A Program of public events held at the Bendigo Art Gallery. Monthly mini tours, Evening Viewings and Calligraphy Workshops. Light brown coloured paper - Top of the page has the words - A voice from the Golden City - BendigoBendigo Art Gallery

No information is available on this item but heel protectors were commonly used by householders in the early to mid 20th century to protect shoes from scuffing and damage caused by the wear and tear of frequent use. The protectors were usually put on the boots or shoes by a member of the family. They were commonly used until the 1950s. This item is of some interest as an example of the custom in the early 20th century of using heel protectors on boots and shoes. It is a useful display item. This is a metal object in the shape of a shoe heel (semi-spherical). It has five holes to put in screws to attach to the heel of a shoe or boot. It is silver in colour and has grooves across the surface to prevent slipping. heel protector, shoe

A film of the 1959 rehearsal for Junior Legatee Demonstration at Melbourne Olympic Swimming Stadium. The commentary notes how the fitness programmes avoided bad posture which would 'lead to a loss of confidence in a sensitive child' and helped them to avoid 'falling into bad company and delinquency.' It also noted the 'wise counsel' given to their mothers by Legatees and details the assistance available from Legacy to 9,000 fatherless families in Victoria alone. There are synchronised exercises, judo demonstrations, mass marching, girls creative dancing and a final tableau in readiness for two night's public performances. It is in black and white and last 14 mins, 16mm B/W, Sound. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.A visual record of the numbers of children cared for by Melbourne Legacy and the activities organised for them.Large circular case with semi fitted reel inside. Film is approx. 550 feet, 16mm. Note loose inside case. Two stickers on the lid. Tape scattered around the edge of the lid.Front stickers: CINE SERVICE PTY. LTD. / 368 Post Office Place Melbourne / TITLE DEMO (1959) COPY / No 1 / LENGTH 1000' REEL 1ofl. / It is stressed that the film should be used in a Class project using a 1,000 Watt lamp with a trained Operator handling the machine. Handwritten note: Demo Rehearsal. Film Damaged Other side printed: MELBOURNE LEGACY "Lest We Forget"annual demonstration, junior legatee

Item souvenired by Peter James Dodd No 217842 while serving in South Vietnam. Refer 2436.2P for his service details.Issue 26 of monthly "The Hurricane" magazine . Front cover has image of Asian dragon and title in red box in upper left corner. Bottom right corner has black text "Inside the Cao Dai Holy See".On front cover, “December 1969 Number 26, 11 Field Force Vietnam”books, magazines, vietnam

Magazine, Australian Needlework, Knitting Crochet Etc Published Monthly by Mitchell & Casey Pty Ltd Melbourne Vol 1--- No.4 Price 6d.Melbourne, October 15,1931. 32 pages.Cover is Red ,Black & off white.Price 6 pencePrinted and Published by Mitchell & Casey P/L 25 Tattersail's Lane Melbourne, C1.magazine, organization, melbourne

Crochet patternsPaper booklet 'Weldon's Practical Crochet No 250 Vol 21. Price 2d monthly. Off-white background with black writing. Weldon's Book of Art Needlework Designs with 12 illustrations priced 2d Eighty-ninth series.'As above'crochet, needlework, weldon's

Clothing. Lace trimmed, white cotton fabric, collar with square back, and long peaked 'lapel' type front. Neckline edge is finished with a fine one cm wide lace band. The cotton fabric is scalloped, also edged with the above lace band, which extends into a 5.5 cm band of cotton lace. The 'lapel' shape extends into a wider 'lapel' type circular motif. The lace has a semi-circular shaped design, featuring a five petalled flower in each semi-circle.costume accessories, female, white cotton lace collar

This is a vintage item dating from the early 20th century. It is a hand-held lantern that could also have been hung from a ledge or wall. Lanterns of this type were often used by railway employees or ship's crew for signalling. The lighting was probably obtained by a candle as there is no evidence of an oil mechanism.This item is of interest because of its age and its possible use locally over a hundred years ago.This is a metal lantern painted black on the outside and silver-frosted inside. It has a rectangular-shaped body with bevelled glass, a semi-circular metal top and a metal handle. The hinged glass door on the side is missing.vintage lighting, hand-held metal lanterns

