Ballarat tram No. 42 turning into Drummond St North from Sturt St. with No. 37 in background at Hospital Corner. No. 42 has Briquettes and Penfolds Sherry roof ads,, dash canopy lighting and large triangles on front. Southern Cross Hotel in background. Has Gardens via Drummond destination. Photo taken on 22-3-1962. See Reg. Item 3260 for use of this photo'SEC Ballarat, No. 42, ex Mt Pleasant, at Sturt and Drummond Sts, 22-3-62' in blue ink.tramways, trams, ballarat, sturt st, drummond st, hospital corner, tram 42, tram 37

Colour print with black border of No. 20 at the city terminus, Sturt St, late 1950's early 1960. Tram has the destination of Victoria St. and has a Penfolds sherry roof advertisement. In front of tram is the short end of section pole. Has a number of passengers walking away from the tram. In the rear are the SEC office building, Allan Bros Jewellers, RACV's, Crockers, and Tunbridge's furniture stores.sturt st, city terminus, tram 20

Photo of Ballarat No. 41, derailed in Barkly St. Ballarat near main road on 4-11-1961. Image is going red. Tram fitted with dash canopy lights, small white stripe, large triangles. Penfold Sherry ad on roof. Numerous markings on road surface of previous? derailments. Note advertisement hoardings in background of photo, one featuring an ad for Penfolds. Tram has a destination of 'Mt. Pleasant.''SEC Ballarat No. 41 derailed in Barkly St. near Main Road, 4-11-61 1.40pm' in blue ink.tramways, trams, barkly st., derailments, accidents, mt. pleasant, tram 41

Yields information about the appearance of trams parked in the City loop during early 1960's and the construction of the Big W store.Black and white photograph of Ballarat trams 21, 33 and 26 in the City Loop. Dated 13/12/1961. Printed on Agfa Gevaert paper in a postcard format. 21 - has a roof advertisement fort A. H. Collins of Sebastopol for Timber and The Age and another on the dash panel. 32 - has roof adverts for Penfold Cream Sherry cream and Eureka Terra Cotta tiles. In the background, a building (possibly the future Big W) is under construction in Grenville St. Photo by Lloyd Rogers.In ink "Ballarat trams Nos. 21, 33, 26, Sturt St 13/12/1961 and 3/19". In pencil: "21 - ex 10 Alaide, 33- ex M 189, 26 - ex M 111"trams, tramways, city loop, sturt st, tram 21, tram 33, tram 26

Black and white photograph - Teachers, 1977."Attached to photograph" L to R: Doreen, Joan Schofield (Special Migrant Teacher), Isobel Marshall, Baden Chadwick, Diane Barthing, Noelle Hill, Susan Morris, Mary Wedlar, Len Hadfield, Diane Chitty, Monica Harman, Mandy Thatcher, Anneli Symons, Sherry (?), Liz McCallum, Ailsa Dennis, Rosemary (?), Anne (?), Pam Greenwood.

Pages 9 and 10 of the Centenary issue of the Ballarat Courier, 8/3/1938 p9 - Article - "Prisoners aide in Municipal Work" - rifle range at Victoria Park, photo of "first train" Geelong Ballarat crossing Moorabool viaduct, Advertisements for Sherry stores, Berger Paints - S.E. Hobson and Harry Davies & Co. Department Store. p10 - article on Ballarat Banking, (see also archive item No. 200) - large ad from "The Bank of Australasia" - illustration of Ballarat in 1856 from Bath's Hotel - towards the Australasia Bank. Record reviewed and images of three pages added 7-9-2013.trams, tramways, ballarat, centenaries, banking, victoria park, rifle range

