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Federation University Historical Collection
Postcard - photographic, The Ascot Boys, c1916
... war i world war one france ray blight harry Holmes ...Photograph of the Ascot boys who served with Harry Holmes at the front during World War One. Harry Holmes in the front. Ray Blight in centrechatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, france, ray blight, harry holmes -
Federation University Historical Collection
Postcard - photographic, Australian Soldiers guard Metra Gaol
... War I World war One France Hobill Metras Egypt ...The photograph is associated with Harry Holmes who was a member of the Australian Imperial Force based in Egypt at the time. Egypt was a major base for the AIF from December 1914. A number of campaigns were fought in this theatre. There were two campaigns involving the AIF. Note that not all the fighting was actually geographically in Egypt. (http://www.aif.adfa.edu.au:8888/about3.html) Image of two uniformed Australian soldiers guarding a temporary gaol at Metra during World War One.Verso: 'Clink or jail at Metra. Gordon [Spittle] in the centre and Jim and George Hobill on guard.chatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, france, hobill, metras, egypt -
Ringwood and District Historical Society
Badge - Badges, 31 Badges relating to ANZAC Day, WW1, Red Cross etc. c 1914-1918, c. 1914 - 1918
Most badges would have been collected during WWIBadges, varying in size from diam 2.2cm to diam 3.2cm. Total 31 badges. Each has a picture on the front and a plain metal back slightly rusting, with a sharp metal pin fastener. ANZAC DAY (2); Hospital Day; British/Red Cross; King George's Day (Copyright); Allies for Freedom and Life; Australian Red/Cross Appeal/1918; I will help until the war is won (2); Hospital/Day/1918; Our fighting men/Australian Comforts Fund; Same 3.2cm diam; Wattle Day (3); Hospital Day/for charity; Discharged Soldiers' Fund/For our Returned Soldiers; French Red Cross; For/Our Own (2); Red Triangle/King/God/Country; Our/Day/Nation/& Honour; Servia/Syria/Armenia; Our Sailors' Day (2); Italian/Red Cross; For Our Fighting Men; ANZAC/Remembrance Day; Our/Day/Nation/& Honor; Three enamel badges:; 1. Red Cross/'Australian Red Cross Society'. Red Cross on white surrounded by annular blue enamel. Crown on top. Diam 1.7cm.; 2. 'Fathers'. Centre of badge brass on red enamel background. Reg No 20169 over 494. Diam 2.6cm.; 3. ARP 'Victoria/ARP/AG121/WARDEN. Crown on top. On rear: 'Issued by State Emergency Council'. H 3.0cm x W 2.6cm.Refer photograph. -
Flagstaff Hill Maritime Museum and Village
Domestic object - Fork
Naturally, we tend to take commonplace objects for granted, because they have always been there. Yet how many of you actually have thought “hey, where do forks come from?” Well, it takes one trip to China and a 3-year-old laughing at your face because of your desperate attempt to eat with chopsticks to finally appreciate something so ordinary such as a fork. So, where do forks come from? The early history of the fork is obscure. As a kitchen and dining utensil, it is believed to have originated in the Roman Empire, as proved by archaeological evidence. The personal table fork most likely originated in the Eastern Roman (or Byzantine) Empire. Its use spread to what is now the Middle East during the first millennium AD and then spread into Southern Europe during the second millennium. It did not become common in northern Europe until the 18th century and was not common in North America until the 19th century. Carving fork from 1640. Source: Wikipedia/Public Domain Carving Fork from 1640. Source: Wikipedia/Public Domain Some of the earliest known uses of forks with food occurred in Ancient Egypt, where large forks were used as cooking utensils. Bone forks had been found on the burial site of the Bronze Age Qijia culture (2400–1900 BC) as well as later Chinese dynasties’ tombs.The Ancient Greeks used the fork as a serving utensil. Read also: Steven Spielberg to Remake the Classic Musical ‘West Side Story’ In the Roman Empire, bronze and silver forks were used. The use varied according to local customs, social class and the nature of food, but forks of the earlier periods were mostly used as cooking and serving utensils. The personal table fork was most likely invented in the Eastern Roman (Byzantine) Empire, where they were in everyday use by the 4th century (its origin may even go back to Ancient Greece, before the Roman period). Records show that by the 9th century a similar utensil known as a barjyn was in limited use in Persia within some elite circles. By the 10th century, the table fork was in common use throughout the Middle East. Bronze forks made in Persia during the 8th or 9th century.Source: Wikipedia/Public Domain Bronze forks made in Persia during the 8th or 9th century.Source: Wikipedia/Public Domain The first recorded introduction of the fork to Western Europe, as recorded by the theologian and Cardinal Peter Damian, was by Theophano Sklereina the Byzantine wife of Holy Roman Emperor Otto II, who nonchalantly wielded one at an Imperial banquet in 972, astonishing her Western hosts.By the 11th century, the table fork had become increasingly prevalent in the Italian peninsula. It gained a following in Italy before any other Western European region because of historical ties with Byzantium and continued to get popularity due to the increasing presence of pasta in the Italian diet. At first, pasta was consumed using a long wooden spike, but this eventually evolved into three spikes, design better suited to gathering the noodles. In Italy, it became commonplace by the 14th century and was almost universally used by the merchant and upper classes by 1600. It was proper for a guest to arrive with his fork and spoon enclosed in a box called a cadena; this usage was introduced to the French court with Catherine de’ Medici’s entourage. In Portugal, forks were first used at the time of Infanta Beatrice, Duchess of Viseu, King Manuel I of Portugal’s mother around 1450. However, forks were not commonly used in Western Europe until the 16th century when they became part of Italian etiquette. The utensil had also gained some currency in Spain by this time, and its use gradually spread to France. Nevertheless, most of Europe did not adopt the use of the fork until the 18th century. Read also: The 8 Most Famous ‘Functioning Alcoholics’ in History Long after the personal table fork had become commonplace in France, at the supper celebrating the marriage of the Duc de Chartres to Louis XIV’s natural daughter in 1692, the seating was described in the court memoirs of Saint-Simon: “King James having his Queen on his right hand and the King on his left, and each with their cadenas.” In Perrault’s contemporaneous fairy tale of La Belle au bois dormant (1697), each of the fairies invited for the christening is presented with a splendid “fork holder”. The fork’s adoption in northern Europe was slower. Its use was first described in English by Thomas Coryat in a volume of writings on his Italian travels (1611), but for many years it was viewed as an unmanly Italian affectation. Some writers of the Roman Catholic Church expressly disapproved of its use, St. Peter Damian seeing it as “excessive delicacy.” It was not until the 18th century that the fork became commonly used in Great Britain, although some sources say that forks were common in France, England, and Sweden already by the early 17th century. Spaghetti fork By Lady alys - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6414948 Spaghetti Fork By Lady alys – Own work, CC BY-SA 3.0, The fork did not become popular in North America until near the time of the American Revolution. The curved fork used in most parts of the world today was developed in Germany in the mid 18th century while the standard four-tine design became current in the early 19th century. The fork was important in Germany because they believed that eating with the fingers was rude and disrespectful. The fork led to family dinners and sit-down meals, which are important features of German culture. https://www.thevintagenews.com/2016/08/31/priority-fork-came-italy-european-country-pasta/?chrome=1Serving fork, two prongs, with a shaped wooden handle. Badly rusted.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, food, meat, carving -
Flagstaff Hill Maritime Museum and Village
Container - Tin, Kiwi Shoe Polish Manufacture, 1940s
