This is the only known photo of a stage coach in the Learmonth and District Historical Societies collection. This is a copy of an original photo given to the society by Anne Beggs-Sunter. It also shows 33 adults and children whom are all dressed in their Sunday best clothes. It could have been a Christmas picnic.A rare photo of a stage coach held within the Learmonth and District Historical Society's collection.33 adults and children on, and around a stage coach at possibly Ercildoune, circa 1900. The photo is 21 & 1/2 cms wide x 12 & 1/2 high. It is a sepia photo.Richards & Co. Sturt Street. Ballarat.

All photos relate to the collection of "Francis William (Dinky) DEAN" BEM VX93960 2nd AIF, 3742 1 RAR 1943 - 1975. Refer Cat No 124.2 for his service history. (.1) The soldier on the left standing is Frank Dean. The soldier sitting is wearing a “DCM” being Bruno Flematti No 54679 1 RAR, awarded the DCM over 4 actions in Vietnam 1968/69. On the rear stamped in purple “Nov.69.H” (.2) The soldier centre is Bruno Flematti, soldier on the right is Frank Dean. (.3) Soldier centres is Frank Dean. On the rear in black pen “The terrific trio”. (.4) The man on the left is possibly Max (Dad) Kelly, centre is Frank Dean, the man on the right also appears to be wearing a BEM. (.5) Frank Dean is 2nd from the right, the man on the left also appears to be wearing a BEM. (.7) On the rear in black pen “1999” All photos are in colour. (.1) Group of 5 people, 3 standing, 2 sitting, 3 are in uniform, 1 man and 1 female and a dog. (.2) Group of 3 soldiers, 2 Sgt’s and 1 Staff Sgt. (.3) Group of 3 soldiers in Mess Dress. (.4) Three men in civilian clothes wearing medals, 2 wearing hats. (.5) Four men in civilian clothes wearing medals. (.6) Barracks scene across gardens with large banner “Welcome home Diggers”. (.7) Parade showing a large banner with details of 1 RAR’s service and Battle Honours. photography, military, reunions, francis william dean

A walking group on an outcrop in the Grampians.The photo shows a group of ten people, seven women wearing long dresses, a man wearing dark trousers and jacket, a light coloured shirt and a hat, and two boys wearing dark clothes and caps, posed on a rocky outcrop/lookout. A number of people in the party are carrying long walking sticks. In the background another range can be seen across a valleyscenery, lookouts

This knitted and crocheted three piece dress was made by Jean Gorsuch in 1960. The wool was purchased from the Treasure House, a wool, toys and childrens clothes shop in Station Street, Mitcham. This was a very fashionable at that time as knitted and crocheted garments were making a comeback. This was also one of the first lurex thread wool.Knitted and crochet three piece costume of a jumper, jacket and skirt. Colour Old Gold.costume, female

1936. Back to Cheltenham State School, Charman Road, Cheltenham. Photograph is black and white. Four rows of men and women dressed in their best clothes. School photo of coming back to Cheltenham in 1936. The men are wearing suits, some with waistcoats, and white shirts with neckties. The women are wearing dresses some with jackets,. On every man and women, they have a sticker against their chest with their names on it. Most of the ladies are wearing hats on their head, and about four ladies have their hats on their lap. The front row are sitting on the ground, second row sitting on a chair and third and fourth rows are standing.Front of Mount : Back to Cheltenham 1936 / CHARMAN RD. SCHOOL Stamp on back of Mount : N. R. McGeehan. / 154 / Hotham St / Ripponlea / Photographer.state school, charman road, cheltenham, 1936, school, cheltenham primary school, charman stephen, gettens mary, spring grove, balcombe road, nepean road, dairy farmers, market agrdeners, poultry farmers, methodist church