Vol. 2, No. 5, Oct-Nov 1997 CONTENTS ART BRIDGES GAP IN WAR-TORN NATION Painter Piers Batman captures life in Eritrea 3 TENACITY OF THE HUMAN SPIRIT A teacher's road back from road trauma 7 EXHIBITIONS 10 POETRY Ray Liversidge 11 STUDIO WALKABOUT Artists open studios for Eltham Festival 12 ART FROM THE HEART Interview with Herman Pekel 14 ERITREAN JOURNEY Bill Moseley's camera in Eritrea 16 ART AND THE INTERNET Two Kangaroo Ground women bring art to a wider audience 18 HOUSE AND GARDEN IN SUBURBIA Exhibition of sculpture at Austin and Repatriation Medical Centre 20 THEATRE New Playbox - powerful advocate of Australian theatre 21 SHORT STORY Goodbye Dave, by Sherry Clarke 22 BOOK REVIEW 27 POETRY READING 28 BOOK REVIEW 29 EXPATRIATES COME HOME Former Nillumbik artists exhibit works 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, thornton mccamish, bill moseley, eritrea, darebin festival, christine durham, michele lonsdale, ray liversidge, ona henderson, syd tunn, eltham festival, artists open studios program, nillumbik artists' open studios, david armfield, janet boddy, jules christian burns, wendy donald, jill forest, annie keil-taggart, ming bellamy mackay, jenni mitchell, grace mitchell, mervyn hannan, mary lou pittard, chris pittard, maureen runge, herman pekel, austin and repatriation medical centre, carolyn pickett, sherry clarke, manningham artspace, alan marshall short story award, eltham arts council inc., eltham library community gallery, harriot dance, chapman & bailey artists' stretchers and furniture, eltham high school

Set of four Colour slides, Kodak, white cardboard, .4 brown cardboard of trams using the Flinders St overpass of King St, 14-12-1959 .1 - SW6 854 at the top of the new bridge. .2 - SW6 854 at the bottom of the new bridge, has destination of Hawthorn route 27, and adverts for Biro pens, Lindeman's sherry, Knights Jewellery and KSP ? .3 - SW6 854 trailing photo with William St, nearing the intersection with William St. with the Yarra Family Hotel and a shop selling Oysters and Crayfish. .4 - Photo showing a W2 and W5? climbing the bridge. Note the overhead has been set up for a junction. In the background are adverts for Penfolds Wines, Bushels, the Flinders St viaduct, Nestles Milk, Girlings, Barrow Bros, Store.Hand writing on rear in ink; .1 - 14-12-59 - KFL2 - Flinders St flyover, Melbourne Vic. .2 - 14-12-59 - KFL2a - Trams coming over the Flinders St flyover, Melbourne Vic. .3 - 14-12-59 - KFL3 - temporary track during building of the Flinders St flyover, Melbourne. .4 - 14-12-59 - KFL3a - Flinders St flyover, Melbourne Vic.trams, tramways, trackwork, flinders st, king st, track construction, bridges, sw6 class, hawthorn, route 27, tram 854

Set of five Colour slides, Kodak, brown cardboard of the removal of the Elsternwick Level crossing on 17-10-1959 .1 - looking east along Glenhuntly Road, showing the level crossing, concrete truck and road protection signs and the temporary track. .2 - W2 287 traversing the temporary track over the level crossing. Tram has the destination of route 4B, Sth Caulfield via Glenhuntly Road. Also has adverts for APEX and Fitwear socks. .3 - ditto on the crossing. .4 - ditto past the crossing. .5 - W2 551 (Carnegie Route 4) and L 103 (City route 4B) on the level crossing. 551 has adverts for Castle Vintage Sherry and Apex. 103 has adverts for Remy Martin Brandy, Alongside is a Victorian Railways sign advertising trains to the city.Hand writing on rear in ink; .1 - 17-10-59 - KFH1 .2 - KFH 1a .3 - KFH 1b .4 - KFH 1c .5 - KFH 1etrams, tramways, elsternwick, level crossings, railway squares, w2 class, l class, carnegie, south caulfield, glenhuntly rd, tram 287, tram 551, tram 103

