Showing 103 items matching commercial advertising
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Dutch Australian Heritage Centre Victoria
Jigsaw puzzle, ORANJEBOOM HOLLAND BEER, late 20th century
Example of commercial use of children's games.Item which both promotes the Oranjeboom brewery and tourism (English has been used)Rectangular multi-coloured cardboard box containing a 500 piece jigsaw puzzle. Top of box show promotional image featuring three windmills, canal with boat, a group of people, a plane with banner and a very large glass of Oranjeboom beer (same size as the windmills)On the sides is the name and address for the Oranjeboom Brewery. Features in small print the name of the manufacturer (B.C.F. Borne-Holland) On the bottom is the name of a previous owner of the jigsaw puzzle.jigsaw, advertising, tourism -
Tarnagulla History Archive
Photograph: Tarnagulla Public Hall / Former Victoria Hotel and Theatre
David Gordon Collection. Note the signboard to the right advertising theatre attractions, probably upcoming cinema shows. -
Tarnagulla History Archive
News clipping: Letter to editor about cannabis cigarettes, July 1, 1970
Murray Comrie Collection. A double page from The Sun newspaper, July 1st, 1970 with letter to the editor about an advertisement found in an old copy of the Tarnagulla & Llanelly Courier (July 5, 1890) for 'Indian Cigarettes of Cannabis'. tarnagulla & llanelly courier, smoking, cannabis, drugs, advertising -
Tarnagulla History Archive
News clipping: Letter to editor about cannabis cigarettes, July 1, 1970
Murray Comrie Collection. A double page from The Sun newspaper, July 1st, 1970 with letter to the editor about an advertisement found in an old copy of the Tarnagulla & Llanelly Courier (July 5, 1890) for 'Indian Cigarettes of Cannabis'. tarnagulla & llanelly courier, smoking, cannabis, drugs, advertising -
Tarnagulla History Archive
Posters: Tarnagulla Boxing Day Sports, Tarnagulla Boxing Day Sports, 1952
Murray Comrie Collection. 28 copies of a poster with title 'Tarnagulla Boxing Day Sports' on 18th December, 1952. Advertising programme of events for the day, which was a fundraiser for the Public Hall and Progress Association. Advertisements for local businesses around edge. Posters are in a brown wrapping with printer's label on bottom. tarnagulla, sport, recreation, competitions, fundraising -
Tarnagulla History Archive
Poster: Back To Tarnagulla 1985, Back To Tarnagulla Easter, 1985
Donald Clark Collection. A poster advertising activities for the Back To Tarnagulla 1985 celebration. back to tarnagulla, reunions, fire brigade, school, golf club, public hall, commemoration tree, community celebrations -
Tarnagulla History Archive
Poster: Tarnagulla Boxing Day Sports, Tarnagulla Boxing Day Sports, 1952
Donald Clark Collection. A poster with title 'Tarnagulla Boxing Day Sports' advertising the event to be held on 18th December, 1952. Gives programme of events for the day, which was a fundraiser for the Public Hall and Progress Association. Advertisements for local businesses around edge. tarnagulla, sport, recreation, competitions, fundraising -
Ballarat Tramway Museum
document - Advertising Card, Trading Places Print and Design, 2005
Colour printed advertising card by "Trading Places" for the BTM. One of many produced early 2005. Features a photo of 26 at Gardens Loop, providing location, operating hours and address details. Has a "give away" attached to the card. On rear has six other commercial / tourist locations. Produced by "Trading Places Print & Design", were designed to go into locations where tourist would visit, eg hotels and be placed in large turning or circular racks. Has telephone number on rear. See BTM Board Minutes c May 2005. tramways, trams, btm, marketing, advertisements, tourism -
Tarnagulla History Archive
Flyer: Out and About in Tarnagulla, 2014
David Gordon Collection. Advertising flyer for Out and About in Tarnagulla 2014. -
Tarnagulla History Archive
Notice: Arnold Minstrels Centenary Concert, 1993
Donald Clark Collection.An advertising notice for the Arnold Minstrels Centenary Concert. Three performances held 18th, 19th & 26th June 1993. -
Tarnagulla History Archive
Flyer: The Right-On Singers, 1980
Donald Clark Collection.Flyer advertising a performance by The Right-On Singers at Tarnagulla Public Hall, in aid of the Public Hall Restoration Fund. Held on 1st November 1980.entertainment, fundraising -
Tarnagulla History Archive
Tarnagulla Golf Club Scorecard, circa 1990s
