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Flagstaff Hill Maritime Museum and Village
Book, Jonathan Cape, It Can't Happen Here, 1935
This book “It can’t happen here” is a novel written by Sinclair Lewis. It was first published in 1935 in America. About SINCLAIR LEWIS (1885-1951) The author was born as Harry Sinclair Lewis in 1885 in Sauk Centre, Minnesota. He was renowned as an American novelist, playwright and short story writer. His first writings were romantic poems and short stories. Six of his novels were published by the time Lewis was 36. Lewis won the 1926 Pulitzer Prize for his book “Arrowsmith” but declined because he had been helped in the writing of it by science writer Paul de Kruif, who received 25% of royalties on the sales. However, Lewis is listed as the sole author. Lewis received the Nobel Prize for Literature in 1930 for his “vigorous and graphic art of description and his ability to create, with wit and humour, new types of characters." He was the first author from the United States to receive this award. Lewis graduated from university in 1907. He worked as a reporter and editor for several publications. He was a prolific writer, publishing dozens of works and numerous articles, and became popular for his satire. Lewis married and divorced twice and died alone from a heart attack due to advanced alcoholism) near Rome on 10th January 1951, aged 66. This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself.Lewis’s book is significant for its association with the writer, who was the first American to be awarded the Nobel Prize for Literature (1930). This book is significant for its connection with the Pattison Collection which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Title: It can’t happen here Author: Sinclair Lewis Publisher: Jonathan Cape, London Date: 1935 Hardback board book covered with mustard-brown linen, with a clear plastic protective cover over it. The book’s title is printed across the front cover and on the spine. Also on the spine the author’s name, a symbol, and a white adhesive label with a typed library call number. On the loose front endpaper is an oval, purple stamp with text. Paper labels are on the inside endpaper. The book, a novel, is part of the Pattison Collection originally belonging to the Warrnambool Mechanics’ Institute, and the Warrnambool Public Library.Adhesive label - “PAT / FIC / LEW” Inside front loose endpaper stamped in purple “WARRNAMBOOL MECHANICS’ INSTITUTE” Front endpaper label from Warrnambool Public Library and Corangamite Regional Library Serviceflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool public library, warrnambool mechanics’ institute, ralph eric pattison, warrnambool books and records, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool children’s library, american novel, jonathan cape, sinclair lewis, harry sinclair lewis, 1930 nobel prize for literature, it can’t happen here -
Melbourne Legacy
Photograph - Photo, Australian War Memorial, Junior Legatee Outing
A photo of 13 children and 4 men at the Australian War Memorial in Canberra. Each year two junior Legatees from each state are selected to visit Canberra, and the War Memorial, under the auspices of the H.and D. Florance Foundation. Names unknown. Was in an envelope marked P8 Junior Legatee Photographs and including the text " Junior Legatees visit to War Memorial". See also 00399 for another occasion when junior legatees from each state were chosen to go to Canberra with the foundation.A record of the one of the outings provided for Junior Legatees.Black and white photo of junior legatees at the Australian War Memorial, white paper label attached.Photo has Legacy P8 in blue pen. Paper label says "Junior Legatees at the National War Memorial Canberra. Each year two junior Legatees from each state are selected to visit Canberra, and the National War Memorial, under the auspices of the H.and D. Florance Foundation." in black type.junior legatee outing, australian war memorial -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Cleeve, Lucas, Yolande the Parisienne by Lucas Cleeve, 1900
Hardcover book, 314 pages. Book has a green cover with black printed text and a family creat. Lower corner of book has a yellow label attached.fictionlucas cleeve, fiction -
Warrnambool and District Historical Society Inc.