Five photographs of groups of staff members at RVIB. Image 1 - Maree Littlepage, Christine Harding, ?? Image 2 - ? and Sandie Mackevicius Image 3 - Group photograph in driveway: Blue letters: A - Chris Headland, B - Barbara Williams, C - Ramona Mandy, D - Barbara Royce, E – Tess Rousso, F – Robyn Gale, G – Peter Cronin, H – Chris Edwards, I – Glen Morrow, J – Graeme Craig, K – Barbara McKenzie, L – Marg Harvey, M – Judy Williams, N – Len Stephens, O – Nina Sutton, P – Sherry Cunningham, Q – Marissa Depitta, R – Uli Pfisterer, S – Rosemary, T – Maree Sheehan, U – Linda Rivette, V – Rachel Grealy, W – Fiona Pelusi, X – Maree Littlepage, Y – Danielle, Z – Sophie Tzoukalis. (Between Pelusi and Stephens, Christine Harding. Green letters: A – Emma Rogers-Wilson, B – Rory Fraser, C – Gary Stinchcombe, D – Alex Zolradkovic, E – Nicola Misso, F – Mary Barron, G – Barbara, H – Kathy Lazzaro, I – Linda Morris, J – Pam McAleese. Image 4 - ?? Image 5 - Robyn Gale, ??RVIB - St Kilda Road - 1998royal victorian institute for the blind, staff

Twenty eight drinks and food labels: J.O'Connell and Sons. Bendigo Prize Lemonade. J.O'Connell and Sons Bendigo Lime Flavor and Soda. D. Oswald Eaglehawk Hop Ale. XXXX Stout bottled by Glover and Son Chapel St. Bendigo. C.J. Glover Chapel St. Bendigo Ginger Punch. J.O'Connell Orange Vita - Ok Orange - Grapefruit and Soda - Brewed Ginger Beer - Ginger Sherry - Kola Beer - Soda Water - Pineapple. Dan Oswald tomato sauce. Glover and Son Tomato Soup. Qt Orange fruit Drops. Cottee's Sparkling Passiona. Lagoon Confection Long Toms. Bartlett Pears. The Bendigo Preserving Co. Golden Bar Orlean Plum Jam. Bendigo Preserving Co. Apricot Jam. Bendigo Preserving Co. Plum and Raspberry Jam. Golden Holme Apples. Rosella. Cottee's sparkling Drinks. Chocolate Cream Toffees. Lagoon Spearmint.business, retail

a/ Royal Historical Society Of Victoria Bendigo Branch The President and Committee Invite With Pleasure to a Costume Ball in conjunction with Dean Henry Backhaus Centenary Celebrations, City Hall Saturday 4th September, 1982 7.30pm-1am. Dress: 1882-1982, with masks (optional) Music: 'Whipstick' Country Band Sherries: 7.30pm - Dinner 9pm. Double: $36.00 Single: $18.00 R.S.V.P 20 August, 1982. Organising Secretary, Felicity Kingerlee, Dudley House, 60 View Street, Bendigo 3550. We will/will not be able . . . . b/ Poster: Dean Henry Backhaus Centenary Celebrations German Masked Costume Ball 4th September, 1982 City Hall - Bendigo. Picture by Dorothy Carroll. The Mass Tent Used by Dean Backhaus on the Bendigo Goldfield. Royal Historical Society Of Victoria Bendigo Branch. c/ Royal Historical Society Of Victoria Bendigo Branch Dean Henry Backhaus Centenary Celebrations German Masked Costume Ball. Picture: Chair used by Dean Backhaus. Hewn from a tree stump. Programme. City Hall, Bendigo, Saturday 4th September,1982. Dance Programme.event, official, historical/educational, royal historical society of victoria bendigo branch dean henry backhaus centenary celebrations a/ the president and committee invite costume ball 4th september, 1982 7.30pm-1am. dress: 1882-1982, with masks music: 'whipstick' country band sherries: 7.30pm - dinner 9pm. double: $36.00 single: $18.00 r.s.v.p 20 august, 1982. organising secretary, felicity kingerlee, dudley house, 60 view street, bendigo 3550. we will/will not be able . . . . b/ poster: german masked costume ball 4th september, 1982 city hall - bendigo. picture by dorothy carroll. the mass tent used by dean backhaus on the bendigo goldfield. c/ german masked costume ball. picture: chair used by dean backhaus. hewn from a tree stump. programme. city hall, bendigo, saturday 4th september, 1982. dance programme.

