Two scrapbooks, thick red covers, 43 pages. Contains many photos, mostly labelled; of social events, factories, products. Myttons was an engineering firm with premises in South Melbourne and Port Melbourne. They made objects as diverse as cutlery sets to sinks and larger industrial stainless steel productsindustry - manufacturing, social activities, societies clubs unions and other organisations, sport - australian rules football, myttons ltd, rodd cutlery, allbrite cutlery, dev mytton, grosvernor cutlery, built environment - industrial, reginald h mytton, eric g redwood, colin mackay, l f harrison, l w (wal) johnson, russell flack, john donaldson, lance powell, horrie farrow, syd svensson, tom fahey, arthur steele, jean hopkins, dennis mackinley, lorraine robertson, douglas robertson, tommy lahiff

Roy Smith selling Swallow's icecreams at Lagoon Oval in the 1940s. Roy lived in Howe Parade. Copy of a black and white photo downloaded from the "Born and Bred in Port" facebook site. The occasion may have been a sport event or festival. The photographer is unknown. Photo of Roy Smith selling ice-creams at Lagoon Oval 1940sroy smith, swallow's icecream, social activities, lagoon reserve, sport

The Ithacan Philanthropic Society Executive Committee 1991. Pictured L-R: Back row - Dennis Katsamas, George Coutsouvelis, Anthony Drakopoulos, John Tscoucalas, Christos Lourantos. Front row - Antoni Razos, Maria Dellas, Sia Andrews (President), Helen Vlass, Nick LourantosAlthough women played a very active role in the organisation of social functions and fund raising activities, they were not eligible to become full members until 1985 after which they could also be elected to the executive committee. Prior to this there was a Ladies' Committee formed in 1944 which organised social events. Sia Andrews, Maria Dellas and Helen Vlass were the first women to be elected to the executive committee in 1985. In 1991, in the Society's 75th year, Sia Andrews became the first female president. A coloured photograph of the executive committee of the Ithacan Philanthropic Society photographed standing in front of an honour board. Five men are standing behind three women and two men who are seated.

Faram Bros had occupied this site since 1919Forty two (42) colour photographs (digital) taken on 10 February 2007 at the community farewell, street party and BBQ for the closure of Faram Bros hardware shop. Party held in street outside 405-415 Bay Street. Attended by many PMHPS members and former customers. A 3 piece band and lone piper (bagpipes) were highlights. Doug faram with garland of flowers is at .14 Speech givers included Janet Bolitho at .22 & .23 Lone piper at .26 to.34 Event was sponsored by former customers, Bay Street traders and PMHPSbusiness and traders - hardware, social activities, celebrations fetes and exhibitions, faram brothers hardware, doug faram, janet bolitho

The scarf was worn by Eileen Capocchi, a member of the Eureka Youth League Choir who sang at the Youth Carnival for Peace and Friendship and donated the item. The planned event had been targeted by Prime Minister Menzies as a Communist Party activity. The Commonwealth Government pressured local Sydney Councils to deny the organisers a venue. These attempts failed. The event combined sporting, athletic and musical events at a football stadium. In later years it was the subject of two documentary films. The scarf is of historic and social significance because of its association with the Peace Carnival for Peace and Friendship of 1952 and the Eureka Youth League. The scarves were worn by all participants and by Eureka Youth League members in subsequent years. The scarf records some of the musical and sporting events organised by the Eureka Youth League in most major Australian cities.Brown and yellow square rayon machine edged scarf made for the 1952 Youth Carnival for Peace and Friendship in Sydney. Central portion shows a peace dove, pink heath, flannel flower and wattle. Perimeter shows a saxophonist, ballet dancer, high jumper, hurdler, cyclist and volleyball net. "Youth Carnival for Peace and Friendship" white script on 3cm brown banner repeated 4 times around perimeter.eileen capocchi, eureka youth league choir, youth carnival for peace and friendship, eureka youth league, 1952