Glen Isla Homestead. Home of Robert Anderson.Close up of back entrance to Glen Isla Homestead. Figure of unidentified woman at back door. bush on right. Out-building semi attached to house, shed door open. Dog-leg path.local history, photography, photographs, slides, film, buildings, historic, glen isla homestead, phillip island, coloured photograph, mrs emma anderson jacobs

Blackout light (headlamp) covers were compulsory for civilian night driving during WW II. This example appears to closely follow the pattern suggested by the Department of Home Security for civilian motor vehicles, and appears to be for older, pre-war type vehicles, where the headlights were not integral to the front of the vehicle (Ref. Australian War Memorial) A.G. Cookson was the maker.Bogong village SECV employees manned an Observation Hut during WW 2. The SECV vehicles and their employees would have used vehicle blackout light covers on their cars when driving at night.Stitched brown leather disc cover with metal light shield over a central slit. Below this is a 25 mm white semi-translucent light diffuser. Includes leather attachment and leather straps at rear.A.G. Cookson embossed above the shield above the slit.ww 2, vehicle blackout light cover, bogong observation hut

This item clearly shows the conditions covering both working conditions and housing in the construction of the Junction Dam in the 1940s. Working conditions were extreme and health and safety legislation was at its infancy. The residential buildings were intended to last only for the period of construction, however greater demand for longevity as a tourist haven prevailedThis photo of the construction of the Junction Dam, with The Bogong village as backdrop, details the harsh conditions faced by construction workers, building dams and villages to accommodate workers in the 1940s to the 1950s. Australia at this period in time, experienced a surge of population (influx of World War II refugees), which was the catalyst for developing and undergoing an enormous hydroelectricity program for the Alpine regions, both in Victoria and New South Wales. This program was initiated to supply electricity to the major southern Australian cities of Adelaide, Melbourne and Sydney. It was thought that these developments would reduce, if not eliminate, the requirement for coal driven power stations. However time has demonstrated that these power stations have not matched the demand required by the industries and the populations of the major urban and cities.Black and white photo of original photo with a flashlight reflection in the bottom centre. The photo is on Kodak XtraLife II paper. The paper is semi gloss.This photo is of the construction of the Junction Dam Wall with the Bogong Townshiip in the background.Back of photo is printed " Kodak XtraLite II paperdam construction, bogong village, alpine development, junction dam

A diorama of some Australian guncrew soldiers working on a 105mm Pack Howitzer. Semi-permanent gun bay with sand bag wall. Crew accommodation (Hutchis) in foreground. Ammunition being prepared by a soldier in the background.105 pack howitzer, diorama

Coloured photo - 6 Edward Street, Mitcham. Built 1890 - 2 Additions Post World War Two. Demolished. Replaced as part of a pair of semi-detached dwellings with Number 4 Edward street.edward street, mitcham

Belonged to Estelle McNaughton and passed on to her daughter, the donor.A clothed baby doll with a woollen singlet, cloth nappy and safety pin, cream dress with two buttons and long sleeves. Cream semi-circle bib and button and a cream bonnet with embroidered turnback and ribbons.FairyMark "Baby Blue Eyes" Minor Made in Japantoy, baby doll

The Municipality of Kew (1860-1863), the Borough of Kew (1863-1910), the Town of Kew (1910-1921) and the City of Kew (1921-1994) were local government instrumentalities in the State of Victoria. In 1994, the City of Kew was amalgamated, together with the former Cities of Camberwell and Hawthorn, into the new City of Boroondara (1994- ). Like other local government entities of the period, Kew was administered by town clerks. The two notable town clerks in Kew's history were H. H. (Henry Hirst) Harrison (1868-1955) and W. D. (William Dickie) Birrell (1899-1974). Harrison was appointed to the position in 1901 and retired in 1938 after 37 years. Birrell, appointed Acting Town Clerk in 1921, became Town Clerk in 1938, following Harrison's retirement. He continued in this role until his retirement in 1966.This card is part of an historically significant civic collection, containing hundreds of separate invitations, documents, greeting cards, programmes and tickets issued and/or collected by successive town clerks. Items in the collection illuminate the political, social and cultural history of the district. As a continuous record, ranging across most decades of the Twentieth Century, they reveal changing tastes in design, values and relationships in the history of local government in Victoria.THE HISTORICAL SOCIETY OF VICTORIA / MONTHLY MEETING / PAPER BY CAPTAIN J E JENKINS / ON / EARLY ARARAT / IN THE TOWN HALL MELBOURNE / THURSDAY OCTOBER 30TH 1919 / AT 8 P.M. / ADMIT BEARER AND FRIENDScivic invitations -- kew (vic), the historical society of victoria -- meetings 1919, captain je jenkins -- early ararat