Ledger, Woollen Mill, Circa 1910
In 1869, the Warrnambool Meat Preserving Company commenced their business on the site, where it operated until 1875 when it was sold to the directors of the Warrnambool Woolen Mill Company. After being destroyed by fire in 1882 it wasn’t until 1910 that the Warrnambool Chamber of Commerce was approached by Marcus Saltau and Peter McGennan to invest in a new mill. The original directors were James Dickson, P J McGennan, Robert Swinton, M Saltau, and J W Younger. In 1955 the Warrnambool Woollen Mill formed a partnership with the Wangaratta Woollen Mills. Dunlop bought the mill in 1968. From that time until its closure in 2000 it had a number of different owners, the last being the Smith Family Industries. This register contains a list of names addresses and occupations of share holders from the period 1910 to 1944.This register provides a comprehensive listing of people who owned shares in the Warrnambool Woollen Mill in the period directly after its beginnings. It is interesting to note that the majority of share owners in the earlier days were from Warrnambool and District while entries in the later years are from further afield.Dark green cloth hard cover with tan point and spine. One red and one black label on spine with gold lettering. Pages are numbered as one number to the opened page. Entries for the most part are written in black ink. Two printed sheets from The Stock Exchange of Melbourne and National Securities are inside the front cover. W.M. Co. Share Transfer Register on labels on spine.warrnambool woollen mill, history of warrnambool, ledger warrnambool woollen mill, share register warrnambool woollen mill -
Clunes Museum
Memorabilia - EBERHARD LABELS
.1 RED, BLUE, YELLOW LABEL: WINTER DRINK HOT PUNCH (2 LABELS) .2 GOLD, BLACK AND RED LABEL: LIME JUICE CORDIAL EBERHARD & CO (4 LABELS) .3 ONE LABEL SARSAPARILLA RED RPPT PF KA,AOCA, CREAM BACKGROUND, BLACK WRITINGeberhard labels, sarsaparilla -
Flagstaff Hill Maritime Museum and Village
Container - Kitchen Canister set, 1850-1870
In early civilization's cereal grains such as maize, wheat, barley etc. were stored in large airy buildings, often raised up from the ground to reduce infestation by pests and vermin. Ancient Egyptian and early Hebrew writings include reference to such buildings. Smaller quantities of food were stored in baskets made from woven grasses or leaves. In more recent times but prior to the invention of the refrigerator many food products were stored in the home as preserves or pickles, often in heat sealed jars. Dry food items were stored in vermin proof metal containers and could be found in any early colonial kitchen. Items such as coffee, tea, rice and sago were stable food types and needed longer term storage and a higher degree of protection from vermin and the elements, a common material used during this time was sheet metal or tin such as is used today in a common form of storage the biscuit tin. An early example of colonial food storage used in a domestic setting, it is interesting to note the subject items have provision to be locked. This indicates the value early colonial settlers placed on the contents and used to prevent pilfering. The subject items are now sought by collectors. Canister set; set of four canisters. Cylindrical matching kitchen storage tins with hinge lid that has a latch closure, and a folding handle on top of lid. Canisters are painted brown and the body has a graphic of a scroll in gold with printed label of contents. The canisters range from small to large, "COFFEE", "TEA" , "SAGO", " RICE" (respective RNs 163.1, 163.2, 163.3, 163.4)Respectively labelled "COFFEE," "TEA," "SAGO," "RICE" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, canister, canister set, rice canister, kitchen canister, food storage, domestic item -
Warrnambool and District Historical Society Inc.
Label, Gaspars Modern Print, Hillier’s Western Hotel, Early 20th century
These labels come from the Western Hotel in Warrnambool . The Western Hotel at the corner of Timor and Kepler Streets in Warrnambool was opened in 1870 and was a prominent hotel in the area until it closed in recent years. Thomas Hillier was the licensee from 1901 to 1906. These labels are of interest as mementoes of a former prominent hotel in Warrnambool – the Western Hotel..1 A cream-coloured card with cream printing on a red background and space for an address. .2 A label from a whisky bottle with gilt edging, gold-coloured lettering and a whisky logo. The paper has a straight-edged base and an oval-shaped top. .3 A small sheet of white paper with gold-coloured edging and printing and a whisky logo. .1 Hillier’s Western Hotel Warrnambool .2 Fine Old Scotch Whisky bottled by T.G.L. Hillier Western Hotel Warrnambool .3 Finest Scotch Whisky bottled by T.G.L. Hillier The “Western” Blend western hotel,, thomas hillier, history of warrnambool -
Warrnambool and District Historical Society Inc.
