Showing 2510 items
matching oiling
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Gippsland Art Gallery
Painting, Watson, Douglas, Radiant Landscape, c.1958-59
Donated by Alexander Thurston Watson through the Australian Government Cultural Gifts Program, 1979Oil, metal and timber on boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Young, William, Moon in the Water, 2011
Donated by the artist, 2013Paint, Acrylic, Oil, Canvasgippsland, artwork, permanent collection -
Federation University Art Collection
Painting - Artwork - Painting, [Portrait]
Framed oil portrait of a female. david alexander, portrait -
Federation University Art Collection
Painting - Artwork, David Alexander, [The Mask] by David Alexander, 1985
framed oil painting on panelsigned and dated b.l. 'D Alexander 1985'david alexander, mask, churchill, gippsland campus, portrait -
Federation University Art Collection
Painting - Oil on masonite, Neville Bunning, [Horses] by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of horses. art, artwork, neville bunning, horses -
Port Fairy Historical Society Museum and Archives
Painting, 1 William Street
Construction date of house depicted1845-1855 for Stonemason Benjamin Bowyer. Style Colonial Georgian. Representative of workman's cottage of the 1850'sOil painting by Jean WilsonPainting signed by Jean Wilson 1 William Street Port Fairy on reverse To the Port Fairy History Group from Phillip Ritchie, past owner of 1 William Streetdwelling, housing -
Federation University Art Collection
Drawing - Artwork, Graeme McGregor, 'Self Portrait' by Graeme McGregor
Graeme McGREGOR ( - 25 July 2023) After completing studies at the Ballarat University College (now Federation University Australia) Graeme McGregor worked as a Gallery Assistant at the Ballarat Fine Art Gallery for many years. During that time Margaret Rich was the Director of the Gallery. Graeme McGregor is also represented in Art Gallery of Ballarat and Shepparton Art Collections. Framed oil pastel drawing."A Restless Soul ???? or a Uncompromising Idealist!! (M. Rich Quote)"graeme mcgregor, available, margaret rich, alumni, art gallery of ballarat, ballarat fine art gallery, portrait -
Bass Coast Shire Council - Art Collection
Work on paper - Dune Shadows, Adrian Johnson
AustraliaOil on linen with steel frameSigned -
Mont De Lancey
Glass bottle
Blue castor oil bottle.bottles -
Pyrenees Shire Council
Painting, Late Morning Contrast by David Mellows, 2017
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture oil painting of a bush track"Verso signed: DAVID MELLOWS (lower left) verso: LATE MORNING CONTRAST DAVID MELLOWS 3/17" -
Port Fairy Historic Lifeboat Station
bag, oil bag, early 20th Century
Item acquired from Lakes Entrance boat builder/owner who sold it to the PFHLS in 2008. Oil bags were part of the lifeboat equipment. Only one other example known is at the Port Albert Maritime Museum The oil bag was used to put oil on the sea's surface, to inhibit spray, wave burst and fear for survivors transferring from the shipwreck to the lifeboat. This was essential, as the lifeboat would never come close to the wreck, to avoid the risk of being damaged itself. The item is rare, and a vital part of the lifeboat's rescue equipment. The technique probably generated the phrase "pour oil on troubled waters" textile (flax) bag, shaped like a tennis racquet cover, with a brass tube attached to bag. The tube has a series of very small circular holes (in lines) arranged along the length of the tube. These were to allow the light oil contained within the bag to be sucked from the bag by a venturi action. The bag has a light line attached to it to secure to the lifeboat when in use (by casting the bag into the sea).. no markingsno markingsoil bag -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Enever, Jim, Clonmel - Disaster to Discovery, 2010
A comprehensive report of the exploration and production of oil in the Lakes Entrance, East Gippsland basin, in particular the Lakes Entrance oil shaft.oil and gas industry, world war 1939 - 1945 -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, Gary Lee-Gaston OAM, Professor Michael J. Cousins, 2003
