Photo from Accession AS/14/612

Colour Photo taken from slide

Colour Photo taken from slide

John Ford Paterson, Ti-tree, Brighton Beach 1895, oil on canvas, 25.5 x 40.5 cm. Bayside City Council Art and Heritage Collection. Purchased 2022.brighton, beach, ti-tree, john ford paterson, bayside, coast

1966, 97, city of heidelberg repertory group, heidelberg theatre company inc, director alice o'donnell

Local Indigenous PlantWatercolour painting - Indigenous Plants of the Basalt Plains. Part of series of 14 commissioned paintings.Details of the plant on the back of the painting

Artworks Gallery Collection. Donated by Norman & Petah Creighton, 2018Oil on photographgippsland, artwork, permanent collection

Purchased with the assistance of the Gippsland Art Gallery Society, 2004Oil on canvasgippsland, artwork, permanent collection

Purchased, 2018Etching and aquatint on papergippsland, artwork, permanent collection

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on canvasgippsland, artwork, permanent collection

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection

Purchased, 1989Watercolour on cardgippsland, artwork, permanent collection

B/W Photo of man sawing wood. Peter Gellert.stawell

Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil and watercolour sketchart, artwork, sybil craig, craig, available, pencil drawing, watercolour

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, neville bunning

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, pauline o'shannessy-dowling, tafe business collection, landscame, trees, available

Neville Mirvane BUNNING (1902-1990) During World War Two he served with the RAAF. He was an Art Teacher at the Ballarat School of Mines from 05 February 1946 to 22 September 1964. Neville Bunning formed the Ballarat Artist's Society (later the Ballarat Society of Artists), a group that sponsored art and which invited modernist artists to speak to students and to the public of Ballarat. He also wrote a weekly column in the Ballarat Courier. Bunning produced a bust of Australian Prime Minister, The Right Honourable J.A. Lyons from Tasmania, who died in office. Bunning died in Subiaco, Western Australia on 29 April 1990. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, neville bunning, available

Judith NEUWILLER (later Judith AMBrOSE) Judith Neuwiller graduated with a Bachelor of Art (Visual Art), and Graduate Diploma of Visual Arts at the Gippsland Centre of Art and Design in 1987, and a Post Graduate Diploma of Fine Art. Victorian College of the Arts in 1988. Painted timber sculpture.gippsland campus, churchill, judith neuwiller, alumni, sculpture, gcad, gippsland centre of art and design

Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 09"geoffrey ricardo, framing required, promised cultural gift, printmaking

As a constant observer of the natural world, I am constantly observing and drawing trees. While I never intend to anthropomorphise objects in nature, I often see trees as having strong ‘characters’. As I was looking through my journal recently I noticed a page where I had drawn a group of trees standing in a line. This immediately gave me the idea for my lithograph Family Tree. (https://www.printcouncil.org.au/product/kaye-green-family-tree/, accessed 30 November 2022)Kaye L. GREENLithograph PCA PRINT COMMISSION 2011kaye l. green, gippsland art collection