The Schneider ES50 Club was built in 1953 and is the only one of its type. It was designed by Schneider to comply with specifications laid down by the Gliding Federation of Australia for a basic two seat training glider*. It was first flown on 10 May 1953 and delivered to the Renmark Gliding Club. The log book shows that it later passed to other gliding clubs, namely Millicent Gliding Club, Corangamite Soaring Club, Sydney Technical College Gliding Club. Overall, as at September 1967, the glider had logged over 5000 flights and a total airtime of 388 hours. The Museum volunteers have partly refurbished the ES50 to static display standard. [*Plans were also prepared for a single seat version which never eventuated] This glider is one of Edmund Schneider Pty Ltd earliest Australian designs. However, it was a later Schneider design, the ES 52 Kookaburra, which was accepted by many Australian gliding clubs for filling their need for a basic two seat training glider in the 1950s and 1960s. This is a two seat high wing aircraft of mainly wood and fabric construction. The cockpit area of the fuselage is fabric over tubular steel framing. Given serial number 3 by manufacturer and registered as VH-GHPaustralian gliding, glider, sailplane, schneider, es50, renmark gliding club, millicent gliding club, corangamite soaring club, sydney technical college gliding club

Index, bibliography, notes, ill (maps), p.816.In the Trenches of Hell On 19 July 1916, 7000 Australian soldiers - in the first major action of the AIF on the Western Front - attacked entrenched German positions at Fromelles in northern France. By the next day, there were over 5500 casualties, including nearly 2000 dead - a bloodbath that the Australian War Memorial describes as 'the worst 24 hours in Australia's entire history. Just days later, three Australian Divisions attacked German positions at nearby Pozi�res, and over the next six weeks they suffered another 23,000 casualties. Of that bitter battle, the great Australian war correspondent Charles Bean would write, 'The field of Pozi�res is more consecrated by Australian fighting and more hallowed by Australian blood than any field which has ever existed . . .' Yet the sad truth is that, nearly a century on from those battles, Australians know only a fraction of what occurred. This book brings the battles back to life and puts the reader in the moment, illustrating both the heroism displayed and the insanity of the British plan. With his extraordinary vigour and commitment to research, Peter FitzSimons shows why this is a story about which all Australians can be proud. And angry.world war 1914-1918 - campaigns - western front, world war 1914-1918 - australian participation - fromelles and pozieres

Two copies of original photo, one sepia one black and white. Image shows store front, single door and three part arched window. Window has a display of lamps and other indistinct items. Man is standing in doorway LH side, wearing 3 piece suit and bowler hat. On pediment on top of store 'Baker", above window ' E. Cahill, Cash Store, Fruiterer and Confectionery'.bendigo, business, e. cahill, cash store.

Photograph. Harry Biggs Collection. An unclear black & white photo of High St, Eaglehawk. It shows Tucksons Eaglehawk and the Post Office. There are people shopping and wares are displayed in front of Tucks. (Tucks Eaglehawk Post Office Negative at 254. (C Near now B.P.) High St. Eaglehawk --written on the back).organization, business, commercial, harry biggs collection, tucksons eaglehawk , post office

Documents and copies of photos related to various Cornish enterprises in Bendigo: a. Line drawing (faint) of foundry owned by the Roberts family (Mitchell, Wills and King streets); b. copy of article from unknown source re United Iron Works with details of the firm and Roberts principals - William Roberts, Abraham Roberts and Arthur Roberts - with copies of photographic portraits (Bartlett Bros.) - bad copy with LH side of text partly illegible; c. copy of article titled 'Goyne's Battery Gratings re John Goyne and history of the business (submitted by person living at ''Rosemundy'', Goynes Road, Epsom - Goyne's home then on 20 acres); d. Photograph of old Robinson photo of Bendigo Stamper Grating Factory, Epsom and five men posed in front of large timber building (badly cut photo with LH edge missing. original photo (9 x 13) of ''Former Bendigo Cornish Fuse Factory'' (handwritten inscription on reverse) taken in recent times (hint - car in driveway); f. copy from un-named book of J Nankervis's Ham and Bacon Curing Factory, Golden Square - drawing of the establishment and a photos of winning display of small goods at the Bendigo Show (no date); g. copy from un-named book of photo of premises of A J Williams, Lily and McKenzie Streets - wooden structure with sign indicating Hardware Merchants and ??Mines Furnisher?? , showing three horse-driven small wagons (delivery?); h. copy of photo of Cornish store(1880s) at White Hills - mention of Frederick Stuckenschmidt (married Miss Mary Smith), William Mathews (original owner?) - corner brick building with family posed outside alongside horse and light cart;. reproduction of exhibit in Bendigo Spring Show, 1915 , the ''Made in Bendigo Exhibition'' - first prize awarded to Messrs H M Legg & Co. Progress Jams, preserves, tomato sauce, tomatoes products, candied peels etc. (folded and small tear).bendigo, buildings, early bendigo businesses, bendigo stamper grating factory. epsom. j. nankervic ham and bacon curing establishment. golden square. bendigo cornish fuse factory. cornish stores. messrs h. m. leggo and co. abraham roberts. arthur roberts. william roberts. goyne's battery gratings.