This is a portrait of Professor Michael Cousins in his role as Dean of the Faculty of Pain Medicine at ANZCA (1999 - 2002). The portrait was unveiled at a College ceremony/meeting on 30 July 2003. The portrait was commissioned by FPM to mark the Deanship of Prof Cousins. Gary Lee Gaston is an Australian visual artist who was born in 1938. He is a painter, teacher and sculptor. He has exhibited in Adelaide and is a fellow of the Royal South Australian Art Society.Professor Michael Cousins was instrumental in the establishment of the faculty of pain medicine and was its first Dean from 1999 - 2002.Oil on canvas painting of the Faculty of Pain Medicine Dean, Professor Michael Cousins set in a plain gold wooden frame.hand written on the reverse in black ink - 762 x 632 / VM24 OIL liNen •stamped on reverse in black ink: CENTRAL ARTISTS SUPPLIES / 45 Osmond Terrace / Norwood SA 5067 / Phone/Fax: 8364 2088 •hand written on reverse in black ink: GARY LEE-GASTON / O.A.M F.R.S.A.S.A. •hand written on reverse in balck ink: PROFESSOR COUSINS 2003 / A.M. MB BS MD (SYD.) FFPMANZCA. FANZCA. FRCA. •engraved onto brass plaque on front of frame: Professor Michael J. Cousins / Inaugural Dean / 1999 - 2002 •inscribed on lower right hand side of painting: artist's signatureprofessor michael cousins, faculty of pain medicine, gary lee gaston, royal south australian art society., commissioned portrait -
Puffing Billy Railway
14A - Victorian Railways NA class Steam Locomotive, 1914
14A Built in 1914 and painted Canadian red & dark brown, this locomotive was issued to the Colac to Crowes line and saw service on all four lines, but mostly on the Colac to Crowes line. It was withdrawn from service in 1962 at Colac and sent to Newport Workshops for storage where it remained, except for a brief time at Bendigo North Work-shops in 1963. After overhaul, it was brought to Belgrave in 1965 where it has seen almost continuous service since. In 1978, it became the first of the preserved NA’s to trial a historic colour scheme for which the Canadian red & dark brown was chosen, but ended up mistakenly being painted a “London Tan” & dark brown. In 1996 it received a more correct Canadian red livery. This “temporary” trial livery has now given way to 14A’s designated livery of all-over black. Its physical configuration will match the late 1940s era with the extended bunker, guard irons, etc. Loco: 14A In service Thursday, 25th June 1914 Withdrawn April 1962 Livery Canadian red & dark brown Owner Puffing Billy Gauge 762mm / 2' 6" Status Preserved - Operational - Converted to running on Light Oil in 2018 Service History: Jun 1914 - Colac - initial allocation of a new locomotive Jun 1914 - May 1921 Colac Aug 1921 - UFTG. Sep 1921 - Feb 1923 Moe May 1923 - Apr 1927 Colac Jul 1927 - Apr 1929 UFTG. Apr 1929 - May 1932 Other May 1932 - Nov 1934 Moe Dec 1934 - Jan 1940 Wangaratta Jun 1940 - Workshops Oct 1940 - Mar 1947 Colac May 1948 - Nov 1960 Colac - Stored Apr 1962 - Jul 1962 Workshops - Stored Dec 1965 - Belgrave - In active service at Puffing Billy Railway Belgrave Victorian Railways - Narrow Gauge NA class steam locomotive number 14A Dates that 14A worked on the Gembrook Line Aug-1921 to Sep-1921 Jul-1927 to Apr-1929 Dec-1965 - Returned to service Oct-1977 - Transferred to ETRB ownership Steam Locomotive with wrought iron frame with cast iron cylinders - Converted to running on Light Oil in 201814Apuffing billy, 14a, victorian railways, narrow gauge, steam locomotive -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of the clock winding mechanism in The Marysville Museum in Marysville in Victoria.A colour photograph of the clock winding mechanism in The Marysville Museum in Marysville in Victoria. Fred Sawyer was originally from London, but then later relocated to Sydney, Australia, and then to Marysville in Victoria where he established The Marysville Museum. The Marysville Museum held a collection of horse-drawn vehicles, veteran, vintage and classic vehicles, various machinery and memorabilia. Gillett & Johnston was a clockmaker and bell foundry based in Croydon, England from 1844 until 1957. Between 1844 and 1950, over 14,000 tower clocks were made at the works. The company's most successful and prominent period of activity as a bellfounder was in the 1920s and 1930s when it was responsible for supplying many important bells and carillons for sites across Britain and around the world. A successor company continues operation in Bletchingley, Surrey, under the Gillett & Johnston name, engaged in clock-making and clock and carillon repair. the marysville museum, marysville, victoria, photograph, fred sawyer, 1865 gillet bland and co turret clock -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Vacuum Oil Co., Portland, n.d
