Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Black / white group photo of 18 male RAAF personnel in uniform. Group is arranged in 3 rows each of 6 men. Each person in the photo is named. Group name appears at the bottom of the photo. On front: 3 men marked with an X Names handwritten in white on each person: Group: No 68 Course Pilots Back L - R: Startin, Chamnes, Price, Rodgers, Hawson, Davey Middle L - R: Woodhams, Cornish, Wilson, Clark, Carter, Carbuff Front L - R: Chadwick, Smith, Edgar, Campbell, Hall, Gray Stamped on back: Crown copyright reserved. Handwritten in black ink: B Talbut 12 Salcey Street, Far Cotton Handwritten in blue ink: 17 O.T.U. Silverstone Northants England Oct / Nov 1943 In pencil: ? Indecipherablephotography, pilots, training

Wooden shield with tags depicting names and years of office of Probus Club of Ringwood Inc. club presidents from 1983 to 2003.Probus Club of Ringwood Inc. Presidents - K. Field 1983-85, R. Hodgson 1985-86, N. Beale 1986-87, R. Gallagher 1987-88, R. Roberts 1988-89, L. Williams 1989-90, B. Chadwick 1990-91, C. Handoll 1991-92, A.N. McCleave 1992-93, K. Dalziel 1993-94, J. 1994-95, J. Barber 1995-96, R. Boyd 1996-97, D. Murray 1997-98, R. Ellis 1998-99, I. McBurnie 1999-00, D. Gibb 00-01, W. Lilburn 01-02, J. Fairbairn 02-03.

The domestic sewing box would have been used in the home.A brown varnished rectangular wooden lidded Sewing Box with a lift out top section which has 16 varying sized compartments for storing sewing accessories. There is a has a hollow area underneath the tray. The lid is attached with brass hinges and it has a brass lock and small key. There are several sewing items included - cotton reels and thread, assorted darning thread for hosiery, wool and nylon threads, a box of black pins, assorted sewing needles, thimbles, small decorative sewing scissors, black rolled tape, mixed buttons, hooks and eyes, nickel plated fittings for hats, vintage stocking hooks, a stick of white chalk, two (one green and one ivory) antique cotton thread winders and a medium sized vintage safety pin.a Variety of brands of items include - 'Rite Tone', 'Della Darn' 'C No Darn', 'Clark's Filosheen' hosiery thread, 'Barbour's Linen Wax Thread', 'The Flora MacDonald Best Steel Bodkins' 'National Hat Guard' nickel plated steel and brass fittings, 'Chadwick's Wool and Nylon' reinforcing mending thread, 'The Myrene Snap Studio' size 1 rustless press studs, 'The Pagoda Brand' rolled tape 5 yds, 'Cross Fox Brand' Best quality Steel Stems (long plastic headed pins), 'Toledo' brass thimble and a black box of 'F. Tayler & Co's Solid Headed Mixed Pins'. The brass lock has 'SECURE PATENT' stamped in to it on the inside of the edge of the front of the box. there is also a small VR with a tiny rounded pattern opposite the Patent sign. sewing equipment, sewing box, sewing, embroidery scissors, functional object

12 issues of BTPS Newsletter, titled "Information for Members and Interested Parties" from Oct. 1971 to May 1973, with sales sheets and other sheets. All printed, unless noted otherwise, on stencil duplicator using white duplicator paper, foolscap sized sheets. Listed by Neville Gower 10/98 on cover sheet. Some signed by Paul Nicholson Publicity Officer, some noted as edited by N.Gower. Oct. 1971 -pp2 - plus appeal for financial assistance Dec. 1971 - pp2 Jan. 1971 - p2 Feb. 1972 - pp2 - plus list of "Tramcar allocations in Melbourne 1/1/1972" - pp2 ( 2 copies) (with heat sensitive paper copy of this list, stapled in top left hand corner - pp2) Mar. 1972 - pp2 - plus list of disposal of SECV Ballarat tramcars - pp2 April May 1972 - orange paper, plus supplementary foolscap sheet on green paper, for "Bring back 39 to Ballarat", "Sales Department list" and "Driving Training" expression of interest. (2 copies) June-July 1972 - pp2 (2 copies)(copy imaged) September 1972 - pp2 - plus appeal for BTPS funds, p1 on yellow quarto paper. November 1972 - pp2 - plus sales items, 2 sheets, one on blue quarto paper December 1972 - pp2 - plus sale items, pp2 February 1973 - pp2 plus sales items pp2 on light blue paper May 1973 - pp2 plus sales items pp2 on light green paper, with advertisement of Jack Chadwick, Manager of B.V. Menswear Store of 251 Chapel St. Prahran. various notes, dates received, "Noelene's copy" and other notes on some issues in pencil and ink.museums btps, btps newsletters, publicity, sales items

