Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a man in a landscape. wes walters, artist, artwork, landscape, available

Portraits of the 14 men who comprised of the Committee of Management for the Sydney Industrial Blind Institution. The largest photograph is of a bearded man writing at a desk (Rt Hon Sir Alfred Stephen PC GCMG CB President). Directly above him (in clockwise direction), J Dawson Hon Tresr, W. Beaumont, J W Hood, J F Weller, Thos Buckland, R L Tooth, A E Tooth, John J Keep. A second row extends below this (from left to right) E O Smith, A W Weeks, E Sinclair Hon Sec, Arthur Blacket, A Consett Stephen.1 framed mounting board with 14 sepia toned portraitssydney industrial blind institution, sir alfred stephen

Erin McCUSKEY Erin is a filmmaker, photographer and digital media artist with a bent on ‘difference’. She is the Creative Director at Yum Studio where she has forged a national reputation for delivering innovative and unique creative media projects, using projection, media, social media and social broadcasting. Ern McCuskey has a passion for producing projects with human rights at their core. Her short films, installations and commissions have screened at Museum of Australian Democracy at Eureka (MADE), Melbourne International Film Festival (MIFF), Flickerfest, Indiefest, Gertrude St Projection Festival, Ballarat International Foto Biennale, numerous exhibitions, performances and collections. Erin’s work is informed by the knowledge that difference is a necessary part of society and the core of a healthy one. She is passionate about creating media that is thought provoking, possibly controversial and also entertaining. Media creation is a group pursuit and those behind the camera are more often control the balance of power, therefore she is committed to unique collective story development. “I believe that art is in the everyday, that we all can, should and do, create. My work is informed by the moving images of my siblings as children recorded by my father, the houses and homes, spaces and events, which live on as objects themselves in various homes as photos, archives, projected and loved. These flickering images were embedded and now I spend time creating more.” (Central Highlands Art Atlas, http://www.artsatlas.com.au/erin/) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three photographs mounted side by side (portrait orientation). #1 image of curtains #2 image of sculpture of man reflected in a mirror #3 light reflecting through crystal door handle. Slight scratching on front bottom of frame. art, artwork, erin mccuskey, mccuskey, photography, foto, available

aFramed portrait of William Paterson who was President of the Association for the Advancement of the Blind, from 1948-1952. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Paterson is dressed in a 3 piece gray suit, white shirt and wearing a blue tie and black hat. He sits outside a house reading a red coloured book, whilst in the background an elderly man takes a step out on to the gravelled driveway. Two women, one with a white cane, rest on chairs under the verendah of the building. The plaque at the base of the painting reads 'Mr William H. Paterson / President 1948-1952 / Association for Advancement of the Blind'. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr William H. Paterson / President 1948-1952 / Association for Advancement of the Blind'association for the advancement of the blind, william paterson

Framed photograph of a man looking at the camera. He has a salt and pepper mustache and wears a dark suit with white shirt and a dark thin tie. At present it is unknown which organisation he was involved with. The only clue are the words 'Robert Bruce' on the reverse of the frame.Digital image of man in suit and tierobert bruce

1. A woman sits a wheelchair as she watches to the right of camera. Her hands are poised in the air, as she waits to clap them together. 2. A man sits on the edge of a hospital bed and looks to camera. 3. Seated woman holds her fingers as she moves them, possibly during a therapy session. 4. Near the window looking towards a large bush, a woman fiddles with her beaded necklace. 5. A man sits on the edge of his made up bed, with a small television, cassette player and cassettes stacked in his bedside table. A family portrait hangs on the wall. 6. Sunlight warms a woman talking to another whilst seated. 6 B/W photographs of nursing home residentsassociation for the blind, elanora home (brighton)

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. A etching of a man with a man size goose.graeme drendel, printmaking, goose, fauna

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying a calf. graeme drendel, printmaking, calf, cow

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying two milk buckets.graeme drendel, printmaking, bucket, milk, farmer

