"This is an illustrated trip through some of the most important and picturesque towns, with short articles touching upon the industries of the state of Victoria. Distributed gratis by the Government".This is a useful reference book. A worn,294 pp hard cover book with a dark brown cover. The title, "Victoria Illustrated" is written diagonally across the top in white print inside a red border. The spine is blue. It contains advertisements, sepia photographs and text.book-victoria-illustrated

Blue and gold hard cover with stylized figure of life saver on front cover with multi coloured blue cover on back with small boxed copy of front cover figure. Taken from painting Beltman and Co by Brian St Alban Smith 1958. 548 pages followed by lists of award winners both individuals and clubs. Title and authors in dark blue text.History of Life Saving Victoria for over 50 yearswarrnambool, surf life saving victoria, surf championships, shark attacks, surf boats

The Title for the land on which this building stands was granted on 27 August 1857 and the land was bought by Keith Field and A. Maitland. It stood on 1 / 2 acre of land with 250 lengths down South Street and 200 lengths along Sydney Road. The 1 / 2 acre block on the northern side was also purchased by the same buyers. The State Savings Bank was built in 1915, just three years after the State Savings Bank of Victoria was established. It was branch number 731. The building served as a bank until about 1970. It is now owned and used as an office by a local law firm. It is a single storey rendered masonry building with a parapet concealing the roof. Key features of the High Street facade are horizontal bands of masonry, timber windows outlined with moulded details and ornamentation accentuated the door. A more modern branch was opened in a more central location in HIghs Street. The State Bank of Victoria was taken over by the Commonwealth Bank in 1990. These images record the premises of a bank which served the Wodonga community and businesses for many years.3 photos of the State Bank of Victoria in High Street Wodonga at various points in its history.state bank, wodonga businesses, financial institutions wodonga

The Tower Hill Reserve is located inside a dormant volcano, and features a lake and wetlands. It became Victoria's first national park in 1892, but by the 1930s the early settlers had cleared much of the land for grazing, cropping and quarrying. In the 1960s the bare hills and islands were revegetated based in species identified from Eugene von Guerard's painting of Tower Hill. Tower Hill was formed around 30,000 years ago in a violent volcanic eruption. The initial eruption created the outer rim of the volcano, and later smaller eruptions formed the internal hills that are evident today. The layers of volcanic ash layers include artefacts relating to indigenous communites.A series of colour digital photographs showing Tower Hill, near Port Fairy, Victoria. Tower Hill is an extinct volcano.tower hill, volcano, extinct

Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria

Article titled "Lighting Effects in the Victoria Gardens, Bendigo", "High = Lighting in Bendigo", "An Echo from the Past". The article has photos of celebratory flood lighting in Bendigo, Victoria Gardens during 1937, for the Bendigo Carnival and Coronation Celebrations. Festivities were held in Victoria Gardens. Notes the Coronation tram car, illuminated and decorated. Has a photo of No. 21 outside the depot. Reprint of an extract from the Geelong Advertiser in 1912, 25 years ago of the opening of the Geelong tramways, passenger numbers and celebrations of the event. Record revised 3/4/2019 to add digital images with those from Andrew Cook CD. See item 9099 for the image of tram 21. Page 35 - records the relocation of Mr. A N Mercer who was involved in the reconstruction of Ballarat and Bendigo Tramways has transferred to the Flinders St Drawing Office. Each item had a thin strip of paper attached by staple to the top left hand corner, giving the Vol. No. details.Yields information about tram 21 as the Bendigo Coronation tram in Photocopy of an article in the State Electricity Commission of Victoria Magazine, Contact, Vol 2, No. 2, Aug. 1937. One A3 sheet.trams, tramways, sec, geelong, decorated trams, bendigo, opening, coronation

This collection of photographs shows various scenes around Marysville and surrounds such as waterfalls and rivers. Valentines snapshots were done of many places world wide, and packaged in a convenient size to be posted.An envelope with 6 black and white photographs of scenic attractions taken in and around Marysville in Victoria.VALENTINE'S/ SNAPSHOTS/ 6 REAL PHOTOGRAPHS/ FOR YOUR/ ALBUM/ MARYSVILLE, Victoria/ Published by The VALENTINE PUBLISHING CO.,/ PTY., LTD., Melbourne. To From Design 539/ PRINTED IN GT BRITAINtaggerty river (image 1), acheron way (image 2), nicholl's lookout (image 3), main street marysville (image 4), stevensons falls (image 5), cora lynn falls (image 6), valentine publishing co, marysville, victoria, souvenir

