The development of stereoscopic photography views or stereographs was immensely popular in the United States and Europe from about the mid-1850s through the early years of the 20th century. First described in 1832 by English physicist Sir Charles Wheatstone, stereoscopy was improved by Sir David Brewster in 1849. The production of the stereograph entailed making two images of the same subject, usually with a camera with two lenses placed 6 cm apart to simulate the position of the human eyes, and then mounting the positive prints side by side laterally on a stiff backing. Brewster devised a stereoscope through which the finished stereograph could be viewed; the stereoscope had two eyepieces through which the laterally mounted images, placed in a holder in front of the lenses, were viewed. The two images were brought together by the effort of the human brain to create an illusion of three-dimensionality. Stereographs were made of a wide range of subjects, the most popular being views of landscapes and monuments and composing narrative scenes of a humorous or slightly suggestive nature. Stereoscopes were manufactured for various price ranges and tastes, from the simple hand-held device introduced by Oliver Wendell Holmes who promoted stereography through articles to elaborate floor models containing large numbers of images that could be flipped into place. The stereograph became especially popular after Queen Victoria expressed interest in it when it was exhibited at the 1851 Crystal Palace Exposition. Like television today, stereography during the second half of the 19th century was both an educational and a recreational device with a considerable impact on public knowledge and taste. The Fine-art Photographers' Publishing Co. published many stereoscopic pictures from many different photographers from around the world under license. They also not only sold these images of various scenes and of famous people of the time but also were retail sellers of the viewers with the subject item having been made in the USA probably by H C White who held the patent for the subject items design from 1895 to 1902.An item that was very popular from the mid 19th century through to the beginning of the Edwardian period. Used for entertainment and also educational purposes and significant as it gives us a snapshot into the Victorian era and its social and domestic societal norms. Stereoscope viewer with adjustable view-finder that has a padded nose rest. The slide holder can move along the channel to suit the viewer. Made in London by the Fine-art Photographers' Publishing Co. Printed on metal plate "THE FINE-ART PHOTOGRAPHERS' PUBLISHING CO. 48 Rydevale Rd, LONDON, S.W." Embossed on viewing cup "U.S.A. PATENT OCT.15.1895" "CANADA / FRANCE / GERMANY / D'R''G'M' NO. 53803" "JUNE 3.1902 / FEBY 1.1896 / B.S.G.D.B. / GREAT BRITAIN / AUSTRIA / BELGIUM"warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, flagstaff-hill-maritime-village, stereoscope, stereographs, stereoscope viewers, home entertainment

Sixteen page soft cover booklet covering fees, general art course, technical art course, architectural course, modelling course, painters' and decorators' course, Art Needlework course, Bi-manual training course, and art teachers' course. art gallery association, art gallery association technical art school, art gallery of ballarat, ballarat fine art gallery, course, syllabus, wood carving, clay-modelling, painters and decorators, reposse, metalwork, art needlework, photography, photo-proces work, art teachers' course, life drawing - costume model, life drawing, drawing from ornament, drawing from antique, colour, architecture, clay, ceramics, coach painting, house painting, needlework, woodcarving

The Ballarat Technical Art School was a division of the Ballarat School of Mines. The new building opened in 1915Hand coloured plan for the proposed fitting for the Ballarat Technical Art School.Stamped 'Department of Public Works, Melbourne, Victoria' W.J.G 7.12.14ballarat technical art school, ballarat school of mines, plans, buildings, architectural drawing

A typical example of art work for printing and plastic diary cover. TBCAn example of how embossing was prepared and that Legacy Handbooks were printed with the torch and laurel logo.Navy blue Legacy diary, with the metal art work block used to emboss the words "Melbourne Legacy" onto the cover, also graph paper on cardboard used to mock up the artwork.Manilla Envelope, in black texta Melbourne Legacy Diary/H/Book Cover Art White paper adhered to envelope with the word in red HIOTECH words in brown graphics 50 Cremorne Street, Richmond Victoria 3121 (03) 428 1925 A.C.N. 005313155., between two horizontal brown lines. Thin brown horizontal line at bottom of paper. Handwrittenin black ink, J.D.Harris. Diary cover Legacy logo, MELBOURNE LEGACY in gold. Cover Block, handwritten in gold ink (very faded) between Legacy logo and Melbourne Legacy. Cardboard graph, Legacy logo, MELBOURNE LEGACY, handwritten in blue ink SLS. Metal block, Legacy logo. MELBOURNE LEGACY written backwards. White glossy paper, Legacy logo and MELBOURNE LEGACY stamped onto the paper. handbook, logo