33.3 R.P.M. Record (Warrnambool Technical School), H.M.S. Pinafore, 1971
This record was made by a local business existing in the 1960s and early 70s, Warrnambool Recording Enterprises. This business used a local landmark, the Tower Hill State Park, as its logo and label. The recording is of the 1971 production of ‘H.M.S. Pinafore’ by the students of Warrnambool Technical College. This school was established in 1913 in Timor Street and in 1973, as Warrnambool Technical School, was relocated to Caramut Road and re-named Brauer college in 1990. The Timor Street site is now the South West TAFE College. This record is of interest as a memento both of the Warrnambool Technical College’s musical performance in 1971 and of the production of records such as this one by a local business, Warrnambool Recording Enterprises in the early 1970s. This is a 33.3 R.P.M. record with a part-image of a guitar and a yellow label in the centre with black printing and typing. It is in a paper sleeve which is tattered with the bottom section mostly missing. The cover does not appear to belong to the record. Tower Hill HMS Pinafore presented by students of Warrnambool Technical School 1971 Custom Recording by Warrnambool Recording Enterprises P.O. Box 123 Warrnambool Phone 8223warrnambool technical school, warrnambool recording enterprises tower hill label, history of warrnambool, ‘h.m.s. pinafore’ -
Bendigo Military Museum
Accessory - SEWING KIT, A.G.C.F, 1977
Part of the Kevin John Herdman, No. 397661, Collection. See Catalogue No. 5942P for details of his service record. Commonly called a "Housewife".Khaki coloured roll up style sewing kit with fawn coloured tape to secure it closed. Inside has one and one buttoned pocket. Item contains needles, safety pins, various cottons and a thimble. Button pocket secured with a brown Bakelite button. White manufacturers label sewn on inside.Printed in black on white manufacturers label; "R.G.C.F., VIC, 1977 (upwards arrow) 8315-66-013-0931", No. Name. Handwritten in black on label: "398130, LIVINGSTON"accessory, sewing, housewife, kevin john herdman -
Melbourne Legacy
Photograph, Junior Legatee Camp 1992, 1992
Four photos of a junior legatee camp in January 1992 at Howqua in the alpine region of Victoria. January is holiday time for Legacy's Junior Legatees. Children aged 7 to 17 join together for a 10 day action packed holiday at Camp Howqua. Legatees, members of the Melbourne Legacy Leadership Group and volunteer helpers ensure all have a memorable time.'A record of the types of experiences Legacy provided for the junior legatees.Colour photo x 4 of the Howqua camp in January 1992 and a white paper label.Label says 'January is holiday time for Legacy's Junior Legatees. Children aged 7 to 17 join together for a 10 day action packed holiday at Camp Howqua and Legacy's disabled dependants enjoy quality time at Somers Camp. Legatees, members of the Melbourne Legacy Leadership Group and volunteer helpers ensure all have a memorable time.'camp, junior legatee outing, river -
Melbourne Legacy
Photograph - Photo, Anzac commemoration for students 1984, 1984
An example of work done by the Governor of Victoria, Sir Brian Murray with Legacy in his role as patron. The Governor and his wife Lady Murray attended the Anzac commemoration ceremony for students that Legacy hold annually. Date was 1984 when Legatee Dean was president of Legacy. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. Was in an envelope marked P8 Junior Legatee Photographs and including the text "Shrine Service ANZAC eve"A record of the Governor of Victoria performing his role as patron of Legacy.Black and white photo of the Governor with school children at the Shrine, white paper label attached.Paper label says "His Excellency, Rear Admiral Sir Brian Murray, KCMG, AO, Governor of Victoria, Patron of Melbourne Legacy, and Lady Murray, accompanied by Legatee John Dean, President of Melbourne Legacy, inspect a guard of honour of Junior Legatees at Melbourne Legacy's Annual School Children's ANZAC Commemoration at the Shrine of Remembrance." in black type.governor of victoria, wreath laying ceremony, anzac commemoration for students -
Melbourne Legacy
Photograph, HDC Camp 1992, 1992
Every month Legacy's handicapped dependents are invited to go on outing for take part in recreational and educational activities. These programmes aim to develop independence and thus lessen the need for reliance on others for simple routine functions. Once a year there is a two week camp, this is believed to be Somers School Camp. These photos are from 1992. An article in the widows' newsletter in 1992 explains more detail on the 1992 camp. The article mentions that the annual camps run for two weeks at Somers Camp. It is a wonderful gathering of Junior Legatees, Legatees, and dedicated helpers. 