The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Ladies' jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Ladies' jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley. The knitter was Vera Neale,1901 - 1990. knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Cream knitted cot cover made by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan

Framed collage of Australian raw wool by wool artist Pauline Osborn. Titled "Jimba on Manooka" (Sheep on Hill). Work specially made for the National Wool Museum after a visit by the artist in 1991.Wool collage of pastoral scene entitled "Jimba on Manooka" (English translation - Sheep on Hill). Framed and glazed.handicrafts

"La Verdure Aux Canards" (Greenery with Ducks) is a large scale, needlepoint picture created by the late Mrs Marion Averay (wife of the donor) between January 1971 and April 1972 whilst she and her husband were living in France. It has been worked in Gobelin stitch on a 19hpi linen canvas. The canvas and threads (wool and silk) were purchased from the Langlois tapestry manufacturers of France. The design is a copy of a handwoven 18th century Aubusson tapestry.handicrafts, langlois, averay, mrs marion

Wool was made in dyeing workshop at Warrnambool TAFE College.DAHLIA PETALSI/ALUM Dahlia petals/ 1st batchhandicrafts, south west college of tafe - textiles department, dyeing

Wool was dyed in dyeing workshop at Warrnambool TAFE College. (unconfirmed)Gum Leaves /Alum mordanthandicrafts, south west college of tafe - textiles department, dyeing

Wool was dyed in dyeing workshop at Warrnambool TAFE College. (unconfirmed)Geranium petals/Red flowers/Alum-mordanthandicrafts, south west college of tafe - textiles department, dyeing

Wool was dyed in dyeing workshop at Warrnambool TAFE College. (unconfirmed)Wool dyed with walnut shells / Alum -mordant Walnut shells / Alum -mordanthandicrafts, south west college of tafe - textiles department, dyeing

Wool was made in dyeing workshop at Warrnambool TAFE College (unconfirmed).Apple leaves/alum Apple leaves/Alum-mordanthandicrafts, south west college of tafe - textiles department, dyeing

Wool was made in dyeing workshop at Warrnambool TAFE College."Canna leaves/alum" "Canna leaves/alum mordant"handicrafts, south west college of tafe - textiles department, dyeing

Made in dyeing class/workshop at Warnambool TAFE College.Wool dyed with onion skinshandicrafts, south west college of tafe - textiles department, dyeing

Made in dyeing class/workshop at Warnambool TAFE College.Wool dyed with purple cabbage.handicrafts, south west college of tafe - textiles department, dyeing

Made in dyeing class/workshop at Warnambool TAFE College.Wool dyed with sugar gum leaveshandicrafts, south west college of tafe - textiles department, dyeing

Hand held wool spinner - distaff spinner made by Ted Fairhurst.handicrafts, spinning - hand, fairhurst, mr ted

Model farm made by the Geelong Handweavers and Spinners Guild Inc. Entered in the 1993 Weekly Times Melbourne Sheep and Woolcraft Show, where it won 2nd prize in the team competition - five different articles made by a team.Model farm made using various textile processes by the Geelong Handweavers and Spinners Guild, 1993.handicrafts knitting, geelong handweavers and spinners guild inc., handicrafts, knitting

Vera Neale (1901 - 1990) used needles made from bicycle spokes and piano wire to achieve the fine knitted stitches for her garments.Knitting needles made from bicycle spokes and used by Vera Neale.knitting handicrafts, neale, mrs vera, knitting, handicrafts

Vera Neale (1901 - 1990) used needles made from bicycle spokes and piano wire to achieve the fine knitted stitches for her garments.Made from piano wire and used by Vera Neale.knitting handicrafts, neale, mrs vera, knitting, handicrafts

'Earth Blanket' is a quilt made by Pamela Farmer of Shoreham, Victoria in 2000. It is made from a wool blanket with merino and alpaca felt. The techniques used to make it include: felting, applique, quilting, machine and hand embroidery and it has been dyed with eucalyptus leaves. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Earth Blanket' was selected as the winner of this exhibition and was purchased for $2000. It was catalogue entry no. 5.Quilt, woollen felt with appliqued, quilted, dyed and embroidered surface. This quilt is mostly in brown and brown tones.P.F.quilting handicrafts, masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001) highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), farmer, ms pamela, quilting, handicrafts

Desk set made of wood from St Paul's Cathedral with an added metal and enamel calendar. A history of the item is stuck on the reverse. "St Paul's Cathedral Melbourne. Foundation stone, 1880; Consecrated, 1891; Spires completed, 1931; Exterior length, 317'; Moorhouse Spire, 317 feet in height. The Bells of St Paul's Cathedral were supported on this timber of English oak from 1891 to 1963 when, during the absence of the bells for tuning in Loughborough, England, the timber was replaced with a steel frame. Refer Cathedral Guide Book, page 10, by Rev Godfrey Kircher"handicrafts, desk sets, pen holders, st paul's cathedral - melbourne (vic)

Commonly used in the early 20th century to protect sugar from household fliesSquare crocheted sugar basin cover with beaded edge. Beads are alternately white and amber. The word Sugar is centrally crotcheted.handicrafts, sugar basin covers, food protection, crochet

Covers were used in the early 20th century to protect milk and sugar from flying insectsSquare net cover edged with alternate blue and white beads. A central bow is surrounded with a circular pattern at the edges. Beads inserted in crotched edgehandicrafts, food protection, jug covers, bowl cover

Large cream quilt with red edging, decorated on front with hexagonal pieces of various materials. Backed with cream materialNo visible markingsmanchester, needlework, quilt, hexagonal, bed linen, handicrafts

This book was produced by Patons and Baldwins and contains patterns of knitted garments for men. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons Knitting Book / no. 168 / "CAMERON" / See page 15 / 7d. / A PATONS & BALDWINS' PUBLICATIONhandicrafts history, knitting, patons and baldwins (australia) ltd, handicrafts - history

Green floral cotton knitting bagknitting handicrafts, knitting, handicrafts

Green floral cotton knitting bagknitting handicrafts, knitting, handicrafts

Cotton knitting bag.knitting handicrafts, knitting, handicrafts

Used on a pre-war mule spinner.handicrafts weaving, handicrafts, weaving