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington.Photographic group portrait of eleven Strathfieldsaye Shire Councillors in front of the Strathfieldsaye Shire Hall. Five men are seated and six standing with one man standing further in back ground on the building's verandah. Photograph is attached directly to green mount card and framed. Gold lettering on mount.Strathfieldsaye Shire Councillors / R. B. Brennan (Sec.) W. J. Lowdes S. Doak M. Burns () N Condon B. Code (Inspector) / WH Robinson Photo Bendigo / T Somerville / W. I. Long / Fred Osborne (President) H Keck / W Dresler / With the President's (Cr. Fred Osborne) Compliments / September 23rd, 1909shire of strathfieldsaye, strathfieldsaye shire council, president of strathfieldsaye shire, strathfieldsaye shire hall

Side-on view of man's head and shoulders. Man dressed in military uniform with cap.prince edward, hms renown

A watercolour portrait of an unknown prisoner of war. Presumed to be from Changi Prison as it was stored with sheet music believed to be come with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room with hand written sheet music until 2024. The reverse of the portrait is text of page 5 from a prisoner of war rule book. It has holes that appear to have made been by a pest.A record of life in a POW camp.A watercolour of the head of a man from Changi prison.Handwritten in pencil, top right is a partial date '31st Ja__'; bottom left 'The Mummy : PA van Dijk' and an indistinct signature. On reverse handwritten pencil notations to the text.changi prison, pow

On March 2, 1940, Sir Winston Dugan, Governor of Victoria unveiled the busts of the six first prime ministers of Australia at a ceremony on the long avenue of Horse Chestnuts. The donor, Richard Armstrong Couch, was born in Ballarat in 1868.The Prime Ministers Avenue is a feature of national significance, set in the magnificent Horse Chestnut Avenue of the Gardens. The 28 Prime Ministers of Australia are displayed as bronze portraits mounted on polished granite pedestals. The collection includes a portrait of one of the founding fathers of Federation, Alfred Deakin, who was the first Federal Member for Ballarat and the second Prime Minister.Kodachrome slide depicting a pathway and lawns where pedestals and busts of the first six prime ministers are lying on the ground to be installed. A man with hat, long winter coat is standing on the pathway.Kodachromeballarat botanical gardens, trees, men, pathways, lawns, sculptures, busts, prime ministers avenue, chestnut trees, granite, alfred deakin, federation, horse chestnuts, richard armstrong crouch, pedestals, governor, sir winston dugan, wallace anderson

Thomas Manly was a well-known resident of Bacchus Marsh. Born at Rowsley in 1863, Mr. Manly was a grandson in a family who had been in the service of the Greene family at "Greystones" from the time of its arrival in Victoria. The woolsheds at "Greystones" were built by deceased's grandfather, who also conducted a jeweller's shop at Rowsley. Like his forebears, Mr. Thomas Manly entered the service at "Greystones" and later worked for Messrs. Chomley and Boyd at "Glenmore." After his marriage to Miss Mary Johnston, whose mother arrived as an infant in Bacchus Marsh as early as 1839, Mr. Manly took up residence in the Main Street, Bacchus Marsh, where he has lived ever since. Deceased was a great walker, and mostly walked to his work, both at Rowsley and for the past 27 years to the Darley brickworks. Never a prominent man in public affairs, he was essentially a home-lover, and adopted horticulture as his hobby, gaining many prizes for both flowers and lucerne. Text for this description taken from the obituary for Thomas Manly in the Bacchus Marsh Express, 26 June, 1937, page 3, column 2.A framed painting based on a 1930 photograph of Tom Manly.'Heirloom' inscribed at the bottom right hand corner of the paintingthomas manly 1863-1937, bacchus marsh and district biographies