Newsletter created to share information between branches, staff and volunteers on achievements at the AFB. This issue includes: Wendy Bateman and her role as an Elanora nurse, volunteer June Day receiving the Citizen of the Year award for Murchison on Australia Day, Victoria's triumphant blind bowls team who, when tied with their SA competitors, decided to share the Catchpole trophy by keeping it for 12 months then sending it back to South Australia for 12 months, Julie Deutscher has won the tender to clean Kelaston, staff members Margaret Caldwell, Ada Fox, Maureen Gleeson and Lorelle McGain have completed five years of service with the AFB, Gale Burns, Glenys Drewitt, Fiona Jackson, Gena Kyne, Anne Menzel and Margaret Tozer have completed 10 years of service and Margary Paynter has completed 15 years of service with the AFB, Dennis Smith from the George Vowell Centre helping out as barman and waiter, RPH volunteers David Ditchfield and wife Janet received a special award for their service to the station, Judy Sutherland, Chrisi Tsafso and Jo Sisley were present for awards handed to police who had held a self defence course for vision impaired, the AFB boat in the Moomba Dragon Boat Race, Sherry Cuthbert and James Nevein toast to Ernie Stewart's 102nd birthday, Susan Marshall with her children, Dorothy Cleeland and John Dowdle hand of a $25,000 cheque, Easter Bunny promoting the world's largest Easter Egg hunt as part of the Tattersall's Kooyong fair, Elenoar Scott and her mum Julie and Roberta Ashby, the use of teleconferencing by Palm Mitchell, with Shane McCarthy and Joy Lindsay in the background, aims for the year ahead including a possible name change, staff members Esther Lalor and Alex Capporilli learning Braille, and the Braille and Talking Book Library party with Mieke Mellars, Rose Blustein, Julia Simmons, Beryl Simmons, Emma Pritchard, Lorna Hayter and Alison Forbes.8 pages of text and images about AFB clients, staff and volunteersnon-fictionFor Staff & Volunteers of the Association for the Blind Inter Link Print Post No. 327855/00001 Association for the Blind A.C.N. 007 428 284 7 Mair Street, Brighton 3186 Autumn 1998elizabeth maxwell, neil maxwell, association for the blind, palm mitchell, shane mccarthy, mieke mellers, emma pritchard, lorna hayter, alison forbes, rose blustein, julie simmons, beryl simmons, stephen jolley, allan heywood, esther lalor, alex capporilli, elanoar scott, julie scott, roberta ashby, dorothy cleeland, john dowdle, susan marshall, sherry cuthbert, james nevein, david ditchfield, janet ditchfield, judy sutherland, christi tsafso, jo sisley, dennis smith, julie deutscher, june day, wendy bateman