The polish was developed in Australia by William Ramsay who named it Kiwi after the flightless bird endemic to New Zealand, the home country of his wife, Annie Elizabeth Meek Ramsay. Its success in Australia expanded overseas when it was adopted by both the British and American armies in World War I. In the UK, Kiwi was for many years manufactured at its British headquarters in Ealing (Brumwell Road, London W5 1DT). From here the factory manufactured for the UK market and exported the Kiwi brand too much of Europe and the Middle East. In the mid-1970s, as part of a major streamlining, the UK factory was closed with production switched to France. The UK operation moved to Surrey at Yately becoming, effectively, a sales and marketing office, with distribution contracted to a third party. In 1980, production for the UK market moved back to the UK and was housed in a factory near Huddersfield. The UK head office was relocated to Maidstone, Kent, where Kiwi had other product interests. Following the global merger with Nicholas Laboratories, the UK head office was again relocated to Slough at the Nicholas building on Bath Road.A significant product as Kiwi is an Australian brand name of shoe polish, first launched and sold in Australia in 1906 and as of 2005 sold in almost 180 countries. Previously owned by the Sara Lee Corporation since 1984, it was sold in 2011 to S. C. Johnson. It is the dominant shoe polish in some countries, including the United Kingdom and the United States, where it has about two thirds of the market. In Malaysia and Singapore, Kiwi has become such a household brand for a shoe polish that the word "kiwi" has been genericized into a verb in the Malay language, meaning "to polish one's shoes".Metal cleaning outfit of Kiwi boot polish brush, scraper, & polish missingKiwi Boot Polish to front of containerflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Bendigo Military Museum
Postcard - CARTOON POSTCARD, Inter Art- Co, 15.11.1916
The letter details how the writer GEORGE saw George yesterday and waved and yelled but he did not see him as they were marching past. It also describes how they just came out of the trenches with mud over their knees and higher. The George walking past is possibly George Frederick Pierce DCM. Refer Cat no 1891P for his service details, award and death.Cartoon coloured postcard depicting a boyish soldier surrounded by boys and girls. On the rear is a letter from France to a girl, the writing is in blue pen.On the rear “15/11/16 France, Dear Gaddis”. The letter ends “I remain yours sincerely George H..........postcards, military, cartoons -
Bendigo Military Museum
Photograph - PHOTOGRAPHS WW1, C.1918
.1) On rear: 10 days furlough to England. I left the trenches on the 22nd Dec and arrived in England on the 27th and left again on the 6th Jan for the Somme. I had a Bon Time. This fits in with James Archibald TODD No 2418 AIF. By his records this was 1917 - 1918 leave. Refer Cat No 1340P for his service details. .2) On rear: France 2.6.18. Kindest Regards to all from Jim. .3) On rear: Le Mart France, Dear -- this is some of my mates, I am on this -- with love to all, Jim. The 3 photos all relate to James Archibald TODD No 2418 AIF. Refer Reg No 1217 for his brother Charles, KIA. .1) Photo postcard, sepia, showing 4 soldiers, 2 sitting & 2 standing. Handwriting on rear in purple pencil. .2) Photo postcard, sepia, showing a group of 17 soldiers dressed for entertainment. Handwriting on rear in blue ink. .3) Photo, sepia, showing a large group of uniformed men with trees in the background. 3 dogs are in the front row. Handwriting on rear in black pen..2) Printed in white underneath the photo: “ANZAC COVES - PIERROT TROUPE DIRECT FROM THE FIRING LINE”photographs, france, todd -
Bendigo Military Museum
Book - BOOKS, C E W Bean - Vol I et al, Official History of Australia in the War of 1914-18 (13 volumes), 1939
Red buckram hard copy, gold text on covers, black & white photos & illustrations. .1) Vol I The Story of ANZAC, 662 pages .2) Vol II The Story of ANZAC, 975 pages .3) Vol III The AIF in France 1916, 1036 pages .4) Vol IV The AIF in France 1917, 1030 pages .5) Vol V The AIF in France 1918, 825 pages .6) Vol VI The AIF in France: May 1918, 1099 pages .7) Vol VII Sinai and Palestine, 844 pages .8) Vol VIII The Australian Flying Corps, 493 pages .9) Vol IX The Royal Australian Navy, 649 pages .10) Vol X The Australians at Rabaul, 412 pages .11) Vol XI Australia During The War, 922 pages .12) Vol XII Photographic Record of the War, 753 pages .13) Vol XIII Photographic Record of the War, 753 pagesbooks, military history -
