An example of handmade linen.Doily, oval, white with silver-gray floral design, lace edge.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, doily, lace edge, silver gray embroidery, craft, embroidery, crochet

Two starched white linen cuffs which are part of a nurse's uniform. Each has a small hole at either end. They would be attached with buttons which have shanksL.E.Trembathcuffs nursing nurse's uniform health

The flag represents The Mission to Seafarers worldwide organisation. From about the year 2000 particular flag was once flown from Flagstaff Hill's masthead on top of the turret on the St Nicholas Seamen's Church but this practice ceased around 2010 for safety reasons. The Australian beginnings were in 1856 when the Church of England (Anglican Church) established the ‘Society for Promoting Missions to Seamen Afloat, at Home and Abroad. Lord Shaftesbury was the first President and Mr William Kingston was the first Secretary. Its Constitution declared: (1)) the Object is the spiritual welfare of the seafaring classes at home and abroad. (2) In pursuance of this Object, Society will use every means consistent with the principles and received practice of the Church of England. Mr Kingston’s wife and sister designed a flag to clearly depict the Society’s Objects. It depicted the first of the three angels in Revelation 14, who possessed ‘an eternal gospel to proclaim to those who dwell on the earth, to every nation and tribe and language and people. The ‘Flying Angel’ (the angel of Revelation) became the official logo of the Society and gained great popularity. In July 2000 the Missions to Seamen changed its name to the Mission to Seafarers to better reflect the group's function, an unbiased society that cares for all who earn their living at sea. The Logo was modernised and simplified, the word changed to 'seafarer' to be gender-neutral. The angel logo no longer holds a book (Bible). The organisation states: “The Mission to Seafarers is an Anglican organisation ... The Mission offers fellowship and a warm welcome in centres where seafarers can relax away from their ships, meet local people and contact their homes, from ports around the world. The Mission provides and promotes” … “The Mission to Seafarers now has a presence in 200 ports in 50 countries worldwide. This makes us the largest sea-port-based welfare organisation in the world. We provide support to seafarers 365 days per year, regardless of their rank, nationality, gender or religion” This flag was a gift from the Mission to Seafarers Victoria at the time of the organisation's change of name from the Missions to Seamen. It was flown from the Masthead on top of the turret on the St Nicholas Seamen's Church at Flagstaff Hill from the years 2000 to around 2010. The donation of this flag signifies the ongoing association between the historical organisation and St Nicholas Seamen's Church building at Flagstaff Hill', which displays an extensive collection of furniture and furnishings from that organisation's Williamstown branch. The design on the flag is an example of several updates of the flag over the organisation's lifetime.Flag, fine linen, The Mission to Seafarers. Rectangle of blue fabric with white text around white flying angel logo. Flag has a plastic hook on top of the halyard.Printed "THE MISSION TO SEAFARERS" and logo of FLYING ANGEL symbolflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, mission to seafarers flag, flag, missions to seamen, turret

This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the sameLinen (white) cut work and hand embroidered central floral scene with decorative cut work above, leaf shapes 2cm border with triangular hand stitching tatting embroidery, handcrafts, bedroom linen, trimmings, cut work

The supper cloth was brought to Australia and presented to the Shields family. Mary Ann Stebbing (nee Shields) then handed it on to her daughter Nancy Jean, who married Alfred Marshall in 1937. On Nancy's death, the cloth came into the possession of her daughter, Nolene Menz (nee Marshall).This large cloth with its noteworthy hand stitching is an example of the range of textile memorabilia generated during World War 1. It links a local Buffalo River family to the 1914-18 conflict.Framed embroidered white linen cloth depicting a tribute to ANZAC soldiers by the women of Belgium, dated 1915. The tribute takes the form of an ANZAC soldier and words in the English language.Accompanying the ANZAC soldier presenting arms are the centred words: "ANZAC 1915" "OUR HERO, WE'RE PROUD OF HIM". Around the border of the cloth it reads: "WE ARE PROUD OF AUSTRALIAN BRAVE SOLDIERS WHO NOBLY DID RESPOND TO THE FIGHT FOR KING AND COUNTRY. HONOUR ON US ALL AND TO AVENGE BRAVE BELGIANS WRONGS. GOD PROTECT THEM."belgian supper cloth world war 1