From Rosemary Cameron - This quilt has been made in 100% wool to celebrate the diversity, durability and beauty of pure wool, especially the lightweight cool wools. The woollen patches were kindly donated by Mr. David Jones, managing Director of Fletcher Jones and Staff which were pre-cut samples of European Fabrics in various weights, textures and colours. I had the task of creating a design around the fabrics available, some of which I only had to sample. I chose to surround my design with dark shades to encompass at the top of the quilt, the lightness of the sky and the trees, in the middle the warmth of summer, the dryness of central Australia and at the bottom the rick tones of Opals, our mineral wealth and the internal heart of earth. To add excitement and texture to this design I chose 31 Australian Wildflowers including all the Australian Floral Emblems, some unusual wildflowers and favourite small wildflowers. Twice life size, these flowers have been made of silk wool and cotton, embroidered, painted and beaded by our creative and talented Hamilton Quilters, their results are fantastic! The brilliance and timeless quality of these Australian Wildflowers intensify and complement the colours of the Wool Quilt. The Quilt was hand pieced and hand quilted at quilting bees. It has a woollen batting, binding and backing which was a delight to work with and very easy to quilt. The flowers were assembled and attached in small working bees. To the fifty-two Hamilton Quilters who have worked on this quilt for six months thank you for you hard work and creativity especially Joan H. Lyons for her time, enthusiasm and knowledge when difficulties arose. Joan M. Lyons has worked with me on various stages of this Quilt, her help and support has been tremendous. To my family who have tolerated scraps of wool and silk, photographs, wildflower books and specimens and drawings which have at times almost taken over our house, a year from ideas to completion, thank you for your support and help in many ways.Multi coloured patchwork quilt with native flowers protruding from centre in a diamond shape.Embroidered on back - "The Celebration Quilt" Made in 1990 by The Hamilton Quilters, Designed by Rosemary A.O. Cameron. Made of Pure Wool. Beryl Anderson, Joan Askew, Bett Basham, Marilyn Baulch, Rau Blaby, Pauline Boyd, Aileen Beckwith, Dorothy Beveridge, Ros Brommell, Rosemary Cameron, Gwen Cook, Anne Cordner, Kaylene Cowland, Elaine Denby, Barbara Dolman, Rosalie Duffield, Helen Fry, Glennys Gardner, Nola Gunning, Margaret Irvine, Bev Jeffrey, Emma Jensen, Betty Lacy, Helen Lampard, Joan H. Lyons, Joan M. Lyons, Elaine McDonald, Carole McEwan, Joy McLeod, Joyce McLeod, Mary May, Joan Mallinson, Susan Mason, Anne Menzel, Val Mills, Betty O’Brien, Di Pettigrew, Therese Read, Sherry Robertson, Lee Rowland, Irene Saddler, Nanette Templeton, Glenys Tindall, Liz Wallis, Ruth Walter, Marion Warburton. Alison Waterman, Pat Wilmot, Nola Malcolm, Ann Nicholls, Margaret Rowe, Jill Hillier.celebration, flowers, hamilton quilters, quilt, native flowers

Town Hall, Return Ball. Tendered by the Citizens of Bendigo to His Worship the Mayor, (Cr. M G Giudice) and The Mayoress, (Mrs. Giudice.) Town Hall, Bendigo. Tuesday, July 17th, 1923. Menu, Dindon Roti. Jambon de York. Canard Roti. Salad a la Francaise. Haricot Verts. Pommes de Terre a L;Anglaise. Trifle a L'Espangnole. Charlotte Russe. Crème aux Fraisee. Salade aux Fruits. Gelee au Madere. Meringues a'la Crème. Patrisserie. Gateau Assorties. Olive Farcies aux Anchois. Pailles au Parmeson. Amande a la Diable. Gingembre. Raisins. Café. The Oyster Soup will be served in Basement after Second Supper. Favaloros, Caterers. Wine List. Irvine's Great Western Champagne (Special Reserve.) Seppelt's. Penfold's. Max Cohn's. Port. Sherry. Claret. Burgundy. Muscat. Hock. Chablis. Planet. Old Scotch Whisky. Ales and Stout-Bendigo United and Cohn Bros. Aerated Waters and Cordials. Cigars Cigarettes. Toasts. His Majesty the King. - By the Chairman, 'Our Guests,' (The Mayor & Mayoress Cr & Mrs. M G Giudice.) by the Chairman. Where're they met a stranger; there they left a friend. Response by The Mayor. 'The Chairman Citizens Return Ball Committee,' (Cr E M Vains) By the Mayor. Response by the Chairman. The Citizen's Return Ball, Executive Committee - Cr E M Vains (Chairman), Mr. J Denton (Treasurer), A M Poole, T Pritchard, A B Wood, W Jeffrey, W H Taylor, F Monaghan, H S Marks, H W Tilley, F Cambridge, H Newman, E A Sayer, H Whitelock, W Currie, W T Patten, J. J. Caldwell, G H Dare, J H Sievers, F Ferguson, G J C Maxwell. F T Amer & T R J Brown; Hon. Secs. City of Bendigo logo is at the top on the front cover and an oval picture of the Mayor and Mayoress below it.Cambridge Press, Bendigoevent, entertainment, return ball, town hall