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. This painting is of Eagle Rock, Warrnambool, which is on the west of Port Phillip Bay. Eagle Rock is located about 400 metres west of Thunder Point, near Shelly Beach. The painting includes the rocky cliff formations looking east towards the Warrnambool Breakwater. The walk from the Thunder Point car park westwards to Shelly Beach has been popular over the decades with residents as well as tourists. Many photographs include the rock, with varying backgrounds depending on the angle of the camera. It is a popular dive site for locals and visitors, in calm weather! The site can be approached by boat from the open sea in favourable conditions, and there is plenty of native marine to be seen in this marine sanctuary. This part of Warrnambool’s rugged coastline is unprotected from the Southern Ocean with its wild icy winds and high seas. The painting’s crashing waves and the northerly direction of the smoke on the steamship sailing north show the effect of the southerly wind. INSCRIPTIONS “Mrs M Irby” and “980/Regency” The significance of the inscription “Mrs M Irby”, on the back of each of the two paintings, has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of rock formation and cliffs, two yachts, a two-masted steamboat with red funnel and smoke, flying birds, high waves breaking onto rocks, blue sky with clouds, some tinted pink.. The title is painted on lower left corner and the artist, W. Langley-Taylor, has signed his name on lower right. The inscription on the back is a handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “EAGLE ROCK, WARRNAMBOOL, VIC.” Handwritten on back “Mrs. M. Irby” and “980 [underlined] Regency”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, eagle rock warrnambool, w. langley-taylor, oil painting, wall decoration, seascape of victoria's coast, mrs m irby, art, seascape, pair of paintings

Wooden display stand containing Probus Club Presidents medallion and 26 metal tags engraved with names of Ringwood Probus Club presidents and years of office, attached to blue and white ribbon.Retired Professional and Businessmans Clubs - PROBUS Presidents (Ringwood) - Ken Field 1983-85, Bob Hodgson 1985-86, Nigel Beale 1986-87, R.J. Gallagher 1987-88, Russ Roberts 1988-89, Les Williams 1989-90, Baden Chadwick 1990-91, Cyril Handoll 1991-92, A.N. McCleave 1992-93, Ken Dalziel 1993-94, Jack Patten 1994-95, Jim Barber 1995-96, Bob Boyd 1996-97, Doug Murray 1997-98, Ron Ellis 1998-99, Ian McBurnie 1999-2000, David Gibb 2000-2001, Bill Lilburn 2001-2002, John Fairbairn 2002-2003, Clyde Aitken 2003-2004, Alan Marshall 2004-2005, Ken Johnston 2005-2006, David Gibb 2006-2007, Hedley Deacon 2007-2008, Ted Brewster 2008-2009, John Ulrik 2009-2010.