These slides were likely submitted to the Art Director’s Awards. They include an image of "Promotional Use Only" packaging, and slides of screen captures from the multimedia CD. See 29169. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 13 mounted 35mm slide transparencies in yellow box with frosted lid."Art Directors Awards" written in marker on containeruniversity of ballarat, federation university australia, graphic design, multimedia, packaging, higher education, bachelor

Birmingham Museum and Art Gallery (BMAG) first opened in 1885. It is housed in a Grade II* listed city centre landmark building. There are over 40 galleries to explore that display art, applied art, social history, archaeology and ethnography.Black and white postcard showing a grand four storey building with clock tower. It is the new Art Gallery in Birmingham. chatham-holmes family collection, birmingham, birmingham art gallery, postcard, clock tower, world war one

The Ballarat Technical Art School was a division of the Ballarat School of Mines. Colour photograph of a double story building custom built as the Ballarat Technical Art School.ballarat technical art school, ballarat school of mines

The Ballarat Technical Art School was a division of the Ballarat School of Mines. Colour photograph of a double story building custom built as the Ballarat Technical Art School.ballarat technical art school, ballarat school of mines

The Ballarat Technical Art School was a division of the Ballarat School of MinesHandwritten list of Ballarat Technical Art School subjects. This are most probably a legend for enrolments. ballarat technical art school, ballarat school of mines, art subjects, repousse, wood carving, historic ornament, lettering, dressmakingstill life, ornament, drawing for builders and artisans, archiecture and architectural drawing

Eleanor Constance (Nornie) Gude was born in 1915 in Ballarat, Victoria to Stella Rehfisch and Walter Gude, musician and violin teacher, and conductor of the St Patrick's Cathedral orchestra and choir in Ballarat. Her parents met when Stella was 27 and the 42-year old Walter was teaching her the violin. Nornie and her sister Gilda were both raised in Ballarat before moving to Melbourne on the eve of World War II. She was accepted into the Ballarat Technical Art School at 15 because of her advanced skill in painting, and trained there from 1931-1936. She won the esteemed MacRobertson Scholarship in art worth £100 a year. She later went on to the National Gallery School from 1936-1939, studying with Sidney Nolan and Charles Bush, and became the first woman to win the National Gallery Students Travelling Scholarship. Gude won many awards for her painting both while at school and throughout her career. Her work is represented in collections at the National Gallery of Victoria, Parliament House, and the Art Gallery of Western Australia, as well as regional collections in Ballarat, Geelong, Castlemaine Art Museum, and Bendigo.Portrait of Nornie Gude while a student at the Ballarat Technical Art Schoolnornie gude, ballarat technical art school, 1931-1936, women of note, artist, macrobertson scholarship, 100 pound per year, national gallery school, 1936-1939, sidney nolan, charles bush, first woman national gallery students travelling scholarship, parliament house, regional collections, ballarat, geelong, castlemaine, bendigo, national gallery victoria, eleanor constance gude

The soldier in the photo is Nr 1366, Dvr Donald GILLIES of the 4th Field Artillery Brigade. The grey horse, Bess, was blinded by shell fire. The bay horse was Lady. Photo was taken near Villers-Bretonneux. For photo of the four Gillies brothers, refer to Cat No 3531. For book refer to Cat No 3534.Photographic print in colour of a soldier smoking a pipe. He is in uniform - slouch hat, jacket, trousers, puttees & boots, alongside 2 horses. Print is mounted in wooden decorative frame with floral arrangements at top, bottom & both sides. Frame is rounded at top & at each corner with curved glass front. Wire hanging strap on back.Written in black texta on back: “Donated by J Gillies” Stamped on back: “Empire Art Company Ltd”photographs, framed

The Ballarat Technical Art School was a diivision of the Ballarat School of Mines. Double storey brick building built at the Ballarat Technical Art School, and later named the Gribble Building.