This image shows the house occupied by Thomas Mason and his family in 1883. The man in the centre of the image holding the reins of the horse is possibly Thomas Mason. One of the two women seated in the buggy is possibly his wife Catherine Mason (nee Whelan). This house was built by grazier George Palmer Hall around 1846-1848 north of what is now Lerderderg Street, Bacchus Marsh, at a point close to the Lerderderg RIver. The house and the accompanying farm of over 5,000 hectares was leased by George Ball to George Hobler in the late 1840s and early 1850s. During this time George Hobler's daughter Emily married Henry Bacchus the son of Captain William Bacchus. By 1865 Thomas Mason had purchased the property. Mason named the property Riverton. After his death in the 1890s the property was owned by a number of different people. The house was still in use until 1999 but since this time has been unoccupied and its condition has significantly deteriorated.This image is significant because it depicts one of the earliest houses built in the town of Bacchus Marsh. It is probably the earliest surviving image of this Bacchus Marsh pre-gold rush structure.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a brick house, with an iron roof and with a white picket fence around the front garden. There is a buggy to the left of the image with two women seated in it. A man stands in front of the buggy holding the reins of a white horse which is harnessed to the buggy. Further to the right of the image is an older man with his hands in his pockets. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE stevenson and mcnicoll 1883 photographs of bacchus marsh and district, houses bacchus marsh, george hobler 1800-1882, henry bacchus 1820-1887, emily bacchus, mason family bacchus marsh

The precise location of this house and the identity of the two people in the picture has not been established. It is possible it is a house within the township area of Bacchus Marsh. The image only includes the house and the garden area and does not depict any surrounding farm land or farmyard buildings indicating a probable township location.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image depicts a house with a man and a woman standing in front of it. The house has a well-established creeper present across much of the front of the house indicating it had been occupied for some time when this photograph was taken.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE stevenson and mcnicoll 1883 photographs of bacchus marsh and district, houses bacchus marsh

This property was located near Bacchus Marsh not far from the Racecourse. The photo shows members of the Dickson family. The oldest man on the left is possibly George Dickson who died in 1885 aged 92. The man second from the right is possibly the younger George Dickson who died aged 77 in 1900. The girl or the woman in the image is possibly Margaret Dickson.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. In the foreground of the image are members of the Dickson family. In the background are yards, farm sheds, which are possibly milking sheds. Behind the sheds is the family home.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, dickson family bacchus marsh, farmers, farms bacchus marsh

A pale green thin 'Journal of the Family History Section: La Socie'te' Guernesiaise' in booklet format. The front cover has the title printed in black lettering at the top with an oval shape depicting a man and woman sitting for a portrait inside it. The volume and date of publication is also printed. The round emblem of La Socie'te' Guernesiaise 1882 is printed on the front top right corner. 24p.non-fictionThe family history section of this association lists - 1. The Objects of the Section are to - 1.1. Promote, foster and encourage research into family history and 1.2. Collate, preserve and catalogue resource material and make it available to members and 1.3. Liaise with such persons or bodies as may be conducive to these objects. The Mont De Lancey features in this editiondocuments, journals, family history, sebire family, mont de lancey house, mont de lancey museum

Murray Comrie Collection.A sepia photograph depicting a woman in wedding attire (high-necked white dress, floral hairpiece and veil, holding a bouquet) and man seated beside her, wearing a dark three piece suit. Studio portrait taken at Richards & Co, 19 Sturt Street Ballarat.tarnagulla, weddings, bock

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This photograph was likely taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This photograph is one of many in the Haeusler Collection that represent daily life in late nineteenth and early twentieth century Wodonga.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Black and white photograph of two men in front of a weatherboard building. The man on the left is holding onto the bridle while the man on the right is shoeing the horse. Photography by Pearson and Brook studio, Albury. "PEARSON AND BROOK ALBURY"photograph, photography, horse, horses, portrait, portrait photography, haeusler collection, wodonga

This image is one from a series of portraits taken by Rob Elliott to record the character of the Border District through the faces if its identities. Ronald Joseph Hoban was born in 1930. In 1951, Mr Hoban, or "Hobie" as he became known, opened his hairdresser and tobacconist business in Corryong. This was at the height of the construction of the Snowy Mountains Scheme and business was thriving. As the tobacco industry slowed down, Mr. Hoban branched out to selling sporting equipment with a focus on fishing tackle and even selling guns and ammunition when it was legal to do so. He was an active and much-loved member of the Corryong community until his death in November 2014. This portrait is significant as it depicts a person who made a significant contribution to community of Corryong and district. The business he established still operates as Hobie’s Sports Store.A black and white photo of a man standing behind a barber's chair, scissors in hand. He has glasses pushed up on his forehead. Tobacco products are stored on the shelves in the background.ron hoban, corryong barber, people of the border

