This was used with an ink-stamp pad. It was stamped onto plain cardboard boxed, to show that the contents belonged to the Robinsons. Using stamps such as this was a cheaper alternative to ordering specifically designed boxed. This stamp was used between 1978 and 1990.Box labeller with red plastic handle. Marks as "Robinsons Honey 12x1Kg". Shows use wear.stamp, labelling stamp, robinsons, beechworth honey

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red and green plaid children's pinafore with green hem binding and in-built petticoat with lace edging.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Product label in tones of red, green, yellow and gold showing printed text and a graphic of a sheep. front: [printed] THE CORIO / PURE MERINO / WOOL RUG / MANUFACTURED BY / THE ALBION WOOLLEN MILL CO. / GEELONG, VICTORIA. / No. / WEIGHT / SIZEalbion mills, archives, wool industry, blankets, rugs, products, advertising, geelong, packaging, label, graphic design

Product label in tones of red, green, yellow and white showing printed text and a graphic of a sheep. front: [printed] THE LARA / WOOL RUG / MANUFACTURED BY / THE ALBION WOOLLEN MILL CO. / GEELONG, VICTORIA. / No. / WEIGHT / SIZEalbion mills, archives, wool industry, blankets, rugs, products, advertising, geelong, packaging, label, graphic design

Four page booklet featuring printed text, with a red banner and logo of a sheep on the front cover. front: [printed] COOPER / RELEASE OF / INFORMATION / THE EXHAUSTION OR STRIPPING OF DIPS / by G. C. Brander, B.Sc., M.R.C.V.S.products, agriculture, animal breeding, animal husbandry, william cooper and nephews (australia) pty limited, vaccination

Shirley Freckleton-Humphrey' mother's Riding HatBlack Riding Hat with large brim, grosgrain hatband - leather band and red satin lining,The Coronet Extra Quality Maurice Joseph 137 Swanson Street Melbourne hat, horse riding, costume

Norman Keith HOFMAIER (12.08.1951- ) Born Beulah, Wimmera, Victoria Norman Hofmaier was a scion of a well-known family, he completed his secondary education at Hopetoun High School and Ballarat College. Later he studied Visual Art at University of Ballarat, including painting, design and sculpture. Hofmaier’s childhood in Beulah was spent on the family property running beside the Yarriambiack Creek. Both he and his father had an intimate knowledge of the flora and fauna of the Mallee. The Wyperfeld National Park, home to the Big Desert, was a favourite place for Norman’s uncle who planted acres of native trees at the family property. Dr Di Bresciani explains: “The colours and vastness of the Mallee are represented in many works which reflect, variously, the relentless quiet and swirling energies found in the ‘dust storm might’ of the Mallee area. Most works may be described as abstract, lyrical abstract or abstract expressionist." From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. His work reflected his exploration of his inner state, sometimes flowing and placid, sometimes tempestuous. After a brief sojourn into city-life Norman returned to working in the country, until finally submitting to mental illness and permanent care in the mid 1990s. Norman Hofmaier's works are represented in major collections including that of the well- known artist Mitch Pearson ( an important influence and lifelong friend). The work 'Pastel of a Nude' was shown in a widely distributed magazine and two works owned by Mark Shannon were planned to be published as record covers in 1993. He won an award during the bicentennial recognising his skill as a Wimmera artist. From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. This work was purchased from the exhibition 'Norman Hofmaier: Mallee Mysteries' at the Lost Ones Gallery in Camp Street, Ballarat. The exhibition explored the legacy of Hofmaier’s work as well as raising money for the Ballarat Art Foundation. The Hofmaier family donated 16 works of the artist to be sold to raise funds for the foundation, to support emerging artists.Original painting in square format, featuring abstract swirls of blue, white, red, yellow and green.On back of work: 1. pools of diluted oil paint covering approximately 8 cm from each edge, 2. in right hand corner in permanent marker "N Hofmaier" 3. middle right hand side, torn exhibition label, with the words, "Belauh", "Local Art", "Prome", "Local Art", "$350", "Collect A", "oin" 4. Bottom right corner, two exhibition labels on card. Cards read: The flowing of movement before any known bodies are formed. Matter and gases bubble forming kaleidoscopic colours and shapes. Promethius 1 Oil based pigment with petrol on prepared board 1320 x 1210 mm On front of work, bottom right hand corner, in white lettering, N Hofmaier. Bottom right hand olive green frame damaged on front of work.painter, mallee, beluah, norman hofmaier, wimmera, abstract, alumni

Perkin-Elmer Infra-red Spectrometer, two main parts with additional parts some in jars.

