Scales such as the subject item were used in a domestic situation. Salter has been a name long associated with weights and measures especially in the home kitchen. The firm began life in the late 1760s in the village of Bilston, England when Richard Salter, a spring maker, began making the first spring scales in Britain. He called these scales "pocket steelyards", though they work on a different principle from steelyard balances. By 1825 his nephew George had taken over the company, which became known as George Salter & Co. George later established a manufacturing site in the town of West Bromwich, about 4 miles (7 km) from Bilston. West Bromwich Albion football club was formed from workers at this works site. From here the company produced a wide variety of scales including the UK's first bathroom scales. Other items were added to the range, including irons, mincers, potato chippers, coin-operated machines and the first typewriters made in the UK. The business thrived throughout the 1900s, and by 1950 it employed over 2000 people, still in the same area and owned by the same family.Salter is a British housewares brand developing products that span a wide range of core product categories, including scales, electrical, cookware. It is a market leader in kitchen and bathroom scales and one of the UK’s oldest consumer brands.  Established in 1760, Salter has been developing precision products for over 260 years. It was acquired by Manchester-based consumer goods giant Ultimate Products in 2021 after they had previously licensed the brand for cookware and kitchen electrical since 2011."Scale Salter's Spring Balance brass cylinder with ring at one end and a hook at the otherSalter trademark stamped on front. Made in England stamped on back. Weighs 0 to 4LBS showing ¼lb increments.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, salter balance scale, weight measuring scale, weighing dry goods, domestic object, kitchen scale

White ceramic chamber pot with squared handle.chamber pots, domestic object, bedpans, potties, containers

It was used as a vase for flowers.A small plain brown pottery vase which is darker brown at the bottom with a stripe below the textured lighter grey or green coloured speckled neck. It is finished with a glaze.Evelyn. nickvases, containers, domestic object

A small rectangular Windsor patterned clear glass container for a dressing table, possibly used for hairpins in the 1930's or 40's. It has 4 angled pieces that protrude from each bottom corner. Three rows of hexagonal shapes are part of the pattern on all sides. There are chips and cracks. It may have had a lid.Hexagonal cuts to the pattern on all sides of the container.glassware, domestic object

Drawn thread was an embroidery technique that appeared in the 17th century. In the late 19th and early 20th century it was used on linen and cotton to create decorative functional items such as this tablecloth. The item is of significance socially as an example of a decorative domestic object from the early 1900s. It is a fine example of drawn thread embroidery.Handmade decorative tablecloth created from soft white linen. A crochet lace edge decorates the outer edge of the tablecloth and drawn thread work has been used to create two large inner borders as well as fine edging borders.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, great ocean road, tablecloth, linen, crochet lace, drawn thread work, textile, domestic object, decorative lace edging

An example of a pair of pillowcases from the early 1900s. The item is of significance socially as an example of decorative domestic objects in the early 1900s.Pair of pillowcases made from soft white cotton and machine stitched. Cotton ties are sewn into the back of each pillowcase. A combination of material and hand crocheted lace forms the edging of each pillowcase.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pillowcase, decorative lace edging, domestic object, pair of pillowcases, cotton, crochet lace, warrnambool, textile

An example of a handstitched decorative cloth from early to mid 1900s.The item is of social significance as an example of a hand stitched project undertaken to create a decorative domestic object.Pale yellow, hand embroidered small tablecloth. Tapestry thread in fawn, cream and yellow has been used to work star shaped designs in satin stitch, stem stitch and back stitch. Feather stitch forms a border around the overall pattern.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, tablecloth, embroidered, domestic object, textile

From the 1860's - 1930's various companies called their enamelware products by their own unique names, e.g. graniteware and agateware. The enamel coating put an end to metallic tasting food and prevented rust from contaminating food. It did scratch and chip easily. This lidded can could have been used for storing dripping or other liquids for cooking.A small rusted and chipped lidded can or billy with a wire handle looped at the sides. It has a rolled blue trim around the rim of the can. The rolled lid has a small flattened handle in the middle and the lid fits well to the can.enamel, metal, domestic object, cans