50 junior legatees attended this camp (in 1992) with the personal attention almost one-to-one. With ages ranging from 22 to into the 60s, Legacy has to ensure it caters for the differing needs. Legatees headed by Camp Chief, Jim Hammon and Chairman of the Handicapped Dependents Committee, Merv Tickell, were supported by two Camp Co-Ordinators and 50 helpers known as 'leaders'. Many of the leaders are people in the workforce wishing to give something back to the community. Junior Legatees are organised into groups. They participate in horse-riding, swimming, golfing, strawberry picking, and many other activities. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of the type of activities Legacy provided for the handicapped dependents of the Legacy families. Colour photo x 5 of the HDC camp in January 1992 and a white paper label.Label says 'January is holiday time for Legacy's Junior Legatees. Children aged 7 to 17 join together for a 10 day action packed holiday at Camp Howqua and Legacy's disabled dependants enjoy quality time at Somers Camp. Legatees, members of the Melbourne Legacy Leadership Group and volunteer helpers ensure all have a memorable time.'camp, handicapped dependents, somers school camp -
Kiewa Valley Historical Society
Bottle - Medical
This bottle was used in the Tawonga District General Hospital which was built in the 1950's specifically for the increase in population due to the Kiewa Hydro Scheme. It was used for first aid for the treatment of bruises and joints.Small clear brown glass hexagonal bottle with black screw lid. The lid is grooved for easier opening. On the 3 front sides is a torn white label with red writing, green borders and at the bottom (of the label) black back ground and white writing. On the back is heavily embossed 'Not To Be Taken' and on each side face embossed 4 vertical lines. (to indicate poison). The base is embossed.Label: A lot of small writing in red and 'Tincture of / Iodine'. Below in white writing 'Wholesale Drug Co. / Sydney' Back: 'Not to be Taken' Base: Common Seal / S 1006medical, tincture of iodine, bruises and joints, first aid -
Bendigo Military Museum
Uniform - FLYING SUIT INNER, RAAF, 1943
Refer to Cat 112P for Service Record. Missing presumed dead.Flying suit inner - brown colour cotton sateen fabric with kapok lining. Metal zipper at front. Tape ties to aqnkles. makers label back below collar.Maker's label - black ink print on white cotton "W>P> 1019 KAPOK LINING/Size 2/Height 5'5" to 5'6"/ Breast 33"/35"/ Waist 30"/32"/ Seat 36"/38"/ Leg 28"/ H174255/ 40/ C.I.L. (D)/ 1941". Faint black ink stamp above label - "(Crown)/ A.M."uniform, raaf, ww2 -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Ether in Oil
Ether in oil was used for rectal anaesthesia. Rectal anaesthesia offered a way to administer anaesthesia when using a mask was impractical, such as oral or respiratory tract surgery. Undiluted ether was irritating to the bowel and even proved to be fatal. Ether in oil, developed in 1913, minimized irritation with no reported deaths.Empty clear glass bottle with cork stopper which has become dislodged and is now inside the bottle. The bottle has a white label with handwriting on the front. The bottle has been decanted.Handwritten in ink: Ether in Oil / = parts Stamped in red ink on top left corner of label: CAU... [faded and almost indecipherable]ether, ether in oil, rectal administration, anaesthesia -
Mont De Lancey
Glass bottle, J. Bosisto & Co. Pty. Ltd
Small, brown Bosisto's oil bottle with metal screw on top. The label on the front of the bottle is in poor condition.On label: "Bosisto's Parrot Brand oil of eucalyptus" with the parrot logo. Instructions are: "Use externally as a liniment (either mixed with olive, peanut or persic oil or used "neat") for rheumatism, whooping cough, croup, bronchitis, sore throat, lumbago, strains etc. Originally, take three drops on a tissue or as an inhalation with one teaspoon in a jug of ?. A few drops may also be sprinkled on your pillow. Repels mosquitoes. Bosisto's Parrot Brand eucalyptus oil is wholly Australian and is the result of over ninety years of experience in the manufacture of this fine product". Two columns run down either side of the label. On base: "9611".bottles -
Orbost & District Historical Society
photograph album, from 1913
James Hossack and his wife, Penuel, arrived in Geelong from Scotland on Christmas Day 1852. This album contains photographs of the Saunders family; Gertrude Morris, sister of Percy Morris; Isabella Wright; the Whillance family; Mrs Stevens; Mrs Conlan of Marlo;and her sister Susanna who died aged 62 in 1918; Bella Turnbull, wife of Captain McNeill of Marlo;Hon. James Cameron, First President of the Orbost Shire, M.L.A. East Gippsland 1902-1920.This item is a pictorial record of many Orbost locals of the first quarter of the 20th century.A large photograph album with a deep purple ornate cover. It contains photographs of local people with most labelled.inside- "Best love to Lucy from Fred & Daisy Christmas 1913" On front page on white label - " The unnamed photos belonged to Mr James Hossack - March 1821 to January 1921. They are from Scotland, Geelong, Ballarat, Melbourne. She landed at Geelong 1853 with her husband."photograph-album whillance saunders morris wright conlan cameron-james -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, On the Seas, 2013
