Showing 175 items
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Port Fairy Historical Society Museum and Archives
Photograph - Postcard, The Crags
Black and white photograph of rocky outcrop with large holes through, sandy bank and sea in back groundThe Rose Series P.!132 The Crags near Port Fairybeach, sea, seascape -
Port Fairy Historical Society Museum and Archives
Photograph - Postcard, Bishop and Gray, South-west Passage, Port Fairy 1906
PhotographBishop and Gray- South-West passage Port Fairybeach, sea, seascape -
Port Fairy Historical Society Museum and Archives
Postcard - Photograph, Rocky Coast, Port Fairy
PhotographRocky Coast, Port Fairybeach, sea, seascape -
Port Fairy Historical Society Museum and Archives
Photograph, Devil's Hole, Port Fairy
Photograph of wave crashing over stone reefDevil's Hole, Port Fairybeach, sea, seascape -
Port Fairy Historical Society Museum and Archives
Photograph - Postcard, South beach Bathing boxes
South Beach bathing boxesColoured post card of South Beach taken from the West and depicts the bathing boxes in the backgroundSouth Beach Port Fairybeach, sea, seascape -
Bendigo Historical Society Inc.
Artwork - PAINTING: CARL FRANCIS MUELLER SEASCAPE
Large framed painting. Frame gold, painting depicts sailing ship in rough seas, headland on RH side of painting. PaintingPainting done by Carl Mueller and donated by his great, great grandson Peter Jackson. Family believes it to be a copy of similar painting in Victorian Government House, Melbourne. ( to be verified).artwork, oil painting, seascape -
Flagstaff Hill Maritime Museum and Village
Painting - Oil painting, John Dollery, The Chase, c. 1980s
This painting shows a historic depiction of Australian whalers in action at sea, and shows the scale of man to whale. Whaling was one of the first industries in early Victoria. John Dollery was born in London in 1933. As a child he loved to draw and was a frequent visitor to the National and Tate Galleries. In 1957 Dollery came to Australia, settling in Queensland in 1965. After receiving a prize in a drawing exhibition, he began painting in oils, and is entirely self-taught. Whilst in Queensland he painted most of his canvases strictly from life and in 1977 he moved to Melbourne where he established himself as a full-time artist. John was very interested in Australia’s history, and most of his work represents this theme. Many of his pieces are in collections both in Australia and overseas. Dollery’s daughter is also an artist and has exhibited both her father's and her own works together in an exhibition 'Now and Then, Father and Daughter'.The painting is a significant work by artist John Dollery. Its subject of whaling shows an early Australian industry and shows the scale of man to whale. The decorative frame is appropriate for the era in which the scene would have taken place.Painting in oil on canvas, in gilt carved timber frame. Seascape, depicting a whale hunt. A spouting whale is behind a whale boat with six whalers aboard. A tall ship with seamen aboard is behind the whale. Two other tall ships and another whale boat are in background. An embossed plaque in bottom centre of lower frame has inscription.. Artist is J. Dollery. Stamped on the sticker “John Dollery / ARTIST / Crown Lot 16 The Esplanade Corinella, Victoria 3984 / Telephone: (056) 78 0644 “ Hand written on sticker “THE CHASE $xxx” Embossed in the wooden frame “30 / ART / Specturm” Signed “J DOLLERY”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, whales, whaling, industry, whale oil, blubber, john dollery, the chase, corinella, historic art work, australian art work, australian historic artwork -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cape Bridgewater, n.d
Black and white photo of Cape Bridgewater, taken from beachcape bridgewater, seascape, coastline, south west coastline -
Federation University Historical Collection
Photograph, Twelve Apostles, Great Ocean Road, c2005, c2005
ballarat, great ocean road, twelve apostles, seascape -
Federation University Historical Collection
Photograph, Bells Beach, c2005, c2005
ballarat, bells beach, surfer, seascape -
Port Fairy Historical Society Museum and Archives
Photograph - Postcard, The Rose Series / The Rose Stereographs, The Crags, near Port Fairy
Black and white photograph of craggy outcrops with turbulent seas washing into a bayThe Rose Series p. 1133 the Crags near Port Fairy Victoriabeach, sea, seascape, rocks -
Port Fairy Historical Society Museum and Archives
Photograph - Postcard, The Crags near Port Fairy
Black and white photograph of a rocky outcrop with two large holes through, sandy dune and sea in backgroundThe Rose Series p. 1132 The Crags near Port Fairy Victoriabeach, sea, seascape, rocks -
Port Fairy Historical Society Museum and Archives
Photograph, Valentine Publishing Co, Eastern Beach Port Fairy
Early view looking towards Griffiths Island showing the dunes with vegetation on themReflects change in coast over timeBlack and white photograph of curve of East BeachEastern Beach Port Fairy 16beach, sea, seascape, east beach -
