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The Beechworth Burke Museum
Photograph
Photographed in the early 1900s, this black and white photograph depicts 25 members of the Mayday Hills Hospital Staff. Five men sit in front of the group, upon the ground and behind them, in bright white clothing, sit eight female nurses upon a long bench (one of these nurses is identified on the rear as Miss A.J. Ross). Behind these women stand 12 men. The men are all wearing dark clothing and several have 'Kepi' style hats. The staff photograph was captured by Frazer and Vallance Photographers Melbourne. This image was originally combined with 1997.2490 but these images have since been torn apart and catalogued separately. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on cardFrazer & Vallance Photographers Melbournemental asylum, beechworth -
Federation University Historical Collection
Photographs - black and white, Ballarat College of Advanced Education: 1st Year Applied Science Students, 1983
Individual images of students in 1st Year Applied Science Course. The names of the student is written under the photo - in alphabetical order. Some spaces have no photo. Some names have been crossed out. In total there are 91 names (55 on one and 36 on the other). Of this number there are only 16 girls in the course for this year.Two beige cards with small black and white photographs - photographer's proofsName of student under photo - alphabetical orderapplied science, 1st year, barker, alison, baxter, mark, beamish, lisa, blake, linda, bodon, stephen, brown, rodney, byron, dean, campbell, noreen, cesnik, frank, clark, geoffrey, clarke, peter, coffey, damien, daniel, michelle, desnoy,gary, de vries, peter, drake, peter, duthie, barry, elkin, gary, ? e/f guiseppe, flanagan, denise, ford, gary, foster, gary, fowler, anthony, fullarton, david, gore, brendan, gorell, brett, gowers, alan, grinham, wayne, hall, richard, harrison, francis, hartmann, mark, hay, theresa, hovard,stephen, hoy, terrance, hull, grant, humphries, robert, hynd,geraldine, jakubans, linda, jarecki, ted, jeffreys, andrew, johns, alvin, kirkpatrick, kaye, laidlaw, gary, lazarus, peter, lean, rohan, long, paul, markby, craig, mcdonald, peter, mceuna, timothy, mcinnes, gregory, mckay, james, nicholson, scott, o'connor, paul, owen, janette, owen, michael, pear, zlatko, picorrillo, john, pilkington, john, potter, steven, prendergast, maurice, roberts, barry, ryan, marie, schwarz, peter, seeary, adrian, shiells, jane, stevenson, michael, tan, simon, taylor, catherine, turkuile, marianne, thomas, rosemarie, twyford, keith, vorstenbosch, mark, walker, paul, ward, jennifer, warner, gary, wheeler, stuart, winter, anthony, wood, mark, yee, arthur, zentgraf, mark, bowie, ?, davies, ronald, mckay, ?, maclean, andrew, cramer, geoff, page, stuart, firth, barry, fry, b, hennesy, tom, hoell, nicholas, evans, michael -
Ringwood and District Historical Society
Poster, Williams, T.R.G, Advertisement T.R.G. Williams Ringwood, Victoria - circa 1920
Used by T.R.G. (Thomas) Williams, Main Street Ringwood, to advertise his photographic and picture framing business. No date evident however advertisement includes comment that studio is "equipped with modern electric light" which arrived in Ringwood in 1915. Main Street address includes "Rear of P.S. Eva Hardware Store", however a 1928 photograph of the premises advertises T.R.G. Williams as Ironmonger. Thomas Williams served on Ringwood Council from 1939 to 1945, including period as Mayor from 1941 to 1943.Buff coloured cardboard with black printing advertising a photographer and picture framer. -
Churchill Island Heritage Farm
Photograph - Photograph of bride and photographer
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows a wedding that was held on the Island.Colour photograph of a bride and photographer standing to one side of Rogers Cottage.catalogue number written on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of ship sailing
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series provides an insight into the early days of Churchill Island as a Conservation site.Black and White Photograph of a three masted ship sailing towards the photographerCatalogue number written on reverse in pencilchurchill island -