HUMBLE BEGINNINGS The Mission to Seafarers, which was originally known as the ‘Bethel Union’, was established in London in 1835, a recognition of the spiritual needs of seafarers who live a lonely life at sea. In 1857, the Bethel Union began a mission in Victoria aboard the Emily, a large hulk vessel donated by the government, with the object of establishing a floating church for sailors moored in Hobson’s Bay. The first chaplain, his wife and their eight children, three servants and livestock called the Emily home for two and a half years. Each week, sailors were taken to the Emily via a longboat to join in the Sunday services. Today following the same custom, seafarers are transported by bus to and from the docks by a volunteer bus service run from the Mission building at 717 Flinders Street. This window, named ‘On the Seas’, was installed in 1980 and represents the origins and history of the Mission to Seafarers through the symbols of a cross, maritime and Masonic imagery.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window by Greg Cummins with a photograph of seamen in front of a van and a view of Port Melbourne.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: View of the Princes Pier from the Port Melbourne Mission windows in 1928. BELOW: A group of visiting seafarers standing in front of the Mission bus during an outing to the beach, circa 1950s.reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, greg cummins, flinders street, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Jesus in the House of Martha and Mary, 2013
FRIENDS OF THE MISSION The Mission has always relied heavily on the patronage of its volunteers and sponsors who are kind enough to donate much-needed funds, time and expertise. In its first year, the Mission had only 99 pounds to its name, 90 pounds of which was taken up by the chaplain’s salary! Today the Mission is overseen by a Board of Directors and is run by a dedicated team of employees and volunteers. Even though developments such as containerisation in the shipping industry have meant that the number of seafarers on each vessel and their time spent in port has been drastically reduced, the needs of seafarers are just as pressing today as they were when the Mission first began. This window, titled ‘Jesus in the House of Martha and Mary’, was installed in 1947 in memory of Karen Brady, a volunteer and friend of the Mission, dedicated to providing for the needs of seafarers. This window is symbolic of the continuation of such needs in modern times.ontextual or historic information Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to member of the Guild, Karen Brady, who died during a black out hit by a car while she was on her way back home from the Mission, and two photographs of social activities organised for seafarers.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Ladies handing out light refreshments to seafarers during an outang at the Melbourne Zoo in 1907 BELOW: A full house awaiting New Years Eve dinner followed by entertainment in 1927reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, karen brady, lhlg, picnic, social events, catherine mclay, arthouse -
Warrnambool and District Historical Society Inc.
Box, Swintons, Box – early 20th century
This box contains a label from the Warrnambool business of W. Swinton & Sons and this tells us that the box dates from the early 20th century (pre 1912). The documents in the box are Swinton financial balance sheets from 1928 to 1970 (W. Swinton & Sons/Swintons Pty Ltd). William and Ann Swinton migrated to Australia in 1854 and for a decade William Swinton worked as a builder and carpenter in the Warrnambool area, erecting many buildings, including the Wangoom Presbyterian Church. In 1865 he opened a store in Timor Street Warrnambool, selling groceries, glassware, china and hardware. By 1888 the business was known as William Swinton and Sons. Branch stores were opened in Cudgee, Nullawarre, Wangoom, West Warrnambool and South Warrnambool. After William Swinton died his son Robert became the first managing director of Swintons Pty Ltd. In 1934 the business split, with George Swinton and Sons selling clothing, furnishings and glassware and Swintons Pty Ltd selling seeds, produce and hardware. Today the Swinton family still operates a furniture and bedding store in Timor Street. Both these items come from the Warrnambool business of W. Swinton & Son/Swintons Pty Ltd and both the box with its early 20th century label and the financial statements are of importance. The balance sheets will be useful to researchers. The current Swinton business in Timor Street is the oldest family business in Warrnambool and, with the name Swinton associated with Timor Street businesses for 152 years, it is amongst the oldest family businesses in Australia. .1 This is a black cardboard box with a lid, with one side of the lid party detached. Some parts of the box are torn, especially the corners of the lid. The inside of the box is somewhat stained. The inside of the lid has a label pasted on and the top of the lid has a W. Swinton & Sons label pasted on. The Swintons label is partly torn away. .2 The paper material inside the box is mostly foolscap-size and consists of business financial balance statements. Some of these have coloured paper covers. ‘W Swinton & Sons Universal Produce Buyers and Exporters Timor Street Warrnambool’ swinton family, warrnambool, history of warrnambool -
