Elaine Mann was married to David Mann, a successful Wodonga businessman and community leader who passed away in Wodonga in June 2012. David was a member of the Mann family who began their business in Wodonga in 1920. Elaine was a teacher in Wodonga for many years and an active member of the community.This photo collection is of significance as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the late 20th century.High Street East - ANZ Bank; Commonwealth Bank; Henshaw’s Shoes; National Bank. Mahoney's Newsagency on the left hand edge of the photo was located at 168 High Street and the National Bank was at 174 High Street. In 2021 this is the location of the R.A.C.V office. wodonga businesses, high st wodonga, henshaw's shoes, anz, commonwealth bank, national bank

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Pair of black rubber overshoes, owned and worn by Dione McIntyre. The Flarta shoes protected vulnerable shoes from mud or rain. footwear, shoes, overshoes, flarta shoes, mcintyre collection

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s.A pair of two-tone cream leather and beige suede women’s court shoes with beige leather insoles by Paragon Shoes.Paragon / 49274 / 7 1/2women's shoes, court shoes, paragon shoes, footwear, shoes

Black high heeled scuffs with velvet uppers. Uppers are red and black checks whith red stripe on the toe side. Shoe size 40/8 has rubber sole tacked on with the word plastic stamped on it. painted toes, black is chipped in some placesshoes ladies

Shoes. Blackuniform, 1980, army

Dress shoesuniform, 1980+, army

Donated by Donor and worn by her when working for Whitehorse Council as a councillorBrown leather low heel court shoe with bow decoration on the front and a rubber sole. Shoes in original boxNaturalizercostume, female footwear

Shoes Brown, Pair, Nurses, VAD,uniform, 1944

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. A pair of two-toned navy and cream slingbacks by Paragon. The shoes are from the Parisienne range.Paragon / Parisienneshoes, women's shoes, footwear, paragon -- shoes

Used by donor's mother (1926 - 2015) who lived in Camberwell and Box Hill from the 1950's1 pair cone suede heeled shoes size 3. Right shoe has a rectangle metal cream buckle. Left shoe has buckle missing Leather sole and heel with leather and cotton lining Above buckle is a pointed feature3 sizecostume, female footwear

Shoes,dress (Use on navy rating model)uniform, vietnam, ran

Shoes black lace-up (Use in UC042)uniform, vietnam, raaf

Worn at their wedding at Scots Church, Collins Street Melbourne on 3rd November 1934, Miss Emma Jean Jobson and Mr Herbert John Ellis. The reception was held at Rumpe lmages.( De-accessed wedding dress 3530 & veil 3534.2)Cream satin tee bar button shoe. Medium high heel. See also Garter NA3643, Horseshoes NA3640, 3637 and Cut out shoe NA3645 Ezywalkingcostume, female footwear

Wedding shoes worn by Mrs. Alice Gibson (nee Pinniger) in 1900.One pair of cream/white wedding shoes, with button and strap. Have cotton band trim.wedding shoes, shoes, wedding accessories

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Black satin and velvet evening shoes, by Enrico Coveri. The shoes were purchased by Annie McIntyre and worn with her Martin Grant outfit in 1985 at her 21st birthday party. The shoes, donated by Annie McIntyre, form part of the McIntyre family collection.A note by Dione McIntyre, describing the outfit, of which this item is a part reads: "Martin Grant outfit, including black satin and velvet shoes. Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"mcintyre collection, enrico coveri, international fashion - footwear - 1980s, women's shoes

Items issued to John Michael Giffard No 0327699EOD Aust Army Training Team Iraq, rotation 8Pair of black uniform dress shoes, patent leather complete with laces.

Shoe polish is a waxy paste, cream, or liquid used to polish, shine, and waterproof leather shoes or boots to extend the footwear's life, and restore, maintain and improve their appearance. Shoe polish is not a cleaning product, and therefore the footwear should be both clean and dry before application. A cardboard box containing 1 jar of creme polish and 1 jar of gold powder with 2 cloths to be used for preserving 'silver kid shoes, slippers, bags etc.''top of box ' NU-KLEENER / SHOE DRESSING / GOLD KID / Cant B Beat ( drum soldier trade mark )' side THIS DRESSING IS SCIENTIFICALLY PREPARED BY EXPERTS TO ENSURE NOT ONLY A PERFECT FINISH, BUT ALSO AS A PRESERVATIVE OF THE ARTICLE TREATED,'/ Colour Shine Pty Ltd Melbourne. Instructions for use on either end of box . Inside lid a stamp 'Curton Co. Pty Ltd. Melbourne' Jar 1 'NU-KLEENER GOLD KID CREME' Jar 2 'NU-KLEENER GOLD KID POWDER'shoes, boots, clothing, boot preservation, leather, kid-leather, personal effects, handbags, moorabbin, colour shine pty ltd / curton co. pty. ltd

This child's shoe was found underneath the floorboards of the historic Brighton house St Ninian's, 10 Miller Street, during its demolition in September 1974. One of Brighton's earliest buildings, St Ninian's was built around 1841 for merchant, politician and former British naval officer George Ward Cole (1783-1879) and his family. Ward Cole was a prominent member of Victorian society in the mid-to-late nineteenth century. He served in the Victorian Parliament from 1853-55 and 1859-79. His seaside home in Brighton was a fashionable rendezvous for many important identities who shaped Melbourne’s history. Victoria’s first royal visitor, Prince Alfred, Duke of Edinburgh, was a guest there in 1867. It is possible the shoe belonged to one of the Ward Cole children. During the demolition of St Ninian's in September 1974 the Brighton Historical Society's then-secretary, Rosalind Landells, snuck onto the work site in the hope of saving some part of the building and its history. She found this shoe under the partially-demolished floor of the house.Brown leather child's shoe with an ankle strap, fastening with a mother-of-pearl button. Heavily deteriorated.Handwritten in pencil on the sole of the shoe: "Found under floor at St Ninians 1974 Sept during demolition".st ninians, george ward cole, children's clothing, 19th century

House hold item, black hand madeshoes, shoe

Found in cellar of building formerly Barr's drapery in Sussex St, Linton. Donated to society by building's owner Fiona Watson.Pair of leather and fabric ladies' button boots. Manufacturer's mark and size "3" on soles. Thirteen buttons on each boot.shoes, boots

Pair oyster coloured satin covered leather shoes, leather soles and stiletto heel.Seeba by Holmes, Norwich|Leather Soles 5B| Licence made in Australia by Holmes-Seeba 895costume, female footwear

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Paragon Shoes Pty Ltd was one of the most significant 20th century Australian shoe retailers, and at one time was the largest manufacturer of high quality of women's shoes in Australia. Its factory was located in Melbourne, and its shoes were sold throughout Australia and New Zealand. (Museum Victoria)Pair of two toned brown leather and suede women’s shoes designed and made in Australia by Paragon. The label identifies the Paragon range as Belle Chasseur - Jessica. Genuine leather 7 1/2 Bwomen's shoes, pargon shoes, footwear, shoes

Bought at local Op Shop for displayMade in 1990's in the style of the 1970'sBlack suede tee bar buckle (2.3cm) shoe with platform sole and 9cm shaped heel.Fine leather upper, balance, man made.costume, female footwear

Black satin shoes with seed pearl decoration across the instep and buttoned on sides. High Heels.Made in Australia for Hicks Atkinson and Sons Pty Ltd, Collins Street Melbourne.costume, female footwear

shoe-shaped wood with metal spring inserted in the middle. Yellow ub colour except for an area of black around the top of the shoe"11" stamped onto toe of the shoe shoe, stretcher, cobbler, footwear

Cast iron shoe last of 2 pieces for a size 10 1/2. Wooden home-made shoe last stand.'10 1/2' on the shoe lastshoe lasts

Worn by Joan Stewart in 1930'sBlack leather and suede court style shoes. Open cut, suede trim with bow on front, cuban heelcostume, female footwear

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of open-toed, sling-back two-tone red and white women's shoes. Stamped on the red partial upper is the Italian designer’s name, Urbinati.URBINATI / Made in Italy VERO / CUOIO / Made in Italy / 38 1/2shoes, women's shoes, footwear, urminati - shoes - italy, sandals

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.