Bendigo Military Museum
Card - SILK CARDS, C.WW1
“Your Bro RTH” relates to Robert Thomas Heard No 5105, KIA. Refer Cat no 1893.2P for his service history..1) Card sent to Mrs J Hendry from France. .2) Card sent to Mrs J Hendry from France..1)” Kisses from France” .2) “From a loving Heart “ “France 3.5.17 Mrs J Hendry 78 Ophir St Golden Square Bendigo Vic” “My dear sister Just a card to let you see I am still thinking of home letter follows Your bro RTH”documents cards, silk -
Bendigo Military Museum
Photograph - POSTCARD PHOTOGRAPH WW1, C.WW1
The card relates to Robert Thomas Heard No 5105 AIF. Refer 1893.2P for his service history. Rear of the card has. France 2.11.17, My dear sister, just a card as I have’nt got time to write a letter at present. I will write more at first opportunity. I have joined my Battalian again. We had a bad time in the last big fight. Wallace came out without a scratch. My Pal L Shelton was killed. It’s cruel . .........but not goodbye, your Bro RTH XXXX remember me to ..... ........ L Shelton is believed to be Leo Frank No 1555, enlisted in the AIF on 19.3.1915 in the 1st reinforcements 24th Batt age 20 years. Embarked for Egypt 25.6.1915, embarked for Gallipoli 30.8.1915, transfer to 57th Batt 12.5.1916, embark for France 17.6 1917, WIA 7.10.1916 bomb wound right arm, rejoin unit 2.11.1916, hospital 29.11.1916 with Trench feet, rejoin unit 29.12.1916, promoted to Cpl 25.5.1917, KIA 26.9.1917. He is remembered on the Soldiers Memorial Institute Honour Roll Bendigo.Postcard Photo, colour enhanced showing a street scene in London.documents postcards, photographs -
Bendigo Military Museum
Certificate - CERTIFICATE, FRAMED, Post 1920
Reginald Joseph McCULLOUGH No 2203 enlisted in the AIF in 15th reinforcements 3rd LHRegt on 15.11.1915 age 28 years 7 months. Embarked for Egypt 16.3.1916, transfers to Artillery Details 15.5.1916, embark for England 28.6.1916, attached to 5th Div Artillery, embark for France 4.9.1916, transfer to 14th FAB 11.10.1917, WIA 2.11.1917, SW to right leg fracture, rejoin unit 19.7.1918, hospital 25.10.1918 with Cellulitis left knee then classified as Synovitis, transfer to AHQ 9.12.1918, hospital 20.12.1919, died Grove Military hospital England classed as Excema and Syncope 30.12.1919. William Francis McCULLOUGH No 2863 enlisted in the AIF in 6th reinforcements 24th Battalion on 12.7.1915 age 21 years. Embark for Egypt 27.10.1915, transfer to 7th Bn 24.2.1916, embark for France 26.3.1916, hospital 18.6.1916 Dental, rejoin unit 25.6.1916, hospital 4.11.1916 with Diarrehoea, rejoin unit 9.11.1916, hospital 22.4.1917 (unclear) rejoin unit 13.5.1917, transfer to 1st Aust Div Signals, discharged from the AIF 28.7.1919.WWI Brothers - W F McCullough & R J McCullough. Frame, tan wooden, glass front, cardboard backing. Certificate, painted, coloured with a photo of each brother inserted.On certificate: TWO MEN WENT FORTH FROM THIS HOME W F McCullough 1915 R J McCullough 1914 On sticker at bottom of glass: WORLD WAR I BROTHERS Donated by J E Wilesdocuments - certificates, frame accessories -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Croix du Combattant
The Poilus (French combat soldiers) of World War I worked toward recognition by the government, of a special status to those who had participated in the bitter fighting of 1914-1918 (as opposed to those who served behind the lines). The law of 19 December 1926 created la carte du combatantt, or combatant card, for veterans of 1914-1918, as well as those veterans of 1870-1871 and colonial wars before the First World War. The decoration was created only three years later by the law of 28 June 1930. A decree of January 29, 1948 states that the provisions of the 1930 Act relating to the allocation of the combatant card and the Croix du combattant were applicable to participants of the 1939-1945 war. The law of 18 July 1952 extended the benefit of the award of the Croix du combattant for Indochina and Korea. The law of December 9, 1974 has extended the award of the Croix du combattant to operations in North Africa between 1 January 1952 and July 2, 1962. More recently, a decree of January 12, 1994 opened le carte du combattant holder (hence the Croix du combattant) to those who participated in the operations of Cambodia, Cameroon, Gulf, Lebanon, Madagascar, Suez, Somalia, Central African Republic, Chad, Yugoslavia, Zaire, and Iraq.A cross pattée with four arms in bronze, with a laurel wreath between the arms 36 mm across. engraved by de DOUMINC. On the obverse in the center, effigy of the Republic on a charge helmet Adrian laurel leaves surrounded by the legend REPUBLIQUE FRANCAISE. On the reverse the inscription CROIX DU COMBATTANT framing a sword placed vertically with the bottom edge, up to the guard, the rays from up to 180 °. medal, croix du combattant -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Certificate (Medical), Certificate to be given to all NCO's and men proceeding on leave, 7/5/1917