This utility truck was one of two used by the Albury Gas Co, from the Gas Works in Kiewa Street, Albury to service the coal gas supply system in Albury during the war years from 1939-1945. The gas bags were installed as petrol was in short supply. One of the trucks was driven by John (Jack) Stanley Cruickshank, also known as Wodonga's Gas Man. Jack became foreman for the Wodonga Branch of the Albury Gas Co. An 80 millimetre galvanised steel pipeline was installed from the Albury Gas Co. in Kiewa Street, Albury, to 26 Church Street, Wodonga. A 40 horsepower pump pushed the gas to holding tanks. Sections of the gas pipeline to Wodonga can still be observed under some of the bridges from Albury to Wodonga. Jack also supervised the laying of the gas pipes in the streets of Wodonga, being hand dug by a gang of 15- 20 men. He was Wodonga's first Gas Fitter, both fitting gas appliances and overseeing their maintenance. Jack Cruickshank passed away in 1979 and is buried at the Wodonga Cemetery.This image is significant because it represents the installation of gas supply to Wodonga, Victoria.A black and white photo of a large van with a gas-filled bag on top of it and also a portrait of Jack Cruickshank. Photos are mounted together with text in a wooden frame.jack cruickshank, wodonga gas supply co.

Two letters dated 5th July 1959 from W.B.Russell to The Secretary of the Biography Committee. 00915 informs the committee that the Governor-General has declined to write the foreword of 'There Goes a Man' and then goes on to offer his opinion that a foreword is not essential. 00915(2) and 00915(3) are a two page letter discussing the type of dust cover Russell would prefer, strongly objecting to a military portrait.Part of the story of how the book 'There goes a Man' came to be created.White paper with black type x 3 pages of letters about the book being written about Stan Savige.Signed W.B. Russell and annotated in blue inksavige book, committee

Newspaper clippings and a photo of Stan Savige's funeral from a file about the life of Stan Savige. The file contained documents pertaining to the creation of the book 'There goes a man' by W.B. Russell (catalogued separately) as well as these newspaper clippings and photo of Sir Stanley Savige's funeral. The newspaper features refer to the portrait by E Buckmaster submitted to the Archibald Prize competition (00634.4 and 00634.5, page 7 missing) as well as to the book (00634.6). The portrait is hung in the Stan Savige Comradeship Room on level 2 at Legacy House.The items indicate the high esteem in which Sir Stanley Savige was held by the Australian public for both his war service, and for founding Legacy.00634.1 Buff coloured cardboard folder, metal slide 00634.2 Black and white photo, funeral Sir Stanley Savige. 00634.3 Five newspaper clippings. 00634.4 Newspaper feature - The Argus Weekend Magazine, May 10th, 1947. Photo of a portrait of Stan Savige. 00634.5 Newspaper feature - The Argus Weekend Magazine, May 10th, 1947 00634.6 Newspaper clipping - The Age, Friday September 25th, 1959 00634.1 Folder, 'Book biography of Sir Stanley Savige' hand written in black ballpoint pen. 00634.2 Stamped in purple ink "Copyright not for reproduction Herald Sun Feature Service Melbourne Australia'savige book, stan savige, funeral

Index, ill, map, p.479.non-fictionCharnwood describes the frontier life and continual self-education that developed Lincoln's rare character and helped him to adapt to great events and demands such as few other men have experienced. Lincoln, the man, is analyzed against the dramatic historical background of the colonial days, the revolution, the War of 1812, the Missouri compromise, secession, and the Civil War. Lincoln's Administrative genius, his war strategy, and his neglect of the lesser for the greater are all presented in this portrait. united staes - history - civil war 1861-1865, presidents - united states - biography

