The Boroondara General Cemetery is registerd by Heritage VictoriaFrom Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital imagescemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, cussen

The Boroondara General Cemetery is registered by Heritage VictoriaFrom Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital imagescemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, henty

Black and white photograph showing steamer Dargo tied up at Kalimna Jetty. The jetty has a trolley on a tram line for carrying goods and a pile of wood on the far end for the steamers boilers. A few travellers are on board and a man in uniform possibly the skipper, next to the wood pile. Back of a sign visible across the jetty from the end of the shed on right. Lakes Entrance Victoria'Dargo' Kalimna Jetty 1919? (on back)jetties, ships and shipping

J G Roberts sitting reading a book on top of one of his old, decommissioned omnibuses that he used at Sunnyside for extra accommodation & shedding. Sunnyside can be seen in the background. The omnibus has been placed on stilts.sunnyside, j g roberts, omnibus, tram, tram car, south sassafras

Newspaper clipping - The Argus - 17/6/1939 titled "When we all sang "Rule Britannia"" about the Railway Strike of May 1903 and civic political reactions. Includes a part on the strike breakers and the Ballarat East loco shed. Has a sketch of a cable tram at Princes Bridge and train. Written by CRC Pearce Includes an image of HMAS Parramattaballarat, unions, strike, cable trams

Set of nine Digital images of BTM Trams on the depot fan and in Wendouree Parade, 19/9/2016, BTM night event celebrating the 45th anniversary of the closure of the SEC Ballarat operated system on 19/9/1971. All by Chris Phillips. .1 - Tram 40 on depot fan .2 - ditto .3 - ditto - end view .4 - at depot junction with passengers .5 - at depot after the event in the shed. .6 - view inside the shed with 27, 26, and 671 .7 - view inside No. 40 with Peter Waugh in kilt talking to passengers. .8 - re-enactment of the "band" leading No. 40 - Peter Waugh, .9 - view outside the shed with 40 entering. trams, tramways, btm, depot, closure, night photo, wendouree parade, tram 40, tram 27, tram 33, tram 671

Coloured image of the intersection of Sturt and Lydiard Streets looking north along Lydiard St. North giving a high view of the Post Office building with its tower. Has an ESCo tram southbound in Lydiard St North, a motor car and several horse-drawn vehicles. Shows the verandahs along Lydiard St, centre poles, and looks towards a rather desolate Black Hill following extensive mining works. The Post Office time ball is in the down position. Possibly c1910. Summerscales building - photographer, postcards is next door to the Post Office in Sturt St. On the rear is a handwritten note from Wal Jack to Ken Magor about the tram in the photo, the time ball on the post office flagstaff, Railway station tower to the left of the Post Office, carriage sheds in the long building behind the oval type roof of old mining exchange. See item 8411 for a coloured version. Yields information about the intersection of Sturt and Lydiard Streets in the early ESCo era and the Post Office building.Postcard - black and white- divided back, undated - Valentine & Sons, Printed in Great Britain. Card Number "20-2"Notes by Wal Jack on the rear - see image 2nd image.sturt street, post office, ballarat, tramways, lydiard st, esco, black hill

Photo looks west from the Ballarat Fire Station (East) tower, and has a good view looking along Barkly St. Shows the crossing loop between Eastwood and Main St with one tram in the view. Wal has dated the photo as 1914 in his album notes. On rear Wal Jack has written "Looking up Barkly St towards Mt Pleasant. Photo taken from Ballarat Fire Station about 1914-1916 period. Old type tram from Mt Pleasant about to turn into Main St. Note old passing loop behind tram. Loop removed to top of rise in centre background. Old Ballarat East Gardens on left and council yards, showing big tin shed in centre of picture. Locality much altered today." See item 5127 for a digital image.Yields information about the buildings and scene looking west from the Fire Station tower along Barkly St. East BallaratPostcard Black and white - Rose Series No P4614, Divided back. No publishers details on rear.See image 2 for Wal Jack's notes.tramways, trams, esco, ballarat east, barkly st

The photo is a Panorama showing Sturt Street, taken from the Town Hall, looking north east with Mount Warrenheip and Black Hill in the view. Shows the buildings east of Lydiard St, including Bridge St, Camp St and part of Victoria St. One tram is westbound, about to cross Lydiard St. Rose Series P4500. Has signs for the "Mail Echo", Plume petrol, ANA, the Mechanics Institute, and Longhurs Bread. On the rear Wal Jack has written extensive notes for Ken Magor noting the streets in the view and the Ballarat East loco depot and Goods shed. Wal has dated the photo 1940 to 1944, though the trams do not have white bumper bars that featured from 1941 to 1945.Yields information about Ballarat during the 1940sPostcard black and white, divided back, with a handwritten note on rear.See image 2 for details of the handwritten note by Wal Jack on the rear. tramways, trams, bridge st, sturt st, ballarat east, rose postcards