On Monday January 17th 2011,Wycheproof residents awoke to see the township surrounded by water. Record flooding on the Avoca River had forced the flood water up the semi-mythical Cooroopajerrup Creek. Digital colour photograph of the Cooroorajerrup Creek, depicting the flood-waters of 2011 surrounding Mount Wycheproof. The dwelling in the foreground is the home of Francis and Denise Dillon, barely visible to the left is the Public Hospital.cooroopajerrup creek, mount wycheproof, 2011, flood waters

The Phillip island Band was active during 1920 - 1940. Cowes has a rotunda which was built and used by members for concerts and instrument storage, located on the foreshore near the corner of Thompson Ave and The Esplanade.Hand made, semi-circular with handle, hinged lid with slot, provision for lock, dark green, metal. Broken lock inside. "Donations Please" in red textra on loose white paper inside. Punctured base."Phillip Island Band" and "Thank You" in white paint on lid. "Phillip Island Band" in black paint on front.collection tin, phillip island band, phillip island band rotunda, cowes phillip island, donations

This clinometer, is a hand-held optical scientific instrument used in surveying to measure vertical angles. It is used to measure the angle of elevation from the ground in a right-angled triangle. It may have been used by a surveyor or a forester to measure the height of tall things where you couldn't possibly reach to the top of e.g. flag poles, buildings or trees.This item is an example of an early hand held measuring instrument.. Today the use of electronic sensors is an important component in the design and function of the clinometers.A rectangular wooden folding measuring instrument. the panels are brass framed. Inside is a brass semi-protractorgraduated 90-0-90' with index arm pointeran dwith a graduated edge in inches. Outside is a temperature conversion scale,Troughton & Simms, LONDONscientific-instrument measurement clinometer

Two pencil drawings. the first one of the outside of a house and the words; 'This is how your design would look darling". Semi-plan view. "I'd say you are pretty beaut". the second drawing is a plan of the inside.house, private, drawings

The Wells of Beersheba is a short romanticized account of the Battle of Beersheba, which took place on 31 October 1917 in Ottoman Palestine during the First World War between the attacking mounted infantry of Australia and New Zealand and the defending Ottoman garrison. It was written by the Australian author Frank Dalby Davison who was not present at the battle, but had been in the British cavalry during the war. Much of the book, which is more fictionalized reportage than novella, and in which no single character is drawn, reflects the codependency of horse and rider and the shock of battle. This booklet was first published in 1933. It was originally published in Sydney in 1933 by Angus & Robertson under the title The Wells of Beersheba. An Epic of the Australian Light Horse 1914-1918, with illustrations by Will Mahoney. WW1 semi-fictional association with the Battle of Beersheba - 4th Light Horse Brigade Australian Infantry Forces. October 1917. Ottoman Empire Palestine. Booklet titled "The Wells of Beersheba" by Frank Dalby Davison and illustrated by Will Mahony. Semi Cardboard Cover with parchment paper internally. The cover has a light rose colored pattern surrounding the title, author and illustrator details. Front cover has title "The Wells of Beersheba" and author Frank Dalby Davison with illustrator Will Mahony. There is a light rose colored pattern on the front cover. the wells of beersheba - charge of the 4th light horse brigade., book - the wells of beersheba, ww1 battle of beersheba october 1917.