BHS Collectionblack and white photo of man ( unknown ) head turned slightly to right, mutton chops and moustache. High buttoned jacket, unable to see collar and tie.Tuttle & Co, San Francisco Portrait Parlors, 84 Elizabeth St. Melbourne.person, individual, male

Six cabinet cards produced by Bendigo Photographers. All subjects unnamed. Black and white/sepia. A. 1. Photographer F De Kock & Co Cnr Mitchell and King Streets. Subject is two men, one standing and one seated, dressed formally in jackets, ties and pants. One is holding a hat, while the other's hat is by his elbow. 2. Photographer is Verey & Co Castlemaine and Daylesford. Subject is three men, two seated and one standing, dressed formally in coats and pants. The middle man is holding a cane. B 1. Photographer is Bartlett Bros View Place Sandhurst. Subject is a woman seated in a dining chair with a book on a table. She is dressed in a patterned long sleeved dress adorned with ribbons and lace. 2. Photographer is Bartlett Bros View Place Sandhurst. Subject is a woman posed in profile head and shoulders. C 1. Photographer is Bartlett Bros View Place Sandhurst. Subject is an infant, seated on a fur and dressed in a knitted outfit. 2. Photographer is Bartlett Bros View Place Sandhurst. Subject is a man head and shoulders shot.photograph, portrait

This photograph was taken on the Portico of the Soldiers Memeorial Institute Pall Mall Bendigo. The man in the photo is "William James Norman Smart" known by all as Norm. He was a legend in Bendigo RSL Appeals having raised near $250,000.00 over the years. His selling spot was Coles Central where he sat for up to a fortnight each Appeal, ANZAC and Poppy. He had a loyal clientele who only bought their tokens from Norm. On ANZAC day especially he would come into the kitchen at the Soldiers Memorial about 5.00am and sort his tray out while others there were making the Rum and Coffee. He would then go out and walk among the people before the Dawn Service selling tokens. Norm was still selling tokens after he turned 90 years. he retired from all Volunteer work in the Bendigo RSL in August 2015. Refer Cat No 8131.2P for Norms RSL history. Norm enlisted in the CMF on 5.11.1941 No V245294 in the 38th Battalion, the unit later moved to WA by train 30.3.1942, he transferred to the AIF No VX88596 on 31.7.1942, they entrained back to Vic on 19.1.1943, then entrained again to the NT 0n 18.6.1943, transfer to the AIF No VX88596 on 8.8.1944 in the 11th Aust Infantry Battalion, embark for New Britain 25.11.1944, embark from Rabaul for Aust on 8.1.1946, discharged from the AIF on 5.2.1946..1) Photograph, gold timber frame with photo in a black inset showing a man in a hat with a Tray of poppies for sale, he is wearing a name tag and a red poppy. .2) Funeral card of "W.J.N. Smart", double sided with a portrait one side and wedding photo the other.On the name tag, "RSL Welfare Appeals - RSL unpaid collector", name hand written, "Norm Smart"brsl, smirsl, photograph, appeals, norm

BHS CollectionA white envelope which contained four photos and on the front in grey lead is the name J.C. Burnett A black and white photograph of Ms. J.C. Burnett a staff member at Bendigo Teachers' College. A small black and white photograph of four Bendigo Teachers' College staff members - Ms. J.C. Burnett, Mr.George Mills (Principal), Mr. M. Morris and two unnamed women. Two black and white photographs of Bendigo Teachers' College staff members - 1. Ms. J. Burnett with an unknown man and 2. A small photo of Mr. M. Mills, Ms. J. Burnett and Mr. George Mills, year 1945 written on rear of photo.bendigo, education, bendigo teachers' college staff, la trobe university bendigo collection, collection, bendigo teachers' college staff, male, female, individual, person, portrait, photography, photographs, photograph, bendigo, education, photo, envelope, bendigo teachers' college staff, ms. j.c. burnett, teacher training, tertiary education