Lavender linen pot holder bound with white bias binding and embroidered with the letter RT. This item was made in Needlework class at Williamstown High School in the 1960s by Robyn Thomson.williamstown high school, robyn thomson, needlework, 1960s, pot holder

Part of the Tsolia traditional Costume worn by soldiers in the 16th to 19th century in the mountains of Greece. It has 400 creases depicting the 400 years Greece was under occupation by the Turks.White linen cloth dress worn by soldiers from the 16th to 19th century AD. It has 400 creases depicting the 400 years Greece was under occupation by the Turks.φουστανέλα, tsolia, costume, foustanela, dress, στολή

From collection of Bette JonesSmall semi circular shaped cream linen egg cosy with cream crotched edge. A different embroidered flower design on each side. Padded cotton lining (separated)domestic items, ornaments / decorative, handcrafts, embroidery

Table centre was donated by Bette Jones from her collection of fine manchester.Tenneriffe Lace, square white cotton to form daisy like patterns measuring 5cm in diameter. Joined to centre of white linen and drawn thread square of smaller circles.domestic items, table setting

White linen supper cloth with deep edging of fine cotton crochet lace. White mount mellick embroidery in flower and leaf pattern with lover's knot pattern in corner.manchester, table linen, handcrafts, needlework

Cream linen supper cloth square, with cutwork eyelets and surface stitching. (missing).. 8 matching square serviettes with cutwork (applique') pattern in one corner and scalloped edgestable linen, serviettes

There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation.Pillow Case, WhiteNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pillow case, giles collection, linen

The Kiewa Hydro Electric Scheme (KHES) produced electricity for the people living in the Kiewa Valley and beyond to many parts of Victoria. The people and their families working on the Kiewa Hydro Electric Scheme were encouraged by their employer the State Electricity Commission of Victoria to purchase and use electrical appliances. The iron was popular as it was quick and easy compared to those used previously. This iron belonged to Ron White who was a senior member of staff during the construction and operation of the KHES.This iron was owned by Ron White. Ron was appointed Area Operations Engineer at Kiewa in June 1956. He was later appointed as General Superintendent and then in 1974 appointed to principal Hydro Engineer of the recently titled Hydro Division.Electric iron with long cord attached at the side toward the back. Iron shape is of an oblong with pointy front. When laid down, the black handle is at the top with a red button centre front (to choose between steam and dry). Under the handle is the 'turntable' (used to select type of material/heat). At the front of the black is an outlet for the steam. Beneath the black section is the metal shiny cover and solid base.Dial (turntable) - centre red with 'Hoover' and red section on outside with 'steam'. To the left of 'steam' is 'High, Linen, Cotton, Wool'. To the right of 'steam' is 'silk, rayon, nylon'. On the handle at the front "Hoover" in gold.electric appliances; steam iron; electric iron; laundry; ron white; kiewa hydro electric scheme; hoover industries.

These maps were produced in 1948 and they contain maps of allotments within the city of Warrnambool, including the Central Business District, up to 1948. The details given on each allotment show the allotment and section numbers, the measurement in acres, the name of the original purchaser of the lot and the date of the first sale. The Warrnambool and District Historical Society owns several copies of these maps but these ones are originals.These three maps are of great significance because they give the names of land purchasers in Warrnambool from the date of the first land sales in 1847. They are a most valuable research tool and can be scanned and photocopied etc.These are three sheets of cream paper pasted on to linen. The sheets have black and white printing and map work. Some of the edges are a little frayed and there is some staining, particularly on the backs of the sheets.‘City of Warrnambool Parish of Wangoom County of Villiers Sheet 1’ ‘City of Warrnambool Parish of Wangoom County of Villiers Sheet 2’ ‘City of Warrnambool Parish of Wangoom County of Villiers Sheet 3’city of warrnambool, warrnambool maps, warrnambool town allotments 1948, land purchases

The album was sent home by Jack Grinton No1043 38th Batt AIF. Part of the Grinton collection which included hundreds of negatives and developed photos that he took in WW1. Refer Cat No 1280 for service details. Refer 1317P, 1320P.Small photo album with dark blue embossed linen cover with "Kodak" in centre. Inside are 24 sepia photos of England and France. Each photo has annotation underneath in pen."With best wishes, Jack"books-albums, photography-photographs, military history-souvenirs

This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the samelinen white cut work and embroidered central oval shape with matching floral design at either end with leaf leaf shapes above 2cm border with triangular stitching tattine embroidery, handcrafts, bedroom linen, trimmings, cut work

Clothing. Child's cream coloured linen underpants with casing and drawstring at waist. Tied at front with cotton tape. Legs trimmed with 1.5 cm lace. Garment matches 11408.61 (Petticoat).costume, children's, child's cream linen underpants.