One of the most comprehensive studies of mechanics institute in Victoria. Beginning from 1839 to the present. Arguably Victoria's oldest and most influential surviving institution. History of approx.1,000 institutes including building status, social adult education, library history, heritage listings, plus thematic essays about the Mechanic Institute movement and development. Includes: role of woman, architecture, schools of art and design and schools of mines. This is the most comprehensive study of mechanics institute in Victoria.History of approx.1,000 institutes including building status, social adult education, library history, heritage listings, plus thematic essays about the Mechanic Institute movement and development. Includes: role of woman, architecture, schools of art and design and schools of mines. This is the most comprehensive study of mechanics institute in Victoria.Signed by co-author Ken James on title page.libraries, educational and research establishments, mechanics institutes, surrey hall, (mr) ken james, (ms) pam baragwanath

The State College Victoria at Ballarat was formerly the Ballarat Teachers' College. Four men and a woman are photographed. The inaugural Council of State College Victoria at Ballarat - (Left to Right) Ian Gordon, John Vernon, Janet Torney, Bob Croft and Geoff Hendy (Secretary to Council).state council of victoria at ballarat council, scvb, ballarat teachers' college, ian gordon, john vernon, janet torney, bob croft, geoff hendy, university women

An early colour photograph of Steavenson Falls in Marysville in Victoria.An early colour photograph of two ladies standing at the foot of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s. This postcard was published by Nucolorvue Productions in Elwood, Victoria as a souvenir of Marysville.POST CARD NUCOLORVUE PRODUCTIONS, ELWOOD, VICTORIAsteavenson falls, marysville, victoria, waterfall, nucolorvue productions, postcard, souvenir, john steavenson

The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Black and white Photograph of the main path through the botanical Gardens with the arbour to the left and mature trees and lawn on the rightEntrance to the Gardens Port Fairy Victoriagardens - entrance, path, arbour, trees, griffith street

Issue no 233 - 229 of The School Paper Jan - Nov 1918, 11 Editions. This binder with copies of The School Paper was owned by Roy and Wilfred Marriott, children of one of the pioneer families of City of Moorabbin.Issued by the Education Department of Victoria, printed Albert J Mullett, Government Printer, Melbourne 1918 Issue No 223-229 of The School Paper January – November 1918 This School Paper was owned by one of the pioneer families of City of Moorabbin, EDUCATION DEPARTMENT VICTORIA / SCHOOL PAPER / For Grades V and VI (1918); Issue no 233-229 Ed. Dept of Victoria / Poetry Number Signed W Marriott education, victoria, australian history, victorian education department, marriott, moorabbin, bentleigh

A listing of National Trust listed buildings from around Victoria in 1966. Each entry has a photograph and caption with some history of the building. Arranged by region.The development of architectural style in Victoria.278 pages, black and white illustrations. Hard cover. Dust jacket has illustration of interior of the Library of the Supreme Courtmelbourne architecture, victoria architecture, historic buildings victoria, national trust of australia, victoria

Contents: [1] Select bibliography of pre-1960 printed sources in the collections of the State Library of Victoria /? Heather Evans --v. 2. Select bibliography of post-1959 printed sources in the collctions of the State Library of Victoria /? Heather Evans and Judy Macdonald.b&w photographs, b&w illustrationsstate library of victoria, bibliographies, catalogues

The permanent fruit fly road blocks in Victoria began in 1958. The first was set up on the Lincoln Causeway between Albury and Wodonga. The aim was to protect the Victorian fruit export industry, the largest in the country. Cars would be stopped and inspected when entering Victoria. At peaks periods, such as Easter and school holidays, there were up to 10 inspectors at the 24 hour checkpoint near the former butter factory on the Lincoln Causeway. Local residents could apply for a pass which would be displayed on their window, but were still subject to random checks. Hundreds of tonnes of fruit each week was confiscated and pulverised by Department of Agriculture staff. The road block was closed in 1980, partly due to the increased traffic flows and the cost of maintaining inspection points.This image reflects government measures taken to protect the fruit industry in Victoria.A large image of the LIncoln Causeway at the Victorian/NSW border at Wodonga. The southbound lanes on the right hand side feature overhead signals and traffic light signs to control traffic leading into the Fruit fly inspection checkpoint ahead. The photo is in a wooden frame.On right hand side: Border sign: Wodonga/Victoria and the Victorian State Coat of Arms.fruit fly control, victoria border, lincoln causeway wodonga

Large framed map of Victoria, showing Victorias extensive rail network. Printed by Victorian Railways and is one of a number of 'framed pictures, particularly photographs of scenery, which have always been a feature of the Chalet.' (Pg 83. Historica, 2011) This map has been a permanent fixture situated in the hallway alongside the ballroom leading to the ski hire area since the 1950's and most likely earlier. Listed in Draft Inventory of Significant Collection ItemsLarge railway map of Victoria, Melbourne & Ballarat framed in white painted wood. Scale eight miles to one inch. Areas of the map have been whited out.Yes