These nine photographs were taken at a Commanding Officer Handover Parade at the Army Survey Regiment, Bendigo on the 28th of July 1975. A march past took place after the parade, with each squadron marching down the roadway past Fortuna Villa to salute the outgoing CO LTCOL Donald Ridge, as he stood on the steps at the front of the building. LTCOL Donald Ridge was the CO of Army Headquarters Survey Regiment from 1972 to 1973 and continued as the CO of the renamed Army Survey Regiment from 1974 to 1975. He handed over to LTCOL Peter Constantine AM, who commanded the unit from 1975 to 1976. This is a set of nine photographs of a Commanding Officer Handover Parade at the Army Survey Regiment, Bendigo on the 28th of July 1975. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black and white, c1975. L to R: CO LTCOL Don Ridge, LTCOL Peter Constantine AM, CAPT Errol Royle-ADJT. .2) - Photo, black and white, c1975. L to R: CO LTCOL Don Ridge, RSM WO1 John Hogan, ADJT CAPT Errol Royle, SPR Steve Egan, LTCOL Peter Constantine AM. .3) - Photo, black and white, c1975. L to R: WO2 Tibor Szentirmay BEM, ADJT CAPT Errol Royle, CO LTCOL Don Ridge, SPR Steve Egan, LTCOL Peter Constantine AM. .4) - Photo, black and white, c1975. L to R: LTCOL Don Ridge, SPR Steve Egan. .5) - Photo, black and white, c1975. L to R: WO1 John Hogan-RSM, unidentified (x2), CO LTCOL Don Ridge, CAPT Terry Edwards, unidentified. .6) - Photo, black and white, c1975. L to R: SPR Warren Hall, CAPT Arthur Henson, CPL Warren Chadwick, LT Don Maskew, CO LTCOL Don Ridge, CAPT Terry Edwards. .7) - Photo, black and white, c1975. L to R: CPL Jim Beard, unidentified personnel (x5), CPL Bob Scaddan, unidentified officer, CO LTCOL Don Ridge, CAPT Terry Edwards. .8) - Photo, black and white, c1975. L to R: unidentified personnel (x3), unidentified officers (x2) , CO LTCOL Don Ridge, CAPT Terry Edwards. .9) - Photo, black and white, c1975. L to R: unidentified officers (x3), CO LTCOL Don Ridge, CAPT Terry Edwards.The date of the parade is provided on a paper sleeve.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

A Greensborough boy shows his support for Essendon football clubNewspaper clipping, black and white text and image.darren chadwick

Eddie Beacham was Head Prefect and Magazine Editor in 1954.Sixty page, soft covered school magazine.ballarat high school, cadets, d. ferguson, j. lindsay, j. chadwick, shirley mcrae, swimming sports, cyril gererd, b. moner, j. delosa, enio labett, n. volk, eddie beacham, frank golding, john crump, edwin beacham, noel beacham, ian burt, john simpson, graham mitchell, daryl boyd, fred fargher, noel volk, bill mcgregor, pat dalton, jan delosa, john roberston

non-fictionAn illustrated survey of the work of the Guerrilla Girls with interviews, an essay by Whitney Chadwick, and four pull-out postcards by the Guerrilla Girls. feminist art, political art, urban art, street art, activism, posters

Blackburn head librarian, Pat Wolstenhome, realised the need to help adults with reading problems engage with the Adult Literacy Program offered by volunteers.Blackburn head librarian, Pat Wolstenhome, realised the need to help adults with reading problems engage with the Adult Literacy Program offered by volunteers.wolstenhome, pat, adult literacy program, blackburn library, chadwick, margaret, librarians

This Book celebrates the history of the first 100 years of the Adult Deaf Society of Victoria, and was written by John Flynn who in his introduction states "This book attempts to trace the story of the men and women, both deaf and not deaf, who worked and planned so that deaf people should have a caring Organisation available to them on leaving school".This Book celebrates the history of the first 100 years of the Adult Deaf Society of Victoria. The work is significant as it brings together material from a number of different collections into an accessible and comprehensive volume detailing the Society's history spanning the years 1884 to 1984. The book is no-longer in print.Crimson Cover iv, 185 p. : ill., facsims., ports. ; 26 cm. (missing pages 92-100)adult deaf society of victoria, flynn, rose, victorian deaf and dumb institution, muir, newbigin, lewis, moss, samuel johnson, lucy lewis, hannah martin, luke, peter holt, leslie newbigin, frewin, robert patterson, matthew miller, eugene salas, robert luff, abraham, knutsford, cornelius reynolds, ernest reynolds, george mortimer, john paul, blackburn, south australia, william dean, okorita, nunawading shire, lacrosse, mckirdy, martin fraser, lakeside lodge, george newnham, jolimont square, horace bedggood, cricket, football, tabletennis, hockey, gymnastics, geelong, ballarat, pengilly, australasian deaf and dumb association, chadwick, parkinson, mcconnan, jennings, macbain, sargood, gillott, grimwade, felsted, mcbeath, mckeddie, peacock, cleveland, bruche, samderson, wignay, driver, smiley, sholl, lovett