Coal Creek Community Park & Museum
Box, cardboard, 1892 - present in Australia
TROVE : Bendigo Advertiser (Vic. : 1855 - 1918), Saturday 7 September 1901, page 2 BONNINGTON'S IRISH MOSS. Bonnington's Carrageen Irish Moss was first introduced into New Zealand 35 years ago, and it spread gradually until the sales now extend through the whole colony, and has been in constant demand ever since. Through the genuine merits of the widely known and popular remedy for coughs, colds, etc., and encouraged by this success in New Zealand, the proprietor (Mr. Geo. Bonnington) chemist of that colony, was induced to place his celebrated preparation on the Australian market. With that object in view, some eight or ten years ago, a factory for manufacturing purposes was established (under the style of Bonnington and Co.) at 179 Harris-street, Sydney. Since then, its sales have spread far and wide, and the proprietors are pleased to notify the public generally that Bonnington's Carrageen Irish Moss can now be obtained in all the states of Australia. Every year it is becoming more known, and when once tried is always appreciated by the people. Hundreds of testimonials have been received by the proprietors from all parts, testifying to the wonderful curative properties in allaying irritating coughs, bronchitis, colds, and affections of the vocal organs. For the cure of croup, whooping cough, etc., it has proved marvellously successful and is especially prized by mothers for their children, as it never fails to give relief and effect a speedy cure. Containing nothing injurious, there is not the least danger in giving it to children. If they are troubled at night with a hacking cough or any chest affection, one dose will relieve and ensure a good night's rest. The unparalleled which has attended the sale of Bonnington's Carrageen Irish Moss has led to many worthless imitations, and the public when purchasing are cautioned to be sure and ask for Bonnington's. TROVE : Gippsland Times (Vic. : 1861 - 1954), Thursday 1 October 1908, page 3 BONNINGTON'S IRISH MOSS Can be had from any chemist or store. It is the universal remedy for Influenza, Coughs and Colds. A safe and pleasant medicine for children as well as adults. Brown cardboard box with dark blue printed text on side and pink label with black text on top. Contains seven (7) unopened and one (1) opened tall grey boxes with printed white red and black labels. Each grey box containing a cork stoppered rectangular amber glass bottle, with a red, black and white printed label. Each bottle filled with a dark liquid.Outer square cardboard box in dark blue printed text within a decorative border : ' ONE DOZEN BONNINGTON'S Irish Moss for CUGHS, COLDS, INFLUENZA etc'. Pink label sealing paper on top of outer brown cardboard box with black printed text : 'BONNINGTON'S IRISH MOSS PRICES:- No.1 size 36/6 doz. No. 2 size 56/- doz. Retail Price :- Small size 3/6 Large size 6/3. IN QUANTITY Individual packaging boxes containing bottles : Paper labels on each bottle : Embossed on side of bottles in recessed cartouche ' BONNINGTON'S IRISH MOSS COUGHS & COLDS'. Embossed on base of bottles AGM logo and 'IS 804' (4 inverted) over '6'. croup, carrageen, coughs, influenza -
Flagstaff Hill Maritime Museum and Village
Container - Ink Bottle, Caldwell’s Ink Factory, Late 19th to early 20th centuries
This design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a three-piece mould, a method often used in the late 19th and early 20th centuries, with the maker's name engraved into the mould section for the base. The glass blower would cut the bottle off the end of his blowpipe with a tool and join a mouth onto the top, rolling the lip. The bottle was then filled with ink and sealed with a cork. This method of manufacture was more time-consuming and costly to produce than those made in a simple two-piece mould and 'cracked' off the blowpipe. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. This particular bottle is unusual as it has four sloping indents at the corners of the shoulder, most likely for resting a pen with its nib upwards and the handle resting on a flat surface. Most of the bottles made during this era had horizontal pen rests that were indented into both of the long sides of the shoulder. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. This only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This hand-blown bottle is significant for being the only bottle in our collection with the unusual sloping pen rests on its shoulder. It is also significant for being made in a less common three-piece mould. The method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle is of state significance for being produced by an early Melbourne industry and exported overseas. This ink bottle is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottle; rectangular base, hand-blown clear glass bottle with its own cork. The bottle has side seams from the base to the mouth, an indented base and an applied lip. The corners of the shoulder sides have unusual diagonal grooves that slope down and outwards that may have been used as pen rests. Inside the bottle are remnants of dried blue-black ink. The glass has imperfections and some ripples on the surface. The bottle has an attached oval black label label with gold-brown printed text and border. The base has an embossed inscription. The bottles once contained Caldwell’s blend of blue black ink.Printed on label; “CALDWELL's BLUE BLACK INK” Embossed on the base "CALDWELLS"flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture, three part mould, cauldwells, cauldwell's -
University of Melbourne, Burnley Campus Archives
Slide - 35mm Colour slides, A.P.P.S, 1989-1997
1. Box labelled "APPS 97" slides May 98. 2. Box labelled "APPS 89 Qld" slides labelled "Field Trip: Jul 89. 3. Box labelled Qld APPS" Slides Jul 89.apps, field trip, queensland, arboriculture -
Melbourne Legacy
Film - Video tape, Johnny Miller 15 sec, 16/8/1977
This tape has not been played but from the label it is a recording from 1977, of 15 seconds duration about Legacy. Possibly it is an advertisement.As the content is unknown so significance is not known, though it is assumed to be promotional material for Legacy from 1977.A video recording on a yellow plastic spool in a cardboard box.Plain box with Melbourne Legacy stamp. Label says Client - Legacy, Product - Johnny Miller, Duration - 1x15 secs, record date 16/8/77legacy promotion, advertisements -
Flagstaff Hill Maritime Museum and Village
Ceramic - Hot water bottle, late 19th - early 20th century
This hot water bottle was designed to lay flat in a bed between the sheets. Its purpose was to warm the bed before use. The bottle was filled with hot water then a stopper was placed in the top to seal it, preventing the water from running out. The inscription on the attached label of this hot water bottle gives both the donor's details and the location of the bottle when it was first displayed at Flagstaff Hill Maritime Village. the "P.M.O." are the initials for the Port Medical Office. The donor's details are also written in pencil on the base of the bottle. In the 16th-century people warmed their beds with the 'bed warmer', which was a long-handled, metal pan filled with hot coals and embers and covered with a lid. The pan was placed between the bedsheets to warm the bed before the person retired to sleep for the night. In the early 19th-century earthenware bed warmers came began to be used for the same purpose. They would be filled with hot water and sealed then often wrapped in fabric. The ceramic material would hold the heat for quite some time, without being too hot for the person in bed to also warm their feet as they went off to sleep. Hot water bottles were later made from glass, copper, brass or tin. Some manufacturers made them into decorative pieces that still had practical use. In 1903 a patent was taken out for the first rubber hot water bottle, invented by Slavoljub Eduard Penkala, a Croatian engineer. This bottle is of historic significance, as an example of personal heating equipment used in the late 19th and early 20th centuries.Hot water bottle, earthenware, pale colour with brown glaze on top over the shoulder and mouth section and clear glaze on the remainder of the sides. The cylindrical bottle tapers to a slightly narrower base. One side of the bottle, about a sixth of the circumference, is flat. The base of the bottle has a handwritten inscription. An inscription was on the paper label originally attached to the bottle. Inscription hand written on base of bottle "Mrs K. Rob _ / Browns Rd / Offic / 3 _ _ 9" Inscription on paper label " "Mrs K Robinson Browns Rd Officer 3809 - Hot water bottle P.M.O." flagstaff hill, warrnambool, shipwrecked-coast, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, domestic item, hot water bottle, heating equipment, ceramic bottle, stoneware bottle, potter, earthenware, personal item, bed warmer, foot warmer, flat-sided hot water bottle, household item, stoneware, clay, ceramic -
Federation University Historical Collection
Unknown - Ephemera, Box from Austral Standard Dry Plates - manufactured by Kodak Australasia Limited
Henry Sutton is a talented world-wide accepted inventor with inventions relating to the telephone, photography, wireless, cars, motorcycles, and bicycles as well as many more inventions. Henry was also one of four brothers that ran the Sutton's Music Store after the death of their Father Richard Sutton. Henry Sutton taught Applied Electricity at the Ballarat School of Mines in 1883 to 1886.Smal cardboard box with coloured label on the front and black and white instructions label on the back.austral standard dry plate box, kodak, henry sutton, kodak australasia limited, developing formulae -
Warrnambool and District Historical Society Inc.