Index, bib, ill, map, p.230.non-fictionThis is a study of Sir Ian Hamilton VCs command of the Gallipoli campaign. Appointed by Kitchener after the failure of the initial Allied naval offensive in the Dardanelles, Hamilton was to lead the ambitious amphibious landings that were intended to open the way to Constantinople. In the event, however, opportunities immediately after the landings were squandered and, in the face of unexpectedly effective Turkish resistance, soon stalled in attritional trench warfare like that on the Western Front. Hamilton has often been criticized for this failure and in many ways seen to typify the stereotype of a British general clinging to outdated Victorian thinking. Yet this fresh reappraisal, drawing on original archival research, shows that Hamilton did display some progressive ideas and a realization that warfare was rapidly changing. Like all generals of this period he faced the challenge of unprecedented technological and tactical revolution as well as the political and media battle.world war 1914-1918 - campaigns - gallipoli, generals - great britain - biography

The photograph depicts the magnitude of the tobacco industry in the late 1960s to 1970s era when many Myrtleford district growers contributed to the annual tobacco harvest. The impact of post-war migration from southern Europe was playing an important role in reaching harvest records.The photograph reflects the "golden years" of tobacco growing in the district, which continued into the 1970s, prior to later deregulation in the 1980s and 90s and the ceasing of production altogether in 2006. This sales floor attracted local farming families to observe activities off-season in Melbourne, before the sales were conducted at a complex in Myrtleford. A monochrome photograph displaying a large tobacco selling floorInscription: "VIEW OF THE SHOW FLOOR OF DALGETY-NZL's BROOKLYN WOOL STORE ON 27-6-1966 WHEN 15,940 BALES OF TOBACCO LEAF VALUED AT $3,507,000 WERE DISPLAYED. IT WAS THE BIGGEST DISPLAY OF TOBACCO LEAF EVER SEEN IN AUSTRALIA" tobacco industry, myrtleford tobacco selling floor

An original portrait of Ray Heathcote with two images. In the backround shows Ray standing in front of a truck with another truck on its side and and boxes between the two trucks. the second image shows Ray in recent year proudly display his medals.painting, vietnam lest we forget

Childrens story time at St Kilda Library with Philippa Armstrong, Children's Librariancolour photograph unmountedPhotographer's caption sheet attached. Shows photographer Simon (?) Hoey and identifying number 960507602. Back of photograph is stamped: Warning This photograph is subject to Copyright provisions. It may not be resold, copied, republished, displayed for promotion purposes or reproduced in any way without the written permission of all copyright holders. Leader Newspaper Group.philippa armstrong, st kilda library

Shows the outcome of the first land sales held in Melbourne, on 1 June and 1 November 1837. All the names and prices for each lot are displayed.Photocopy of "Plan of Town of Melbourne 1837 A.D." showing first land sales.All lots printed with name of buyer and price paid.melbourne - history, town of melbourne- 1837, 19th century

Rippon Lea mansion and garden was created for Sir Frederick Sargood, a wealthy Melbourne businessman, politician and philanthropist. This is why the program notes that the event was 'By kind permission of Liert. -Col. Sir Fred. Sargood, K.C.M.G.' The event was in support of the Boer War and the program sets out the names of performers, dignitaries, sponsors and organisers and gives details of activities including songs, recitations, a display of pictures of the war, illuminations etcWhite coloured paper, folded and printed both sides in blue and red (being the program for the event) plus a smaller page printed in pink (being words of choruses sung)Front of program shows emblem of Empire Patriotic Fund and iconic images of the British Empire, and a photograph of Rippon Lea estate. The back page has an etching of a cannon. The Words of Choruses include words to A Prayer for Our Soldier, Comrades Song of Hope, and A Prayer - Lest We Forget.rippon lea, boer war, empire patriotic fund, 1900