List of Full Course Students' 1946, Editorial, Editor's Notes, News and Notes, Obituary, The Head of School, Staff 1946, The Literary Society, Science Section, Art Section, Sports, Commercial Notes, Preparatory Girls', Junior Technical School Section, Junior Technical School Ballarat Students' 19461945 - Maroon cover with green, yellow and blue lettering, soft covered magazine of 74 pages. 1946 -White and yellow cover with, blue and green lettering, soft covered magazine of 94 pages including advertisements. .6 - Green soft cover , with purple writing, 56 pages including advertisements Artwork Mr Bunning - Probably By Joan Walter Hoch Mon - By Kenneth Palmer Shorty - Probably By Joan Walter Chub - Probably By Joan Walter Dorise - Probably By Joan Walter Hank - By Kenneth Palmer Roma - By Kenneth Palmer Shirt - Probably By Joan Walter Fat - By Kenneth Palmer Pug - By Kenneth Palmer Bill - By Kenneth Palmer Gig - Probably By Joan Walter Mid - By Kenneth Palmer SMB's Roving Reporter - By Kenneth Palmer Staffie - By Kenneth Palmer Oh Frankie - By Kenneth Palmer Sketch - By William Rowe Hector - Probably By Joan Walter Elwyn - By Kenneth Palmer Clive - By Kenneth Palmer Happy - Probably By Joan Walter Max - By Kenneth Palmer Socks - By Kenneth Palmer Yvonne - By Kenneth Palmer June - By Kenneth Palmer Babbling Betty - By Kenneth Palmer Betty - By Kenneth Palmer Bake - Probably By Joan Walter Sherry - Probably By Joan Walter Janice - By Kenneth Palmer Joan - By Kenneth Palmer Lynette - By Kenneth Palmer Dot - By Kenneth Palmer Margo - Probably By Joan Walter Shirley - By Kenneth Palmer Joan - By Kenneth Palmer New Entry School - Know your bends and hitches - By Max Coward Eyres - Probably By Joan Walter Dean - Probably By Joan Walter Simpkin - Probably By Joan Walter Ron - By Kenneth Palmer Siv - By Kenneth Palmer Doc - By Kenneth Palmer Hindson - By Kenneth Palmer Bandy - By Kenneth Palmer Sharpy - By Kenneth Palmer Clifton - Probably By Joan Walter Cocky - Probably By Joan Walter George - By Kenneth Palmer Topple - Probably By Joan Walter Jukes - Probably By Joan Walter .6 Artwork Mr Barker - Possibly By Maxwell D. Berlyn Mr Aston - By Shirley M. Ross John - Possibly By Maxwell D. Berlyn Chris - By Shirley M. Ross Rus - By Shirley M. Ross Pimp - By Robert Tantau Phonso - By Robert Tantau The Stud Room - By Robert Tantau Auntie Shirl - Possibly By Maxwell D. Berlyn Miss Morgan - By Rosemary Hullick Hand Grenade - By Shirley M. Ross Plane - By William E. Ross Potty - Possibly By Maxwell D. Berlyn Beverley - By Shirley M. Ross Beth - By Rosemary Hullick Gwen - By Rosemary Hullick Sadie - By Shirley Ross M. Cutter - Possibly By Maxwell D. Berlyn Dingdong - By Robert Tantau Blue - By Shirley M. Ross Hoffy - By Shirley M. Ross ballarat school of mines, magazine, joan walter, kevin j. whiter, kingsley bremmer, d. spence, neville reeve, p. banfield, r. sudholz, n. lumsden, john g. procter, peter j. wilson, john w. jolly, stanley s. parker, john