Black and white photo. Vacuum Oil Co. Portland. Oil tanks, brick shed, pumps and shelter, galvanised iron roof.Back: '89' - pencil. Round purple stamp 'Hunter's same day service'portland harbour, industry, trade -
Glenelg Shire Council Cultural Collection
Document - Document - Graph, n.d
Port of Portland Authority Archivesport of portland archives -
Bendigo Art Gallery
Painting, Paul Borgmann, The Bawler, circa 1888
Signed, l.l., brown oil "P. Borgmann" -
Bendigo Art Gallery
Painting, Penleigh BOYD, Morning Light, 1922
l.l., brown oil "Penleigh Boyd/22"painting, australian artist, landscape, cow, cattle, gumtree, rocks -
Ringwood RSL Sub-Branch
Printed Display item-ship, Morrison Collections, 1986
75th Anniversaryof RANFramed coloured print of HMAS Australia put out for 75th anniversary of RANFrom original oil painting by Douglas Sealy. -
Numurkah & District Historical Society
Sign - Castrol sign
Large circular pressed metal sign advertising Castrol. Sign is red, yellow, & white, with black & yellow printingCastrol, Wakefield Motor Oil, British Owned -
Federation University Art Collection
Painting - Oil painting on masonite, 'Vision of the Life Beyond' by Neville Bunning
Neville Mirvane BUNNING (1902-1990) During World War Two he served with the RAAF. He was an Art Teacher at the Ballarat School of Mines from 05 February 1946 to 22 September 1964. Neville Bunning formed the Ballarat Artist's Society (later the Ballarat Society of Artists), a group that sponsored art and which invited modernist artists to speak to students and to the public of Ballarat. He also wrote a weekly column in the Ballarat Courier. Bunning produced a bust of Australian Prime Minister, The Right Honourable J.A. Lyons from Tasmania, who died in office. Bunning died in Subiaco, Western Australia on 29 April 1990. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a man standing in a landscape. LR Neville M Bunning in oil paintart, artwork, bunning, neville bunning, available -
Maldon Vintage Machinery Museum Inc
Horizontal Oil Engine, Early 20th century
Horizontal cylinder oil engine in working order. Mounted on a steel chassis with 4 cast iron wheels. Two flywheels and one flat belt pulley. Cylindrical cooling water tank and exhaust vertical exhaust pipe mounted at crankshaft end. Engine painted green with red wheels and red crankshaft balance weights. Oval brass plate on cylinder - "The Austral Oil Engine / Ronaldson Bros. / Makers / No. 1113 ? & Tippett / Ballarat Victoria" Thin oval metal transfer on cooling water tank with makers name and place of manufacture around Australian coat of arms.machinery; oil engine; metalwork -
Footscray Community Arts
Beyond the Spirits, Andrew Seyfried, 2006
MEDIUM: Oil stick / Graphite on panel -
Greensborough Historical Society
Painting, Lower Plenty Hotel, by Sylvia Jones, 1960-1970
Painted by Sylvia Jones 1960s from a photograph of Lower Plenty Hotel taken 1940s.Oil on canvas painting, framed and glazedlower plenty hotel, sylvia jones -
Greensborough Historical Society
Painting (Framed), Oldstead Farmhouse by Doug Hall, 1978_
Oldstead Farmhouse, painted by Greensborough artist, the late Doug Hall. Oldstead Farm was in the area around the present Oldstead Road Greensborough.Oil painting of a house, in timber frame.On back of painting "Oldstead Farm, Doug Hall"doug hall, oldstead farm, oldstead road greensborough -
Gippsland Vehicle Collection
Tins, Shell, 1 gallon oil tin
Shell, 1 gallon oil tinshell, oil, tin, gallon, one gallon, 1 gallon, oil tin -
Bright & District Historical Society operating the Bright Museum
Lamp miner's safety, mid 18th-century
Safety lamp made for underground miners to replace naked flame lightingUsed in underground mining in Ovens or Buckland mining districtsmetal and glass oil powered lamp(partly obscured on glass) BRITISH MFP. ( on brass) 3BB BOSS ( on screw off base) 56 and 10mining, lamp, oil, safety, kerosene, underground -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Oil Tin
Vickers Machine Gun Oil Tinequipment, ww2, army -
B-24 Liberator Memorial Restoration Australia Inc
Painting - B24 Liberator Painting, Oil Painting
Painting is of an actual air raid of a B24 Liberator from 23 Sqn.during WWllPainting was done by air crew (air gunner) from that actual aircraft.Large Oil Painting in Wooden FrameTHE LIBERATOR AIRCRAFT No 82 No23 City of Brisbane Squadron Russell Rogers Ball Gunner