... is written "Souvenir of my furlough from France saying that I am free... is written "Souvenir of my furlough from France saying that I am free ...Certificate was issued to No 1175 Kennedy J (rank not clear) of 23 Bn AIFA certificate issued to all nco's and men proceeding on leave, certifying that the bearer is free from vermin and scabies.Signed by Capt Miralyin (?) RAMC on 7/5/17 On back is written "Souvenir of my furlough from France saying that I am free from (chats)"certificate, medical, ww1, vermin -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Christmas Card, 1917
A small, coloured Christmas card showing the rising sun badge, a sketch of purple pansies and the words" To greet you and wish you a Merry Christmas" on the front. There is a green woven cord down the spine holding the internal sheet on which is written "Christmas, 1917. Did you hear a whispered "Coo-ee". Did you feel a clasping hand, When the Christmas bells were ringing, In Australias Golden Land? For in my thoughts I send them you, From the shatter'd fields of war, That we might meet, greet as in dear days of yore; And O how low distant distant seem those times, When you and I were near, Oh would the Southern Cross and you were shining on me here. From 2987 Sapper C A Roney 1st Aust Divn Signal Coy AIF France"As describedchristmas card, ww1, france -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Post Card, c. 1914
A post card depicting a painting of East Harbour AlexandriaOn back in pencil: "Alexandria 6/12/14 Dear Clarence, We arrived here Saturday morning and are anchored in this harbour. We are going off in the morning (8th) after being on the boat exactly seven weeks. It would surprise you to see the big town and large buildings in this part of the world. There are all nations here Turks, Greeks, Arabs Egyptians & French It is funny to hear the chatter when they try to sell anything. Well I will have to stop here. I will write again, Arthur" post card, alexandria -
Frankston RSL Sub Branch
Postcard, Set
A set of seven postcards which were sent from France during WWI to the wife of George Hartley. Four of the postcards are intricately embroidered on silk with cardboard frames. The others are printed on card. They are framed in a simple wooden frame.On the postcard in the top-left corner are embroidered the words "to the dear ones at home". On the postcard in the top right-hand corner are the words "May God bless you until I return". On the bottom left-hand corner postcard are embroidered the words "Not absent in thoughts". Embroidered on the postcard in the bottom right-hand corner are the words "A Kiss from France". One of the postcards is dated "France 17/4/18". Another postcard says "I'm thinking of you" and the remaining card says "To my dear Wife" -
Frankston RSL Sub Branch
Postcard (four of six)
An embroidered postcard which was sent to an Australian family during World War I. The postcard is intricately and colourfully embroidered on silk framed with a cardboard backing. The design is of flowers, foliage and the French and English flags with the words "happy new year". -
Frankston RSL Sub Branch
Postcard (five of six)
An embroidered postcard which was sent to an Australian family during World War I. The postcard is intricately and colourfully embroidered on silk framed with a cardboard backing. The design is of flowers, foliage and crossed French and English flags with the words "united we stand". -
Frankston RSL Sub Branch
Postcard (six of six)
An embroidered postcard which was sent to an Australian family during World War I. The postcard is intricately and colourfully embroidered on silk framed with a cardboard backing. The design is of flowers, flags and the numerals 1918 with the words "souvenir of france". -