Glenelg Shire Council Cultural Collection
Painting, Seal Cave, c. 1964
Acquired by Portland Council for the Encouragement of Music and the Arts (CEMA) as a winner of its annual Art Price in 1964; later presented by CEMA to Portland Town Council.View of the interior of a cave. In foreground is a triangular pool of dark blue water with lighter highlights. The walls of the cave curve up both sides of the water, meeting at the back of the cave. At back of cave is a ledge with 7 seals on it. One seal is diving into the water. The walls are painted in brown and dark blue, the seals in pale blue with highlights in white.Front: Malseed (lower right, red paint) Back: Nancy Malseed "Seal Cave" Portland Art Gallery Trust, c/c C. Woolcock (upper and mid left, black felt tip pen).sea, seals, coastal, seascape -
Glenelg Shire Council Cultural Collection
Painting, Untitled, 1990
A depiction of a seascape with six large rocky outcrops emerging from the ocean. The rocks are painted in horizontal layers of red, yellow and blue. The sea is indigo with highlights in white and darker areas of near black. Sky depicts a dawn or dusk view, with lower half washed in apricot and yellow with touches of red/orange. Upper half of sky is blue. In faun matt and framed under glass in wooden frame with gold edging.Front: McL 90 (lower right) (white paint) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Shelly Beach, Cape Bridgewater, n.d
Black and white photo of natural rock arch at Shelly Beach, Cape Bridgewater.Back: 'Scenic Arch Shelley Beach Cape Bridgewater' - handwritten in black ink Round purple stamp 'PRINTED BY M.E. ANDREWS PORTLAND'cape bridgewater, shelly beach, beach photography, seascape, rock formation -
Benalla Art Gallery
Painting, Beach scene, Not dated
Born: Casterton, Victoria, Australia 1887; Died: 1935TonalismGift of an anonymous donor, 1978Seaside landscape with trees, grass and rocks. Old gold coloured timber frame.Recto: Signed “C Beckett” in brown paint l.l.c of composition; Not dated; Not titledseascape, landscape, trees, water, australian art -
Port Fairy Historical Society Museum and Archives
Photograph
South Beach Port FairyEarly view of South Beach Wave breaking over rocks at South Beachbeach, sea, seascape, ocean, waves -
Port Fairy Historical Society Museum and Archives
Photograph, East Beach, Port Fairy
Black and white photograph of East beach with post and rail fenceEast Beach, Port Fairybeach, sea, seascape, east beach, battery hill -
Port Fairy Historical Society Museum and Archives
Photograph, “The Dusty Miller”
South Beach The Dusty MillerBlack and white photograph of large wave breaking over dusty millar reefThe Dusty Millerbeach, sea, seascape, dusty miller, south beach -
Port Fairy Historical Society Museum and Archives
Postcard, A.C. Aberline, The Crags
This photograph is of “The Crags” an area on the coast half way between Port Fairy and Yambuk. The name is an abbreviation of McKechnies Craigs/Crags owners of property in the vicinity. it is close to ancient aboriginal campsites but these are not accessible to the public. Because of the nature of the geology in this area this photograph shows a seascape that it is not possible to see now.Hand coloured photograph used as postcardThe Crags Port Fairyseascape, sea, beach, the crags, mckechnie’s crags or craigs -
Port Fairy Historical Society Museum and Archives
Photograph, East Beach parking 1950-1960s
East Beach parking 1950-1960s looking North and upwards from the beach trackBlack and white landscape showing cars parked overlooking the East Beach with a Norfolk Island pine in the backgroundbeach, sea, seascape, east beach, norfolk island pine -
Port Fairy Historical Society Museum and Archives
Photograph
Two Diving boards at the South BeachThis image was taken at a time when health and safety rules were unknown and the public took risks we may not today. Black and white photograph of 2 diving boards situated at the South Beach. (Pea Soup)beach, sea, seascape, diving board, south beach -
Port Fairy Historical Society Museum and Archives
Postcard - Post Card, Sth beach showing Families using the play equipment
Black and white photograph of families using the play equipment south Beach South Beach Port Fairy A.C.A.beach, sea, seascape, south beach, play equipment -
Glenelg Shire Council Cultural Collection
Painting, Port Phillip Bay (Sunset), n.d
UnknownScene of two sailing ships on a harbour at sunset. The ship on the left is in full sail, the ship on the right has furled sails. At front left is a flock of gulls and on front right is a figure in a row boat. At centre right is coastline with structures and several small boats. The sky has clouds reflecting the sunset in pink, yellow and indigo. These colours are reflected on the surface of the water. Framed in gilded wooden frame.Front: A.S. Murray (lower left) Port Phillip Bay (Sunset) (brass plate, l. centre of frame) Back: (no inscriptions) Conservation Centre, Melb. label.sea, seascape, maritime, sailing ships, sailing -
Phillip Island and District Historical Society Inc.