See aboveExample of 1940's child's doll with clothes. Doll, whose name was Janet was given to Rosalie Schwerkolt Whalen as a child in 1945 with a lemon voile dress and matching bonnet and a patterned voile dress.Baby doll bought to Rosalie Schwerkolt by Santa Claus in 1945. The doll has a cloth body with a composition hard material for head, arms and hands and legs and feet. Face has blue eyes that close and red lips slightly parted to show teeth. Moulded brown curls for hair. Formerly a crying doll - mechanism under material on back and isn't working. A pair of pale blue and pink elastic edging. See Dress and bonnet NA5165 and Dress NA5166 for clothes also used on doll.Pliable doll Made (indistinguishable) Canada?child's baby doll with voice & closing eyes

Yields information about the staff of the Electric Supply Co of Victoria through a group photo.Copy negative of a print of the Electric supply company staff, in a large group photo outside the offices in Wendouree Parade c1920? Has three ladies in white dresses and one dog. Photographed in front of the offices with the ESCo name visible in the windows of the building. All men in suits except for the one on the far left - in work clothes - the boiler man for the day? Source of the photo not known.trams, tramways, esco, ballarat a power station, head office, group photo

5 Suffolk Road was the Mounted Police Station from 1889 - 1914.Image of a five young (school age or younger) children (three boys, two girls) standing on the exterior steps of a building identified as the Mounted Police Station, 5 Suffolk Road, Surrey Hills. The children are identified as the family of Sgt. David McPhie. The children are dressed in 'best clothes.' The main part of the building is not visible however it does have a decorative wooden verandah.people, families, family groups, children, girls, boys, police, policemen, surrey hills mounted police station, structures and establishments, police stations, david mcphie

This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns

Scanned image of the RVIB orchestra, dressed in tuxedos and playing on a stage, from the 1930 annual report. In contrast to a similar advertisement in 1923, where the orchestra was seated outside and in day clothes, this line up consists of males in black tuxedos and bowties with white shirts, to emphasis the professionalism of the musicians and their ability to play in more formal settings.Scanned page from annual report of blind orchestrarvib orchestra, fundraising

Bridesmaid Dress worn by Joyce Suto (nee Baker) ( a member of the Society) as a bridesmaid at the wedding of her schoolfriend Derri Thomas to Derek Whitfield at Tidenham, Glous, U.K., in April, 1947. Bridesmaid dresses were made of an early kind of nylon with 'cap sleeves' and the material was bought with meagre supply of clothing coupons during postwar clothes rationing. Bridesmaids carried daffodils, irises and pussy-willow. 'Cap sleeves' chosen by the bride were a comparatively new fashion feature and not popular with the bridesmaid. So they all bought enough material for regular sleeves to be added later. The dresses were afterwards worn to dances.Long frock with short (cap) sleeves and a green sash. Frock is made of an early nylon and has a green sash to be worn with itcostume, female ceremonial

Photo features the 1939 Floral Tram, No. 29, photographed in Wendouree Parade, rendered in colour. March 1939. Has four ladies dressed in matching clothes standing outside the tram and four inside the doorways. See Item 7000 for a hand coloured image. with the ladies standing in the tram and 8965 for an actual postcard with Wal Jack notes on rear.Yields information about Ballarat 's 29 decorated for the 1939 Ballarat Floral Festival and its appearance and its use and publicity and demonstrates its colours of the flowers used.Digital image from the Wal Jack Ballarat Album of an Agfa postcard. Written on the rear in ink "No. 29, March 1939 as floral tram"trams, tramways, floral tram, decorated trams, tram 29