The dates 1907-1914 cover the first eight years of the Ballarat Technical Art School No. 15, a division of the Ballarat School of Mines. This covers that time before the custom built Ballarat Technical Art School opened in 1915.48 pieces of hand and type written correspondence relating to the Ballarat Technical Art School, covering its first eight years. .1) Transferal of money from the Ballarat Fine Art Public Gallery Association to the Ballarat School of Mines for credit to the Ballarat Technical Art School No 15. .3) Letter from Herbert H. Smith reporting on the appointment of Thomas Trengove to the position of Art Director at the Stawell School of Mines, and the appointment of Arthur Lilburne and Pridgeon as student assistants. .5) Application from Arthur M. Lilburne for a position at the Ballarat Technical Art School. .7) Resignation of Thomas Trengrove from the Ballarat Technical Art School so he could take up a position at the Stawell School of Mines, 1908. .9) Correspondence from H.H. Smith concerning expectations. 1908 .10) Report from Herbert H. Smith on the number of Art enrolments at the Ballarat West Art School, the Ballarat East Art School and the Drawing Centre. .8) Correspondence from Henry H. Hall regarding his teaching appointment, 1908 .11) A Report on architectural studies at the Ballarat Technical Art School on Clegg and Miller letterhead. .12) Report from M.C. Young. .13) Report from Arthur Lilburne .14) Reorrt from J.A. Wright, 1908 .15) Report on student numbers from Edith M. Cornell, 1908 .16) Report on classes in Freehand Geometry and Perspective by Fred Foster, 1908 .16b) Report by Decorating and Signwriting teacher John Barber, 1908 .17) Report from Esther and Lily Green from the East Public Library, 1908 .18) Report from Percy Isaac of the Ballarat East Public Library re manual training and Sloyd classes. .19) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith, 1908 .20) Report from Arthur M. Lilburn on the Elementary Evening Classes and the State School Teachers Saturday class, 1908 .21) Report by M.C. Young on drawing classes at the Ballarat Technical Art School, 1908 ,22) Report by Fred Foster on Freehand Geometry of Perspective classes at the Ballarat Technical Art School, 1908 .24) Report by E. and L. Green on classes at the Ballarat Technical Art School, 1908 .25) Report by Miss Wright on Dresscutting classes at the Ballarat Technical Art School, 1908 .26) Report by John Barber on Signs and Decorating classes at the Ballarat Technical Art School, 1908 .27) Report by Edith Cornell on Millinery classes at the Ballarat Technical Art School, 1908 .28) Report by Percy R. Green on Manual Training ad Carpentry classes at the Ballarat Technical Art School, 1908 .29) Correspondence from Posenby Carew-Smyth and Melbourne Education Department letterhead, 1908, .30) Report on the need for instruction in Decorative Needlework at the Ballarat Technical Art School by Principal Herbert H. Smith. Ida Johnston undertook classes from Miss Macgeorge in Melbourne at the suggestion of Posonby Carew-Smyth, and H.H. Smith suggested she be appointed to teach the class, 1910 .31) Report on the Junior Technical School, 1915 .32) Quarterly Report on the Ballarat Technical Art School by Principal Herbert H. Smith, 1911 .34) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith, 1914 .34b) Invoice from James Ingram and Son, Booksellers and School Stationers, 1908 .35) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith, 1914 .36) Correspondence from F.N. King seeking employment at the Ballarat Junior Technical Scool due to the resignation of A.W. Steane, 1914 .37) Correspondence regarding the qualifications of F.N. King, including Sloyd at NAAS, Sweden, 1914 Reference from F.V. Burridge of the London County Council Central School of Arts and Crafts (incorporating The Royal Female School of Art), Southamoton Row, London, regarding Francis N. King, 1913 .40) Correspondence on Ballarat Junior Technical School letterhead when it was located at 104 Doveton Street, Ballarat (Dana Street Primary School) from Albert W. Steane. The report mentioned to appointment of R.W. Richards commencing duties as a science ad mathematics master and Francis N. King as Woodwork and Modeling instructor, 1914 .41) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith, 1914 .42) Correspondence on Stanley Mullen Company letterhead requesting a junior (lady) to help in designing and drawing from Needlework, 1914 .43) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith, 1914 .44) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith, 1914. The report includes the resignation of Donadl Johnston to take up the position of assistant to Posonby Carew-Smyth. Harold Herbert to travel to England, and Edwin Cannon to to apply his art knowledge commercially. H.H. Smith suggested they be replaced with Ken Moss and Harold Brown .45) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith .46) Hours and duties of the caretaker and attendant at the Ballarat Technical Art School .47) Letter from the J.A. Powell, secretary of the Ballarat West Art School to the Ballarat School of Mines. ballarat technical school, henry j. hall, arthur m lilburn, thomas h. trengrove, herbert h. smith, g.w. clegg, m.c. young, j.w. wright, fred foster, j. barber, etsher green, lily green, p. isaac, e.m. cornell, albert steane, f.n. king, letterhead, ballarat fine art public gallery association, richard maddern, j. powell, j.a. powell, frederick martell, ponsonby carew-smyth, stawell school of mines, lilburne, pridgeon, arthur lilburne, henry hall, edith m. cornell, john barber, east ballarat library, esther green, percy isaac, sloyd, millinery, r.w. richards, frank king, a.w. steane, naas, majorie walker, art needlework, stanley mullen company, donald johnston, ted cannon, edwin cannon, harold brown, harold herbert, art gallery of ballarat