Colour photograph of Omeo, Victoria.2017, great alpine road, omeo high plains, omeo, high country, post office

A number of photographs of Woodford, Victoria. woodford

In 1861, August Dhmel of Slatey Creek near Ballarat, applied to be naturalized. He was born in Prussia and arrived by ship from Hamburg in 1849. He was thirty years old and was wishing to purchase land intending to settle for the rest of his life in the Colony of Victoria. This would be granted after taking the Oath before one of the Judges of the Supreme Court. This was taken before Sir Redmond Barry, Knight, in April 1861. A copy of the wording of the oath August Dhmel took hand written on a separate page.Thick cream paper, hand written in ink. Official seal - red and gold - between two pieces of light blue paper and dark blue ribbonSeal Signature of I Moore Date 20 February 1861 Signature of Governor of Victoria, Sir Henry Barklyaugust dhmel, slatey creek, ballarat, naturalize, colony of victoria, judge of the supreme court, redmond barry

This coin was minted in the time of Queen Victoria whose young image appears on the coin. It is a bronze coin mainly composed of copper with traces of tin and zinc. From 1825 English coins were minted in countries of the Empire where they were used as currency. In 1862 pennies would have been one of the more common denominations in circulation.A common item which relates to the 19th century with historical and social significance.Round copper coloured coin with head of young woman on the obverse and the image of Brittania on the reverse. There is text around the edge of both the obverse and reverse.The rim is flat.On the obverse is 1853 with Victoria Dei Gratia. Reverse has Brittannia REG FID. DEFwarrnambool, english penny, 1853 penny

Booklet - "Moving Victoria - the 1987-88 Forward Look and Transport Budget" detailing the planning and budget for the agencies that reported to the Transport Minister for 1987 - 1988. Has a photo of Tom Roper, the Minister holding a road closed sign following the opening of Wellington Parade East Melbourne to two-way traffic after 30 years. Includes the various Boards and Committees that came under the Minister.Yields information about the Transport Ministry and its planning and budges for 1987-88Booklet - 36 pages, perfect bound titled Moving Victoria - the 1987-88 Forward Look and Transport Budget"minister for transport, tom roper, the met, v line, budgets

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BANK OF VICTORIA / YACKANDANDAH / Reverse: Y 6 / 017 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

A formal group photograph of the grand opening of the Victoria Street Bridge on March 31 1884. The Argus was to report that: ‘The ceremony of laying the memorial stone of the Victoria-bridge, which connects Kew and Hawthorn with Richmond and Collingwood, was performed yesterday afternoon by the mayor of Richmond (Mr John Adam) in the presence of a large assemblage. Among the gentlemen present at yesterday’s proceedings were the mayor of Collingwood (Mr. M. Dwyer), the Mayor of Melbourne (Councillor C. Smith, M.L. A.) the mayor of Kew (Mr. Barnard), Mr. J. A. B. Koch and Mr. W. W. Shelley (ex mayors of Richmond), Mr. Joseph Bosisto, M.L.A., the Hon. L. L. Smith, Councillor De Mole (ex mayor of Kew), Mr. Jas. Lancashire and Mr. Winter (ex mayors of Ricmond), Mr. Walker (ex mayors of Collingwood), Mr. Johnson (engineer), Mr. C. Rowan, C.E. (engineer of the bridge alterations) and the town clerks of Richmond, Collingwood and Kew.’ Following the opening ceremony ‘… a ponderous steam roller was driven over the structure, with a view to test, or rather to demonstrate its stability … Most of the gentlemen present walked over the bridge, after which they were grouped by a photographer, with the memorial stone as a central feature, and several views of the scene were taken’.An original, rare silver albumen mounted and titled photograph of an important event in 19th century Melbourne.Original photograph mounted on display card of the opening of the Victoria Street Bridge. The original photograph is very faded and has been enhanced to improve the image's viewability.On the reverse of the card is an indecipherable stamp and an inscription identifying the photographers. "T. W. & C. A. McAlpine Bros, Photographers &., Campbell Parade East Richmond Melbourne March 31.1884victoria street bridge, john adam, m. dwyer, c. smith, barnard, j.a.b. koch, w.w. shelley, bridge, kew, collingwood, l.l. smith, joseph bosisto

A history of the Baw Baw and Walhalla country of the Narracan Shire, VictoriaHardback. Brown dust cover. Photograph on front cover looks out from the entry of a mine onto the front of a building which has a hill to the side of it. The back cover has a photograph of the side of a hill with some trees on it.G&V THOMAS Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779gold, gold field, gold miner, gold mining, gold town, walhalla, baw baw, gippsland, victoria, australia, history