This brand of starch was first manufactured before 1966 and covered the period when Australian made was the preferred clothing due to limited imports from England. This was a period when the demand for "home grown" produce was at its peak. This was in a time when by necessity and ease of supply and not by the "Buy Australian" campaign (of later years), was the major factor for the demand of these type of laundry goods. It was in a time when starch was used in formal clothing to put a "crisp" or fresh new appearance for clothes. This product was in the era and importantly the social more of "clothes make the person" in which starched shirts and dresses was the fashion vogue. Formality of dress was a strictly British "class" up-man-ship which from the 1950's onwards became less and less visible. The Australian "Ocker" or fair "dink'm" bloke became more entrenched after World War II. The national identity was slowly developing.This box of starch is very relevant to the Kiewa Valley because this box highlights the differences ,in this period, between city and rural social standards. Rural areas were deeply entrenched into colonial and the pioneer family structure viz- a-vie social and dress fashion standards. British values and norms lingered on well beyond the changes happening in city fashion. Tradition and English "ties" were the backbone of early colonies and it was only after World War II that these "ties" were becoming irrelevant. Early traditions lingered well past the independence sought by Federation, colony to statehood and trade with other nations eg. USA and Asia. The idea that a change in "status" would automatically change the social mores of Australians, especially in rural ares, was not fully grasped by the "law makers" and those wanting change.This box (capacity 12 ozs) has white(aged into cream) and blue printing and a "white star" on five sides, the sixth side has a laundry scene with two ladies, in early 1900's fashion. The package is made from 200 gsm thick cardboard. As manufacture was made before and during the two World Wars 1914 to 1945 the promotion was heavily focused on Australian made and Australian grown maize. One side of the box has instructions of use and all the other sides are promotional, detailing "the best in the world and won't stick to the iron""SILVER STAR", "THE BEST IN THE WORLD", "WON'T STICK TO THE IRON", "REQUIRES NO BOILING", INSTRUCTIONS FOR USE", "ROBERT HARPER AND COMPANY LIMITED", "INCORPORATED IN VICTORIA, AUSTRALIA", "NET WEIGHT 12 OUNCES", "LARGE BOX 12 OZS"domestic laundry essentials, cotton clothing preparations, household starch "crisp and neat appearances.

Growing up in Sandringham, Joy Bosomworth learned to sew at the knee of her mother Elsie Myra Keefer, a seamstress. By the time she was an adult, she was making most of her own clothes. She made this shot velvet evening dress, along with a matching stole and bag, in 1961 to wear to a ball at the Royal Melbourne Hospital, where she worked as a radiographer. An evening outfit consisting of a matching dress, stole, bag and gloves. Sleeveless one-shoulder evening dress of blue velvet shot with metallic red. The dress is gathered at the proper left front waist and is lined with red synthetic fabric. Fastens with a zip and hook at the side. Stole of blue velvet shot with metallic red, lined with red synthetic fabric. Handbag made from blue velvet shot with metallic red. The bag has a gold metal frame and clasp, with a shot gold metal chain attached. The interior is red synthetic fabric, with a single side pocket. Elbow-length red nylon evening globes.joy myra bosomworth, joy myra keefer, evening dress, ball gown, 1960s

Women’s magazines just after WWII played a “reflecting role,” meaning they cooperated with government agendas while still including topics of readers’ interests Women’s employment rate had skyrocketed during WWII. However, even though the number of women working outside the home grew rapidly most of them were still engaged entirely in homemaking. Therefore women’s magazines centered mostly on the stresses and shortages of wartime. Articles as well as advertisements presented information on “product rationing, tips on keeping the family healthy, guidelines for thrifty shopping and advice on how to look good through it all.This is an example of an English women's magazine published post WW11.It gives practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests.A 64 pp magazine, titled Woman and Home and Good Needlework Magazine. On the front cover is a coloured drawing of a fashionably dressed and made-up woman with red hair and holding a bunch of similarly coloured flowers (gerberas?) At the bottom left are knitted baby clothes - pattern inside - as well as a man and woman wearing fashionable clothing - suggesting patterns are inside the magazine. The magazine cost 1/6 and is dated October 1951.magazine-woman-and-home

