Context: This dessert spoon is from the wreck of the Loch Ard, which sailed from Gravesend, London 1878. The manifest listed an array of manufactured goods being exported to the Colony of Victoria. Included in the cargo manifest was a large number of hardware & cutlery items. The spoon is representative of similar items of silver electro-plated cutlery salvaged from the Loch Ard wreck site, comprising nickel silver electroplated spoons and forks of various sizes but all sharing the same general shape and design. Some of the pieces display their makers’ mark of William Page & Co Birmingham UK. Within the Flagstaff Hills cutlery collection donated from the Loch Ard, maker’s marks are often obscured by sedimentary accretion or verdigris after a century of submersion in the ocean. However sufficient detail has survived to indicate that the collection of samples of electroplated cutlery probably originated from the same cargo consignment from the Loch Ard and were made by William Page & Co. Of Birmingham England. William Page was born in 1811 and died in 1885. He was active as a manufacturer of cutlery from 1829 with premises at 74 Belmont Rd, Dales End as a "close plater" (someone who works sheet metal), and he began electroplating in 1855. William Page & Co was also active from 1880 at Cranemore St, Cattle’s Grove also 55 Albion St, Birmingham, and in 1936 the firm became an Ltd company. The firm used the trademarks "Asrista, Bolivian Silver, Silverite, Roman Silver, Romanian Silver, and Trevor Plate. In 1938 William Page was a supplier to the British Government, marking its products with the broad arrow symbol and was also present at Sheffield. (See additional notes note section this document for more information on Electro Plating and its makers marks.) History of the Loch Ard: The Loch Ard got its name from "Loch Ard" a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle, and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen, and candles, as well as a heavier load of railway irons, cement, lead, and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy that had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce, and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artifacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artifact s from Loch Ard and its collection is significant for being one of the largest accumulation of artifact s from this notable Victorian shipwreck. The collection's object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Large Nickel Silver copper plated teaspoon, fiddle-back design handle, narrow stem with flared collar and elongated bowl.Makers’ mark “W” & “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape identifying the manufacturer as William Page & Co of Birmingham just visable.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, table spoons

Miss Helen Hillas (back left) and Miss Carolyn Trinham (right) with Primary School, Eltham Christian School, March 1983 The Stokes family settled in this area of Eltham in the 1940s and were associated with the Eltham Christian Church. In the 1970s this church had met in temporary premises in Eltham. Lots of the original 1920s subdivision remained south of Nyora Road and a number of these lots were utilized for the Eltham Christian School, which was established by the Eltham Christian Church in 1981. The school operated on this site until 2000. The premises were owned by the Nillumbik Community Church who were in operation till November 2010 when the Eltham Baptist Church commenced a lease arrangement until the site was purchased by them in April 2012. The building is constructed of brick and timber with a balcony on two sides that looks over an expanse of grass. Sources: STOKES ORCHARD – AN INCOMPLETE HISTORY February 28, 2015 http://www.elthamhistory.org.au/ Australian Christian Church Histories - Eltham Baptist Church http://www.churchhistories.net.au/church-catalog/eltham-vic-baptist/ From an album featuring a series of photographs (some cropped) from a magnetic photo album relating to the staff, students and activities of the Eltham Christian School which operated as part of the Eltham Christian Church at Nyora Road, Eltham. See also entries for each photograph.Colour photographeltham christian school, nyora road, peter whalley, helen hillas, carolyn trinham

Colour photographs on the window ledge of the Geoffrey Blainey Research Centre at the Federation University Mount Helen Campus. corella, bird, mount helen

Ballarat Institute of Advanced Education is a predecessor institution of Federation University Australia. Black and white image of the bookshelves on the top of the Mt Helen Library, now known as the E.J. Barker Library. mt helen library, e.j. barker library, library, librarians, ballarat institute of advanced education

Ballarat University College was a predecessor of Federation University.Maroon card covered photograph album of Ballarat University College Graduation at Founders Hall, Mount Helen.ballarat university college, graduation, shirley falkinder, steve moneghetti, john sharpham, photograph album