Photographs, 1930's
13 photographs collected in the 1930's by Reg & Nell Price who lived at Sale, Gippsland at the time.Photograph 224-01. Sepia photograph of seals on Seal Rocks, Phillip Island Photograph 224-02. Black & White photograph of the dirt road to the Back Beach, Phillip Island. Photograph 224-03. Black & White photograph of the Cowes Pier/Jetty with the Cenotaph in the foreground. Photograph 224-04. Black & White photograph of Forrest Caves, Phillip Island. Photograph 224-05. Black & White photograph of Cape Woolamai Quarry. People and a small boat working. Photograph 224-06. Black & White photograph of the Cowes Pier taken through the trees on the foreshore. Photograph 224-07. Black & White photograph of Lover's Walk, Cowes with foot bridge in foreground. Photograph 224-08. Black & White photograph of rocky seascape at The Nobbies, Phillip Island. Photograph 224-09. Black & White photograph of Forrest Caves, Phillip Island. Photograph 224-10. Black & White photograph of Cowes Pier with the Ferries "Alvina" and "Genista". Many people also on the pier. Photograph 224-11. Black & White photograph of The Pinnacles, Cape Woolamai. Photograph 224-12. Black & White photograph of The Sentinel, Cape Woolamai. Photograph 224-13. Black & White photograph of the beach and pier at Cowes, Phillip Island.On the back of each photograph description of the photo.seal rocks phillip island, seals on seal rocks phillip island, phillip island early roads, cowes pier phillip island, cowes jetty, cowes cenotaph, phillip island, forrest caves, phillip island, cape woolamai quarries phillip island, lover's walk cowes, the nobbies phillip island, seascape, ferries, "alvina", ferry "genista" - cowes jetty, the pinnacles, the sentinel cape woolamai, reg & nell price, david price -
Bendigo Military Museum
Book - BOOK, NAVAL, "Cruisers- An Illustrated History 1880 -1980", 1980
Hard cover book with dust cover. Hard cover - cardboard with Navy Blue buckram cover. Gold print on spine. Dust cover - paper, red and black print on front, spine, front and back flaps. Illustrated, front cover photograph in colour of a ship dockside. Back cover - photograph in colour of a portion of a ship in a seascape of water, sand and trees in background. 191 pages, cut, plain, white paper. Illustrated in black and white and colour photographs, maps and technical illustrations. Front end paper - handwritten greeting.Front endpaper - blue pen - handwritten, "TO DAD/ FROM VALERIE & IAN - FATHERS DAY 1981". books, navy cruisers -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cape Bridgewater, 1956
Black and white photo. Close up photograph of the rocky cliffs at Cape Bridgewater.Back: '56' in pencilcape bridgewater, rocks, rock formation, seascape, coastline, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Henty Beach, Portland, 19/11/1934
Black and white photo, Henty Beach Portland, centenary celebrations, 19 NOV. 1934. View from top of cliff looking towards All Saints. Crowd of people on viewing platform on cliff top, horses, crowds, cars, flag pole, piers.henty beach, seascape, coastline, beach, 1934, centenary -
Benalla Art Gallery
Painting, Fishing fleet at sunset, Not dated
Born: Enmore, New South Wales, Australia 1883; Died:1937ImpressionismLedger Gift, 1980Seaside landscape with sailing boats and lighthouse. Gold painted timber frame.Recto: Signed “CHARLES BRYANT.” in brown paint l.l.c of composition; Not dated; Not titledseascape, boats, building, marine, sunset, australian art