Label, Warrnambool Woollen Mill, Early 20th century
The Warrnambool Woollen Mill was officially opened on November 14th, 1910. The first manager was John E. Bennett. Goods made were " blankets, flannels, articles of universal use". In 1958 the Mill became the first to manufacture electric blankets in Australia. In 2000 the Mill closed after 90 years of operation. This label is of much importance as the Warrnambool Woollen Mill was a major manufacturing business in Warrnambool for 90 years.White label with blue printing adhered to grey cardboard. There is another label on the same card.WARRNAMBOOL Slumba Safe ELECTRICALLY HEATED BLANKET ABSOLUTELY SAFE ECONOMICAL Versatile & Hygienic NUMBER MANUFACTURED BY; WARRNAMBOOL WOOLLEN MILL CO. LIMITED SOUTH WARRNAMBOOLwoollen mill, warrnambool, gaspar's modern print company, electric blankets, john bennett -
Mission to Seafarers Victoria
Furniture - Volum Medicine chest
This chest is the typical mid-18th century model. Thought to have belonged to captain James Volum.A medicine chest was a necessity for all sea journeys. Sometimes surgeons were onboard ships if there were passengers but on merchant ships, the captain had to be able able to look after his crew. A medium size mahogany cabinet with four protruding feet, small free hinged handles on left and right sides which are positioned approximately 5/8ths up from the bottom of the item, these handles can hinge 100 degrees upwards. The front and back 6/8ths of the cabinet can hinge open, as can the top of. Both front and back doors can be locked closed with their own respective hook latch which is on both sides of the cabinet. The top lid can be locked by interacting with a metallic keyhole which is present on the front of the cabinet close to the top. Revealed by opening the top lit is storage location with two rows of three storage spaces and one row of four. Revealed by opening the front door, is a single shelf with six divided locations for an equal number of glass containers, though only five remain in complete form. Below this self are three rows of drawers of differing dimensions, each with a small white knob. There are two drawers of equal width in the first row. Each drawer has four equally divided sliding pieces on its top face. When removed, these lids reveal a respective small space. Present on small paper labels on each of these lids are identifiers of the material which was stored. There are three equally sized drawers in the second row, which are less wide than the previous row. Only two of the drawers in this row have lids, of which each only have a single lid which covers a single compartment, each of these have a single label on them. The middle drawer contains a small glass mortar and pestle which are restrained by small wooden fixtures within the drawer. There are two drawers of equal width and greater height than any of the previous drawers in the third row. The first drawer has a single compartment containing multiple vials of varying dimensions, some of which feature a paper label with a respective inscription. Some of these vials are broken. In the second drawer has no lid which covers its four equally sized glasses. These are restricted by a wooded piece with four circular cut-outs. Revealed by opening the back door are two equally sized and spaced shelves which both have four divided locations which are filled by eight respective glass containers. These glass containers are of similar design to those in the front compartment but are larger. Some of these glass jars have paper labels like those found on previous glass containers.Label on top lid:volum collection, medecine chest, portable furniture, geelong, peterhead, scotland, captain, seafaring, whaling, london, bishopsgate, old gravel lane, london docks, tobacco dock, james burrows -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Faith, 2013
THE HARBOUR LIGHTS GUILD The ‘Ladies Committee’ was formalised in 1906 to assist the chaplain with the social demands of the Mission, and was renamed the ‘Ladies Harbour Lights Guild’ the following year. According to former members, it operated with all proper decorum and with precise guidelines that restricted women from coming into contact with seafarers outside of Mission activities. With some 1,600 Victorian members during its early years, these volunteers gave their prayers, money, handiwork time and considerable energy in order to assist in providing for the welfare needs of visiting seafarers. The heritage chapel of St Peter, often referred to as the Mariners’ Chapel, features many examples of stained glass. Commemorating the service of Mercantile mariners, the funds to build the chapel were raised by the ladies of the Harbour Lights Guild. This window, titled ‘Faith’, was installed in 1933 to commemorate the devoted service of Miss Ethel Godfrey, a founding key member of the Ladies Harbour Lights Guild.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Ethel Godfrey, and two photographs of ladies from the Harbour Lights Guild.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: a member of the Harbour Lights Guild dancing with a Tongan man at a social event during the 1960s. BELOW: A group photo of the ladies of the Harbour Lights Guild in front of the stage at the Mission to Seafarers Victoriareflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, ethel augusta godfrey 1861-1935, lhlg, harbour lights guild, ladies harbour lights guild, dance, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, catherine mclay, arthouse -
Warrnambool and District Historical Society Inc.
Audio Visual, Warrnambool Video Productions, Video - Winter Visitors, 1999
This videotape has material related to the annual arrival in Warrnambool’s coast (mainly at Logan’s Beach) of Southern Right Whales. These whales come annually to the Western District coastline about May and stay until about October. and some calve at Logan’s Beach – hence the name Logan’s Beach Whale Nursery. The whales have become an important tourist attraction in the area. Most of the whales return to the area regularly and have been named from their particular markings. Wilma the whale was a great favourite and was seen about every three years in Warrnambool but is now appearing in other parts of Australia. The tape is dedicated to Robert Ulmann who was a well-known artist and conservationist in the Warrnambool region. He did much to ensure the whales received protection and publicity in the Warrnambool environment. This tape is now in an outdated format and will be transferred to a more appropriate form as the material in it needs to be preserved. The whale migration to Warrnambool is a significant natural history event and material from the 1990s is important. This is a videotape in a black case with a white label with black printing pasted on. The outer box is white with a white label with blue and black printing. An image of a whale is on the outer label. ‘Warrnambool’s Winter Visitors’ ‘Update 98 Wilma Returns 7thJune 1999’ ‘This video dedicated to the memory of Robert Ulmann’ ‘Canya Dantz perform the song, Warrnambool Whale Wash’ whales in warrnambool, robert ulmann