One of a collection of 9 photographs donated by the former Shire of Phillip Island. Picture taken before the Golden Cypresses were planted in 1912. Two Coloured postcards showing a Chicory Kiln, West's General Store & Bakery and three houses on the west side of Thompson Avenue, the main street in Cowes. Westernport in the background. 2nd postcard Registration No. 191-02"Main Street, Cowes."thompson avenue, cowes phillip island, main street cowes phillip island, west's general store, cowes phillip island, shire of phillip island

auchiehall Street /ˈsʌxihɔːl/ is one of the main shopping/business streets in the city centre of Glasgow, Scotland. Along with Buchanan Street and Argyle Street, it forms the main shopping area of Glasgow, containing the majority of Glasgow's high street and chain stores.[1] Although commonly associated with the city centre, Sauchiehall street is over 11⁄2 miles (2.5 km) long, finally meeting Argyle Street in the West End, in front of the Kelvingrove Museum, where they form Dumbarton Road which continues through Partick. The two streets run parallel through the city centre, before starting to conjoin westward of the M8 motorway at Charing Cross. (Wikipedia)Colour postcard of a street with cars, double decker buses and four storey buildings. The street is Sauchiehall Street, Glasgow, Scotland.chatham-holmes family collection, glasgow, scotland, double decker bus

One of three black and white photographs mounted on orange paper. This one is of Main Street Rutherglen, featuring the Victoria Hotel. The Standard Bakery is visible further up the street.At top left of photo: "Main Street, East Rutheglen" Caption on mount: "Victoria Hotel"victoria hotel, hotels, pubs, main street, standard bakery

One of a group of unprovenanced photographs donated to the Society by Betty Morgan.While its provenance is unclear, and it has suffered from fading, the photograph is a useful record of children's clothing in the first decade of the Twentieth Century. It is an example of Massingham's commercial photography at his studio in Bendigo. The clothing worn by the boys can be used to deconstruct social values in the period preceding the First World War.Faded sepia studio photograph of three unidentified boys, the oldest boy dressed in a quasi-military uniform; the two younger in berets and lace collars. The photographer is named as G.L. Massingham ( (George Leake, active 1866-1921) of View Street, Bendigo (and Geelong); active in View Street from 1901-c.1921.G. L. MASSINGHAM / VIEW STREET. BENDIGOaustralian photographers - g. l. massingham - view street - bendigo

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Schumacher Shoes was a family owned and operated retail show store in Melbourne who sought out the best in comfort, design, and style features. Brands are sourced from around the world, including renowned German, French, Italian; Spanish seasons collections. Made from, including sustainable, quality natural; man made materials.Black leather shoes, with high stilettos heels sling backs with a narrow pointed toe, designed by Schumacher of Collins Street, Melbourne.Schumacher / 296 (sic) Collins Street / Melbourneschumacher, women's shoes, footwear

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.B&W photograph of Mayfort House, nurses' accommodation, 148 Wattle Street, Bendigo. Now demolished, site of present-day car park.Mayfort House, nurses' accommodation, 148 Wattle Street, Bendigo. Now demolished, site of present-day car park.ndsn, nursing

Black and white photograph of an unpaved street (Julia Street) with six cars and a motorbike on it. To the left is a row of buildings, painted different colours, some with awnings. People and dogs are walking on the footpath on the left side of the street.Front: THE ROSE SERIES. P. 1100/ COPYRIGHT (typed, lower left) JULIA STREET, PORTLAND (typed, lower centre)julia street, portland cbd

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 34 Stevenson Street, Kew by the artist Joy Stewart. Inscription: "Stevenson Street, Kew". Signed lower right: "JStewart".stevenson street (kew), joy stewart

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 32 Bowler Street, Hawthorn by Margaret Picken.32 Bowler Street, Hawthorn, Margaret Picken '91. Woodards.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 109 Denham Street, Hawthorn by Margaret Picken.109 Denham Street, Haw, M Picken. Woodards - Haw.artist - margaret picken 1950-

SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD OF CLUNES TOWN HALL AND POST OFFICE, TELEGRAPH HOTEL AND OTHER BUILDINGS. BAILEY STREET, CLUNES POINTS OF INTEREST NOTED AROUND EDGE PHOTO TAKEN ABOUT 1890BAILEY STREET, CLUNES LOOKING EAST BEAUCHAMP PHOTOS 104 STURT STREET, BALLARATphotography, photographs, , town hall, post office

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of black suede (sic) women’s designed by Bally, England and retailed expressly for Georges, Collins Street, MelbourneBALLY / England / Expressly for Georges, Collins Street, Melbournefootwear, women's shoes, bally -- england (uk)

The photograph is undated but was probably taken in the late 1950s, as Morgan's store visible in the background appears to be owned by S E Morgan (Selwyn Morgan took over the store in 1956).Black and white photograph of a group of people marching along Sussex Street, Linton. A brass band leads the procession."Linton Anzac Day March in the Main Street, Linton".anzac day, sussex street linton, processions, parades

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 16A Haines Street, Hawthorn by Margaret Picken. Incorrectly labelled as 18 Haines Street, as signified by the 'wrong sketch' marking at the top.18 Haines Street, Hawthorn, Margaret Picken, 99, Woodards - Hawthorn. Wrong Sketch.artist - margaret picken 1950-