Melbourne Tram Museum
Photograph - Black & White, David Menzies, Tram 1041 & cable tram set 1 at Preston Workshops, Dec 1974
Black and white print of PCC Class Tram 1041 & cable tram set 1 at Preston Workshops Dec 1974 See also items 1036 and 72 for other photographs of this event.Demonstrates the prototype all electric tramcar alongside the first cable tram set of 1885Black and White photograph - printed on plain paper with photographers stamp on rear.Has stamp of David Menzies on rear.tramways, trams, tram 1041, cable trams, prototype tramcar, mmtb, preston workshops, tram 1, pcc class -
Melbourne Tram Museum
Photograph - Black & White, David Menzies, Tram 1041 at Malvern Depot, 1974
Black and white print of PCC Class Tram 1041 at Malvern Depot with the front door open showing the entry. Has the destination of Special. Demonstrates the prototype all electric tramcar at Malvern Depot.Black and White photograph - printed on plain paper with photographers stamp on rear.Has stamp of David Menzies on rear. and in ink "1041 Malvern Depot"tramways, trams, tram 1041, prototype tramcar, malvern depot, pcc class, mmtb -
Melbourne Tram Museum
Photograph - Black & White, David Menzies, Tram Z 2 at Preston Workshops, June 1975
Black and white print of Z class tram No. 2 at Preston Workshops. Has the destination of West Preston Regent St with a route number "334". Photo possibly at the time around the trams entry to service on 28/6/1975. See reference.Yields information about Z class 2 around the time of its commissioning.Black and White photograph - printed on plain paper with photographers stamp on rear.Has stamp of David Menzies on rear. and in ink "Z 2 W'shops"tramways, trams, mmtb, z class, tram 2 -
Melbourne Tram Museum
Photograph - Black & White, David Menzies, Tram 671 Preston Workshops, 1976
Black and white print of W4 671 at Preston Workshops. Alongside the tram is a Z-class tram. Tram 671 was sold to the Ballarat Tramway Preservation Society in 1976.Yields information about W4 671 prior to its disposal.Black and White photograph - printed on plain paper with photographers stamp on rear.Has stamp of David Menzies on rear. and in ink "W4 671"tramways, trams, mmtb, z class, w4 class, tram 671 -
Stawell Historical Society Inc
Photograph, Mr Victor Boynton Bowtell in Military Uniform 1916
WW1 History of Victor has been researched by Gary WithersSepia colour Photograph. Soldier In Army Uniform taken in a photographers studiouniform, ww1 -
Bendigo Historical Society Inc.
Photograph - SMALL PORTRAIT PHOTOGRAPH OF YOUNG MALE
Small portrait photographic of a young male, photographer Grouzelle & Co Melbourne.Grouzelle & Cophotograph, portrait, male -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small head and shoulder portrait of a man with a long beard. He is wearing a jacket. Photographer's name printed in gold on the front. Also a gold border. Photographer's name and address printed on the back with a Coat of Arms.Johnstone, O'Shannessy & Co., 3 Bourke St. East, Melbournephotograph, portrait, male, portrait of a man, johnstone o'shannessy & co. -
Ringwood and District Historical Society
Photograph, Whitehorse Road, Ringwood
Black and white photograph of old railway crossing before the viaduct was built. (2 copies)Stamp of photographer on back of photograph reads, "T.R.G. Williams, Photographer, Ringwood" -
Coal Creek Community Park & Museum
Photograph, Portrait Photo of two men, c 1900
unframed photograph c. 1900, of two well dressed gentlemen, in poor condition. It is on phoptographic paper laid on board.below the photograph is the photographers details printed. This is Yeoman Photographers , Numurkah, Victoria. -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - Mothercraft nurse with student nurses
The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Black and white photograph of NDSN Mothercraft nurse Beatrice Gould with two student nurses providing practical experience.Photographer's stamp: Auselbrook and Martin, Photographer, 311 Williamson Street, Bendigomothercraft nurse, student nurses -