1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology

Darkness and a little light: ?Race? and sport in Australia Colin Tatz (AIATSIS & Australian National University) and Daryl Adair (University of Technology Sydney) Despite ?the wonderful and chaotic universe of clashing colors, temperaments and emotions, of brave deeds against odds seemingly insuperable?, sport is mixed with ?mean and shameful acts of pure skullduggery?, villainy, cowardice, depravity, rapaciousness and malice. Thus wrote celebrated American novelist Paul Gallico on the eve of the Second World War (Gallico 1938 [1988]:9-10). An acute enough observation about society in general, his farewell to sports writing also captures the ?clashing colors? in Australian sport. In this ?land of the fair go?, we look at the malice of racism in the arenas where, as custom might have it, one would least want or expect to find it. The history of the connection between sport, race and society - the long past, the recent past and the social present - is commonly dark and ugly but some light and decency are just becoming visible. Coming to terms: ?Race?, ethnicity, identity and Aboriginality in sport Colin Tatz (AIATSIS & Australian National University) Notions of genetic superiority have led to some of the world?s greatest human calamities. Just as social scientists thought that racial anthropology and biology had ended with the cataclysm of the Second World War, so some influential researchers and sports commentators have rekindled the pre-war debate about the muscular merits of ?races? in a new discipline that Nyborg (1994) calls the ?science of physicology?. The more recent realm of racial ?athletic genes?, especially within socially constructed black athletic communities, may intend no malice but this search for the keys to their success may well revive the old, discredited discourses. This critical commentary shows what can happen when some population geneticists and sports writers ignore history and when medical, biological and sporting doctrines deriving from ?race? are dislocated from any historical, geographic, cultural and social contexts. Understanding discourses about race, racism, ethnicity, otherness, identity and Aboriginality are essential if sense, or nonsense, is to be made of genetic/racial ?explanations? of sporting excellence. Between the two major wars boxing was, disproportionately, a Jewish sport; Kenyans and Ethiopians now ?own? middle- and long-distance running and Jamaicans the shorter events; South Koreans dominate women?s professional golf. This essay explores the various explanations put forward for such ?statistical domination?: genes, biochemistry, biomechanics, history, culture, social dynamics, the search for identity, alienation, need, chance, circumstances, and personal bent or aptitude. Traditional games of a timeless land: Play cultures in Aboriginal and Torres Strait Islander communities Ken Edwards (University of Southern Queensland) Sports history in Australia has focused almost entirely on modern, Eurocentric sports and has therefore largely ignored the multitude of unique pre- European games that are, or once were, played. The area of traditional games, especially those of Aboriginal and Torres Strait Islander peoples, is an important aspect of the cultural, social and historical experiences of Indigenous communities. These activities include customs of play that are normally not associated with European notions of competitive sport. Overall, this paper surveys research undertaken into traditional games among Indigenous Australians, as well as proposals for much needed further study in this area. Culture, ?race? and discrimination in the 1868 Aboriginal cricket tour of England David Sampson As a consequence of John Mulvaney?s important historical research, the Aboriginal cricket and performance tour of Britain in 1868 has in recent decades become established as perhaps the most famous of all public events in contact history involving Aborigines, white settlers and the British metropolis. Although recognition of its importance is welcome and significant, public commemorations of the tour have enveloped the tour in mythologies of cricket and nation. Such mythologies have obscured fundamental aspects of the tour that were inescapable racial and colonial realities of the Victorian era. This reappraisal of the tour explores the centrality of racial ideology, racial science and racial power imbalances that enabled, created and shaped the tour. By exploring beyond cricketing mythology, it restores the central importance of the spectacular performances of Aboriginal skills without which the tour would have been impossible. Such a reappraisal seeks to fully recognise the often trivialised non-cricketing expertise of all of the Aboriginal performers in 1868 for their achievement of pioneering their unique culture, skills and technologies to a mass international audience. Football, ?race? and resistance: The Darwin Football League, 1926?29 Matthew Stephen (Northern Territory Archive Service) Darwin was a diverse but deeply divided society in the early twentieth century. The Commonwealth Government introduced the Aboriginals Ordinance 1911 in the Northern Territory, instituting state surveillance, control and a racially segregated hierarchy of whites foremost, then Asians, ?Coloureds? (Aborigines and others of mixed descent) and, lastly, the so-called ?full-blood? Aborigines. Sport was important in scaffolding this