From the 1860's - 1930's various companies called their enamelware products by their own unique names, e.g. graniteware and agateware. The enamel coating put an end to metallic tasting food and prevented rust from contaminating food. It did scratch and chip easily. This lidded can could have been used for storing dripping or other liquids for cooking.A rusted and chipped grey speckled lidded can or billy with a wire handle looped at the sides. It has a rolled black trim around the rim of the can. The rolled lid has a small handle in the middle and the lid fits well to the can.enamel, metal, domestic object, cans

The flour bag is an example of packaging from the grocery store, Moran & Cato's. Moran & Cato's were a large chain of grocery stores operating from the late nineteenth century to the mid twentieth century across Victoria, Tasmania and New South Wales. The address on the flour bag is for the warehouse (wholesale depot) of the business which was a significant building in Brunswick St, Fitzroy.The flour bag provides a snapshot of packaging for a well known grocery store of the early twentieth century. The advertisement on the back for 'Cleaned Fruits' is an example of advertising that highlighted important facts relevant to that time (e.g. "latest Special Machinery" and "with running water").Small calico flour bag for self-raising flour (7lb) supplied from Moran & Cato's in Brunswick Street, Fitzroy, Melbourne. The front of the bag includes not only the detail of the business but ideas for baking, images of wheat and claims as to its excellence. The back of the bag has a written advertisement for 'Cleaned Fruits' another product of the company.Front - Wheaten Flour, Moran & Cato's, Trade mark The M & C Brand Registered, 7lbs Nett, The Highest Standard of Purity and Excellence, prepared with phosphate aerator, Self-raising Flour, For making scones bread cakes puddings & pastry, Warehouse & Office- Brunswick Street, Fitzroy, Melbourne Back - Moran & Cato's, Cleaned Fruits are Perfection, (advertising text), The Same High Quality, The Same Prices at all our Branches.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, calico, domestic object, textile, food storage, moran & cato's, flour bag, self-raising flour

Flour bags were used when purchasing flour from the late 19th century to the mid 20th century. In Melbourne, McAlpin's were one of the best known suppliers of self-raising flour. The business first began as a bakery in 1879 and was taken over in 1959. This is a good example of a flour bag from a well know Victorian supplier prominent in the early twentieth century.Calico flour bag for McAlpin’s self-raising flour. The stencil on the bag is very faded especially where red ink has been used. It includes an image of mountains and fir trees in green ink and a stalk of wheat sweeping up from bottom right to top / middle left in red ink.McAlpin’s (faded red) CONTAINING AEROPHOS’, PHOSPHATE AERATOR, SELF-RAISING, FLOUR (faded red), “THERE’S NO OTHER” Faded red square with writing …. CALCIUM …. Faded red triangle with T inside it to the far right of the trees Faded red writing at the bottom of the bag: PREPARED WITH PHOSPHATE AERATOR, AEROPHOS 25 LBS NET flagstaff hill maritime museum and village, great ocean road, shipwreck coast, calico, domestic object, textile, food storage, flour bag, mcalpin's, self-raising flour

Dry foods for domestic use were packaged in cloth bags from the late 19th century to the mid 20th century. As the bags contain the name Parsons' it could be presumed that they were oat bags as the Parsons Company packaged a variety of groceries for the Australian market including oats. The bags provide an example of calico bags used to store dry goods. Being presented as a ‘Farm Animal Series’ gives them added value as a collectable item and may have been an advertising ploy used by the company.A set of two calico bags from the Parsons' company - most likely bought as oat bags. The two are: No 1. (Clydesdale) and No 3. (Suffolk) from the Parsons' Farm Animal Series. Each bag has a multicoloured ink picture and written information about the horse described on the bag.8650.1 PARSONS' FARM ANIMAL SERIES No. 1, CLYDESDALE, The Clydesdale originated in the valley of the Clyde, Scotland. The main characteristics of the Clydesdale are ability to acclimatise in all parts of the world and perform all types of draught work. Clydesdale breeders lay emphasis upon bone, quality, weight, and action. The feet must be proportionate to the size of the horse, the hoof-head should have a full crown, with heels wide and quarters strong. 8650.2 PARSONS' FARM ANIMAL SERIES No. 3, SUFFOLK, The Suffolk, often known as the Suffolk Punch, originated in the County of Suffolk, England and is noted for its hardiness. From 15 to 16 hands in height, the Suffolk in general is smaller than the Clydesdale. The head is rather coarse, with the neck short. The body long, deep and wide with a round full appearance. The croup is straight, the legs short and free from feather. The invariable colour is chestnut, varying from light to dark.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, calico, domestic object, textile, food storage, parsons' farm animal series, oats, clydesdale, suffolk