Donald Clark Collection.Tarnagulla Golf Club Scorecard with advertising on front for Tarnagulla Licensed Grocery. sport -
Tarnagulla History Archive
Notice: Tarnagulla Community Trash & Treasure Market, 1990
Donald Clark Collection.A notice advertising the Tarnagulla Community Trash & Treasure Market, held 30th September, 1990. -
Kilmore Historical Society
Photograph, 19 Sydney Street
14cm x 9cm black and white photograph of 19 Sydney Street. Small, light coloured, rendered, single story building between and private resident and another commercial building. There is a sign on the building advertising Kilmore Garden Nursery inside the building. Written on the back: 19 Sydney 601shopfronts, nurseries, retail stores -
Kew Historical Society Inc
Slide - Former Livery Stables, Walpole Street, 1980
One of a group of slides taken by Mrs C Dickins, the mother of Joy Stewart, of built heritage in Kew. 35mm colour transparency (slide) of a rendered brick commercial building at 6 Walpole Street, Kew, taken in 1980 (now demolished). The double-fronted, two-storey building has a street frontage. Behind the formal rendered front, there is a wooden rear section then an extensive building with a pitched roof made of what appears to be galvanised iron sheeting. The ground floor facing Walpole Street includes a window and door on the left and a wide opening on the right to allow vehicular access; and earlier access by horses and carts when it was a livery stable. The second floor has two sash windows. Painted advertising signage includes: Brown's Office Cleaning Service, and Coakley Motors which would indicate the probable tenancy of the building at this or an earlier period. The building was located across the street from the (former) Kew Library and (former) Kew Town Hall. "Walpole Street"coakley motors -- kew (vic.), livery stables -- kew (vic.), walpole street -- kew (vic.) -
Tarnagulla History Archive
Flyer - Flyer: Off To The Diggings event, Tarnagulla, 2001
Flyer advertising the 'Off To The Diggings' event, held in Tarnagulla on 16 October, 2001 -
Tarnagulla History Archive
Advertisement for Bicycle Race, Tarnagulla, 1914
Murray Comrie Collection. A clipping from a Supplement to the Tarnagulla and Llanelly Courier, advertising a Handicap Bicycle Road Race, to be held in Tarnagulla on December 26th, 1914, starting at the Golden Age Hotel.tarnagulla, tarnagulla and llanelly courier, advertising, sport, recreation, cycling, bicycles, races, competitions, community events, golden age hotel -
Hume City Civic Collection
Magazine - Directory, "Sunbury Times" 1st Edition, c1994
A local community magazine.A commercial publication issued by the local Sunbury community, featuring stories of people and events in Sunbury as well as advertising local businesses. It has been printed on glossy paper with a colourful cover with 8 small photos and the title written in different colours on the front and the rest of the cover contains advertisements. The inside pagesw are in black and white.non-fictionA local community magazine.community magazines, sunbury times -
Federation University Art Collection
Drawing - Artwork - Drawing, Wes Walters, 'Fashion Sketches' by Wes Walters, c1970
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of fashion sketches in pen, Ink, and charcoal on paper. This work was donated through the Australian Government's Cultural Gifts Program by David Thomas.artwork, walters, wes walters, fashion, available, ballarat technical art school, sketch, commercial art -
Federation University Art Collection
Work on paper - Artwork, Wes Walters, 'Wrapped Head' by Wes Walters, 1976
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Donated through the Australian Government's Cultural Gifts Program. art, artwork, wes walters, walters, federation college, available, alumni -
Federation University Art Collection
Drawing - Pencil on paper, Wes Walters, 'Seated Youth' by Wes Walters, 1974
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil drawing depicting the body of a seated boy. Donated through the Australian Government's Cultural Gifts Program by David Thomas.art, artwork, wes walters, walters, child, drawing, available, alumni, archibald prize winning artist -
Federation University Art Collection
Painting - Artwork, 'Smeaton' by Wes Walters [and charcoal study], 1978