stratification. Whites believed that sport was their private domain and strictly controlled non-white participation. Australian Rules football, established in Darwin from 1916, was the first sport in which ?Coloured? sportsmen challenged this domination. Football became a battleground for recognition, rights and identity for all groups. The ?Coloured? community embraced its team, Vesteys, which dominated the Northern Territory Football League (NTFL) in the 1920s. In 1926, amidst growing racial tension, the white-administered NTFL changed its constitution to exclude non-white players. In reaction, ?Coloured? and Chinese footballers formed their own competition - the Darwin Football League (DFL). The saga of that colour bar is an important chapter in Australia?s football history, yet it has faded from Darwin?s social memory and is almost unknown among historians. That picture - Nicky Winmar and the history of an image Matthew Klugman (Victoria University) and Gary Osmond (The University of Queensland) In April 1993 Australian Rules footballer Nicky Winmar responded to on-field racist abuse by lifting his jersey and pointing to his chest. The photographic image of that event is now famous as a response to racial abuse and has come to be seen as starting a movement against racism in football. The racial connotations in the image might seem a foregone conclusion: the power, appeal and dominant meaning of the photograph might appear to be self-evident. But neither the fame of the image nor its racial connotation was automatic. Through interviews with the photographers and analysis of the use of the image in the media, we explore how that picture came to be of such symbolic importance, and how it has remained something to be re-shown and emulated. Rather than analyse the image as a photograph or work of art, we uncover some of its early history and explore the debates that continue to swirl around its purpose and meaning. We also draw attention to the way the careful study of photographs might enhance the study of sport, race and racism. ?She?s not one of us?: Cathy Freeman and the place of Aboriginal people in Australian national culture Toni Bruce (University of Waikato) and Emma Wensing (Independent scholar) The Sydney 2000 Olympic Games generated a national media celebration of Aboriginal 400 metre runner Cathy Freeman. The construction of Freeman as the symbol of national reconciliation was evident in print and on television, the Internet and radio. In contrast to this celebration of Freeman, the letters to the editor sections of 11 major newspapers became sites for competing claims over what constitutes Australian identity and the place of Aboriginal people in national culture. We analyse this under-explored medium of opinion and discuss how the deep feelings evident in these letters, and the often vitriolic responses to them, illustrate some of the enduring racial tensions in Australian society. Sport, physical activity and urban Indigenous young people Alison Nelson (The University of Queensland) This paper challenges some of the commonly held assumptions and ?knowledges? about Indigenous young people and their engagement in physical activity. These include their ?natural? ability, and the use of sport as a panacea for health, education and behavioural issues. Data is presented from qualitative research undertaken with a group of 14 urban Indigenous young people with a view to ?speaking back? to these commentaries. This research draws on Critical Race Theory in order to make visible the taken-for-granted assumptions about Indigenous Australians made by the dominant white, Western culture. Multiple, shifting and complex identities were expressed in the young people?s articulation of the place and meaning of sport and physical activity in their lives. They both engaged in, and resisted, dominant Western discourses regarding representations of Indigenous people in sport. The paper gives voice to these young people in an attempt to disrupt and subvert hegemonic discourses. An unwanted corroboree: The politics of the New South Wales Aboriginal Rugby League Knockout Heidi Norman (University of Technology Sydney) The annual New South Wales Aboriginal Rugby League Knockout is so much more than a sporting event. Involving a high level of organisation, it is both a social and cultural coming together of diverse communities for a social and cultural experience considered ?bigger than Christmas?. As if the planning and logistics were not difficult enough, the rotating-venue Knockout has been beset, especially since the late 1980s and 1990s, by layers of opposition and open hostility based on ?race?: from country town newspapers, local town and shire councils, local business houses and, inevitably, the local police. A few towns have welcomed the event, seeing economic advantage and community good will for all. Commonly, the Aboriginal ?influx? of visitors and players - people perceived as ?strangers?, ?outsiders?, ?non-taxpayers? - provoked public fear about crime waves, violence and physical safety, requiring heavy policing. Without exception, these racist expectations were shown to be totally unfounded. Research report: Recent advances in digital audio recorder technology provide considerable advantages in terms of cost and portability for language workers.b&w photographs, colour photographs, tablessport and race, racism, cathy freeman, nicky winmar, rugby league, afl, athletics, cricket, digital audio recorders