Kew Historical Society Inc
Photograph, J E Barnes, Sir Henry de Castres Kellett Bt., Mayor [of Kew] 1888-89, c.1906
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Sir Henry de Castres Kellett Bt., Mayor of Kew 1888-89. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "Sir Henry de Castres Kellett Bt., Mayor 1888-89" [Photographer] "Barnes / Kew"mayors of kew (vic), sir henry de castres kellett bt., photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, J E Barnes, James M. Campbell, Mayor [of Kew] 1889-91; 1892-3, c.1906
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. James M. Campbell, Mayor of Kew 1889-91; 1892-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "James M. Campbell, Mayor 1889-91; 1892-3" [Photographer] "J.E. Barnes / Kew"mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, cr. james m. campbell, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph - Royal Hotel, Sunbury, C.H.R. Christianson, 1890s
This item is part of a larger collection donated to the Kew Historical Society by Anna French. The collection includes personal items from the donor's family, as well as items given to the donor and her mother by a family friend, Lucy Merritt (Jean) Hornby. The item is from that part of the collection inherited or assembled by Jean Hornby. The collection is significant given Jean Hornby's mother's descent from Robert Hornby (1854-1935) and Eva Merritt (1865-1959); her mother the chid of a family who settled in Kew in the 1850s, this providing a chain of provenance for items dating to the mid-nineteenth century, when her maternal forebears arrived in Melbourne. Other items represent Jean Hornby's contribution to her local and wider community.This 19th century photograph includes significant architectural details of an important hotel in Sunbury, Victoria. Additionally, it was taken by a local photographer - CHR Christianson - who operated the Sunbury [photographic] Studio. Silver albumen print, mounted on board, of the original Royal Hotel on the corner of Brook and Evans Streets, Sunbury, Victoria.The single-storey, rendered brick building with a corrugated galvanised iron roof includes a number of pieces of information that may assist in dating the photograph. The licensee's name above the door appears to be M.A. Williams. To the left of the door on the external wall is a painted sign: 'BILLIARDS". Another painted sign on the front of the building reads "ROYAL HOTEL [illegible] BILLIARDS." An attached building at right may be the residence of the licensee. Specific architectural features of the building include a corner doorway with a lamp above, three sash windows and a larger square lead-light window to the right of the doorway. The latter identifies the space behind as the "BAR". On the footpath in front of this building is a grill set into the footpath to enable deliveries to a cellar. At least four figures can be identified in the photograph: a woman in the doorway, a man to her right, leaning against the wall, and two other men at the right hand side of the building. Beyond the boundary of the building is a sloping footpath to a bluestone edged gutter. An elm [sic] within a protective, picketed surround is in front of the building. C.H.R. Christianson is identified on the reverse as the photographer. Reverse in pencil: Royal Hotel Billards Sunbury / CHR Christianson photographerroyal hotel -- sunbury (vic.), chr christianson -- photographer, hotels -- sunbury (vic.), recreation -- billiards -
Churchill Island Heritage Farm
Photograph - Photograph of ship sailing away
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series provides an insight into the early days of Churchill Island as a Conservation site.Black and White Photograph of a three masted ship sailing away from the photographerCatalogue number written on reverse in pencilchurchill island -
Melbourne Tram Museum
Photograph - Black & White, David Menzies, Tram 1041, Caulfied Loop, c1975
