edged with ribbon. Skirt fully lined with cotton, fine lace trims pintucked frill and skirt panels.. See also 11400.77 & 11400.76.costume, female, wedding dress skirt

Women's long fawn silk skirt with train. Fawn silk lined, 3 panels in front, 4 panels in back. Plackett in front seam with 5 hook & eye fasteners. 1inverted pleat at centre back, 2 V shaped inserts at lower back giving fullness. Much fuller at back, with a flat front. Two hooks at rear waist to attach a bodice. Matching velvet ribbon - 1 cm wide lining the hemline. Machine & hand stitching.costume, female, long fawn silk skirt with train

This coat was part of the Presbyterian moderator's regalia which also consisted of a tri-corn hat, black bib, lace jabot, britches, silk stockings, gaiters and buckled shoes.Black wool, lined cutaway coat with a crew neck. The coat has seven pairs of black buttons and is secured edge to edge with a single hook and eye at the 4th and 5th buttons. It has lace cuffs, braiding and pleats at the back. The black lining is quilted at the top and there is a pocket on the inside right breast. The sleeves of the coat are lined with white fabric and the lace cuffs are secured with six pearl buttons. There are faux pocket flaps on each side of the coat each secured with three buttons.presbyterian moderator, presbyterian moderator general of australia

Card of black hooks & eyes, size 0. Blue & orange printing on cream card. Writing says 'Neweys La Poupee'. All British Hooks & Eyes By Appointment - hook & eye makers to H.M. The Queen and Queen Mary. If it fastens Neweys made it. Art S19 Made in England'. Picture of Coat of Arms and in bottom corners two drawings of ladies, one with or bonnet.|On reverse paper 'Best Quality Enamel Made in England by Newey Brothers Ltd, Birmingham'.Newey Brothers Ltd, Birmingham.domestic items, sewing, handcrafts, dressmaking

Pale green cover with gold embossed text and floral borders. Black floral decoration on the front cover. 62 pages. The book has a dedication inside and is signed by the members of the band.non-fiction“We are set in this world to be happy. We should not falter in our great task of happiness, nor move ever among our fellows with shadows on our face when we ought to have sunlight. “We have a mission to others — to add to their cheer. This we cannot do unless we have first learned the lesson of cheerfulness ourselves. We cannot teach what we do not know. We cannot give what we do not have. “In this little book a lesson is set for you, my reader. It may seem a hard lesson to learn; nevertheless, it is one you want to learn, and one you can learn, if you will surrender your life wholly to the great Teacher. – From the Preface by James Russell Millere. sprott, sydney road brunswick methodist church

To encourage the development of audio books, a series of awards were established by the National Library of Australia in 1988 and sponsored by TDK from 1991 until their demise in 2000. Open to both commercial and non-commercial publishers, it aimed to recognise the quality achievements by individuals and publishing houses and to promote the inclusion of audio books into the mainstream market. In 1994 the winner of the Adult Literature Category and Overall winner was "White Eye: A Novel" by Louis Braille Production and its narrator Beverley Dunn.4 black and white photographs of the eventNational Library of Australia Photographic Services Photograph: Loui Seselja Date: 15.11.94 Film No NL 37599 louis braille audio, awards, karl hughes, robert de graauw, beverley dunn, blanche d'alpuget, rose blustein

The donor and family of this gown were long-term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. Originally owned by Elizabeth Emma Adams and Cecilia Elizabeth Adams, it is believed that the dress was brought to Australia by either a half brother, James Smith Adams, or a younger sister, Sophia Charlotte Louisa Adams (later known as Mother Rose Columba Adams). Elizabeth and Cecilia were the daughters of James Smith Adams (a squire, 1780-1860) and Elizabeth Emma McTaggart (1793-1843) of Tower House, Woodchester in Gloucester, a property which Elizabeth later inherited. Originally a monastery, Tower House had been converted into a stately home after the Reformation. According to information originally provided by the donor, the skirt portion of this dress (along with the bodice T0004.3) was made for either Elizabeth or Cecilia to be worn at the young Queen Victoria’s first 'drawing room ball' following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecilia would have been twelve years old and Elizabeth would have been ten years old. It is possible that this dress was worn by one of the girls to this event as it is of appropriate dimensions for a child of that age, although its design is very formal and adult. Elizabeth was born on 30 June 1828 at Tower House and died on 1 May 1909. She created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18. The validity of the marriage was later formally investigate and, while it was confirmed as valid, a second church wedding was subsequently held. Thomas died in 1878. Elizabeth subsequently remarried Reverend R. E. Blackwell, but was widowed again by 1889. Cecilia was born on 17 December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. Elizabeth and Cecilia's sister Sophia converted to Roman Catholicism in 1851 and became a nun, taking the religious name 'Rose Columba'. In 1883 Mother Rose Columba led a group of eight to Australia, answering a call for Dominican sisters to nurse the sick in Adelaide. Upon arrival, she founded St. Dominic's Priory and the Church of Perpetual Adoration in North Adelaide, using her inheritance to build the chapel. Elizabeth's second son, George Henry Somerset, who inherited the Adams family estate dropped the 'i' in Gardiner and added the maiden name of his grandmother. Therefore, the family name has now become Gardner McTaggart. These Adams family entries have been updated with information provided by Dr Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggart contacted the society after finding our entries online.A hand and machine sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1890. This dress shares a skirt with T0004.3, which dates from circa 1840. The bodice features a high scoop neckline with gathers at the base of the scoop and directly below where the bodice finishes creating fullness over the bust. The bodice front encloses the bust with a right panel over the top of a left panel and securing with two hook and eye closures over the left shoulder. The panels are secured together with 15 hook and eye closures. The sleeves are set neatly on the true shoulder and are elongated full puffs to just above the elbow. The fullness is created by nine pleats from the top of the shoulder over the back of the shoulder. At the base of the sleeve the fullness is gathered just above the elbow. At the centre back of the bodice are four inward facing pleats running from the centre neck to the waist. The bodice is secured around the waist with a tape and four hook and eye closures. The bodice is boned around the sides and back of the torso with eight bones. This bodice is finished at the waist with a pleated cummerbund of the dress fabric that is designed to appear to be a sash with two decorative bows. One front left of centre and one back right of centre. The skirt secures at the waist with an opening to the left of centre at the back. The skirt gathers tightly at the centre back with a dart on either side. The skirt has a front central panel and the skirt falls to floor length. At the back, the skirt is also floor length. The back of the skirt may have been modified at some time and may have originally finished in a train. It would be more appropriate to the period of the bodice, and the believed use of the dress with a train.cecilia elizabeth adams, elizabeth emma adams, queen victoria, tower house, woodchester, james smith adams, elizabeth emma mctaggart, sophia charlotte louisa adams, 1890s fashion