This lady’s long, decorative nightgown was worn c1920 by Mrs Alice Maude Haynes, nee Slew, (1890 – 1978), a member of a Moorabbin Shire early settler family.Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A long cotton lady's nightgown with pin-tucking, lace and embroidery.clothing, moorabbin, dressmaking, cheltenham, market gardeners, early settlers, craftwork, slew alice, haynes alice

Clothing. Elbow length, fine cream coloured kid leather gloves. Top edge is curved and is not hemmed. A plackett at the wrist is finely bound in the leather, and is 11.5 cm long. It fastens with three tiny 8 mm diameter pearl shell buttons, and bound button holes. The gloves are machine stitched, and it would appear that the long full-length side seam has been placed side by side, and then 'overlocked'. Three rows of angled stitching fans out over the back of the hand.costume accessories, female, kid leather gloves

This quilt was purchased from an op shop in Clifton Hill, Vic. by Lois Densham, a quilter and former member of the Running Stitch group who has an interest in historic Australian quilts. The quilt has been displayed in NSW, where it was part of an exhibition of Historic Australian Quilts curated by Annette Gero and held at Old Government House, Paramatta between 5 June and 22 August 2000. Initially purchased in Clifton Hill, it originally came from a source in Highton, Geelong. It is a double bed sized quilt in the classic 'crazy' style with extensive use of herringbone and feather stitching.The pieced style of the quilt, made from squares of patchwork is similar to the style of quilts made by members of the Country Women's Association (CWA). The women sometimes made a quilt as a group activity and Lois suggested that the quilt may have been made by this group.Quilt, rectangular. Made with crazy patchwork in twelve large blocks. The blocks at each corner are fairly regular, whereas the others are full of random pieces. The patches are oversewn with hand embroidered feather stitch in different colours. In the centre there is a block with a maroon cross. Many of the pieces have central 'sprigs' of green embroidery in bullion stitch. The quilt is backed with a blue and green striped fabric.quilting patchwork, running stitch group national trust of australia (nsw), running stitch collection, densham, ms lois, geelong, quilting, patchwork, cwa

Pulpwood was often split by hand or with black powder splitting guns into more manageable sizes and cut into 8 foot lengths (or billets). Billets were first stacked endwise to drain the sap and lighten the load before they were loaded by hand onto flat bed trucks for transport to the mills. This long length metal hook was used to pull and manoeuvre the pulpwood billets onto the truck. The advent of excavators in logging operations in the 1970s led to the loading and carting pulpwood in long tree lengths.Long steel tool with handle on one end and hook on the other.

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, inherited, owned, used and or donated by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Hand-made crocheted or lace reticule with a long cord and a flap opening. The bag is lined with cream voile. It relies on different kinds of stitching for its decorative effects as well as rosettes and round pom-poms.fashion accessories, clothing accessories, women's clothing -- accessories, bags -- handbags, bags -- reticules, bags -- purses

This top was made by Toula Mavrokefalos Black (nee Raftopoulos) as a teenager living in Romania. It was intended to be worn under suit jackets. Her daughter, Olga Black, is a longtime Brighton resident. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Long-sleeved top of cream georgette with high round neck. Front features three handmade rectagular lace panel inserts, surrounded with floral cross stitch embroidery in red, blue, black and greentoula mavrokefalos, toula black, olga black, migration, embroidery

Long handle scythe used by the college to maintain gardensManual scythe blade with long wooden handle painted orange. Used by Burnley Students for garden maintenance,Metal stamped 1285garden maintenance, burnley, grass control, weed control, students

This long, white cotton pin-tucked baby's dress is an example of the clothing the women of pioneer settlers and market gardeners in Moorabbin Shire made for their familiesAfter the 1841 Dendy Special Survey of Brighton, Victoria, allotments of land were rented or sold to pioneer settlers. These settlers had to be self reliant and the women made most of the clothing for their families. This garment is one of the examples of the skills and craftsmanship of these women.A white, cotton, pin-tucked, long Baby's dress c 1900clothing, brighton, moorabbin, dressmaking, dendy henry, market gardeners, pioneer settlers, craft working

This baby’s long, white cotton christening gown is an example of the dressmaking skills of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families The Peck family were early settlers in Moorabbin ShireA baby’s long, white cotton, christening gown with pin-tucks and bodice tiesclothing, moorabbin, ormond, bentleigh, dressmaking, market gardeners, early settlers, craftwork, mr peck, christening service, rites, baptism

An example of a handstitched decorative cloth from early to mid 1900s.The item is of social significance as an example of a hand stitched project undertaken to create a decorative domestic object.Pale yellow, hand embroidered small tablecloth. Tapestry thread in fawn, cream and yellow has been used to work star shaped designs in satin stitch, stem stitch and back stitch. Feather stitch forms a border around the overall pattern.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, tablecloth, embroidered, domestic object, textile

Hand knitted, long sleeved jacket. A 3.5 cm moss stitch band at the wrists, at the centre front opening, and around the chest, where eyelets provide for a ribbon insert ( no ribbon present). A 7 cm deep stocking stitch back yoke. Front also has a stocking stitch yoke, but at the front, there are two bands of the pattern across the centre of the yoke.(Pattern has a 10 row repeat). A .4 cm wide ribbon is threaded through eyelets in the neckband. Set-in sleeves.costume, children's, baby jacket

Textiles. A war time souvenir from Palestine. Pale gold silk, embroidered with a depiction of the''Mosque of Aman (?) Souvenir of Palestine, 1942, floral emblems and a bow. A 4cm long silk fringe in gold and reddish colours borders the cushion. Back of the cushion is gold coloured cotton. Machine and hand stitching. Possibly machine embroidery, in a ''chain-stitch'' pattern.Souvenir of palestine 1942. Mosque of Aman (?) (Omar).textiles, domestic, pale gold cushion from palestine.