a. mckenzie, beatrice e. burgess, p. maloney, f. daykin, margaret mcleod, dr pound, peter h. marxsen, f. g. procter, c. fairbank, dawn williams, c. hoffman, t. trengrove, n. t. bunning, d. t. kellock, a. f. heseltine, dr h. hirst, w. s. stuckey, e. j. mcconnon, ron cairns, gwen spiers, f. l. collins, a. w. bridson, j. j. hanrahan, h. brew, g. w. cornell, j. t. collins, r. w. whitla, s. mayo, n. bunning, l. o. brown, g. v. bergin, r. r. watson, t. kellock, a. j. murdock, r. w. richards, a. c. miller, a. v. gilpin, t. r. gordon, r. p. flower, h. yates, d. mullins, w. wilkinson, l. hillman, alison johnson, a. jones, m. fogarty, hester darby, j. allsop, w. paterson, a. lambert, h. goldsmith, m. mctaggett, c. king, m. harland, g. g. procter, n. w. penrose, r. r. calder, s. williams, c. g. jeffery, d. i. johnston, j. sutherland, r. h. lonie, f. e. ferguson, b. law, j. lochhead, david coburn, jack scala, douglas dean, alan wilson, doris pengalley, roma sudholz, ken palmer, winnie beckwith, tonie hilton, jean waller, david hobson, william rowe, robert allen, mrs smail, betty young, william blackie, alfred mckenzie, peggy crosbie, lloyd lehman, d. judd, rex h. holliocke, david j. jelbart, ian d. mclachlan, frederick g. savage, john m. blainey, b. hewitt, roy e. mawby, maxwell f. murray, g. sewell, lindsay g. pattenden, neville morton, william h. wray, john e. ambrosio, ronald d. cairns, kenneth s. lindsay, graeme w. scarfe, john middlin, william hewett, victor m. mcgrath, john s. spittle, alfred e. temby, d. young, willis brown, b. sherrit, r. jillet, nola hornbuckle, jean sewell, maureen walsh, margery ross, m. james, n. sewell, winifred m. beckwith, olive whitworth, winifred stevens, j. waller, mavis connell, r. gladman, n. pitcher, heather duncan, patricia gleeson, margaret stevens, edna stevens, reita rowe, rosemary gillett, roy mawby, kevin whiter, robert morgan, laurie krausgrill, don lucas, gilbert j. troplis, j. hanrahan, w. sutherland, b. bowman, l. clifton, w. coad, i. james, k. eberhart, g. jukes, k. dean, k. george, ronald healey, r. montgomery, t. aggett, r. hocking, m. grinham, m. lawless, k. cartledge, g. clifton, d. halson, g. hindson, w. hon, howard mcwilliam, w. haire, r. sargent, m. mccarthy, c. sadoe, a. spicer, w. nunn, m. tweedale, l. weir, r. watson, l. wilson, k. spalding, k. east, w. holdsworth, e. jackson, j. anderson, t. shaw, w. whittle, d. morris, w. fisher, g. toplis, a. hughes, w. coles, f. atchinson, f. gallagher, t. hewitt, a. ward, r. lambert, w. brogden, r. farquhar, j. james, l. keen, s. h. jones, max coward, esme atkins, maxwell d. berlyn, shirley campbell, dorothy a. casey, patricia j. coates, shirley m.j. cook, patricia a. fitzsimmons, denise l. gilbert, maurine o. grose, barbara c. hanrahan, louis c. huisman, rosemary hullick, kevin a. mcphee, dorothy p. parker, lois m. pedrazzi, jean m. rizzoli, shirley m. ross, william e. ross, shirley m. roepcke, robert w. tantau, w. howard tozer, john b. vernon, delores weatherill