Ad for a concert held to raise money for The Peterborough CrecheSignificant to the town as it mentions local people and is an example of social activities at the time, 1915.Hand made cardboard poster advertising a local concert eventReverse side of cardboard is a VB Bitter Ale postersocial activities, j irvine, w appleton, cumming family, euchre-hints for beginners, concerts, loch ard - performance, peterborough

Race programme for horse racing event at the Port Campbell race track, located near Two Mile Bay, where the rifle range is now located. Lists horses and owners. Includes advertising for local businesses at the time.Significant as it indicates sporting and social activities in 1926. Photocopy of original race programme at the Port Campbell Racetrack.port campbell horse racing, port campbell race track, railway view hotel timboon, port campbell hotel, cobden hotel, 1926

William (Bill) Holder was a resident at International House, studying law at the University, and was IH Student President in 1960. This album page comes from an 'Album of Student Activities 1960', compiled and presented to International House by Soedjadi Satrosoegito & Richard Shiell.Inscribed: 'Bill Holder's 21st'students, social events, university colleges

Possibly pictured here are Dick Seddon, 1959 Student Club President, and New Zealander George Hinde, a Law tutor at International House in 1960. This photograph comes from an 'Album of Student Activities 1960', compiled and presented to International House by Soedjadi Satrosoegito & Richard Shiell.social events, students

Whilst female residents were not permitted at International House until 1972, the House hosted several formal events with invited guests, such as Dinner Dances held in April and July of 1960. Pictured here, Andrew Deacon was an Arts student and the first co-editor of the student magazine, Satadal, in 1959, and initiated International House's 'Waste Paper Basket Club', at which tutors and guests presented papers on global affairs. He went on to tutor English at the House in 1960. Sam Dimmick was Warden at International House from 1960 to 1970. This photograph comes from an 'Album of Student Activities 1960', compiled and presented to International House by Soedjadi Satrosoegito & Richard Shiell.social events, sam dimmick

This photograph may have been taken at one of International House's 'Dinner Dances', in May and July of 1960. Bandjarnahor was a resident from Indonesia. This photograph comes from an 'Album of Student Activities 1960', compiled and presented to International House by Soedjadi Satrosoegito & Richard Shiell.dance, social events

The people labelled as pictured include Sammy Wu (1), Teong Eu, Nick Kanaris, Dr Suri, Roger Egglestone, and Tay Soo Lay (2) Warden Sam Dimmick (3), and John Morrish (6). The identities of the women are unknown, and they were likely guests invited to International House's regular dinner dances and events. In 1960, the Council suggested that women students of the University could be made non-resident members of the House, and began discussing plans for housing women, which did not eventuate until 1972. Students clearly enjoyed the opportunity for female company, requesting that visiting hours be extended for women in 1960, a request that was designed by the Council.social events, women

A newsletter produced on a regular basis by Melbourne Legacy for Junior Legatees, containing news, stories and messages including articles by current and retired members of the committee and executive as well as contributions from Legatee’s themselves. Articles include ‘Home Exercises for Girls’ Letters to the Editor and advice from the Legatee Doctor about sunburn and other health issues. It includes details of education classes, events, functions, holidays and news from the residences.Records the work done by Melbourne Legacy to care for children of servicemen who were either dead or no longer able to care for families. Also records social conditions of the times. Newspaper style newsletter of the Junior Legatee of between four and six pages. 00009.1, Vol 1, No 1, September 1, 1937 00009.2, Vol 1, No 2, September 15, 1937 00009.3, Vol 1, No 3, September 29, 1937 00009.4, Vol 1, No 4, October 13, 1937 00009.5, Vol 1, No 5, October 27, 1937 00009.6, Vol 1, No 6, November 24, 1937 00009.7, Vol 1, No 7, December 22, 1937. Became Legacy Newsletter in August 1942newsletter, activities

Newsletter possibly made to record the events of cricket matches at a Somer’s Camp during Christmas 1932. Newsletter called The Legacy Libeller and included cricket scores, public notices and social notes. Annotation: 'Author. Editor. Artist Pat.Hanna. A.R.B.' Originals available at 01289, 01290 and 01291.Shows some of the activities at the junior legatee camps, such as cricket matches and newsletter publishing.Photocopy of eight page foolscap size newsletter.camp savige, somers camp, newsletter