Train Destination Disc Until the 1980s Melbourne suburban trains used a system of discs by day, and illuminated market lights by night, to indicate their destination. Placed on the front of trains to advise a Signalman in the Signal Box the destination of the train. This disk was used on NK1 the Whitfield Motor when it was used by Puffing Billy Railway Info from the diagrams from the 1953 Victorian Railways General Appendix. Black + is Lilydale, Belgrave other Destination Disks were Disks Williamstown Black II Newport Workshops Red = Changed in 76 to Black + Newport-Altona shuttle Red X Werribee Red X St Albans Black X Upfield Black = Broadmeadows Originally Red X changed in 1976 to Red = Epping Black II Hurstbridge Red X Lilydale, Belgrave Black + Alamein Black X Glen Waverley Black = Dandenong Black II Frankston Red = Sandringham Red X St Kilda Originally Black II changed in 1976 to Red X Port Melbourne Red X changed in 1976 to Black X Flinders St - Spencer St Local Red II Showgrounds Red = plus extra white disk on opposite front disk bracket; if only one event, Display Large White 1 and yellow side disk with set number. If two events, second event special trains flip this disk and show large Black Disk with white numeral 2 Race Special Red = plus extra white disk on opposite front disk bracket; if only one event, Display Large White 1 and yellow side disk with set number. If two events, second event special trains flip this disk and show large Black Disk with white numeral 2 For example, Flemington Race trains and Caulfield Race trains on the same day. Flemington carries Red = and White 1 and yellow set number on the side Caulfield carries Red = and Black 2 with yellow set number disc on the side. There was one disc which was never to be used in normal traffic, that was the "Red Cross"; it was reserved for Red Cross trains only.Historic - Victorian Railways - Destination Disk - Black cross - Lilydale, Belgrave Lines This disk was used on NK1 the Whitfield Motor when it was used by Puffing Billy Railway Train Destination Disc Round tin sign painted white with a black cross on white background and a mounting bracket on the rear. Placed on the front of trains prior to the mid 1970s to advise a Signalman in the Signal Box the destination of the train. Black Cross puffing billy, destination disc, victorian railways, lilydale, belgrave lines

Steam Locomotive - 1711 Peckett “Sir John Grice” Date built - 1926 Locomotive type ; Cranmore Original owner - Metropolitan Gas Coy., West Melbourne Original gauge - 762mm Withdrawn - 1941 Next owner - Whistle Stop Amusement Park, Frankston Built in 1926 for the West Melbourne site of the Metropolitan Gas Company, and issued to traffic the same year this saddle tank locomotive was named “Sir John Grice” in 1928. It was withdrawn from traffic in 1941 and stored until sold privately in 1962. In 1965 it was sold again and went to the Whistle Stop Amusement Park in Frankston and again stored until bought at auction by the Puffing Billy Preservation Society in 1974 and put on static display in the Steam Museum. Restoration started in 1978 and it was returned to service in 1981 painted light green with yellow lining. It is temporarily renamed “Thomas the Tank Engine” with a fibreglass “Thomas” body cover each time it appears in the “Thomas the Tank Engine” shows at Gembrook station.Historic - Industrial Narrow Gauge Railway - Steam Locomotive used at the Metropolitan Gas Coy., West Melbourne, Victoria, AustraliaSteam Locomotive made of steel, wrought iron Peckettpeckett “sir john grice”, 1711 peckett, puffing billy, steam locomotive, industrial narrow gauge railway, metropolitan gas coy., west melbourne

Photograph was taken prior to celebrations of their 100th year. Company seeking memorabilia for displays.Unilever Rosella Factory, celebrations of 100 years of Rosella Production, 1995. Photograph shows two women holding an old Rosella Preserving and Manufacturing Company Limited sign, with some samples of current products in foreground.rosella factory, rosella factory tatura, uniliver, sabrand, rosella centenary