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. Bruce Smeaton (born 5 March 1938) is an Australian composer who is well known for a variety of Australian film and television scores in all genres, including features, shorts, television, documentaries and advertisements.[1] His scores include Picnic at Hanging Rock, Seven Little Australians, Roxanne, Iceman, and Circle of Iron. He has won the Australian Film Institute 'Best Original Music Score' Award for The Cars That Ate Paris (1974), The Great McCarthy (1975), The Chant of Jimmie Blacksmith (1978) and Street Hero (1984, shared with Garth Porter and others). (Wikipedia).1) Portrait of Bruce Smeaton in oil on an unframed stretcher. .2) Charcoal sketch of the head of Bruce Smeatonwes walters, portrait, artist, artwork, bruce smeaton, musician, sketch, walters, alumni, available -
Federation University Art Collection
Painting - Portrait, Wes Walters, [Portrait] by Wes Walters
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 to 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1979 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large portrait of a man painted in oil.wes walters, artwork, artist, portrait, alumni, archibald prize winner, available -
Glenelg Shire Council Cultural Collection
Flyer - DL Flyer - Warrock Homestead Casterton, n.d
DL flyer, black and white, single fold, advertising 'Warrock' homestead at CastertonFront: 'B. VIVIAN', handwritten blue biro. Red stamp 'RACV ACCOMMODATION BOOKING 123 Queen St MELBOURNE PHONE 600251' -
Federation University Art Collection
Painting - Artwork, Wes Walters, [Untitled] by Wes Walters
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large painting in oil.wes walters, artist, artwork, woman -
Port Melbourne Historical & Preservation Society
Book, Margaret Bride et al, The Borough and Its People, 2013
... Advertising Built Environment - Commercial Celebrations Fetes ...The Borough and Its People. 1839 -1939 Port Melbourne Book with blue front cover and narrow band of 5 photos 3to 5 cms from top. Back cover similar in layout plus description of book's theme and contents . PMHPS logo and Port Phillip Council logo on back cover.australian aborigines, built environment, armed services, maritime, melbourne and metropolitan board of works, arts and entertainment, piers and wharves, transport, natural environment, transport - aviation and aerodrome, advertising, built environment - commercial, celebrations fetes and exhibitions, religion, industry, engineering, education, families, garden city, sandridge lagoon, politics, sport, margaret bride nee polson, graham bride -
Glen Eira Historical Society
Photograph, Murrumbeena Road, 229, Murrumbeena, 2001
Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. From Glen Eira’s Heritage Management Plan by Andrew Ward (1996) Vol 2 p78: In Murrumbeena Road, the shops which form part of the estate are a simple cream brick row relieved by manganese bricks in bands across the upper storeys. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a section of a double storey, unpainted brick, commercial property containing shops at ground level all with awnings over the footpath. This specific property is a milk bar on street level with plate glass windows and door, colourful advertising and "229' in the top right section of the window. Shop signage says "MURREMBEENA MILK BAR". The upper storey brick residence features a large window, a flat roof and decorative two tone banded brickwork. MURREMBEENA (sic) MILK BAR / PK's / SANDWICH / BAR / MILK BAR & Sandwich Bar / 229 / SUB NEWSmurrumbeena, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, beauville estate, murrumbeena road, milk bars, commercial establishments, flats, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, beauville historic area, shops, brick features, window displays, advertising signs, murrembeena (sic) milk bar -
Glen Eira Historical Society
Photograph, Murrumbeena Road, 235, Murrumbeena, 2001
Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. No. 235 is NOT covered by the Heritage Overlay HO12.Colour photograph of a supermarket. The property features a flat roof awning, corrugated parapet, irregular multi-coloured slate tile and brick facade and extensive advertising over the front and side of the building plus on the gate to the right.Murumbeena FRIENDLY GROCER IGA / OPEN 7 DAYS / NEWSPAPERS / COLD SOFT DRINKmurrumbeena, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, beauville estate, murrumbeena road, commercial establishments, shops, supermarkets, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, beauville historic area, brick shops, parapets, advertising signs, murumbeena friendly grocer iga -
Warrnambool and District Historical Society Inc.