Dedicated to all nurses who have contributed to and have been part of the Alfred Hospital 1871-1996. Special bound copy dedicated to Von ClinchWritten by Alfred nurse Helen Paterson with the support of the Alfred Hospital Nurses League, the book tells the story of Alfred nurses from the opening of the hospital in 1871. The closure of the school of nursing in 1992 was the catalyst for the book but the story continues.Special Edition- Illustrated hardcover book with dark blue/grey/red/gold marble effect front and back cover. Black leather corners and spine. Title and author's name are embossed in gold on a red background on spine. Also on spine are 13 gold bands and 5 gold decorations. The book has a matching cardboard sleeve.On title page there is a handwritten dedication "Presented to Von Clinch with our thanks for a terrific project, all the best Andrew" (publisher)alfred hospital, helen paterson, nurses’ history/story

Blue cover with embossed roses in silver on front and blank back, 192 pagesfiction

A volume of 221 pages featuring text and images.A story of the great days of riverboats on Australia's inland rivers written from personal recollections of the author. He spent most of his working life on the rivers. William Drage worked as deckhand, barge hand, mate, and master. Life on the rivers was full of drama and variety, strange characters and unexpected adventures. William Drage's story of the boats he served and the men he knew is a lively description of a vanished world: a nostalgic glimpse into a way of life that was uniquely Australian and disappeared forever.murray river, murray river trade, murray riverboats

Colour photographof a corella in a tree outside the Geoffrey Blainey Research Centre at the Federation University Mount Helen Campus. corella, bird

19579Colour photograph of a magpie lark outside the Geoffrey Blainey Research Centre at the Federation University Mount Helen Campus. bird, magpie lark

A group of Ballarat College of Advanced Education 3rd Year Primary Education Students are photographed on Mount Helen Campus.ballarat college of advanced education, education, pre-service teachers

Ballarat University College was a predecessor institution of Federation University Australia. A number of Engineering Students at Ballarat University College posing for a group photograph on the basketball court at Mount Helen Campus.ballarat university college, engineering, travis hawkins, michael trenorden, ray mahony, christopher macrae, jason rock, peter mah, wong chee keong, elangoo veerappan, kam jin khuon, steophen king, hoi kay woo, tracy whitbourn, tamsin mangan, nicole groves, bernadette righetti

Black and white photograph of a graduation held at Founders Hall on the Mount Helen Campus. The nun is Sr Therese Power. graduation, ballarat college of advanced education, alumni, sr therese power, founders hall

Colour photographs of corellas on the window ledge of the Geoffrey Blainey Research Centre at the Federation University Mount Helen Campus. corella, bird, mount helen

Brief History of the Wurundjeri people and the use of plants indigenous to the Mullum Mullum Creek prepared for Maroondah City Council - July 1998

ink, cotton

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection

Geoffrey Blainey at the launch of the Geoffrey Blainey Research Centre, in the Federation University E.J Barker Library, Mount Helen Campus.geoffrey blainey, geoffrey blainey research centre

Geoffrey Blainey at the launch of the Geoffrey Blainey Research Centre, in the Federation University E.J Barker Library, Mount Helen Campus.geoffrey blainey, geoffrey blainey research centre, e.j. barker library

Geoffrey Blainey at the launch of the Geoffrey Blainey Research Centre, in the Federation University E.J Barker Library, Mount Helen Campus.geoffrey blainey, geoffrey blainey research centre, e.j. barker library

This photograph was taken during the official launch of the Geoffrey Blainey Research Centre in the E.J. Barker Library.Geoffrey Blainey at the launch of the Geoffrey Blainey Research Centre, in the Federation University E.J Barker Library, Mount Helen Campus.geoffrey blainey, geoffrey blainey research centre, e.j. barker library, library

Geoffrey Blainey at the launch of the Geoffrey Blainey Research Centre, in the Federation University E.J Barker Library, Mount Helen Campus.geoffrey blainey, geoffrey blainey resaerch centre

Geoffrey Blainey at the launch of the Geoffrey Blainey Research Centre, in the Federation University E.J Barker Library, Mount Helen Campus.geoffrey blainey, geoffrey blainey research centre

Geoffrey Blainey at the launch of the Geoffrey Blainey Research Centre, in the Federation University E.J Barker Library, Mount Helen Campus.geoffrey blainey, geoffrey blainey research centre, library

Geoffrey Blainey at the launch of the Geoffrey Blainey Research Centre, in the Federation University E.J Barker Library, Mount Helen Campus.geoffrey blainey, geoffrey blainey research centre, e.j. barker library

Geoffrey Blainey at the launch of the Geoffrey Blainey Research Centre, in the Federation University E.J Barker Library, Mount Helen Campus.geoffrey blainey, geoffrey blainey research centre, e.j. barker library