Captain Robert Ure Bain was Adjutant to Lt. Col. Bush, POW Group Commandant from 1942 - 1947. He was chosen to be one of the Australian Army officers who escorted the German POW's back to Germany in January 1947. A German POW and former member of the Afrika Korps made the item and donated it to Robert.Afrika Korps banners, embroidered, one piece of material. Large hemmed square of white/ cream cotton material embroidered with two unfinished Afrika Korps banners. Line drawn around both, to indicate edge/cutting point/unfinished embroidery point. The photograph show banner 1 which has a palm tree & swastika (emblem of the Afrika Korps). Swastika has been left outlined in pencil but not embroidered, probably so as not to create trouble by displaying the now banned swastika: Banner 2 has red stylised German eagle over the number 8. Also in picture is a model of an aeroplane and a framed coat of arms with Braunschweig (a place in north west Germany otherwise known as Brunswick).Banner 1: Afrika Korps (pink lettering); 1941 (light blue lettering). Banner 2: Zullighau (brown/gold lettering); 4. KOMP / M. G. BATL. (green lettering). (Number 4 company of the Machine Gun Battalion); framed coat of arms "Braunschweig"afrika korps, internment camps, camp 13, garrison, military, handcrafts, embroidery, captain robert bain, german pow's

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative hearth tiles used the fireplace of the morning room at Villa Alba. The patterns within the decorative tiles are self-contained or show their pattern when assembled with matching tiles. The multicoloured tiles have a grey or maroon background. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- morning room

Chris. Christiansen was the photographer in Sunbury from 1892 to 1916. St. Andrew's Church in Sunbury have organised an annual flower show for many years and it is held in the Sunbury Memorial Hall.A black and white photo of a flower show mounted on a cream frame. Flowers and wreaths are displayed on two raised shelves along the wall on the RHS and there are palm leaves in the foreground. There is another display across the back wall. The cream mounting has been cut across the top and there is fine embossing around the photo.CHRISTIANSENflower shows, sunbury, shows and exhibitions, christiansen, chris., photographers, memorial halls, churches, st. andrew's church, george evans collection

The display was probably featured in the window of the Sunbury News. Eric Boardman, the proprietor of the Sunbury News also organised film shows in Sunbury.A sepia photograph of a display promoting a film "Wings" which was going to be shown. The display features items relevant to air warfare and pictures of the leading actors. The word WINGS is displayed in large letters across the display.wings, advertising, films, actors, boardman, eric, sunbury news, george evans collection

Badges such as this one were issued to soldiers by the Department of Defence to indicate they had returned from active service. It showed they had helped the war effort by serving their country. Sometimes returned soldiers were wrongfully accused of showing disloyalty to their country because they were not seen wearing a military uniform so wearing the badge helped avoid this. A number was often stamped on the reverse and a certificate was provided as authentication. Issued 1914 - 1919WW1 The Great War, issued to soldiers who had returned from active duty so as not to confuse the general public that the person whilst not in uniform or displaying medals had in fact served their country on active duty. Two crowned gilt bronze badges with two lugs on back. The obverse has the rising sun behind a crown AUSTRALIAN MILITARY FORCES; A.I.F; around the bottom, ISSUED BY DEPT. OF DEFENCE . RETURNED FROM ACTIVE SERVICE. The reverse has been stamped with number and has the maker's name, AMOR / SYDNEY and Stokes and Sons MELBThe obverse has the rising sun behind a crown AUSTRALIAN MILITARY FORCES; A.I.F; around the bottom, ISSUED BY DEPT. OF DEFENCE . RETURNED FROM ACTIVE SERVICE. ww1 the great war, aif return from active service badge

Bartley's Brewery, Howlong Road, Chiltern (photograph of a painting by Fanny Bartley) Property owned by Benjaming Jackson Bartley 1834-1899Australian Impressionism, Naturalism, Colonial Art, Folk ArtA small, rectangular painting with a wood frame in a basic relief styleSignature in bottom right corner of paintingaustralian landscape, landscape, farm