Orbost & District Historical Society
Photograph - black and white photograph, Albert Maddern
The seated man has been identified as Albert Maddern, France 11/3/1919, 3rd Division Signal Company, World War I. This is a studio photograph of Albert Maddern (Orbost) and another soldier. The name of A W W Maddern is inscribed on the W W I Orbost Roll of Honour of those who served from this district in W W I. A photograph of an Orbost man who served in W W I.A b/w photograph H-21.8cm W-15.2cm of two men in military uniforms, one man seated, the other man standing. world war i, albert maddern -
Orbost & District Historical Society
medal, 1855
The Turkish Crimean War medal is a campaign medal issued by Sultan Abdülmecid I of the Ottoman Empire to allied military personnel involved in the Crimean War of 1854-56. There are three different issues of this medal for those issued to British, French or Sardinian personnel.An 1855 Crimea War medal of metal with pin soldered onto back. Flags and cannon on front.medal numismatics military crimea -
Orbost & District Historical Society
drawing - graphic, Mr Brodribb's Maize Shelter, 6.8.1918
... H French A-R-V-I-A- Bairnsdale 6-8-1918.... In glass with wooden frame. H French A-R-V-I-A- Bairnsdale 6-8-1918 ...Newspaper found inside frame backing dated Tues, Nov,12 1918. Harry French was a well known architect in Bairnsdale for over 40 years. Harry French of Bairnsdale was A. J. Macdonald's supervising architect for Bairnsdale Court House built in 1893.This drawing is significant for its connection to the Brodribb family. The architect, Harry French, was a well-known Bairnsdale architect. Maize has been a major crop in the Orbost district since the late 19th century.Graphic illustration of Mr H Brodribb's maize shelter to half inch scale. In glass with wooden frame.H French A-R-V-I-A- Bairnsdale 6-8-1918drawing civil-engineering drafting rural-industry agriculture maize brodribb -
The Beechworth Burke Museum
Photograph, c.1914
... of the kelly gang world war i langnicourt france great war 1917 ned ...This photograph depicts a soldier, credited on the reverse as Fred Foster. The young man is dressed in military attire and is standing tall with a gun beside him. He is located in the Australian bush and the date of the photograph is unknown. Frederick “Fred” Arthur Foster was nephew to famous Bushranger Edward “Ned” Kelly. He was born on the 15th of March 1889 in Forbes, New South Wales. He was the eldest son of Catherine “Kate” Kelly and William Henry “Bricky” Foster. After the death of his mother in October of 1898 from apparent drowning, Foster (then aged 9) was raised by his grandmother Ellen Kelly (née Quinn) at Eleven Mile Creek in Victoria. On the 29th of June 1915, 26 year old Foster travelled to Melbourne, Victoria and enlisted in the Australian Army. He was a Private in the 17th Infantry Battalion (originally C.Company, 47th battalion). He previously was attached to the 55th Battalion but transferred in 1916. Prior to enlisting in the army, Foster worked as a Bee Keeper and served in the 16th Light Horse regiment at Benalla. Foster had blue eyes, brown hair and was of Presbyterian faith. On the 28th of February 1917, Foster travelled to France aboard SS “Golden Eagle”. He was killed in action in Lagnicourt, France on the 15th of April 1917 at 28 years old. The Battle in Lagnicourt France, on the Western Front, occurred from the 1st of March to the 30th of April of 1917 and was the location of fierce fighting between Germany and the British Empire. Germany became aware of a weakness they had along the Hindenburg Line, one of these weaknesses was located in Lagnicourt which is a small village in Northern France. Therefore, the Germans decided to launch a counter-attack in this area on the 15th of April at dawn. During this fight, German forces captured several batteries of the 1st Australian Division’s artillery but the Australians led a strong counter-attack by four of their battalions and recaptured the village and most of the guns from the German forces. German forces were forced into a premature withdrawal. This battle was not undertaken in typical WW1 “trench” style warfare. Instead, the battle was up on the ground in what was described as “old open style warfare”. In this battle, slightly more than 1000 casualties were Australian, with 300 of