Item 15. Black Gentleman's Smoking Cap with stitched green leaves and blue flowers around the top and sides. The top of the crown has a pale blue crocheted dome 3.7cm wide and 18mm high. From under the dome is a plaited crochet thread which ends in a long tassel. The inside is pale blue quilted stitching in a leaf pattern.bendigo, clubs, bendigo heritage, german heritage society collection - cap - gentleman's smoking cap

Full-length machine stitched lawn petticoat, with lace and broderie anglaise insert at front top and lace trim around neck and edges of arm openings. Five rows of shirring about six inches long at each side at waist. Narrow tapering gussets inserted at sides from waist to hem. Flat seams and machine stitched hem.petticoats, textiles, women's clothing

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The colours of this cloak refer to natural pink ochre and indigenous flowering plants on Wadawurrung Dja. The pink ochre is sourced by Deanne Gilson at Black Hill in Ballarat, Victoria. Men also made woven dilly bags to hold their possessions in. The basket making was an ongoing aspect of daily life for Wadawurrung people and often done in cooler months when the weather was too bad to go outside. Many women and family groups had their own style and techniques that were traded amongst other groups. Wadawurrung women had a particular stitch they used and incorporated elaborate symbols into the basket designs. Tammy Gilson’s weaving represents this stitch. This cloak pays homage to them and the changing seasons as they created, particularly the cooler months leading into the warmer season when several gum blossom flower. This cloak was worn once by artist Deanne Gilson at a formal opening at the Art Gallery of Ballarat in 2022. A Welcome to Country ceremony was performed while wearing it.Pink native flower in baskets motif on a pink background on outer cloak, pink and white diamond and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art

significant to the Pyrenees Shire and Lexton communityframed cross stitch

This Post card is an example of the skill that the men or women learned during the War time for relaxation or during recovery periods in hospitals.This item demonstrates the skills of those that were involved in the First World War and the hobbies that enlisted men participated in when Ill or having leave from combat.White card with hand stitched holly leaves and berries in green and red on fine cotton with light blue hand stitched trim. The words Merry Christmas stitched towards the bottomOn the front are the words Merry Christmas. On the back written in pencil are the words Belguim 1916-1917. "To Dear Bess Wishing her a Merry Xmas & a Happy New Year from Donald."ww1, hand, papercraft, crafts

This small handcrafted bookmark was made by one of the Jones sisters, Gwen or Edna of The Union homestead at Woolsthorpe in Western Victoria. Two small pieces of blue felt cut into shape of lady's face and stitched together with features added with wool stitching. Wool thread as hair stitched to hang outside the pages.Nilbookmark, felt, woolsthorpe, victoria

Clothing. Royal blue woollen fabric, with revere pointed collar and lapels. Left lapel has one stitched button hole. Breast pocket - depth 17.5 cm, width 14 cms embroidered in light blue, royal blue and gold, a coat of arms with laurel wreath cricket stumps, ball and two cricket bats. Within a shield shape is embroidered BDCA-possibly Bendigo and District Cricket Association. Below the shield shape is an embroidered ''ribbon'' embroidered with PROVINCIAL PREMIERS VCCL 1952, 1.5 cm braid-royal blue and gold trims the sleeves above the cuff.One small internal pocket in left front.All internal seams are bound in black tape. Shoulders of the blazer are lined with black polished cotton type fabric. Sleeves are lined with cream cotton fabric, with fine stripes of blue and brown. Two stitched button holes and two black plastic buttons.Label inside back collar: David Lack Pty Ltd Melbourne & Sydney. Label stitched inside back shouderline: Blazer and Uniform Specialists David Lack Pty Ltd Melbourne , Sydney. NAME….No…costume, male, blazer - bendigo cricket club

From the estate of Jenny Lang, Pearcedale Road, NunawadingBeige linen cloth has, across the centre, a spray of embroidered stylised flowers in pinks,oranges,mauves and yellows and is surrounded by stylised leaves and dots in browns and greens. The style is needle painting in short and long stitchhandcrafts, embroidery

This skirt was probably worn of a daytime by a farmer's wife in the Timboon area early in the 20th Century.This long rust brown taffeta circular skirt is faded, worn and torn. It has 13 rows of machine stitching around bottom, 24cms from edge. It has an elastic waist and short zip at back of waist.clothing, women, needlecraft, skirt, early settlement, timboon

Clothing, khaki coloured WW2 army uniform trousers. Side pockets lined with cream coloured cotton fabric. Front fly opening (27 cm) fastened with six 1.5 cm plastic brown buttons. Four 1.8 cm brown plastic buttons across outside on either side of the centre back of waist band, to fasten braces. Trousers belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 314Y.Name tag stitched inside waist band at back ''J.K.Martin''.costume, military, army uniform trousers ww2

School tie with shell of navy fabric with diagonal stripes of yellow and light blue. Self tipped. Bendigo High School. Worn by Merryn Ellison.Cotton tape stitched to back of tie. Written in ink ''ELLISON''costume accessories, female, bendigo high school tie

Second War World Khaki cotton drill roll up sewing kit, also known as a housewife. The kit is incomplete except for two wads of khaki colour thread.Sewing kit made from Khaki cotton with bound edging.Pouch has two internal pockets with press studs and cloth ties at one end. Initials or crest in dark brown cotton stitched on front of itemwwii, world war 2, army, australian army, sewing kit, housewife

Hand knitted cream wool shawl. Garter stitch centre. Deep fan and feather stitch border.costume, infants'