Bendigo Art Gallery was founded in 1887 and has over the years undergone extensive building and renovation programs in recent years adding a new contemporary wing, storage areas, and a new entrance and gallery shop. This photographic reproduction of an older post card shows the interior of the rooms now known as the 'historic courts' and an exterior front view c. 1910. Photographic reproduction of unknown post card. Possibly larger than original size. Writing on reverse. Believed to be related to Cat No 0306.Reverse: BENDIGO ART GALLERY 1910 / "The interior architecture remains / largely the same.' / *This photograph is the property / of the Bendigo Art Gallery, and / should be returned promptly.bendigo art gallery, city of greater bendigo tourism

The Guirguis New Art Prize (GNAP) is a biennial national acquisitive $20,000 contemporary art prize. It is for Australia's contemporary artists with works that explore new ways of artistic expression, utilising existing mediums as well as new technologies. It was initiated and supported by local Ballarat surgeon Mr Mark Guirguis. The art prize is administered by the Federation University Australia (FedUni) and displayed at the Post Office Gallery in Ballarat. The prize was managed and curated by Shelley Hinton. .1) Large purple promotional banner made of maroon synthetic fabric printed with white lettering, hemmed on the long sides and 8 cm wide pockets on the ends. .2) Feather Flag in maroon shiny synthetic fabric printed with white lettering, hemmed and with a black 6.5 cm elastic pocket around the long side.Printed with GNAP, Guirguis New Art Prize and the date 11 April - 31 May 2015guirguis new art prize, mr mark guirguis, federation university australia, post office gallery exhibition, contemporary art, contemporary art prize, mark guirguis, shelley hinton, herbert werner frederick de nully

The classes at Bulla Primary School were occupied in art work, which involved activities outdoors. A coloured photograph of a child and two adults arranging items on a sheet of paper which is on the floor with art materials on it.art activities, bulla primary school

Black cloth covered book with leather spine and colour illustrations. Ballarat Technical Art School Library book plate.ballarat technical art school, ballarat technical art school library, bookplate, bookplate 225

Photographs of an art installation by Jessie Stanley at WaterMarc Greensborough on 22/07/2017. From Jessie Stanley's FaceBook page :Dust to Dust is complete... It's an ephemeral site-specific work about how the Melbourne suburb of Greensborough has transformed over time. This area's exceptionally fertile soil [used by] by white settlers for farms, market gardens and orchards reshaped the Wurundjeri's traditional lands - and today the private sale and division of these farms informs the streetscape and town plan. With soil sourced locally this work reveals some of the area’s history - the text running around the perimeter was written by former resident Val Wilson, a snippet of her recollections of growing up in the area in the 1950s. The arrows and text act like a compass to orientate this site with greater Melbourne. On display in the lobby of Banyule Council until chance, time (or a broom) sweeps it away, Many thanks to Banyule City Council, Greensborough Historical Society and Valerie Wilson. "An artistic representation of Greensborough's history.Digital photographs of art installation.jessie stanley, watermarc, greensborough historical society, banyule council

The children in the art class were pupils at Bulla Primary School in the early 1990s. Bulla Primary School was a semi -rural school in the township of Bulla, about 10kms from the Tullamarine Airport. There is no evidence of computers or other IT aids in the classroom as these items did not come into widespread use until 2 decades later.A non-digital coloured photograph of six children in an art class at school. The four visible sets of tables and chairs are strewn with art materials and there are shelves in the background where books, folders and other items are kept along with a guitar. art activities, bulla primary school

Helen Ross was a student of the Ballarat Technical Art School, a division of the Ballarat School of Mines. Edith Lawn was a teacher in the Art School. 15 slides in a yellow lidded Kodak Slide box. The images relate to Ballarat Technical Art School Student Helen Ross and Barbara (?)'s Diploma of Sculpture work. On lid 'Diploma Sculpture'ballarat school of mines, ballarat technical art school, ceramics, sculpture, neville bunning, helen ross, peggy ross, edith lawn, diploma sculpture

These five caricatures are thought to have been made by a student of the era.Hand painted caricatures of staff of the Ballarat Technical Art Schoolbrian mclennan, alistair heighway, betty collier, val d'angri, neville french, ballarat technical art school

Provides information about an exhibition at Scienceworks, opened by the Minister for the Arts, Haddon Storey on 15-11-1993 featuring the story of the painting of the third series of Transporting Art trams. Gives the names of the artists and sponsor - Victorian Health Promotion Foundation. The trams themselves did not go.Yields information about a Transporting Art exhibition at Scienceworks during late 1993.News Release - Transporting Art Exhibition - dated with a hand date stamp 24 Nov. 1993.Has number 4377 in ink.exhibitions, press release, news release, transportiong art, minister for the arts, scienceworks, haddon storey