Sepia photograph of Hopwood's Punt, showing the gangway extended to river bank. There are 5 workmen, dressed in work clothes and boots, at the front of the punt and 2 gentlemen, dressed in coats and umbrellas. Stock, produce (possibly wool bales) and people are on board. There are 3 horses hitched to a wagon and behind there looks like a large consignment of wool bales. There appears to be women at the side of the punt (1 with an umbrella up). At the side of the punt there appears to be a passenger landing. There is also a small row boat tied to the side of the punt. Wagons, barge and possibly other punts are in the background. There was a painting of this scene by J. C. Armytage around 1857.This is a very good example of the cargo, people, produce and animals, that were using the punt to cross the Murray river in the late 1800s. The difference between workers and gentry can be seen as well as the modes of transport at this time.Sepia photograph of Hopwood's Punt, showing the gangway extended to river bank. Stock, produce (possibly wool bales) and people are on board. Wagons, barge and possibly other punts are in the background. Mounted on buff cardboard printed with red lines and letters.On the front at the top, above the red boarder "Royal", at the bottom below the red boarder "Hopwood's Punt, Echuca". On the reverse, "W. B. Payne, Darling St., Echuca"murray river, echuca, hopwood's punt, j. c. armytage (painter)

Photographed outside the Wendouree Parade depot, late 1887, with 16 workmen standing or lying around the tramcar. Builders Photo. Tram is lettered "BALLAARAT TRAMWAY CO LIMITED". A sign on the advertising board says "Duncan & Fraser, Builders, Ballaarat". The men around the tram are dressed in trade clothes, with aprons, including carpenters, painters and blacksmiths. For image history etc see notes. See also Reg Items 1654 and 3042 for different prints of the same photo. Yields information about the construction, final assembly, of the original horse tram at the Ballarat depot 1887, shows the workmen who were involved.B&W photo (copy print) of Ballarat Horse Tram No. 1. Multiple copies held.765.3 - In the top left-hand corner "19", "No. 1 i n 1887", a red border sticker of printing instructions. Centrally on photo "(1) Ballarat Tramways (horse) Car No. 1 after assembly at the Ballarat depot. 1887". In the bottom right-hand corner a "William F Scott" address label. 765.4 - see image i4 for the rear of Wal Jack's photo notes and i8.trams, tramways, ballaarat tramway company, horse trams, depot, duncan & fraser , tram 1

Date unknown: Mrs Caroll and children. In 'Moorabbin A Pictorial History 1862 - 1994 ' by John Cribbin, The Carroll family migrated from Ireland and purchased land in the East Brighton ( now Bentleigh ) area of Henry Dendy's Special Survey 1841. Edward, J.W. & Daniel are shown in the Rate Book 1862 as owner occupiers and owner of property in Tuckers Road, Bryants Road and Centre Road.Photograph is black and white. There are three women in this photograph, a mother and her two children. The mother is sitting down on a chair to the left and her daughter sitting next to her, on the right (they are both holding hands), and her other daughter (child) right in between her mother and sister, with he arm around the mother's shoulder. All three of them are wearing their best dresses that have lace collars. As the clothes are similar to MAV Cat No. 00519 the photo may have been taken c 1910Front of Mount : Yeoman Co 287 Chapel St. Prahran, Victoria.children, chapel st, 287, prahran, carroll edward, carroll, j.w., carroll daniel, ireland, brighton, henry dendy's special survey 1841, market gardeners, pioneers, early settlers, dairy farmers, poultry farmers, bentleigh, mckinnon, ormond, prahran, yeoman photographers co.

B+W Group photo on cream board. 4 males + 4 females, perhaps a family group as there is a family facial resemblance. There are 2 generations . Older man + woman (mother + father?) seated in leather chairs with armrests. The younger 6 are standing behind with the youngest seated at centre of older ones. All in 'good' clothes, males in 3 piece suits + ties, women in 'Sunday best' dresses. Group centred on a large floral mat. Inscription: Bartlett Bros. BendigoBartlett bros. Bendigoperson, group, possibly, family group

Black and white photograph of large group of men, women and children. Outside. Trees in background. Men dressed in 3 piece suits, four wearing hats. Mature women in dark clothes with white fronts, wearing large hats. Younger females hatless, three small children in foreground. Young man holding cricket bat at centre back. Inscriptions: on front - 'WH Robinson, Photo, Bendigo'. On back - 'From Mrs Lowndes, McIvor Road'. RHSV stamp.WH Robinsonperson, group