Black and white print of PCC class tram 1041 running a Special in Dandenong Road on part of the former Caulfield loop. This track was removed during Feb. 1983. In the rear on the railway embankment can be seen a string of wagons, probably an empty Briquette train to the Latrobe Valley.Yields information about the use of tram 1041 and the Caulfield Loop.Black and White photograph - printed on plain paper with photographers stamp and notes on rear.Has stamp of David Menzies on rear. and in ink "1041 Caulfield Loop"tramways, trams, tram 1041, caulfield, dandenong road, mmtb, pcc class, tours -
Melbourne Tram Museum
Photograph - Black & White, David Menzies, Tram 245 Normanby Rd Caulfield Races, c1975
Black and white print of W2 class tram 245 picking up passengers in Normanby Road after a race meeting at Caulfield. The tram has the destination of Domain Road. Many punters wait on the kerb while an Inspector supervises.Yields information about the Caulfield Race Traffic.Black and White photograph - printed on plain paper with photographers stamp and notes on rear.Has stamp of David Menzies on rear. and in ink "Caulfield Races '75"tramways, trams, mmtb, caulfield, normanby road, tram 245, domain road, w2 class, race traffic -
Melbourne Tram Museum
Photograph, David Menzies, Caulfield Loop - Caulfield Cup Day, 1975
Black and white print of a number of trams, lead by W2 245 parked in Railway Ave (now Sir John Monash Drive), Caulfield on Caulfield Cup day, 1975. A traffic policeman is on duty. In the background is Downards Furniture Store in a former picture theatre.Yields information about a Caulfield Cup race day and the tram services.Black and White photographs - printed on plain paper with photographers stamp and notes on rear.Has stamp of David Menzies on rear. and in ink details of photo.tramways, trams, mmtb, caulfield, races, caulfield races, railway ave, w2 class, tram 245 -
Melbourne Tram Museum
Photograph, David Menzies, W2 220 North Fitzroy Depot, 1975
Black and white print of W2 220 parked on the depot access tracks at North Fitzroy depot. It has the destination of East Preston Bell St. The tram has adverts for Black and White scotch whiskey and road safety messages re stop and give way signs. In the background is the sub-station at this location. It was unusual to see a W2 class at this location. Has a print date of 8/1975 on the rear.Yields information about W2 220, the second W class tram built.Black and White photographs - printed on plain paper with photographers stamp and notes on rear.Has stamp of David Menzies on rear. and in ink details of photo.tramways, trams, mmtb, w2 class, tram 220, north fitzroy depot -
Melbourne Tram Museum
Photograph - W6 979 ready to leave North Fitzroy Depot, David Menzies, 1975
Black and white print of W6 979 ready to leave North Fitzroy Depot. Shows the depot offices and the depot behind and depot allocation board to the right of the tram. Tram about to run a route 96.Yields information about North Fitzroy Depot.Black and White photographs - printed on plain paper with photographers stamp and notes on rear.Has stamp of David Menzies on rear. and in ink details of photo.tramways, trams, mmtb, north fitzroy depot, w6 class, tram 979 -
Melbourne Tram Museum
Photograph - Z1 Nicholson St and Victoria Parade, David Menzies, 1975
Black and white print of Z1 Nicholson St and Victoria Parade with St Vincents Hospital in the background. This building was demolished for redevelopment during 2023. In the background is a sign for the Druids Hospital Benefits fund.Yields information about Z1 and St Vincents.Black and White photographs - printed on plain paper with photographers stamp and notes on rear.Has stamp of David Menzies on rear. and in ink details of photo.tramways, trams, mmtb, z1 class, tram 1, nicholson st, st vincents -
Bendigo Historical Society Inc.
Photograph - SMALL PHOTOGRAPH OF BABY
Small sepia photograph of a baby in lace gown, photographer Stewart & Co Melbourne.Stewart & Cophotograph, portrait, baby -
Bendigo Historical Society Inc.
Photograph - SMALL SEPIA PHOTOGRAPH
1 small sepia toned photograph of a male by Photographer Charles Mitchell Glasgow.Charles Mitchellphotograph, portrait, male -
Bendigo Historical Society Inc.
