Rug was made on National Wool Museum Brinton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth. On the afternoon of 28/4/1988 Queen Elizabeth was presented with a similiar rug but latex backed and labelled.Rug was made on National Wool Museum Brunton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth. Detail of rug made on National Wool Museum Brunton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth II. Label on rug made on National Wool Museum Brunton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth II. Label for rug made on National Wool Museum Brunton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth II.weaving, national wool museum, axminster

One of a set of drawings of the National Wool Museum by David WilliamsPen and ink drawing, on paper, of "Mr Jeff Smith" in his wool broking office, part of the wool sales exhibition formerly in Gallery 3 in the National Wool Museum, Geelong. By David Williams.David Williams '90 9national wool museum

Christian Den Besten was Born 1972. Through art Christian interprets his community - the current affairs, infrastructure, and people that affect his everyday life. He is a prolific artist and often works with an accumulation of small components in creating his artworks. Christian is an artist living with an intellectual disability. He takes pleasure in drawing the beautiful buildings that dot Geelong’s cityscape. He exhibits and sells his work regularly.Denny’s Lascelles building Geelong by Christian Den Besten, 2019.

2005 DViets visit to the older Vietnam Veterans Museum, Phillip Island and present the museum with a $1,200 donation.Photo shows sub branch members and includes older picture of museum external wall. Photograph, in color of sub branch members visiting the National Vietnam Veterans Museum, Phillip Island, September 2005.DViets visit National Vietnam Museum Phillip Island, September 2005; During the visit the Sub Branch presented a donation cheque of $1,200 to the museum.vietnam, vietnam war, diamond valley vietnam veterans sub branch, national vietnam veterans museum

The Rufous-bellied Kookaburra is a large member of the Kingfisher family. It commonly resides in the dense rainforests of lowland New Guinea, Saibai Island, Indonesia, Biak, Maluku/Moluccas Islands, Papua New Guinea, Melanesia and Queensland in Australia. This is unlike other species of Kookaburra which commonly prefer to reside in locations of open country. Another aspect which makes this bird unique to other Kookaburra is its tendency to live in pairs and not in family groups which is typical of other Kookaburras. In the case of the Rufous-bellied Kookaburra, both parents incubate and care for the eggs/chicks. This Kookaburra feeds on small mammals, birds, reptiles and insects. The Rufous-bellied Kookaburra was originally named the Gaudichaud's Kookaburra after the French botanist Charles Gaudichaud-Beaupré. This species of Kookaburra is among the most colorful varieties of the Kookaburra alongside the Spangled Kookaburra. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Rufous-bellied Kookaburra is a large Kingfisher with a black coloured cap on the head, white collar around the neck, blue feathers on the wings and rump and a rufous belly. The female Kookaburra has a brown/rufous coloured tail, as is the case for this particular specimen which identifies it as female. This bird has a large white bill and pale coloured legs. The head is a large square shape and the body is stocky.Label: National Museum Victoria / 159a /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, kingfisher, kookaburra, rufous-bellied kookaburra

The object was presented to Brintons Carpets in 1999 as a thankyou gift for ongoing support along with one 'The Egyptian' Rug.W7186 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.To all at Brintons Carpets to thank you for your ongoing support of the National Wool Museum February 1999 E.Triarico Curator Michael Jerinic Old Weaver Andrew Moritz Director Bill Vos x Brintons Weaver 1960 Annette Welkamp Pharaohs Project Manager National Wool Museum Rug The Egyptian A unique wool rich product Certificate of Authencity This is to certify that Brintons Carpets is the owner of a National Wool Museum Limited Edition Rug No. 106.national wool museum brintons australia pty ltd, triarico, ms elizabeth - national wool museum moritz, mr andrew - national wool museum, geelong, victoria

Landmarks a history of Australia in 33 places, 271 pages with black & white and colour photographs.National Museum of Australiahistory, australian, history-australia-victoria-bendigo

The Certificate attests to the Diamond Valley SB being a friend of the museum and providing support over an ongoing period of time.Significant in the history of the Diamond Valley SB as being a willing and cooperative supporter of the National Vietnam Veterans Museum.In portrait orientation, a Certificate presented to Diamond Valley Sub Branch by National Vietnam Veterans Museum.On Certificate: The Committee and members of the National Vietnam Veterans Museum sincerely thank Diamond Valley VVAA Sub Branch for their ongoing support. Signed off by John Methven OAM President and Joanne Parker Secretary. Above the text is a picture of the museum.diamond valley vietnam veterans sub branch, national vietnam veterans museum

Envelope with stamp issued on the occasion of the birthday of HRH Queen Elizabeth 11.National Wool Museum/ 22 Aug 1991/GEELONG/ VICTORIA 3220/ AUSTRALIAroyal visits, national wool museum, hrh queen elizabeth 11

Coloured - Early Victa motor mower at Australian National Aviation Museum at Moorabbin Airport. Similar to Society's acquisition in Implement Shed.victa motor mower, australian national aviation museum