A corsage is a small bouquet of flowers worn on a woman's dress or worn around her wrist to a formal occasion, traditionally purchased by the woman's date. A corsage originally referred to the bodice of a woman's dress. Since a bouquet of flowers was often worn in the center of the bodice, the flowers took on the name "corsage." This corsage was worn by Marjorie Burton.It was probably pinned on a dress to decorate it and may have been made by Marjorie or her mother. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11This item is an example of a typical dress accessory and reflects women's clothing styles of the mid 20th century.A corsage of pink and white artificial flowers with green leaves and tied with a pink ribbon. The stems are bound with green tape. In the centre of the flowers sre tiny white pearly beads.corsage accessories burton-marjorie

Items in the collection relating to Lt Col Jack Swatton Regt No 4905, refer Cat No 6719.2P for his extensive service records and RSL. .6 - No. 2813 James Albert Handley (right), 38th Bn. & No. 6132 Allan Ernest Driscoll (centre), 39th Bn. 1. B & W portrait of an Aust WW1 soldier with slouch hat. He is smiling. 2. B & W photo of 2 Aust soldiers in work clothes. Brick pier and iron gate behind them. 3. B & W photo of 2 Aust soldiers in work clothes. Photo of poorer quality. 4. B & W photo of 2 Aust soldiers casually dressed. A brick building and wooden door is behind them. One soldier is not wearing puttees. 5. Group portrait of 21 soldiers including one officer. They have musical instruments. 6. Snow covered cemetery photo. The wooden grave marker just to the right of centre is that of No. 2813 Pte Handley James Albert. He was KIA 18 July 1918. 7. Portrait of soldier looks like between wars or during WW2. Different shaped photo.1-6 Nil. 7. has '25' on back.passchendaele barracks trust, ww1, aif, photos

Black and white photograph of horse-drawn float. Approximately 12 men (in street clothes) plus approx 6 in dress for float. Theme of float - ice, polar bears, sled?. Dog in foreground and building, chimney in background. Mounted on fawn card. Inscriptions: on front - 'Cohn Bros Limited, GP 34, 'Pageant at Easter Fair Procession, 1898''WH Robinson Photo, Bendigo', on back - RHSV stamp circular blue 'Royal Historical Society of Victoria, Bendigo Branch'. History: Previous Acc. No. GP34'WH Robinson, Bendigoperson, group, easter procession, bendigo, easter procession, bendigo easter procession, clubs and associations, entertainment, event, organisation, cohn bros. limited, fashion, costume, clothing

B+W Photo of 8 adults in a line, 4 men + 4 Women. Seems to an advertisement for ''Monkey Brand'' Cleaning products. Women are dressed as maids with white 1/2 length aprons and white caps. The men are wearing monkey masks and dinner suits (White tie + Tails). They are holding Bleaming aluminium frying pans. Women have black knee-length dresses and white stockings. 2 have ankle strap shoes. Women have 2 paper advertisements pinned to their aprons + Holding another one, suspended from a block. Inscription: In Image:- * Advertisements 'Monkey/Brand/Won't/Wash/Clothes'. On Board:- Lower R.H. Corner 'Kalma/57&59/PallMall/Bendigo'. On Back: Lower L.H. Corner indentation- mark of photographer (?)Kalma 57 & 59 Pall Mall Bendigoorganization, business, monkey brand, see: 829

sepia image ( copy ) image shows group of 7 men dressed in prisoner's clothes, dark jackets, white pants and white skull caps with arrow head imprinted. On back of image ' this taken at Bendigo Easter Fair 1930, costumes borrowed from Pentridge Prison. Footwear retail Dave Collier, DWC, Stan Giovenetti Spag, Wall De Araugo, Killer, Vic Blaeminch employed Colliers, Squizzey, Frank Leach, Tobacco Sthop Mitchell St., Slim, Jack Richards, Grovery, Mitchell Street, Spiko, Nicknames are also written on image.easter fair, collier, giovenetti, de araugo, vlaeminch, leach, richards.