[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Three colour photographswalter withers rock, walter withers reserve, mary owen

[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Two colour photographswalter withers rock, walter withers reserve, mary owen

Dean collection, refer Cat No 4575PPlain glass with stem. It has a gold rim. On one side is the logo of Rats of Tobruk Association. On the other side are the words - "Rats of Tobruk Association" "State Branch Victoria."ww2, rats of tobruk association

Dean collection refer Cat No 4575PPlain glass with stem. It has a gold rim. On one side is the RSL logo of the day (3 figures). Around that logo are the words "Women's Council", outside of that are the dates 1933-1983. Above and below the RSL logo are "RSL OF VICTORIA - GOLDEN JUBILEEE'.ww2, rsl vic, women's council

Dean collection, refer Cat No 4575PPlain glass with stem. It has the Rats of Tobruk Association logo on one side. On the other side are the words "Rats of Tobruk Association - Melbourne Sub branch - 39th Anniversary - World Reunion 1980".The logo and writing are in gold.rats of tobruk association, ww2

Dean Collection, refer Cat No 4575PPlain glass with stem. It has the logo of Rats of Tobruk Association along with a pair or world spheres. On the reverse side is the phrase: "Rats of Tobruk Association, World Reunion 1983, central Coast Sub branch NSW". The writing is gold colour.Nilwar, rats of tobruk association

Victorian Insttute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OSH) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.Grey and gold framed photograph with title and names of students underneath.Framers details verso trs: "Artafact"viosh, viosh australia, occupatonal health and safety, victorian institute of occupational safety and health, allyson boys, darryl clunes, fortune dixon, tony duhne, bruce ellis, hermann fasching, mark gowland, shaun hannam, robert johnston, dale kayler-thomson, thomas martens, tracey parsons, stewart peacock,, christopher peters, matthew piscioner, sirpa salminen, walter sansom, june schofield, june stephenson, sharon vasey, john wakely, sean welsh, sherry white, janelle williams, troy wilson, david yateman

Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.brown and gold framed photograph with title and names of students underneath, blue backgroundFramer - Creative Framing Galleryviosh, viosh australia, occupatonal health and safety, annette balshaw, emma bentton, andrew billinghurst, keith bonny, bindi - lee bowman, greg boyle, jon brown, stefan buston, jennifer clancy, david crawford, rachel cuculowskj, leah darcy, mark desilva, melanie davis, richard dearlove, brain dunn, claire elliott, ro enever, kristen gandert, ross garlick, micheal gass, lucia giagnoria, amy goodwin, francesca grenachie, timothy hackett, brain hamer, mark harding, kevin hayes, allan king, philip kirk, greg lipka, narelle mcnally, ana marinovic, paul miller, anthony murray, linda nailon, anthony peters, juan piriz, andrea rowe, christine sherry, kira spriggs, kevin taylor, mark thorton, david venour, lyn wainright, paul watson, greg wong, geraldine zeccola

school of nursing centenary, sherry glass, 1888 -1988

TSDAV Magazine, No. 1, May 1981. It has a yellow cover with sketch of dancers in costume. Peter n. Ellis written at the top of the front cover. Photos and illustrations inside. Contains a copy of an interview with Alistair Anderson by Fay McAlinden, news of functions, feature on traditional social dance, feature on Steps and styles and callers' headaches by Shirley Andrews, Aims and objectives of TSDAV, Feature All about Sandhurst Dance Club, Coming Events, Q & A, Technical Notes and Discussion Point.magazine, club, traditional dance association, peter ellis collection, tsdav magazine may 1981, peter ellis, jenny milne, penny lane, shirley andrews, fay mcalinden, bruce mcclure, norm ellis, alistair anderson, johnson elwood, sam sherry, john kirkpatrick, sue harrison, hugh rippon, beat klippel, con klippel, efdss, tony sutter, rowan webb, pedr curteen, michael thatcher, victorian folk music club, margaret kiddle, steele rudd, sir roger de coverly, banjo paterson, patsy adam smith, jean lawson, larry harrigan, harry mcqueen, sandhurst dance club, ian thwaite, lynne stone, mark power, roy hay

Report of a panel pursuant to Section 153 of the Planning and Environment Act regarding the property at 629 Canterbury Road, Surrey Hills - an Edwardian two story red-brick butchers' shop built in 1897 for the Tacey family.Report of a panel pursuant to Section 153 of the Planning and Environment Act regarding the property at 629 Canterbury Road, Surrey Hills - an Edwardian two story red-brick butchers' shop built in 1897 for the Tacey family.abermore pty ltd, heritage studies, tacey family butchers, surrey hills, canterbury road, (ms) natica schmeder, sherry james, jo james, (mr) mark marsden, (mr) bryce raworth, 2011, 1897

Glass bottle on gold coloured stand with mildara wording on Label on bottle mildara, rio vista, cream sherry, brandy, spirits, merbein