This trophy was presented to the winner of the annual Melbourne Legacy, Commradeship Golf Tournament for Legatees held at Huntingdale Golf Club. Huntingdale Golf club was the site of many social events for Legatees and Widows clubs. The article in the Answer says that the association with the Huntingdale golf club became a fundraiser and over the years over $255,000 has been raised for Legacy. The Open Mixes Foursomes is usually held in December and the Ladies Day is annually in October.A record of the type of activities Legacy provided as a social outlet for the Legatees and their wives and for fundraising.Pewter Mug, Melbourne Legacy... Comradeship Golf TrophyLegacy Badge glued to mug. Engraving - Melbourne Legacy... Comradeship Golf Trophy. Listing of annual winners 1978 to 2007. Markings: Underside - Kirra Pewter Lead Free, Pewter Products P/L Melbourne Australia trophy, golf

This album of Comradeship activities was compiled by Legatee Fred Holdsworth. It contains photographs, newspaper cuttings and ephemera relating to various “Comradeship” activities (social gatherings) held throughout the 1970s and early 1980s. Items included various events legatees participated in. First few pages had photos from a gathering at Cruden Farm on 15 May 1977. Cruden Farm was owned by Elisabeth Murdoch, the mother-in-law of Legatee Geoff Handbury. It appears there was a kite flying contest. Names are not listed. Three photos were from Queensland where Legatee Wal Escott had retired at Mundoona apartments, Noosa Heads, one photo shows him with Lorna Grimwade on 6/10/1979. There is a black and white photo of Max Armstrong, Rex Hall, Harry Burton, Warren Hardy riding horses in the Anzac Day march. The year is not known but an accompanying newspaper article mentions that they had been riding every year for 13 years on horses loaned by the police mounted branch. The newspaper clipping shows another photo of the four. A photo of seven legatees including David Carter were at the Numurkah Annual meeting in 1978. There are 8 photos of a gathering of Legatees and their wives at Stanhope in 1979. A photo of a Christmas party at Chaucers in 1979 was missing from the page, it has shown Choirmaster Reg Thomson and Choristers; Rob Allison, Bruce Hall, Les Patch, Bill Seager, David Syme and Ron Austin; with the M.C. being Fred Holdsworth. There was a trip to a trout farm in Alexandra Yea area in February 1978. At a comradeship evening there a photos showed the Comradeship committee of Harold Berg, John Cooper and Fred Holdsworth. Also photos from Anzac Night in 1980 and 1981. Plus other gathering at people's homes. A black and white photo of men in formal black tie, is from a night at the Windsor Hotel to farewell Sit Thomas White to become Australia's High Commissioner in London. Left to right are Sir Archie Michaelis, Sir John Latham, Sir Thomas White, Lt Col Donovan Joynt and Sir Stanley Savige. At the 1981 comradeship Christmas party, the held a 'this is your life' tribute to President Ken Green.The Comradeship photo album was put together by the Comradeship committee and records events that Legatees did and places they lived or visited. Some appear to be trips to visit other Legatees living overseas and social occasions held in different places. It shows the bond that Legatees have with each other.Brown vinyl photo album. The front cover is embellished with a double gold border. The album contains thirty pages bearing both colour and black and white photographs as well as newspaper clippings from various “Comradeship” events during the 1970s and 1980s.Inside cover - “A record of Comradeship activities / Fred Holdsworth” ? First page - “AT CRUDEN PARK / 15 May 1977” Third page - “CHAMP THE KITE MAN” Fourth page - “THE SHRINE 1977” / “THE CHAMP” / “REX” Fifth page - “Lorna Grimwade/ + Wal Escott/ at Noosa Heads, Q. / 6/10/79” Sixth page - “Max Armstrong, Rex Hall, Harry Burton, Warren Hardy” Seventh page - “Numurkah Annual 1978” / “ANZAC Night 1973” Eighth page - “STANHOPE 1979” Ninth page - “THE CHRISTMAS CHORISTERS at CHAUCERS CANTERBURY 1979.” / “FEARLESS FREDS FAMOUS FOLLIES. CHOIRMASTER. Reg Thomson. CHORISTERS. Rob Allison. Bruce Hall. Les Patch. Bill Seager. David Syme. Ron Austin. / M.C. Fred Holdsworth.” Tenth page - “ALEXANDRA YEA / ~ / FEBRUARY 1978” Eleventh page - “COMRADESHIP HIERARCHY 1979 / HAROLD BERG / DEP CHAIRMAN / JOHN COOPER / CHAIRMAN / FRED HOLDSWORTH / TREASURER” Twelfth page - “ANZAC NIGHT / ~ / 1980” Eighteenth page - “ANZAC NIGHT - 1981” Nineteenth page - “ANZAC NIGHT -1981” Twenty Second - “THIS IS YOUR LIFE / 1981 comradeship/ christmas party” comradeship, events, legatee event

Two widows beside an exhibit of craft work at Legacy House, possibly 1999 or 2000. The widows would complete craft items for sale at the widows stall in badge week and also for competition in the Widows Craft Exhibitions. On the left is Sue Sargent and on the right is Vera Lang. Both ladies participated in many events and may have been on the widows committee at the time. A record of the type of activities Legacy provided as a social outlet for widows. Colour photo x 2 of two ladies looking at the craft exhibition.Printing on the back "widows, widows club, craft, activities

A box containing 'Bendigo Advertiser' cuttings covering the social life of Bendigo between the years 1951 and 1963. Includes, local politics, sport, debutantes, schools, weddings and service clubs.bendigo, clubs, community activities, lydia chancellor, collection, bendigo, events, event, 'the bendigo advertiser, ' bendigo community, sport, sports, clubs, clubs and associations, entertainment, community, place

A box containing 'Bendigo Advertiser' cuttings from the year 1969. The cuttings are of various social activities including tennis, fire brigades, Lions Club, softball, ladies bowls, Bendigo elecutionists, and many more.bendigo, clubs, community activities, lydia chancellor, collection, bendigo, 'the bendigo advertiser, ' bendigo community, events, clubs, clubs and associations, event, organisation, organization, person, place, recreations, sport, clubs, social life

The Gold King Festival was an important community event for Buninyong incorporating historical, sporting, social and commercial activities for a number of years between 1991 and the early 2000sThe Gold King Festival was a popular community event celebrating Buninyong's gold mining history.Colour photograph of the 1991 Gold King Festival with Bill Griggs of Wallace and his Clydesdales in the lead representing Buninyong and District Historical Society. View of the parade and spectators from Warrenheip Street, Old National Bank and roundabout in the background.Buninyong and District Historical Society leads the 1991 Festival. Bill Grigg of Wallace with his Clydesdales.buninyong and district historical society, gold king festival, procession, events, celebrations

The Kew Presbyterian Church was located in Cotham Road, Kew on the corner of Highbury Grove. The Church Hall was located next door in Highbury Grove. On amalgamating with the Uniting Church the buildings became redundant and are now the Kew Chinese Baptist Church.Original photograph from the 1930s that records the kinds of social and spiritual actions of church goers in Kew. Group photograph of participants in a fancy dress social at the Kew Presbyterian Church Hall in 1922. It is believed that the group was the Young Men's Bible Class who held this event annually. The Society has photographs of the event in 1922 and 1925.Later hand: "Masked Fancy Dress Social, Kew Presbyterian Hall, November 1922"presbyterian church - kew (vic), kew presbyterian church - young men's bible class, churches - social activities - 1920s

The Kew Presbyterian Church was located in Cotham Road, Kew on the corner of Highbury Grove. The Church Hall was located next door in Highbury Grove. On amalgamating with the Uniting Church the buildings became redundant and are now the Kew Chinese Baptist Church.Original photograph from the 1930s that records the kinds of social and spiritual actions of church goers in Kew.Group photograph of young men in attendance at a fancy dress social at the Kew Presbyterian Church Hall in 1925. The photo would indicate that the event was a young men only event. The Society has photographs of the event in 1922 and 1925.Later hand: "1925. Annual Fancy Dress Social. Kew Presbyterian Young Men's Bible Class"presbyterian church - kew (vic), kew presbyterian church - young men's bible class, churches - social activities - 1920s