Yields information about the way the trams were used in Ballarat by ladies undertaking their shopping, their clothes and the condition of the trams, reflection in the paintworkBlack and White copy photograph of a newspaper photograph taken by The Courier of Shoppers boarding No. 35, Sturt & Lydiard St corner, following a tram strike. Photo taken 11/02/1966, published 12/02/1966. No. 35 has an "Electric Cooking Serves you best" roof advertisement and has a Sebastopol destination. The lady shoppers (passengers) are carrying their shopping in baskets and are dressed in summer clothes. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, sturt st, strike, passengers, shoppers, tram 35

Darley football club was formed in 1919. Darley lies on the northern side of the township of Bacchus Marsh. It is part of the overall township of Bacchus Marsh but forms a distinct community within Bacchus Marsh especially in the early period of its history. The area is known as a football breeding ground and has produced many champion players at VFL and AFL level and the club has had sustained success over many decades in various competitions. For many years it played in the Bacchus Marsh District Football Association. From the mid 1990s it has competed in the Ballarat Football League.A black and white photograph print mounted on mounting board, showing a group of 19 players, 3 non playing officials and one child acting as the mascot arranged in three rows. A player in the centre holds a football with D.F.C. Premiers 1939 written upon it. Nineteen men are in football Guernseys, 3 are in civilian clothes. Two of these have towels over their shoulders and are probably trainers. In the centre is the third non-player who is presumably the coach. The photo is taken in an outdoor setting. The child is a young boy dressed in the clubs uniform and sits in the front row between the legs of another player. At the foot of the photo is, "Darley F. B. C. Premiers 1938-39". On the reverse are written some of the players names. Back row: 1. C. Lillburn, 2. ? Cook. 3 Skinner. 4 -----------. 5 Jimmy Younger. 6. Barry. 7. Albie Jones: Middle Row: 1. ----------. 2. McMahon. 3. Ray Closter. 4. Pop Closter. 5 ----------. 6. Mickey Dix. 7 ---------. 8. Densley. Front Row: 1. -----------. 2. Hartley Younger. 3. Whelan. Darley Football Club 1938-39. At to of reverse: 'Donated by the Wittick Family 12 - 1 - 2004. Marie Wittick'.darley football club, australian rules football

Wax doll owned by Elizabeth Annie Robshaw. Doll dressed in cotton lace fabric. Three cotton petticoats. One of lace and pintucks. Two plain petticoats. Cotton drawers. The doll has wax legs with moulded boots, copostion arms. Thumb missing on left hand. Ginger wig. Holes in ears for earrings but earrings missing. No markings on doll. Doll’s face and shoulder plate badly damaged. Clothes need to washed. Large piece of lace in box with the doll. Appears to be of a later date than the doll. Printed sign with doll “Wax doll 1870. Owned by Miss Robshaw.’

This article of clothing is specifically an undergarment to be worn under a skirt or a dress. The petticoat is a separate garment hanging from the waist. In the late 1920s, chiffon dresses with several sheer petticoats became fashionable. With the Great Depression in the 1930s, narrow skirts returned and petticoats again were unpopular until the end of the decade when revived for some evening, prom, and wedding gowns. World War II, with its rationing and general shortage of materials, brought an end to petticoats. Petticoats were revived by Christian Dior in his full-skirted "New Look" of 1947 and tiered, ruffled, stiffened petticoats remained extremely popular during the 1950. Most of the petticoats were netlike crinoline, Worn by Marjorie Burton. It may have been worn underneath dresses with full skirts or may have been designed for a short style wedding dress. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. This item is an example of ahome-made item of clothing and reflects the needlework skills of women in the first half of the twentieth century.A coarse, net, white starched petticoat. It is short and has no bodice. It is home-made, machine stitched and fastens at the waist with metal hooks and eyes. It has four panelspetticoat women's-clothing burton-marjorie