ill, maps, p.88.non-fictionA pictorial history of the last 125 years of the Tasmanian Railways up to 1996.railway history - tasmania, railway history - australia

Ill, maps, p.88.non-fictionA photographic profile of the Tasmanian Government Railways between 1871-1996.railroads - tasmania - history, railroads - tasmania - pictorial works

Image shows sheep crossing Racecourse Rd hindering a travelling tram M185. Has either the Newmarket Hotel or the Pastrol Hotel in the background.Early days of effect of markets on tramways MMTB M class tram 185 in Racecourse Road Newmarket, delayed by sheep neat the Saleyards.tramways, trams, m class trams, sheep, racecourse rd, tram 185, hotels

Black & White studio photograph. Standing female aged approx mid thirties. Printed on Front. Moffat, 125 Princess St Edinburgh. Period bustled dress ,hat, gloves bracelets. Choker and brooch at neck.Moffat, 125 Princess St, Edinburghphotograph, person, female

Celebrating 125 years St Paul's cathedral MelbourneThis object reflects the close associations of the Mission with the Anglican Diocese. Many volunteers at the Mission also are involved at the cathedral and this object seems to be a record of either a Mission representative or a volunteers attendance at this special dinner.Printed folded A4 white paper/card menu front. St Paul's 125 year celebration dinner menu/ St Paul's Cathedral celebration logo TL corner/ Coat of arms TR corner/ St Paul's 125 year celebration dinner /University house Melbourne Tuesday 11 October 2005 cathedral, st paul's cathedral, melbourne, university house, university of melbourne

Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp

Studio portrait in Cabinet Card format of John Watson, the father of Mrs Ivory.Reverse: "Donated by Mrs Ivory / taken approx 1890s / Albert John Watson aged 12 / Hawthorn College"albert john watson

This Shell Museum at 125 Esplanade Lakes Entrance was originally run by Coralie Griffiths parents in Laura Street Lakes Entrance Black and white photograph of Max and Coralie Griffiths of Griffiths Shell Museum with shell novelties on shelves, 125 Esplanade Lakes Entrance Victoriabusinesses, commerce

A Histrocal & Pictorial Account of 125 Years of Primary education in StawellPrinted for School reunion. Program for the weekend included. DEDICATION to the pupils of Stae School 502. Past, Present & Future. in grateful memory of the past, and with a fervent hope for the future.Pale yellow Card Cover with Photograph of Stawell State School 502 . Black Print502 S.S. 502 "Then and Now" A historical and pictorial account of 125 years of primary education in Stawell.stawell education

p.125.non-fictionA history of the Australian involvement in the Malayan emergency of 1948-1960australia - armed forces - malayan emergency, malaya - history - 1948-1960

Photographs brought to the Burnley by Geoff Sutter 125 Festival on 30.04.2016. (1, 2) Photograph of Geoff Sutter in the snowfields. (3) Photograph of John Rayner in the snowfields. (4) 1st and 2nd Semester Reports for the Diploma of Horticultural Science 1977-1979 for Geoffrey Robert Sutter. Photographs brought to the Burnley 125 Festival on 30.04.2016. They were photocopied/scanned and returned to him by mail on 09.05.2016.geoff robert sutter, snowfields, john rayner, diploma of horticultural science

The Padbury family were early pioneers of Kew, running for over a century a funeral parlour in Cotham Road. The photograph of the mother and child can be dated to 1889-1900 when the Vita Studios were located at 125 Swanston Street.Rare photograph of members of a notable pioneering family of Kew (vic.). The photograph was donated to the Society in 1982, by Mrs Clarrie Thompson, a descendant of the family.Cabinet card, produced by Grant & Co., Vita Sudios, 125 Swanston Street, Melbourne of an infant, Horace Whitman, sitting on the lap of his mother. His mother was member of the pioneering Padbury family of Kew. "Horace Whitman with mother (nee Padbury)""grant & co -- vita studios - 125 swanston st -- melbourne (vic.), whitman-- cadbury families -- kew (vic.)

Maps, p.125.non-fictionThe foreign relations of Persia during the war yearsiran - foreign relations - 1941-1946, iran - diplomatic history - 20th century

Ill, p.125.non-fictionA history of Chinachina - civilization, china - history

Richard SPARE (1951- ) Born and lives England Richard John Spare studied at Maidstone College of Art (1971-1974). Primarily a printmaker who draws directly onto copper plate before creating a dryplate etching which is then hand coloured. Framed limited edition print. Donated through the Australian Gifts Programme by Katherine Littlewood.37/125richard spare, printmaking, boat

Spiral bound 125 p. : ill. hurstbridge

Australia 1913 - 1986Lithograph 5/40 s.125Signed, dated, edition and numbered

index, ill, maps, p.125.non-fictionA history of the Oakleigh to Fairfield 'Outer Circle' railway in Melbourne Victoria.railroad construction - victoria - history, outer circle railway - victoria - history

Paperback; 125 p. : ill. ; 21 cm.ISBN 0642868514post offices, postal service, victori

Set of two Colour slides, Kodak, white cardboard mount of track laying and reconstruction at St Kilda Junction during Oct. 1959. .1 - St Kilda Junction during reconstruction looking south with the junction arrangements shown. Has in the background, the Signal box, the junction hotel and the Corner Hotel, all with adverts for Penfold Wines, Fly ANA, Shell, Sepletts wins and Gilbeys Gin. Shows the vertical curves and the nature of the trackwork at this location. Photo 17/10/1959. .2 - ditto, but further back, with track welding, overhead work, tower wagon and a welding truck. In the background in addition to .1 are signs for Fosters Lager and Goodyear tyres. Dated 18/10/1959. Slide Number K(l)(293) and K(i)(293).Extensive handwriting on rear in ink and that it was photographed at 1/125 f4 and 1/125 f5.6trams, tramways, st kilda junction, overhead, tower wagon, welding truck, signal box, trackwork

Celebrating 125 years of Railway in WycheproofThe 28-09-1883 was a memorable date for Wycheproof for on that day the long-awaited official opening of the railway took place. It has been serving the district since then. In this booklet individual rail workers are acknowledged in a listing.Booklet of 14 pages - size A5. Sepia front cover photo depicts steam train hauling rail trucks up Broadway, Wycheproof, with early buildings and horse- drawn carriages showing. Back cover: Wycheproof Railway Station in its early beginnings - undated. Booklet celebrates the renovation of the historic Wycheproof Railway Station and 125 Years of Rail in Wycheproof. Chapters include: The Early Days, The Arrival of Rail, The New Century, Bulk Wheat and Million Bushell Silos, Railway Families and Workers, The Last Chapter , A new Era Begins. rail-wycheproof, bulk-wheat, railway-workers, station-renovation, steam-train