Dry foods such as oats were packaged in cloth bags from the late 19th century to the mid 20th century. Parsons' Brothers and Company were involved in packaging a variety of produce for the Australian market including oatmeal for porridge.The oat bags provide a snapshot of a well-known Australian food company and how the bags were used to advertise other items available from the business.A set of two Oatmeal Bags from the Parsons' company. Each bag is made from calico with ornate writing and images on the front that relate to the product and company. The back of each bag is used to advertise a different product from the company – Saline Powder (8649.1) and Mustard (8649.2).Front (both): 7-lbs. Net, PARSONS', TRADE MARK, THE ORIGINAL FLAKED OATMEAL, DELICIOUS PORRIDGE, WITH ONLY TEN MINUTES BOILING, PARSONS BROS & COY., PROPY. LTD., MELBOURNE Back 8649.1 : TRY Parsons', PARSONS' SALINE POWDER, NET ? LB, SALINE POWDER, A COOL, REFRESHING AND HEALTHFUL DRINK Back 8649.2 : UNSURPASSED in Quality and Price, PARSONS' MUSTARD, (further writing is faded)flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, calico, domestic object, textile, food storage, parsons' bros, oatmeal, porridge

This coffee pot is part of a collection of domestic objects associated with formal regimental occasions, dinners, afternoon teas or suppers.Example of silverware collected by a regiment for use in formal occasions.Silver plate coffee pot with decorative legs, handle, cap, and spout.coffee pot, beverage, entertaining

The hat brush is an example of a domestic object that would have been common to most households in the late 19th and early 20th century.The hat brush is significant in that the inscription connects the brush to a prominent hat maker in the Western district whose business can be dated to the late 19th century. The address of the business was 24 Bridge St Ballarat and was owned by Mr Charles Morris. Curved wooden hat brush constructed from light polished timber. The handle end has a small hole in it and the front end is pointed. The bristles are two tone in a circling pattern and cut to follow the curved shape of the wood. There is a chip out of the wood exposing the bristle holes. The brush is stamped with the suppliers name and address.C. MORRIS, HATTER, (?) BRIDGE STREET, BALLARAT.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, hat brush, wooden hat brush, natural bristles, c.morris hatter, hatter ballarat, c.morris ballarat

Decorative domestic objects of this type where gathered by the regiment for use in formal occasions such as dinners, afternoon teas and suppers where guests were entertained. Often these were gifts from regimental officers as their time in the regiment ended.Representative of the type of object in regimental officers' messes. It is in excellent condition.Silver sugar bowl with four legs, two handles and a lid.sugar bowl, entertainment, formal ocasions, mess, officers

This teacosy provides an example of handmade, domestic objects held within the collection and was constructed in 1930 by Miss Beatrice Symons of Creswick and Ararat. The lining is of newspaper enclosed in cotton, with each part handstitched including the joining of the hexagonal patches. The templates for the hexagonal-shaped patches were made of metal. Handstitched teacosy, featuring hexagon patchwork in multi-patterned cotton. Padded, pink lining with mauve flowered frill over the top of joining seam. Loop sewn to inside.handicraft, patchwork, sewing, teacosy, beatrice symons, creswick, ararat, 1930

Displayed in History House.Pewter lid (538.2) and cut-glass sugar bowl (538.1). Bowl has cut-glass design of geometric and rounded shapes. Pewter lid has designs of roses, in an art nouveau style.sugar bowl, decorative object, domestic item, art nouveau

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This teapot is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. The ingenious repair to the teapot's handle reflects the resourcefulness and thriftiness of the Haeusler family during the economic hardships of the 1930s Great Depression. The teapot was manufactured in England, likely dating from the early twentieth-century. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. A glazed ceramic teapot with a printed design depicting two deer and a hunter in a woodland on one side, and two deer by a stream in a woodland on the other. The broken handle of the teapot has been replaced with wire. The teapot handle was repaired by Alfred Haeusler (b.1922, d.1997) and holds remarkable balance, perfectly retaining its function. Faded, circular makers mark on the base of teapot, illegible/"ENGLAND"teapot, teaware, tableware, ceramic, domestic, social history