Guernsey Coat-Of-Arms embroidered on a black background, with 3 x gold Lions on a red shield."Guernsey"badges

Raspberry barrel used for taking fruit to the jam factory from Mr. W.J. Sebire's property.Large wooden round berry barrel. Metal bands & wooden lid. Brown/red paint.barrels

Cuming's Ski Hire was an early establishment in Falls Creek, owned and operated by Harold and Jean Cuming. Located in Main Falls Creek Road only 70 yards from the top station of the chairlift, it had a wide range of skis for hire and many other accessories for sale. It also operated simple accommodation, a cafe and apres ski shop. The business changed hands and the cafe had many names throughout its history. It was the centre of many activities - including skiers using the roof as a ski jump!This brochure is significant because it represents a long established and popular business in Falls Creek. A foldout brochure printed in black ink on red paper. A symbol of a pair of skis and poles is on the front.On Cover: HAROLD CUMING / SKI HIRE & FALLS CTEEK THE COMPATIBLE PAIRcuming's ski hire, cuming inn falls creek, harold cuming

Replica medal with pale lime green with red centre ribbon, mounted on promotion card with notes.Promotional card reads: The Governor-General awards the Civilian Service Medal 1939-1945 on the recommendation of the Prime Minister or delegate. / The Civilian Service Medal 1939-1945 is bronze and portrays the Southern Cross surrounded by golden wattle , Australia's floral emblem. / The Southern Cross represents Australia and the golden wattle represents the civilian population joining in defence of the country. / The medal ribbon has three vertical bands. The central band is ochre to represent the soil of Australia. / The two outer bands are green for the land and food production. The two white stripes on the ribbon represent communication and construction. civilian, 1939-45, australian

2/6th Battalion, 2nd AIF Colour Patch WWII (Purple over Red with border)

Reproduction 6th Battalion, AIF Colour Patch WWI (Purple over Red) x 2

Solomons Solution salve for the treatment of pain in animals and humans Ca1900Imported and sold Purchased and sold by Holden and Frost Ca 1900Small rectangular cardboard box with green and red label containing glass jar of Solomon solutionsolomon, salve

.Circular red and black Willow cake tin with Santa and a boy and girl with balloons depicted on the lid.Picture of Santa with a boy and a girl holding balloons on the lid.tins, cake containers, food .

Presented to School children.2 x Anzac Day Medals 1918 and 1916 on faded red, white and blue ribbons.commemorative medals

Purchased by Mr. & Mrs. H. N. Lord in Japan in 1960. The Japanese word for Cloisonne ware is SHIPPPO or seven treasured ware. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. Small Japanese Cloisonne iridescent red vase, with pale pink flowers on black wooded stand.vases

With silver top and handle and red velvet base, with round ends. One end has embossing.Embossed with silver stamp.nail buffers, manicure equipment, toiletries

Owned by Mrs. R. B. LordA pair of engraved silver plated spoons and small fork in red lined velvet and satin case.spoons, forks, dessert forks

One round tin of "Cobra" black shoe polish. Red/Black tin with gold cobra.shoes, polishers

Season 2011/12 Australian Trainers Association (ATA) Membership BadgeEnamelled Round Blue Badge with White, Red, Blue Writing attached to Length of Black CordFront: Australian Trainers Association / 2011:2012 / ATA. Back: Member / Not Transferable / 59.harness racing, trotting, membership, ata, australian trainers association, badge, 2011/2012

Season 2010/11 Australian Trainers Association (ATA) Membership BadgeEnamelled Round Blue Badge with White, Red, Blue Writing attached to Length of Orange CordFront: Australian Trainers Association / 2010:2011 / ATA. Back: Member / Not Transferable / 1195.harness racing, trotting, membership, ata, australian trainers association, badge, 2010/2011

An example of a Melbourne Legacy Widow's Badge. These were worn by widows to identify themselves at events. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.A record of the badge given to widows when they join Legacy.Gold lapel pin of the Legacy torch with red enamel containing the words Melbourne Legacy Widow.Imprinted 'Stokes Badges' on reverse.widows, membership

An example of a Legatee's badge. These badges were issued to all Legatees to show their name. The number 41 appears to be Legatee Alsope's membership number, which shows that initially members kept track of the order in which they were accepted into Legacy. In the early years of Legacy, membership was restricted to a limited number of members and to those that had skills and abilities that were required. Legatee badges are still circular in shape.An example of an early Legacy badge that Legatees wore.Round metal badge with white background, red border and 'Frank Alsope 41' in blue text.Printed in blue text 'Frank Alsope 41'frank alsope, legatee