Issued to 2nd Battallion Scottish Rifles "Cameronians" for Rifle no 823Steel bayonet, 28 cm blade, 11 cm handle, wood hand grips secured by brass fasteners, fitted for fixing to Lee-Metford rifle 10-97, Wilkinson London, Govt broad arrows, inspectors' stamps, bayonet, edged weapons, lee-metford rifle, wilkinson

Used by Army in training and during service to put inside a sleeping bag, or instead of a sleeping bag in the heat.Khaki coloured rectangular nylon bag secured on one side by four press studs.CONLONS Australia, 1971, 8465-66-011-5816 (broad arrow)sleeping bag, personal equipment, conlons, geelong rsl, army, vietnam

Main belt with shoulder straps. 2 water bottles plus 2 ammunition pouches and compass pouch and bum pack. Broad Arrow OANTAS 6465 - 66 - 132 - 6861 11/1993

Spanner metal one ended hex with broad arrow symbol stamped & possibly Motor Boat Queen stamped onflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Owner of tools Jim Gillespie Clayton VictoriaCaulking iron broad single groove heavy set iron maker W Gilpin solid cast steelflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Broad-rimmed soft, black polyester velvet woman’s hat designed by Caterina Lucci and imported to Australia by Crochetta.Label: Caterina Lucci [A Crochetta import]. Made in Chinawomen's clothing -- hats, headwear, caterina lucci

Brass, internal battery powered lamp, with swivel mounted brass rod carrying handle and a clip on back for mounting, 56 mm lamp on front and a press on/off switch on topD D broad arrow, Lamps Electric No 1, Kempthorne Aust, 1943lamp, electric, battery, ww2

Grey plastic bottle with 3 fl. oz. mite repellent. Screw top.Insect repellent clothing with extensive directions for use. Broad arrow pointing upwardsrepellent, sas

Stainless steel metal tray, rectangular in shape with rounded corners and six trapezoid shaped concave sections to hold food. Tray appears to be constructed from a single sheet of metal, embossed and folded at edges to create a smooth edge. Four steel nails or rivets are on each corner on reverse but do not push through to front side.Top of tray embossed with "D [broad arrow] D/45" and "Simpson/S"mess, dining, second world war, world war 2, world war ii

Cypriot Bichrome ware from Cypro-Geometric PeriodWith an inward turning rim, two bands are painted on the inside of the twin loop handles (one missing). The interior has a painted dot and a set of concentric lines between two painted bands. The exterior has a broad band painted beneath the handles, a set of concentric black circles and a broad red band at the foot. cypriot

Royal Australian Air Force officer’s cap.Navy cotton drill peaked cap with black crossgrain band around exterior. Two black eyelets sit above band on either side. Black patent leather chin strap attached by two gold buttons on brim, slightly misshapen. Embroidered patch carrying a red velvet and metal crown (Queen Elizabeth II era) with blue, green and red embroidered knots mimicing jewels, sits above a gold eagle above now tarnished gold leaves. Interior sweatband in patent leather with plastic layer on top interior, underneath which is a manufacturer’s label with red ink. Strip of folded newspaper (H06.2) inserted inside interior sweatband.Label reads “M.TX/SIZE 6 7/8/A [broad arrow] F/MADE IN AUSTRALIA”. Black ink stamp on inside of sweatband reads “M. TX” inside a circle and “S19/[broad arrow]”raaf, royal australian air force, officer