these prisoners of war. German forces suffered a loss of over 2300 casualties with 360 taken captive. Foster was one of 43 in his regiment who died, 87 were wounded and 51 reported missing. Foster was buried at location in Lagnicourt and whilst the grave was initially marked, it is now unknown. Foster’s service, alongside those who fell at Lagnicourt, is commemorated at the Australian National Memorial in Villers-Bretonneux, France along with other national Australian memorial sites.Photography played an important part in World War 1. Photographs of men in their military uniforms served as propaganda during the Great War to reassure civilians back at home of the military prowess of their nation and the bravery of their men. It did this while hiding the true horrors which faced the men in battle. These photographs, which includes those taken at home prior to embarking overseas like Fred Foster’s, act as censored memory for those who have lost a loved one at war. It enables families to remember their relatives in their youth and standing proudly rather than having to face the actual danger and horror which faced these men at the front line. The battle of Lagnicourt France was a victory for the European Empire and therefore, men who lost their lives protecting their countries became heroes and were awarded posthumous medals for their service. Photos of soldiers in their uniforms, were undertaken by men like Foster, so their families would be able to retain their memories and likeness before they embarked for war. Many men were killed or horribly wounded so these images were important for reminding families about their sons/ husbands/ brothers/ cousins and friends. This photo is a part of the Burke Museum Kelly album which includes numerous photographs relating to the Kelly Gang. As the son of Kate Kelly and William “Bricky” Foster, Fred Foster is an important part of the Kelly story after the execution of Edward “Ned” Kelly which has information it can impart relating to the history of the family after 1880. Whilst an important element of the Kelly Album, Foster’s photograph is also historically important in its own right for its connection to the Great War and the experiences of a soldier at the Western Front.Original sepia rectangular photograph developed on matte photographic paper, unmounted.Reverse: (Top right corner of reverse:) FRED FOSTER/ (Top centre of reverse:) Kate Kelly's son.kelly album, fred foster, kate kelly, photograph, australian soldier, the kelly gang, australian bush, burke museum, sepia photo, gum trees, family of the kelly gang, world war i, langnicourt, france, great war, 1917, ned kelly, frederick foster, william "bricky" foster, ellen kelly, military history, australian military -
Warrnambool and District Historical Society Inc.
Documents, Letter: 30 July 1917 To Gladys from 3117 Pte SO Miller, pre 30 July 1917
Original correspondence from SO Miller to Gladys Holmes, Bakery, Byaduk written from abroad in July 1917. 3117 Pte Stanley Owen Miller was born in London, England. He worked at the McGillivray farm, Byaduk. Enlisted 8th January 1917 and served with the 38th Battio - 7th Reinforcements and embarked on the HMAT A70 Ballarat. Killed on 7th June 1917 at Villiers Bretonneux, France, aged 20. Original correspondence envelope and two page letter written by an Englishman to Gladys Holmes of the Bakery, Byaduk. When working on the McGillivray farm at Byaduk in 1917 he enlisted in the A.I.F. One of fourteen items of documents gifted, all correspondence from abroad to Byaduk residents. 001804.1 - 001804.1R: Envelope- Y.M.C.A. branded issue, black ink postmark and 1d red stamp 001804.2-001804.3R Two sheets of Y.M.C.A. paper, buff with central black YMCA logo, 'For God, For King & For Country' with "HM FORCES ON ACTIVE SERVICE' superimposed on reversed machine guns and two red and blue Y.M.C.A. logos written in blue ink on both sides. 001804.9.-.001804.9R: small black and white photograph of a soldier with 11 lines of handwritten descriptive text on the reverse. 001804.1 -1R: Y.M.C.A. envelope handwritten 'On active service abroad' addressed to Miss G. Holmes/Byaduk (Bakery)/Via Hamilton/Victoria/Australia. Red 1d pRE Reverse- Byaduk/Byaduk/M Miss G.I. Holmes 001804.2- 001804.3R: Three pages of blue ink handwriting on Y.M.C.A. letter paper. Abroad/ Dear Gladys....I remain yours S.O.Miller.gladys holmes, so miller, 3117, hmat a70 ballarat, villiers bretonneoux, byaduk memorial hall, honour board, ww 1, letter, y.m.c.a., photograph, diet sheet, villers bretonneux, byaduk memorial hall honour board, england -