Tool - DONEY COLLECTION: KODAK PLASTIC DEVELOPING TRAY
Kodak plastic photographer's developing tray tray highly marked from useKodak -
Kew Historical Society Inc
Postcard, R McGeehan, The Effect of Storm. Train Passing Through Flood Waters, South Yarra, 25-1-07, 1907
SHARP DOWNPOUR. ONE INCH IN 45 MINUTES. SOUTHERN SUBURBS DELUGED. TRAIN STOPPED AT SOUTH YARRA. One of the sudden downpours of rain which occasionally fall in Melbourne occurred yesterday afternoon, when nearly an inch of rain fell in the course of three quarters of an hour, and caused a flood for an hour or two in certain localities. During the early part of the day, the sky had been clouded over, but there was nothing to indicate a storm of such intensity as that which followed. At about half-past 1 o'clock residents of South Yarra, South Melbourne, Prahran, and St. Kilda noticed a few drops of rain. Still, it appeared unlikely that there would be anything exceptional, until with startling suddenness at about 10 minutes to 1 o'clock, one of the heaviest downpours within the memory of residents burst upon those suburbs. A strange feature of the storm was that it was practically confined to an area of about three miles square. The city was but little affected, though at a spot as close as the Observatory 86 points of rain were recorded in three-quarters of an hour. Thunder and lightning accompanied the downpour, which was cyclonic in character, the rain driving heavily from all points of the compass as the cyclone passed. It was in South Yarra and Prahran that the rain fell heaviest. Within a few minutes after it commenced, the low-lying portions of Toorak-road and practically the whole length of Chapel-street were under water. The depression at the intersection of Toorak-road and Darling-street speedily filled to the dimensions of a small lake. Several shops were inundated, while the water from the higher levels rushed down like a mountain torrent, and in several in-stances swept through the rear of houses and shops, carrying furniture in a floating mass against the further walls. In one case a footbridge was carried bodily away and dashed to pieces. Darling-street itself Great Davis-street, and other low-lying and flat thoroughfares in the vicinity became flooded from kerb to kerb, while on the other side of the railway-bridge the valley between Kensington-road and River-street became filled for some minutes to a depth of several feet. Meanwhile the waters from South Yarra hill, seeking a lower level, found it in the railway cutting, and the excavations from South Yarra station to Prahran on the one line, and to the Chapel-street bridge on the other, were converted into a couple of canals. At the platforms at South Yarra the water was two feet deep on the permanent way, and towards Hawksburn, at the sudden depression under Chapel-street bridge, it was at one time deep enough to cover a tall man's head. Into this swirling mass of water the 1:50 p.m. train from Oakleigh plunged on its way to Melbourne. The impact caused a mighty fountain of water to rise to a height of about 20 feet above the level of Chapel-street and send clouds of spray in all directions. Under the belief that a terrible explosion had occurred residents braved the rain and rushed to the spot, only to find that the train had been brought to a stand-still in the middle of what seemed to be a river. The water was so high that it had entered the fire-box from below, extinguishing the fires and cutting off the steam supply. In the meantime the officials at the South Yarra station had been preparing for emergencies. Inspectors were on duty at intervals along the line, and the moment the alarm was given an extra engine was backed carefully down and continued on to connect with the stranded train without losing its own power. There was a delay of about ten minutes in the service for an hour or two, but by 5 o'clock all the trains were running on time again, and the water had run off all but the spot beneath the Chapel-street bridge. Here the water remained about four feet deep until nightfall, and throughout the afternoon several hundreds of people including biograph operators and photographers, were gathered around watching each train pass through. Even with the water two feet lower, this was a work attended with considerable difficulty. Each train had to absolutely force its way through the weight of water, almost enveloped by the spray thrown up, and it was only just able to negotiate the "ford" by using every ounce of steam. ... The Argus, 26 January 1907, p19.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Postcard depicting a flood at South Yarra Station in 1907. The title and photographer's name are identified on the front of the postcard. Donated by L. Bennett, 1980flood - south yarra, trains - melbourne, postcards, r mcgeehan - prahran -
Tatura Irrigation & Wartime Camps Museum
Photograph, Arthur J. Underwood, Kyabram, Waiting for the Queen 1954, 1954 original
Original photograph of official party waiting for her Majesty, Queen Elizabeth 11, Tatura Railway Station 1954.Black and white photograph of officials waiting for the Queen, 1954.on back: Underwood, Photographer