Yields information about the appearance the equipment that was used by the SEC workers to maintain the roads, including the trucks, shelters and road roller.Colour 27 x 27 mm slide in a white Kodak duplicate cardboard mount of the road roller, the two transportable road sheds and two trucks stored at either the SEC depot or a SEC works depot. Photo from the collection of Lilian Butler.Has a note in ink on rear "Copies made from Mr. D. Wiseman's Slides"ballarat, tramways, trams, sheds, road works, track repairs, sec, jelbart, road roller

Yields information about the SEC Wendouree Parade depot and the activities at the depot after closure.Set of seven Colour 27 x 27 mm slides in Kodachrome white cardboard mounts of activities and tramcars at the depot at or just after the time of closure. .1 - view of the depot, under exposed or a lady, possibly Lil Butler standing in front of the gates of the depot with some tramcars in the shed. .2 - view with 1 road doors closed of the scrubber tram on "0" road, derailment marks, and the tennis court lighting. .3 - partial view of a tram (bogie) just clear of one the depot doors. .4 - internal view of the depot - no lights - very underexposed - but shows the gloom! .5 - photo showing door step of a bogie tram. .6 - ditto with the lifeguard reset rod lifted - shows damage to the front panel of the tram. .7 - tram being readied for lifting or loading with E. Davis alongside - see Reg Item 6453 for a colour print as well. Negative of this filed with 6453. Slide mounts dated September 1971 Photo from the collection of Lilian Butler.ballarat, tramways, trams, sec depot, depot, wendouree parade, closure, tramcars, lifeguard, loading trams, scrubber, tram 37

Yields information about the appearance of tram No. 33 to Hamilton after being placed there.Set of two Colour 27 x 27 mm slide in Agfachrome blue and white plastic mounts of Ballarat tram No. 33 at the Hamilton Pastoral Museum within a shed c1971/1972. Photo from the collection of Lilian Butler. ballarat, tramways, trams, preserved trams, hamilton, tram 33

Yields information about the View Point line.Set of 8 Hanimex colour slides, white cardboard mount and one AGFA blue and white plastic mount slide of the View Point line: .1 - Point where the View Point line crossed from Ripon St to Wendouree Parade at Webster St. .2 - Trackwork arrangement at the intersection of Ripon St and Sturt St - shows blue stone paving around the tracks. .3 - Ballarat A Power Station - Wendouree Parade and Ripon St .4 - View Point track looking North near the boat sheds. .5 - View Point looking north to the Lake View Hotel, shows part of the View Point loop which has been removed. .6 - Trackwork arrangement at the intersection of Ripon and Sturt St, looking south with the Western Hotel in the view. Shows the shelter at the left hand side. .7 - View of the View Point Loop, with a warning on coming trams sign and the Hotel in the far distance. .8 - View of the curves at Mair and Ripon St. .9 - Looking north from the View Point terminus along Wendouree Parade. Photo from the collection of Lilian Butler. ballarat, tramways, trams, wendouree parade, ripon st, view point, ballarat a power station, sturt st, shelters, signs, mair st

Yields information about the transfer of tram 18 to Victory Park Sebastopol and the handover including the shelter built for it.Set of 4 Kodachrome white cardboard slides and one AGFA blue and white plastic mount slides of the shed being built at Victory Park by the Borough of Sebastopol, October 1971 to cover tram 18 and of the hand over ceremony - see also Reg Item 2909. .1 - Shed being erected over the tramcar. .2 - hand over ceremony .3 - fence placed around the tram .4 - completed work. Photo from the collection of Lilian Butler.ballarat, tramways, trams, tram disposal, sebastopol, borough of sebastopol, victory park, albert st, moving trams, tram 18

Yields information about the operations of the BTPS at the depot possibly at the time of the start of operations in Wendouree Parade.Set of 8 AGFA blue and white plastic mount 35mm slides of depot activities during late or Nov. 1974, possibly the day that 40 did its first trips on Wendouree Parade. .1 - 40 leaving the shed. .2 - 26 and 27 on 3 road .3 - 27 and 26 shunting with a tow bar. .4 - ditto .5 - ditto .6 - 14 on 1 road .7 - 27 on access track .8 - truck used by the BTPS to construct the overhead. Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, commissioning, depot, tram 40, tram 26, tram 14, tram 27