Wangaratta RSL Sub Branch
Framed photograph
The 59th Battalion was an infantry battalion of the Australian Army. Initially raised for service during World War I, the battalion fought on the Western Front in France and Belgium between 1916 and 1918, before being disbanded in 1919. In 1921, it was re-raised as a part-time unit of the Militia in Victoria. They remained in existence until 1942 when, due to a manpower shortage in the Australian economy, the decision was made to amalgamate the battalion with the 58th Battalion to form the 58th/59th Battalion. Together they remained linked throughout World War II, serving in New Guinea and Bougainville in 1943–1945. In 1952, the 59th Battalion was re-raised and subsequently was absorbed into the Royal Victoria Regiment in 1960.Brown timber frame containing cream coloured mount and photograph of large group of soldiers and bandsmenPlaque -59th Militia Circa 193959th militia, ww1, ww2, 1939 -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home, 1917. Mentioned in postcard George Buse 2208 born Yarraville who enlisted on 10/9/1914 aged 21 years 3 months. He embarked on 20/10/1914 and returned to Australia in 1919. He was a Driver with the 10th ASC,Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered pink flowers, green foliate and blue winged butterfly decoration on front. Handwritten message on the back.Front: "To my dear Wife" (embroidered) Back: "To Enid from dad xx / xxxxxx / France / Feb 26/2/1917 / My Dear Alice / Just a PC to let you I'm still well and hope are all the same I have not see Joe lately I may see him sometime or the other I hope you enjoyed yourself on your holidays they will do you good. I'm in a rest station I have not been too well I think I will be back with the battalion in a few days you can tell ??[ma]?? I met Pugger Loney he is in the 15 ambulance he looks well and it just as fat as ever I'm goin gover to see youn George Buse tomorrow well I have not much new to tell only all is well so I will now close with best love from loving husband Will xxxxxxxx"wwi, postcard, embroidered postcard, william west 1268, george buse 2208 -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered sailing boast with flying french flag and union jack. Also pink, blue flowers and green foliate decoration on front. Handwritten message on the back.Front: "To my dear Wife" (embroidered) Back: "My dear Alice / France / Just a PC to let you know I'm well and hope you are all the same I have not see Joe yet over here but I believe he is alright so far well there not much news to tell you get more news over there than we do. I hope Jack and Father are working. I wrote to Jack he aut to have my letters by now well this all the news ???? as long as you know I'm well ?????? bye best love Will xxxxxx"wwi, postcard, embroidered postcard -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered flowers and green foliate decoration on front. Handwritten message on the back.Front: "I THINK OF YOU" (embroidered) Back: "Write Soon / O[ct]? / To Enid / From [Dad] / Best [lo]ve / xxxxx" wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1916
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered scene depicting two brown sail boats and vase of pink flowers. Handwritten message on back.Front: "To my Wife" (embroidered) Back: "My dear Alice just a PC to let you know I'm still well I heard Joe is in Hospital with a sore throught I have not heard from you latly this is all at present all well and hope you are all the same / best love Will xxxxx"wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub Branch
Postcard, 1917
From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Colour postcard (portrait orientation) with flags of the allies, ivy and flowers above a birthday greeting. Handwritten message on back.Front: "To wish you a glorious birthday / sheltered form all worldly strife / may your life guarded be / and only days of sweet content / i would wish for thee"album, photo album, newspaper clippings, postcard, wwi, 1917, the flags of the allies, belgium, russia, great britain, france, flag, birthday card, birthday, greeting