"Research Vessel Petrel - Baseline Survey of HMAS AE1" This book is a report of a comprehensive photographic survey completed on a c.1938 submarine wreck off the coast of PNG.Soft cover book. Cover - cardboard with white print on black and dark blue background on front and spine. Illustrated with colour photographs. Front cover - "RV Petrel control room during the survey". Back cover - "AE1 bow torpedo tube". 179 pages, cut, plain, white paper. Illustrated in black and white and colour photographs, maps and technical drawings.books, ww2, submarine, png, photographic

Soft cardboard cover. Black, blue & white print on front & spine. Bluish black & white photo of HMAS AE1 in Fitzroy Dock at Cockatoo Island, Sydney on front cover. Sepia photo of HMAS AE1 off Balmain Sydney on back cover. 82 pages, cut, white, plain. Illustrated with black / white & colour photos, maps & diagrams.book, hmas, ae1 submarine

28 pages with colour illustrations, Includes bibliographical references (p. 28)non-fictionAustralian National Maritime Museum travelling exhibition developed in conjunction withe the Vasa Museum, Stockholm, Swedenvasa, warship, sweden, shipwrecks

78 pages pocket-size book of recipesnon-fictionOriginally published in 1894, this facsimile is an illuminating introduction to the difficulties faced by cooks at sea who had restricted equipment and limited or rationed ingredients. Alexander Quinlan and N. E. Mann were at the forefront of cookery training for seamen, which issued three types of certificates, depending on the size of vessel (sculling vessels, cargo steamers, or passenger steamers) and used six chief methods of cookery (roasting, baking, boiling, stewing, frying, and broiling). With 170 recipes--including gruel, beef tea, devilled bones, fruit jelly, pigeon pie, hodge podge, sheep's head broth, satisfaction pudding, bubble and squeak, and more--Cookery for Seamen is delightful nostalgia that highlights the challenges of life for the sea-going cook.cook, food, cookery, ships, seamen, liverpool, school, health, welfare, roasting, baking, boiling, stewing, frying, broiling, alexander quinlan, n.e. mann

A4 size copy of p256 of Oct. 6 1905 issue of the Light Railway and Tram Journal, describing opening and details of electrification of Ballarat Tramways in 1905 - details of power supply, trams and personnel. Also mentions ESCo's owners, the British Insulated Wire Co. Hi res scan of copy and letter added 26-5-2016.trams, tramways, ballarat, esco, opening, electrification

This photograph on an iPhone 4 during the Museums Australia (Vic) Conference at the National Wool Museum, Geelong. Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (http://www.geelongaustralia.com.au/nwm/about/article/item/8cbcc313afa77a5.aspx)display of wool ales at the National Wool Museum. Steel girders holding up the roof were made by Dorman Long & Co. Middlesborough, England. In the foreground is a timber counter with brass kick rail and upper edge. Names on wool bales include Austop, Arcadian Wool, Buln Gherin, Mt Hesse, Melrose, Avondale Hills, Kerrsville, Kooringa, Merryville Yass, Sherra Park, Wurrock, Hazeldean, Buanogor Parkwool, geelong, wool bail, auction room, national wool museum

Knitted gnomes intended for addition to the Eastern Beach Mural, in the National Wool Museum collection.Knitted gnomes intended for addition to the Eastern Beach Mural, in the National Wool Museum collection.knitting - french, schofield, ms aileen

This toy was made by Gepetto - The Art of Toys (a local Geelong toymaker) for the "Logo Merino" exhibition at the National Wool Museum.Rocking ram - small Rocking ram, small - detailJuly 2000 / Custom made for / National Wool Museum / by GEPETTOlogo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001)

This ram is one of two, especially made for the National Wool Museum's exhibition, "Logo Merino", by Gepetto - The Art of Toys (a local, Geelong toymaker).Rocking ram, large Rocking ram, large - detailJuly 2000 / Custom made for / National Wool Museum / by GEPETTOlogo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001)

Certificate or registration of the Historic Vessel the 'Idler' which is currently also at the Seaworks Maritime Discovery Centre.This certificate registers the 'Idler' as a surviving vessel of relevance to Australia's maritime heritage.Certificate from the Australian Register of Historic Vessels from the Australian National Maritime Museum. For the vessel, the Idler. Signed on 25th May 2012"Australian/ Register/ of/ Historic Vessels/ Australian National Maritime Museum." "The vessel/ Idler/ has been accepted into the Australian Register of Historic Vessels/ on/ 25 May 2012/ signed/ Kevin Sumption Director/ Australian National Maritime Museum." "The Register records surviving vessels of relevance to Australia's maritime heritage. It is/ building a national picture of boats and their designers, builders and owners from around/ Austrlia, to promote understanding of their connections with their communities past and /present, and to encourage awareness and planning for their preservation and use./ The ARHV is managed by the Australian National Maritime Museum in association with /Sydney Heritage Fleet."