The beginning of standardised weights and measures began In Victoria when the Melbourne Observatory received sets of standard weights and measures, which had been tested in Britain against the then British Imperial standards. These included the primary standard yard and pound for the Colony of Victoria. Other standards of weights and measure held by shires and the administrative body's within the colony could then be compared to these primary standards. A Weights and Measures Act was passed in Victoria in 1862, establishing local inspectors throughout the colony. By the 1870s each local council and shire in Victoria held a set of standards that were used to test scales, weights and dry measures used by wholesalers, factories and shops. Every ten years the councils’ standards would themselves need to be rechecked against the Victorian Standards. The checking was done by the Victorian Customs Department in the 19th century, but with the transfer of responsibility for customs to the Federal Government in 1901, weights and measures function was retained by the Victorian Government and was shifted to the Melbourne Observatory. In 1904, a new building was erected at the south end of the Great Melbourne Telescope House, where the standard weights and measures and testing equipment was installed. This room had a large whirling apparatus for testing air meters and became known as the Whirling Room. When the Melbourne Observatory closed in 1944, the Weights and Measures Branch was formed to continue and this branch remained at the Observatory site unit until 1995.An example of a brass measuring jug made specifically to maintain government standard liquid measurements that were sold to the public. The probability is that this artefact was made sometime between George V reign (1910-1936) and gives us today a snapshot of how imperial weights and measures were checked by Government departments prior to decimalisation and how a standard for the various types of measurement was developed in Australian based on the Imperial British measurement system. The container has social significance as an item used in Victoria as a legal standard measure to ensure that goods sold in Victoria were correct. Jug brass haystack form with a deep lip and pouring spout, small neck and broad base. It displays a curved pistol handle. Inscription at base of handle top of jug stamped 61 GVR SM. These marks signify that the measure complied with the Victorian Government capacity liquid standard measurement. Item made during the reign of George V (1910-1936 (GVR).Other marks indicate model number (61) & SM possible could be either small measure, the maker, or Standards Melbourne.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Bag canvas for sails green colour with 12 eyelets with rope around top. Printed in black D D & broad arrow flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Bag for sails canvas, green colour with 10 eyelets with rope around top. Printed in black D D & broad arrow flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Black and white photograph of a group of men and boys, most in light coloured pants and dark athletic shirts, with broad brimmed hats.On bottom of photo: "L.M.R.C." At left of photo: "Burlington Gallery | C.L. Cooper | Late of London & Sydney" On back of photo: "LMRC 1888"lake moodemere rowing club, regattas, rowing, sporting clubs

Trude Jonas was a Melbourne milliner with her business operating from 159 Mavern Road, Malvern.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Elegant broad rimmed purple straw woman’s hat retailed by Trude Jonas with a purple ribbon of the same colour at the base of the crown.Label: Trude Jonas. Model Hats, 159 Glenferrie Rd., Malvern.milliners -- malvern (vic.), milliners -- melbourne -- trude jonas, trude jonas -- model hats

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number of items donated to the Fashion collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Hot pink coloured raw silk dress with matching jacket of the same colour and fabric. The skirt of the dress is constructed of broad pleats.Label: L'Officiell'officiel, mcintyre collection, day wear, australian fashion - 1960s, women's clothing

Warrnambool Harbour Board Receipt Book 1928-1929Dates are written on the front cover, also a has stamp from the Warrnambool Harbour Broadflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, receipt book, book, warrnambool harbour board

The Slouch Hat became standard issue headdress in 1903 and its brim position was mostly standardised. The slouch hat became a famous symbol of the Australian fighting man during World War One and continued to be worn throughout World War Two. Its use since that time has made it a national symbol. https://www.army.gov.au/our-history/traditions/the-slouch-hatStandard uniform issue for the Australian Army.Khaki slouch hat, has pleated hat band, brim upturned with badge on upturned brim. Crown of hat pinched inwards. Leather crown liner and leather chin strap with adjustable clip.MOUNTCASTLE 1994 Made in Australia (Broad arrow) 56 Black pen handwritten. Fullerarmy, uniform

Owner unknown. The entrenching tool was a standard issue to Infantry men during World War Two. Then entrenching tool cover held the helve of the tool on the outside and the tool was held on the inside. Soldiers regularly carried other items in the entrenching tool cover, for example shoe polish, rifle pull-throughs, shaving kit. The personal entrenching tool allowed soldiers to dig shell scrapes and holes when larger picks and shovels were either not appropriate or unavailable. The pattern of the entrenching tool cover was known as 37.The entrenching tool was a standard issue item to Infantrymen in World War 2. The entrenching tool cover allowed for the storage of the tool on the inside and the helve on the outside. The 37 pattern used for this entrenching tool cover had a number of improvements from the previous pattern, including versatility of position when carrying on webbing. The 37 pattern was used by UK and Commonwealth Forces.Kidney shaped webbing bag. Twigg buckles to allow for attachment to webbing. A longer strap and buckle on the front side to allow for the holding of the helve of the entrenching tool.D (broad arrow) D indicating Department of Defence RMB 1945 Picture of Crown?world war 2, entrenching tool cover