Cover is card 300gsm with painting converted to blue tones on front and back with white semi gloss paper pages 100gsm - 37 pages plus 3 page index and maps on inside of front and back coversnon-fictionA history in recollections and photographs of the Doreen district of Victoria, Australia

Pre - decimal, Electricity Supply Department, Provincial Tramways Trip Way-bill. One column is typewritten in red ink: 'Scholars' and 'Scholar's Monthly tickets. Two holes punched 210 mm apart at the bottom of the document. Document yellowing with age.basil miller, bendigo trams

This dress was worn by Margaret Vyner on her wedding day to Ian Mc Kendrick. Margaret's mother's name was Rita. Margaret was living with her family at Tawonga, Ian was living at Mt Beauty.The couple were locals of the Kiewa Valley. Ian worked at the Mt Beauty Post Office and Margaret at the Tawonga & District Hospital. Their 3 children grew up in Mt Beauty.Ivory / off white satin wedding dress with a train at the back. Puffed with stiffening & padded long sleeves which come to a point at the wrist where fastened with a press stud. Ruched cross over bodice with a V neckline with a semi circular skirt. Plain back to the waist and a half self belt fastened at the back by 3 covered buttons and 3 loops. Left side as a plaquet fastened by 2 hooks and eyes. Semi circular skirt which has, at the rear, a 100 cm train with a finger loop.wedding dress; margaret vyner (mckendrick); tawonga; ladies' clothing

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Victorian Heritage Database H0704 FORMER UNION CHURCH 84-86 ORRONG ROAD ELSTERNWICK https://vhd.heritagecouncil.vic.gov.au/places/428 The Former Union Church, Elsternwick, designed by the architect George de Lacy Evans, and erected in 1889-90 is a building of historical and architectural significance for the following reasons:- (1) it is a rare and well- developed example of the early French Gothic manner as popularised through the muscular Victorian re-interpretation of English architect William Burgess, which in turn were derived from the publications of EE Viollet-le-Duc. Other Victorian cases of detailing derived from Viollet-le-Duc include Barwon Park (1868), the Presbyterian Church at Skipton (1871), the Bourke Street West Police Station by Bindley and Brittingham (PWD) dating from 1888-9 and the Lutheran Manse, East Melbourne by JAB Koch (1890). However, none of these buildings relates closely in form to the Union Church, Elsternwick. The only building which has been identified as closely comparable is The Bairnsdale Court House by AJ Macdonald (PWD) which dates from 1892. (2) the use of bright red brickwork is of significance, as the Former Union Church is believed to be only the second church building in Victoria to employ this material as a matter of conscious choice. Amongst red brick churches, it is thought to be preceded only by Reed, Henderson And Smart's Sacred Heart (1884), a Renaissance inspired design. (3) the building is believed to be a rare, possibly unique, surviving example of a church building erected for dual use by the Congregationalists and Baptists. In 1894 it was bought by the Congregationalists and continued as a Congregational Church until the formation of the Uniting Church.Page 165 of Photograph Album with four photographs, two of a church with the other two of houses on Orrong Road.Handwritten: ELSTERNWICK CONGREGATIONAL CHURCH [under top left photo] / 82 ORRONG ROAD [under top right photo] / 663-1 ORRONG ROAD / SEMI - DETACHED PAIR / 165 [bottom left]trevor hart, elsternwick congregational church, king street, orrong road, church, elsternwick, red brick, former union church, early french gothic style, architects, george de lacy evans, baptist church, conical towers, houses

In the 19thC and early 20thC men often wore their shirts for a week or more. However the collars were detachable so that they could be changed when they became dirty or for special occasions eg Church on Sundays Collar studs were used to attach the collar to the shirt. The leather box was used for storage and when travelling. The collars were very stiffly starched so as to maintain their shape.The Blackburn family were early settlers in Moorabbin Shire4 x mens white, stiffly starched, detachable collars and 2 x brass studs with the leather box used for storage and transport of these items. Each collar has 3 button holes - 2 at neck and 1 centre back for attachment to the shirt. The Leather box has saddle stitching and a strap with a metal buckle for securingInside collar : a) Radiac / 0 2639 - 16 / ALL COTTON / MADE IN IRELAND; b) LAUNDRY / FOR BEST RESULT DIP / IN THIN COOKED STARCH/ Semi / 161/2 ; c) nil d) nilmenswear, clothing, shirts, collars, early settlers, fashion, cheltenham, moorabbin, dairy farmers, market gardeners