Functional object - Packaging, Photo Wallet McKinney, 1940s or 1950s
This folder came from the photographic studio of Alex Wilkins. For over 35 years in the 20th century he was one of the best-known commercial photographers in Warrnambool. In 1938 he purchased the building known as Jordan Studios (94 Liebig Street) and worked there until the 1960s. In the 1940s he became interested in producing movie films documenting local news and scenes. The name ‘McKinney’ on this folder indicates that the contents belonged to someone in the Warrnambool area as William McKinney had a general store in Lava Street in the 1870s and 80s and there are still McKinney residents in Warrnambool today. This folder is of some interest as it comes from the studio of Alex Wilkins, one of Warrnambool’s most important photographers in the 20th century. This is buff-coloured paper folded in three places to make a folder with sleeves at each end to insert photographs or photograph negatives. The folder is stitched with cotton at the top and the bottom and some of the stitching is coming undone. The inside sleeves have black printed advertising material on them and the front cover has a red and black image of two little girls. The back cover has a red and black advertisement for Kodak Verichrome film.Back Cover: ‘McKinney’ Front Cover: ‘Alex Wilkins, Photographer, 94 Liebig St., Warrnanmbool’ (stamp) alex wilkins, mckinney family, warrnambool -
Flagstaff Hill Maritime Museum and Village
Plaque - Nameplate, James & Alexander Brown, 1849 – 1931
This is one of two cast brass nameplates of James & Alexander Brown in our collection. The Newcastle, NSW, firm was renowned for its coal mining and exporting business established in colonial Australia in 1843. The firm had an office in Melbourne and sold coal for commercial use and from the Wharf for the domestic market. The coal was then distributed along the southwest coast of Victoria in steamships or steam packets and into the regional areas of Victoria by cart and wagon. In 1890 there was a strike of coal workers but the Geelong Advertiser, September 1, 1890, announced that “a firm of coal merchants only recently received some large cargoes from Newcastle”. This supply of coal could have originated at the colliery of James & Alexander Brown. About James & Alexander Brown: - James (1816-1894), John (1823-1846) and Alexander Brown (1827-1877) migrated with their parents from Scotland to Sydney, Australia, in 1842. The next year James leased land and was assisted by his brothers Alexander and John in mining coal in the area near Maitland. The market was very competitive, with the government controlling prices. James was instrumental in a legal battle that resulted in the introduction of open competition for coal mining. James and Alexander had become business partners by 1852 and moved south of Newcastle where they established and worked a profitable mining enterprise. Their assets by 1857 included a ships’ chandlery, a fleet of steamships and an overseas trading business. They were the first firm to import rum, sugar and coffee into Newcastle. By 1892 they were exporting coal to New Zealand, China, North America, and various colonial ports. They had elaborate workshops to service their own steam engines and steamships. They were the first to use a steam collier vessel in Australian waters and they set up the second tug boat in Newcastle, the beginning of being owners of many more tug boats and performing a towing business. By 1868 James & Alexander Brown was the largest coal producer in the colony. James focused on managing the colliery and Alexander on overseas trade. It was estimated that the firm had produced over eight per cent of coal in New South Wales by 1914. James & Alexander Brown advertised in the Melbourne Herald in the early 1900s and kept an office at Queen Street, Melbourne as well as at the Wharf, stating their telephone numbers for both places. The coal was available for ‘Immediate Delivery’ for household and industrial purposes. The advertising claimed that their Pelaw Main coal was the famous household coal that met the highest test in Australia and burned bright and clean. Domestic customers could purchase the coal at the wharf or pay for delivery. Commercial customers could load their purchases into their steamships or wagons for further distribution into regional Victoria. After James’s death in 1894 his son John managed the firm, which was also known as J & A Brown. John passed away in 1930 and his sons took over. In 1931 the firm amalgamated with Abermain Seaham and the new name was J & A Brown & Abermain Seaham Collieries Ltd. commonly abbreviated to JABAS, which merged with Caledonian Collieries Ltd in 1960 and Coal & Allied Industries Ltd. was formed. The pair of nameplates is significant for its connection with the firm James & Alexander Brown. The firm was established in 1845 and became one of the largest collieries in colonial Australia. It was involved in trading within Australia and overseas. James was involved in the introduction of open competition for coal mining prices. They were the first to use a steam colliery in Australian waters and the first to import goods such as rum, sugar and coffee into New South Wales. The firm had a Melbourne office in the early 1900s, selling and distributing coal throughout Victoria, which likely included the Port of Warrnambool, which opened in 1890. The nameplates are likely to have originated from the Melbourne location.Brass Entrance Name Plate, one of a pair. Eight holes are formed through the plate; one in each corner, and four more holes are within the inscription area. The cast plate has three rows of text with the company’s name and type of business. The plate was owned by James & Alex. Brown. "JAMES & ALEXR. BROWN / COLLIERY PROPRIETORS / & STEAMSHIP OWNERS"flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, nameplate, james & alexander brown, j & a brown, james & alexr brown, colliery proprietors, steamship owners, ship chandlers, coal mine, coal export, australian import, australian export, newcastle, colliers, coastal trade, steamships