Grey linen covered book with terracotta, yellow, black and gold decoration and text. There is a bookplate inside the front cover. 136p with black and white lithographic illustrations by Henry Courtney Selous. fictionewing memorial presbyterian sabbath school east malvern, lily mclean, j mckenzie king presbyterian sabbath school superintendent, mrs beynon presbyterian sabbath school teacher

TATTING EQUIPMENT. SHUTTLE - A SHAPED IMPLEMENT HELD IN THE HAND TO MAKE KIND OF KNOTTED LACE WITH LINEN, SILK OR COTTON THREAD. THREAD - PINK SILK WOUND ON CIRCULAR CARDBOARD DISChandcraft, tatting, handcrafts

oil on linen landscape painting. High horizon line. Melbourne cityscape in the distance in cool colours (blues, purples). Varieties of foliage in warm colours (red oranges and yellow) in the foreground. mitchell, oil painting, landscape, melbourne

Donated by Yvonne Fitzmaurice as examples of women's handkerchiefs.10 female handkerchiefs made from handkerchief cotton/linen embroidered (hand and machine), some machine lace and some coloured embroidery, 1 gold and 9 cream/whitecostume accessories, female

Square, cream point lace supper cloth (floral pattern). Five cream linen serviettes with point lace flower in one corner and embroidered edging. Refer 1107 and 1108.table ware., table linen.

The Victorian Reading Book, Class 11, one shilling. Fawn coloured linen binding, reinforced brown binding on back spine. Inscription in front of Reader. S.S. 1271 Talbotville.S.S. 1271 Talbotvillebooks, school/educational

Text book of counterpoint by Geo. Oakey, b. 1841, 6th ed., rewritten and enl. London : J. Curwen & Sons, 1890, 112 p. : music ; 19 cm. This book was part of the collection of Frank Wright OBE.Green hard linen covered book, 117 pages, with gold lettering on front cover and spine.Embossed border on front and back covers with J.C.S. also embossed middle back cover.Handwritten notes in pencil and scroll drawn in black ink with "Frank Wright 'Laura Villa' Smeaton 18.2 1920" on front end papers. "Frank Wright Smeaton 1/2/1920 handwritten in black ink on title page tp right hand corner. Pencilled notes on back end papers.oakey, counterpoint, music, frank wright, wright, j. curwen & sons, smeaton, 1920

This painting, which includes the beautifully crafted wind vane above the historic Mission to Seafarers’ building in Flinders Street, Melbourne, symbolises the safe port for the crew of ships, over the years, that have entered Port Phillip Bay, since the Victorian Mission was established in 1857. The stormy ocean weather for the sailors is contrasted with the calm seas near the Mission.This painting was an entry for the 2017 Maritime Art Prize. Jack's marine art covers a wide spectrum of maritime subjects, but with a focus on paintings of classic yachts that ventured over long distances to remote parts of the world. Maritime art, Marine artDonated by Jack WoodsOil painting on linen covered wooden frame, incorporating several features: from left to right a tanker vessel, a windjammer and the galleon wind vane restored to the roof of the Mission in 2020.safe, jack woods, painting, port, artwork, windjammer, windvane, cargo ship, galleon, weather vane, anl, maritime art prize, artwork-paintings

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. The chosen design of Kookaburra and wattle flowers and leaves reflects the creator's interest in Australian flora and fauna. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework. It is also significant for its reflection on the new Australian fauna and flora.Doily, round, white cotton. Embroidered Kookaburra on a branch, wattle flowers and leaves, and edged with brown crochet. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery, kookaburra, wattle, australiana

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) SIGNIFICANCE This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework. Doily, ovate cotton fabric with embroidered flowers of orange, blue, pink and red flowers with greenery and an orange circle with a white crocheted edge. From the Chamberlain Dale Lees Collection,flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery