This book is part of the collection donated by Leon Garner. It provides information relating to the dairy industry covering topics such as planning, breeding, choosing dairy cattle, feed crops, care of milk and cream and herd health. It covers all areas of Australia. This book is an early manual for Australian dairy farmers.Grey hard cover book with full colour picture of a jersey cow and title printed in black on the front cover. The inside back cover contains a paper lift-up model of a cow showing its skeleton and internal organs.639 (stamped on front page)noel garner, dairy industry, allansford, dairy cattle, cattle breeding, herd health

The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Nurses with Tutor and Skeleton, schools 64 and 63. Two photos of Six nurses and Tutor Jack Hutley (with stick) standing around a skeleton. Behind them are body charts and props. On rear of Photos the nurses names are written, however their position in the photos are difficult to work out: Schools 63 and 64, Tutor Jack Hutley, Nurses R. L.Heath, B. L. Abbott, J. M. Wood, P. A. Tuohey, Denise O'Sullivan, Lyn Heath, Northern District School of Nursing, 37 Rowan Street Bendigo. BCV8 Bendigonurse training, ndsn, lister house, school 63, school 64, jack hutly

death, skeleton, aboriginal, aborigine

Skeletal remains of an animal collected as evidence of a potential big cat 'kill'. australian animal folklore collections, big cats victoria, skeleton, bones

Photo taken at Ararat Primary School 800. Mr Frecleton (teacher or headmaster) is surrounded by students, a skeleton and others. The man holding the megaphone is Mr Babs or BahsBlack and white photo of two men standing in front a large group of school children. One of the men is holding a megaphone towards the other man.Written on back: Frecleton Mr Babs (Bahs?)

Robert Sinclair, a travelling entertainer, committed a variety of offences including housebreaking, having a skeleton/picklock key in his possession, being an habitual criminal. He had several aliases. Prison record for Robert Sinclair, prisoner registered number 29536, giving details of the prisoner, his crimes and the dates and places of his trials.robert sinclair, english speaking prisoner, larceny, housebreaking, stealing

Newspaper clipping from The Herald Sun, Friday 22/11/1993 - Cartoon by Mark Knight, about the redundant W class trams driven by a skeleton, with the destination "Redundancy" with a State School Teacher joining the tram, say "Going my Way?" The tram number is 462.trams, tramways, w class, cartoons, public transport, ptc, tram 462

Skeletal remains of a sheep collected as evidence of a potential big cat 'kill'. The skull has been bitten off, probably by a stag hound.australian animal folklore collections, big cats victoria, skeleton, bones, m14156

This skull has been on exhibition in various displays at the National Wool Museum from 1988 when the museum opened, and removed from display in 2024. Horned sheep skullCarved into horn: MD 1 - 68sheep, skeleton, skull, bone, horn, animal

This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace

The St John Ambulance Association, which was founded in 1877 in England. Its first uniformed first-aiders were founded in 1887 as the St John Ambulance Brigade. These two have since been merged into a single association. St John Ambulance now have over 40 national organisations, many of which are affiliated with Johanniter International, and over 300,000 volunteers worldwide. The Order of St John owns the brand name in most countries (with the notable exception of India, which has a St John Ambulance organisation that is unconnected to the international movement). Logos vary in different countries but always contain the eight-pointed white Maltese cross as the essential identifier. Like the Order, St John Ambulance associations accept members of all religions. Their geographic organisation differs from the Order, and they have to contend with the differing national laws, medical practices and cultures of countries. As a result, the role and organisation of St John Ambulance varies by country.Joan Filbey Collection: Book First Aid to the Injured - The St John Ambulance association. The book is a copy of the Thirty-ninth edition first impression (1942), Price 2/6 net; by post, 2/8. The book is published by the St John Ambulance Association (Victoria Centre) 217 Lonsdale Street Melbourne. Inside Front Cover - a sketch of a skeleton along with arteries and bones marked. It is sttsched to the cover by masking tape. Written in ink is "Maxwell A. Roberts, SEC Bendigo"history, bendigo, joan filbey collection, st john ambulance, first aid book, maxwell roberts

Photo taken by a sailor onboard H.M.S.Ajax 17 Dec.1939 On December 17, 1939 the Admiral Graf Spee, with Langsdorff and a skeleton crew of 40 aboard, steamed out of Montevideo as 20,000 onlookers watched. The crew set the scuttling charges and and everyone was evacuated by an Argentinian tugboat. The explosions ripped through the ship and it sank at 08:55 PM. On December 20, Captain Langsdorff, lying on the ship's flag and wearing his full dress uniform, shot and killed himself.Black and white photo of The Admiral Graf Spee being scuttled in the Pate Rivergraf spee

Nurses Lecture Room c.1948, Ballarat Base Hospital. In the former children's ward, a tutor sister instructs trainees on the intricacies of the human skeleton. Their Examination papers might require an account of the structure of a joint, or of the nursing of fractures treated in 'skeletal traction'. Back Row L-R: Isabelle Brown, Mabele Rogers, Pat Lemon, Enid Murphy Front Row L-R: Gladys Leeden, Eileen Lawrie, Pat McCarthy ?, ?, ?, (maybe Joan Kube, Rita Lloyd, ?) Student nurses with tutor Sister Grace CameronPhoto - black & whitecameron, tutor, student, classroom

Rectangular medical chart showing the upper part of the human body, skeleton, organs and blood circulation.The chart is made from printed paper on a fabric (?cotton) base and is attached with metal tacks to timber batons at each end . The timber batons are stained black. A strip of red cotton tape is attached to the mid-part of the upper baton and has been used to secure the chart when it is rolled up. Metal ring eyelets are screwed into either end of the upper baton and were used to hang the chart.The artists name 'J.Teck' is included on the lower edge on the front of the chart (LHS). The logo of the St John's Ambulance Association and the words 'ST JOHN'S GATE, LONDON E.C. 1' are printed on the lower edge of the chart (on the front of the chart at RHS). The words 'BLOOD CIRCULATION' are written in blue ink on the top margin of the chart on the reverse side.medical chart, human body, blood circulation, j. teck

Winner of Bayside Acquisitive Art Prize 2017. oil on linensnow, figures, animals, painting, michael vale, dream-like, skeleton, pipe, city, bayside acquisitive art prize

Rectangular chart made from printed and coated paper on a fabric base. The chart is mounted at either end on timber batons using small metal tacks. The upper baton is moulded while the lower baton is circular in cross-section. Both batons are stained black.Two screwed metal eyelets have been attached to the upper baton for use in hanging the chart. A short length of redcotton tape is attached to the mid-point of the upper baton with a metal tack. the tape is used to secure the chart after it has been rolled up.A printed paper label is attached to the reverse of the chart bearing the words 'THE SKELETON'. The logo of the St John Ambulance Association and the words 'ST JOHN'S GATE, LONDON E.C.1' are printed on the botton edge of the chart (LHS). The artists name 'J. Teck' is printed just above. A second, unknown logo is printed on the top LH corner of the chart. Much of it has flaked off so it is not possible to read it.medical chart, human body, j.teck

For two years after the opening of the Colac-Beech Forest railway line trains were preceded by a ganger on a trolley to ensure no landslips or wash-a-ways created a danger to the trains. Afterwards the trains continued on their own. The line was built as cheaply as possible, "a mere skeleton of a railway" as one Victorian Railways spokesperson commented. With earthworks specified to the bare minimum landslips in the cuttings and wash-a-ways in sloping areas were always a problem, particularly in the early years before the works had time to settle. The line to Crowes was built to open in 1911 and a wash-a-way between Lavers Hill and Crowes was only to be expected. B/W. 8A locomotive, with driver and fireman, and a mounted repair gang attending a wash-a-way just past Lavers Hill in 1913.183mm x 260mm print.

Coloured postcard of an ESCo tram westbound at the intersection of Sturt and Lydiard St. Ballarat, c1906 - 7 - has a destination box. There are several pedestrians in the picture. Taken from the east side of the intersection, looking towards the Town Hall, with the National Mutual Insurance building and Snows in the photo. Also shows the overhead arrangements - two wire for Sturt St, single for Lydiard St, coming into the intersection. On the rear of the postcard are the initials "JE" in the top centre, a 1d Victorian stamp, cancelled 5/4/1909, addressed to a Mrs Sproston of Skeleton Cottage Avoca with a message from her granddaughters - Fervie and Edith. See item 3279 for a black-and-white version. Yields information about Sturt St at Lydiard St looking west and the tramway overhead.Printed colour postcard titled Postcard - "Sturt Street Ballarat" used - 1909See image i2 for letter and posting details.trams, tramways, esco, sturt st, postcards, overhead, town hall

In 1844 a carpenter called David McLaws secured the lease on the land on the south west corner of James and Bank Streets. He later converted this to freehold by which time he had erected the Caledonian Inn. This building has been continually licensed since that time , and is believed to be the longest continual license held in Victoria. The dormer windows in the part of the building facing James street hide the fact that there is only a skeleton of rooms that were meant to be built there. They were unfinished because the labourers left town when gold was discovered at Ballarat in 1853. An advertisement for the time says “There were four parlours, a bagatelle room, eight bedrooms, a detached kitchen, stable and kitchen garden”. Well known hotel Thought to be the oldest continuously licenced hotel in VictoriaBlack and white photograph of 2 story building with dormer windows on corner hotel, building, james street, bank street, david mclaws

In 1844 a carpenter called David McLaws secured the lease on the land on the south west corner of James and Bank Streets. He later converted this to freehold by which time he had erected the Caledonian Inn. This building has been continually licensed since that time , and is believed to be the longest continual license held in Victoria. The dormer windows in the part of the building facing James street hide the fact that there is only a skeleton of rooms that were meant to be built there. They were unfinished because the labourers left town when gold was discovered at Ballarat in 1853. An advertisement for the time says “There were four parlours, a bagatelle room, eight bedrooms, a detached kitchen, stable and kitchen garden”. Well known Hotel thought to be the longest continuous licenced hotel in VictoriaBlack and white photographhotel, bank street, port fairy, james street, building

This is a program for the Order of Service for the Induction of the Rev Rhys Miller to St. John’s Presbyterian Church in Warrnambool in 1946. St. John’s Church was officially opened in 1875, burnt down in 1920 and rebuilt around the skeleton structure remaining on the same site. The Rev. Rhys Miller had been a R.A.A.F. Chaplain during World War Two before coming to Warrnambool in 1946. He was absent from Warrnambool for most of that first year undertaking post-graduate studies in Scotland. The Rev. Miller was the Minister at St. John’s Church until 1952 when he transferred to a Gardenvale church in Melbourne. The centenary of Presbyterianism in Warrnambool took place in 1949 and Rev. Miller wrote the booklet, ‘100 Years of Worship and Work’. In 1984 he published his autobiography, ‘Calling and Recalling’. This program is of interest because the Rev. Rhys Miller, as a Minister of St. John’s Presbyterian Church on Warrnambool, was a significant person in Warrnambool’s history. This is a program, the Order of Service for the Induction of the Rev. Rhys Miller to St. John’s Presbyterian Church, Warrnambool in 1946. It is a small sheet of paper folded in two to make four pages. The printed material is black on white. There is a small black mark on the back page (spilt ink?). rev. rhys miller, st. john’s presbyterian church, warrnambool, history of warrnambool

Group Reunion c.1981 Back L-R: Pam Fry, Rita Perkins (nee Lloyd), Pat Gardiner (nee McCarthy), Eileen Lawrie, Kay Campbell, ?, ?, ?, ?, Flossie Jones Front L-R: Joan Kube, ?, Mona Bannon, Wilkie, Frances Dean, Glennys Nankervis, ?, Elizabeth Todd Nurses Lecture Room c.1948 In the former children's ward, a tutor sister instructs trainees on the intricacies of the human skeleton. Their Examination papers might require an account of the structure of a joint, or of the nursing of fractures treated in 'skeletal traction'. Back Row L-R: Isabelle Brown, Mabele Rogers, Pat Lemon, Enid Murphy Front Row L-R: Gladys Leeden, Eileen Lawrie, Pat McCarthy ?, ?, ?, (maybe Joan Kube, Rita Lloyd, ?)Hard Copiesgardiner, mccarthy, 1945, pts, graduation, portraits, 1947, mcqueen, fawcett, clohesy, classroom, cameron, reunion, 1981

Photograph - looking from Summerscales offices onto the intersection of Sturt and Lydiard St during an event, with a parked ESCo tram and crowds or onlookers on either side of the south side of Sturt St. Has a detailed image of the tram. C1909. In the background are Craigs Hotel, C. Marks & Co, National Mutual building, Snows, and the Town Hall. Several horse-drawn vehicles are in the photograph. Also, A. E. Casley Chemists and Beath Schiess & Co, though this seems to be almost printed into the photograph - above the chemist shop. The postcard has been sent to Miss N Sproston of Skeleton Cottage, Avoca. Has a 1d Victoria stamp and has been postmarked 14-5-1908. See item 5907 for a black-and-white image of the same postcard published by Summerscales.Yields information about the streetscape of Sturt St and Lydiard Streets c1908Postcard coloured, divided back, used, SEM Co.See image 2 for letter and address details. tramways, trams, esco, sturt st, events, lydiard st

This is a program for the Order of Service for the Induction of the Rev Rhys Miller to St. John’s Presbyterian Church in Warrnambool in 1946. St. John’s Church was officially opened in 1875, burnt down in 1920 and rebuilt around the skeleton structure remaining on the same site. The Rev. Rhys Miller had been a R.A.A.F. Chaplain during World War Two before coming to Warrnambool in 1946. He was absent from Warrnambool for most of that first year undertaking post-graduate studies in Scotland. The Rev. Miller was the Minister at St. John’s Church until 1952 when he transferred to a Gardenvale church in Melbourne. The centenary of Presbyterianism in Warrnambool took place in 1949 and Rev. Miller wrote the booklet, ‘100 Years of Worship and Work’. In 1984 he published his autobiography, ‘Calling and Recalling’. This program is of interest because the Rev. Rhys Miller, as a Minister of St. John’s Presbyterian Church on Warrnambool, was a significant person in Warrnambool’s history. This is a program, the Order of Service for the Induction of the Rev. Rhys Miller to St. John’s Presbyterian Church, Warrnambool in 1946. It is a small sheet of paper folded in two to make four pages. The printed material is black on white. There is a small black mark on the back page (spilt ink?). order of service

Rectangular medical chart made from printed and coated paper laid on white fabric (?cotton) and showing the upper part of the human body, with skeleton, organs and blood circulation. The chart is attached to two wooden batons with small metal tacks. The top baton is moulded while the lower baton is circular in cross-section. Both batons are stained black. There are two screwed metal eyelets attached to the upper baton used for hanging the chart. A short length of red cotton tape is attached to the mid point of the upper baton with a metal tack and is used for securing the chart when it is rolled up. There is the remnant of a printed paper label adhered on the reverse side of the chart at the top edge, but unable to read the writing.The artists name (J. Teck) is printed at the bottom LHS of the chart . The logo of the St John's Ambulance Association is printed on the RHS of the lower edge of the chart, along with the words 'St JOHN'S GATE, LONDON, E.C.1'medical chart, blood circulation

Greenwich Palace no longer exists however archaeology had added greatly to our understanding of life at the Tudor Court at Greenwich. Since 1971 there have been well over 20 digs on the site. Many wonderful and intriguing items from gold coins to tiled floors and human skeletons have been found. The first major dig uncovered the structure of the royal apartments next to the river. Not only did it clarify the floor plan but finds included some rare Tudor ceiling decorations, a hoard of gold coins and many personal items such as dice used for gaming. Perhaps the most revealing excavations have been the most recent. In 2005 while monitoring the digging of a drainage trench archaeologists found brickwork and tiles that formed the floor of the east end of the Tudor Chapel Royal where the altar once stood.Photograph of stained glass windows at Greenwich Chapel and Museum, Englandgreewich, stone, museum, chapel, stained glass