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Back street, Charleston, South Carolina, USAMade in USA / 7 / Charleston back street (Handwritten) / Encircled 16 (Handwritten)mit bemis professorship, mit, robin boyd, slide

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In 1891, High Street was the centre of commercial activity in the Borough of Kew. It was unpaved and edged with deep bluestone gutters, which were designed to channel the significant flow of storm water down the hill to and beyond the Junction. On either side of the entrance to the shopping strip are two cast iron gas lamps that provided the only public street lighting before the Post Office was reached. Most shops, including the Nicholas Brothers’ Junction Store featured cast iron verandas. Further up the hill, Dougherty’s Greyhound Hotel was by this stage a local institution. Apart from the horse-drawn tram, the main form of personal and commercial transport in this period remained the horse, horse and cart, or buggy.The panoramic view predates the widening of High Street in the 20th century, and thus includes the original alignment of buildings on the south side. These included Henry Kellett’s shop.High Street, Kewkew illustrated, kew where we live, photographic books, henry kellett, high street - kew (vic)

No.1 Bond Street, Ringwood - 1981.Written on back of photograph, "1981, View of 1 Bond Street (Dr. Matthews?). Where Dalty's are soon to build".

Black & white studio portrait young woman head & shoulders. Printed on Front. E C Waddington & Co, Elizabeth Street, Melbourne. Printed reverse. E C Waddington & Co Jewelled Crown with monogram ECW. 109 Elizabeth Street Melbourne.E C Waddington & Co 109 Elizabeth Street Melbourne.photograph, person, female

Colour Slide, white cardboard mount, of W5 815 in Flinders Street mid 1960's to Richmond route 28. In the background is Flinders Street Station and Princes Bridge Station. The tram has adverts for Stillwells Holden, Ferris Car Radios and 3DB."Flinders Street W5 815 mid 60's" in inktrams, tramways, w5 class, richmond, route 28, flinders st station, flinders st, princes bridge station, tram 815

Illustration. Taken and cut from a book. Image is not bordered. View of Bentinck Street Portland Victoria from old London corner, looking south towards Macs Hotel. Scene depicts street life, horse and carts, a man in a top hat, coat and walking cane points south. Two lady's in dresses with an umbrella talk on the corner and various individuals gather out the front of the Old London. Trailer of ivy, top left section. Printed bottom middle BENTINCK STREET, PORTLAND.Front: 'BENTINCK STREET, PORTLAND' - printed, lower edge.bentinck street, city of portland, old london

Main Street view South Mackay Street, El Dorado.bottom left 'Main St. Eldorado' ; bottom middle 'Thelma Studio WANGARATTA'eldorado, mackay street eldorado, main street eldorado, star hotel, star hotel eldorado

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 122 of Photograph Album with one landscape photograph of a house at 7 Lucan Street.Handwritten: 7 Lucan Street [top right] / 122 [bottom right]trevor hart, caulfield north, villa residence, verandah, terraces, timber roof brackets, gables, cast iron ridging, ornate plasterwork, arched windows, curved windows, chimneys, lucan street, victorian style, cast iron work, houses

The photograph shows a picture of Evans Street Sunbury taken from the T intersection at Macedon Street and looking south. When the photograph was taken it was one of Sunbury's main residential areas. Since the 1980s the houses in the image have been demolished and replaced with commercial development. Over the years Evans Street has undergone much change from being a residential strip to being the main commercial hub in Sunbury.A sepia photograph with a white border across the bottom and in post card format of a streetscape with a row of trees growing along the footpath and a number of weatherboard Victorian style double fronted cottages. Both the roadway and footpath are not surfaced and the gutter is lined with stone pavers.EVANS STREETevans street

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Pack Road in Marysville in Victoria. Labeling is incorrect. View is down Murchison Street towards Barton Bridge. In the background can be seen the rectory from the Church of England. The rectory survived the 2009 Black Saturday bushfires whilst the church was destroyed. This postcard was produced by Colorscans Publishing as a souvenir of Marysville.Colorscans c PUBLISHED & PRINTED BY COLORSCANS (PUBLISHING) PTY LTD 118-120 BRIGHTON STREET, RICHMOND 3121/ Supa-vu/ cards MARYSVILLE - VICTORIA/ Pack Road, Marysville Photographed and Distributed by:/ K & H. Ellis - 35 Old Warburton Road,/ Warburton 3799marysville, victoria, pack road, murchison street, postcard, souvenir, colorscans publishing, k & h ellis, 2009 black saturday bushfires, church of england

Colourized Photo of Lower Main Street looking west Showing the Bull & Mouth Hotel on the right and numerous people walking Lower main Street 1906 On Reverse: Postcard Empirepostcard

Ormonde StudiosPrinted pink paper folder to hold photos with Ormonde Studios printed on outside and address 7 Somerset Street Blackburn.Ormonde Studios 7 Somerst Street Blackburn 3130photpgraphy, blackburn, ormonde studios

Residence of Albert Paul THOMPSON and family, (see photo VEMUP684 older photograph of house) This photo is later with more substantial fence, established garden and changed front door with new leadlight. from Emma NIGHTINGALE'S collectionPhotograph on board of house 'Rosebank' at 28 High Street (now 28 Lawton Ave) Geelong WestMakers Mark:on back: Marshall, photographer, O'Connell Street, Geelongthompson, nightingale, bedgood