Cogan is a textile artist and her work is political in nature. 'War and Peace' is about the Vietnam War and a statement about patriotism in war, of lessons not learnt, of remembrance and never forgetting. This work is an expression of her feelings towards this time and of her husband's experience who fought in this war. The Republic of Vietnam 'Vietnam Campaign Medal' is from the former country of South Vietnam (Republic of Vietnam). Established in 1966, it was awarded to members of United States, Australian, and New Zealand military forces serving six months or more in support of Republic of Vietnam military operations. The medal is issued with a device known as the 1960 Bar. The bar displays the date of 1960 followed by a dash and a blank space. The unusual appearance was caused by the government of the Republic of Vietnam stating that the 1960 bar would show the dates of the Vietnam War from start to finish, with the ending date placed on the 1960 bar after the South Vietnamese had triumphed over North Vietnam (the Democratic Republic of Vietnam). Since South Vietnam fell, and the government ceased to exist, an ending date for the 1960 Bar was never established. The Vietnam Campaign Medal is considered a foreign award by the U.S., Australian, and New Zealand governments. The joint Australian and New Zealand campaign medal awarded for service in the Vietnam War is the 'Vietnam Medal'. The obverse of this medal shows the crowned head of Queen Elizabeth II, with titles, while the reverse has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam. The RSL poppy (the Flanders poppy) has long been a part of Remembrance Day, the ritual that marks the Armistice of 11 November 1918, and is also increasingly being used as part of Anzac Day observances. During the First World War, red poppies were among the first plants to spring up in the devastated battlefields of northern France and Belgium. In soldiers' folklore, the vivid red of the poppy came from the blood of their comrades soaking the ground. The poppy soon became widely accepted throughout the allied nations as the flower of remembrance to be worn on Armistice Day. Today the RSL continues to sell poppies for Remembrance Day to raise funds for its welfare work. "War and Peace' is significant as it explores and highlights a period in history (the Vietnam War), which was contentious both socially and politically. Cogan and her family lived locally, in the Shire of Eltham during this time, and her work is a reflection of the experiences and sentiments of a section of the Nillumbik community. Textile piece. 'War": Cast muslin, machine embroidery onto white calico. Tanin dye, poly thread, side bust view (hand, shoulder and arm). Black machine stiching on shirt and shirt pocket with two vietnam medals. A replica of the 'Vietnam Medal' in muslin is shown reverse and has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam, which is of a male figure standing between two spherical shapes. The ribbon has a vertical central section of bright yellow which has centrally superimposed on it three thin stripes of red, (representing the South Vietnamese flag) flanked by two stripes of red (representing the Army). On the left is a dark blue stripe representing the Navy and on the right, a light blue stripe representing the Air Force. A replica in muslin of the second medal is the Republic of Vietnam 'Vietnam Campaign Medal' of the former country of South Vietnam. The ribbon has green and white strips with a device bearing the inscription ‘1960 – ‘. The medal is traditionally a gold and white enamelled star with a green, red and gold centre motif. Right hand is touching the medals/heart, while left arm is left resting to the left side over a crutch which ends in a rolled up bandage. 'Peace': Cast muslin, machine embroidery onto calico. Black dye, poly thread and RSL poppy. Side bust view (hand, shoulder and arm). Yellow machine stiching on black shirt and shirt pocket with RSL red poppy on shirt pocket. Right hand is reaching to touch the poppy, while left arm is slightly bent resting on its' left side. Nonetextile, muslin, embroidery, vietnam war, medals, vietnam medal, vietnam campaign medal, rsl poppy, war, peace, armistice, remembrance day, anzac

Donated by Mrs Robyn Adams, daughter of Victor Clyde- a wool grower from North East Victoria. Mr CLyde would use this booklet to record the details of the wool bales which he sold through Goldsbrough Mort. The first yellow sheet in the booklet indicates that it was filled out in 1947.Faded red/orange paper booklet with three metal staples on left side spine. Top of front cover has an image of a rams head above decorative text reading -Goldsbrough, / Mort / & Company Limited-. Address and services provided are also listed on font cover. Back cover shows an image of a warehouse and gives addresses of warehouse storage locations. Inside front and back covers have instructions and tips on using the booklet. There are several yellow pages upon which can be recorded the wool bale details, transferred between pages with missing carbon paper. There is a loose, small white sheet of paper which displays an example of how the yellow sheets should be filled out.wool sales, wool auctions, wool transportation, wool bales, mrs robyn adams, elder smith goldsbrough mort limited, dalgety and company limited elder smith goldsbrough mort limited, goldsbrough, mort and company limited

Photograph of Cooper sheaing machinery display at the Royal Melbourne Show, c1951.Photograph of Cooper sheaing machinery display at the Royal Melbourne Show, c1951.Classic Photos 64 Elizabeth Street Melbourne Display Cooper shearing gear and engines Royal Melbourne Show circa 1951 SA8shearing machinery, cooper engineering company pty ltd

Photograph of Cooper sheaing machinery display at the Royal Melbourne Show, c1951.Photograph of Cooper sheaing machinery display at the Royal Melbourne Show, c1951.Wolfgang Sievers Photography 9 Collins Street Melbourne C.I. Display Cooper shearing gear and engines Royal Melbourne Show circa 1951shearing machinery, cooper engineering company pty ltd wolfgang sievers photography