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This porcelain [CONFIRM] tea set is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. DATED? This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Teacup, sauce and cake plate set with pink glaze and cherry blossom design.No makers markhousehold, porcelain, tableware, social history

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand made white cotton doily with hand stitched cotton fringe c.1919-1928textiles, sewing, handiwork, women's history, domestic, craft, family, wodonga, haeusler collection, haeusler

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand embroidered doily with floral design and word "CAKE" stitched around outer rim of fabric "CAKE"textiles, sewing, handiwork, women's history, domestic, craft

The Wodonga Historical Society collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This doily is one of several domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. It was made using the broderie anglaise needlework technique that incorporates embroidery, cutwork and needle lace. This technique originated in sixteenth century Europe and became popular in England in the nineteenth century. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.A handmade white broderie anglaise doily c.1920sneedlework, textiles, sewing, handiwork, women's history, domestic, craft, family

Child-size rocking horse made and sold by a patient of Mayday Hills Asylum. Purchased in 1978 and used by a family for generations.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A small wooden rocking horse painted in green, white and brown, with carpet lining on seat.beechworth, burke museum, mayday hills asylum, rocking horse, children's toys

The Lehmann toy company exported toys to the USA from 1895 to 1929 and specialized in mechanical, friction transportation and lithographed wind-up tinplate toys. Founded by Ernest Lehmann Co. in Brandenberg, Germany, 1881. In 1951 the fim re-established and is still making friction toys. Some of the most famous include: Autobus, the Dancing Sailor and Icarus. Lehmann distinguished itself early 20th-century by releasing small tin toys which were cheaper than the toys the competition made. End of the 19th century, beginning of th 20th, competitors were producing heavy, cast-iron toys. By the 1920s the Lehmann company had a staff over 800 people and made 80+ different toy designs.How it is significant? (...this item is one of last remaining examples of German toy manufacturing prior to World War One. ) How it is significance to local history? (....this item represents the importance of preserving local history and culture.) German, clockwork, red and white tinplate cart with green and white driver with green pointed hat, being pulled by zebra with red ears and cord tail. 1881/ Lehmann 'Zikra' Marke Pat./USA Appl. / For Jan 1907, Dec 1913 lehmann, toy, beechworth, burke museum, zebra, cart, germany

This nugget was found on the Beechworth Goldfield in the late 1800's by Mr Fred McIntosh (Alan & Edward Dunlop's Uncle (father James' brother-in-law) by marriage, husband of Elizabeth (Bessie) Dunlop), who had made it into a tie pin and presented it to the Dunlop family. A small nugget of gold made into a tie pin. The nugget is attached to a small amount of milky quartz stone and mounted on a tie pin.gold, nugget, beechworth, burke museum, tie pin, pin, gold rush, goldfield

Marcelling is a hair styling technique in which hot curling tongs are used to induce a curl into the hair. Its appearance was similar to that of a finger wave but it is created using a different method. Marcelled hair was a popular style for women's hair in the 1920s and 30s often in conjunction with a bob cut. For those women who had long hair, it was common to tie the hair at the nape of the neck and pin it above the ear with a stylish hairpin or flower. Accounts vary about the invention of the style, but Marcel Grateau (1852–1936) is widely credited with inventing the hair styling technique in the 1870s. He started with a small salon in Montmartre, Paris where his clients were the poorer classes. As he developed the waving method that would later become the Marcel wave, using heated curling irons, The inventor and stylist emigrated to the United States and changed his name to François Marcel Woelfflé, sometimes reported as François Marcel. He was granted U.S. patents for implements for performing the technique; the first, U.S. patent 806386, entitled "Curling-Iron", was published in 1905, and the second, entitled "Hair-Waving Iron", for an electric version, under the name François Marcel, was published in 1918. His obituary appeared under the name Francois Marcel Grateau in 1936. Originally the irons had to be heated in the fire, but hair easily got burnt until 1924 when electric irons were invented and the temperature could be regulated. A significant item that gives us a snapshot not only into women's hairstyles of the 1920s and 1930s but a look into the social norms of that era. Therefore the item is of social interest in regards to the story it tells and the development of women's fashion in hair styling.Marcel Tongs, metal, used to impart a hair wave by heating and crimping the hairNoneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tongs, curling tongs, hairdressing