Yields information about the official opening by the BTPS of its operations in Wendouree Parade.Set of 15 AGFA blue and white plastic mount 35mm slides of the official opening day of the BTPS Wendouree Parade tramway operations by the Chairman of the SEC 1/2/1975. .1 - 14 on access track for BTV6 .2 - 14 running out on access track .3 - 27 running in Wendouree Parade .4 - 26 at Gardens Loop with the watchman's shed. .5 - 38 on depot fan .6 - ditto .7 - as for .1 .8 - 14 on access track .9 - 26 in Wendouree Parade .10 - 40 heads the opening line up in Wendouree Parade .11 - ditto .12 - 27 at the other end .13 - ditto .14 - ditto .15 - waiting for the ceremony - it was a hot day. Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, opening, wendouree parade, depot, tram 40, tram 26, tram 14, tram 27

Yields information about the tram operations at or near the Ballarat Railway Station.Six (6) Digital images taken by George Coop during the period 1968 - 1970, of SEC trams in Lydiard St North near or at the Railway station/ .1 - Tram 28 northbound with the station building and signal gantry in the background. No. 28 has a White Florist roof advert. .2 - Tram 32 southbound - taken from the signal box, has the gate wheel in the foreground. .3 - Tram 27 south bound, with destination of Sebastopol, with the station building, signal gantry and Reid's Coffee Palace in the background. No. 27 has a Twin Lakes sign and a Bliss Bombs roof advert. .4 - Tram 32, northbound, crossing the railway tracks, taken from the signal box has the railway station goods shed, building and signal gantry in the background. The tram has a Wilkinson Sword Razor blades roof advert. .5 - Tram 28, southbound from signal box. See image .1 for details. .6 - Tram 27, southbound in Lydiard St north with Bliss Bombs advert and destination of Sebastopol. Has the goods yard in the background. Taken through the verandah of Victoria House. trams, tramways, level crossings, railway station, lydiard st north, signals, tram 28, tram 32, tram 27

Yields information about the nature of tram services and how trams had to be shunted in Wendouree Parade if necessary.Agfa colour slide, white cardboard mount, photo by Keith Caldwell on 12/3/1962 of: "Shunt the Shed" - a group of six trams being shunted in Wendouree Parade outside the depot - 3 bogies and 3 single truckers, lead by 40 and 33. Possibly 38 in the view as well. The trams have Eureka, Castrol Oil and SEC Cooking and Briquettes roof advertisements.In ink "Ballarat 12.3.62"tramways, trams, wendouree parade, sec depot, tram 40, tram 33, tram 38?

Yields information about the interior of the depot at night.Digital image of trams 33 (Haddon St), 40 (View Point) sand 39 (City Oval) in the depot at night. Photo by John Ward 3 Feb. 1971. Slide title "04615 030271 7118-D SECV single truck tram 33 bogie trams 40 & 39 in depot shed Wendouree Pde Ballarat Vic"trams, tramways, depot, tram 33, tram 40, tram 39

Set of 13 transparencies taken on 24/5/1971 on Kodak mounts. 1200.1 - No. 7 en route to Golden Square turning from Bridge St. into Nolan St. Photo taken after tram has passed photographer. Tram has a briquettes roof ad. 1200.2 - No. 21 in McCrae St. just before Nolan St. Photo taken after tram has passed photographer. 1200.3 - No. 7 in Nolan St at corner with McCrae St. Passenger boarding tram at a tram stop. 1200.4 - No 7 turning from Nolan into McCrae St. with Golden Fleece service station in background. 1200.5 - No. 7 in Thunder St en route to North Bendigo. Photo taken after tram has passed photographer. 1200.6 - No. 5 en route to Eaglehawk just after leaving Needle Loop between Long Gully and California Gully. 1200.7 - No. 5 at the start of the double track in High St. Eaglehawk. 1200.8 - No. 5 at Eaglehawk terminus showing "Depot" with Leo A Hughes Photographer advertisement on building in background. 1200.9 - No. 5 at Eaglehawk terminus. Has two SEC roof ads 'Everything's fine in my all electric kitchen' and 'Electricity best for cooking'. 1200.10 - No. 5 at Eaglehawk terminus, with canon, war memorial outside Town Hall and Leo A Hughes Photographer advertisement on building in background. 1200.11 - No. 5 in McCrae St. about to enter Arnold St. and depot. Tram showing depot, has driver changing points. 1200.12 - No. 5 in Arnold St. Photo taken looking up the centre of the access track - shows the overhead at depot junction. 1200.13 - Depot entrance with signage at depot entrance and depot building in background.Information written on in black ink and date stamped on purple ink. 1200.1 - "No. 7 entering Nolan St. from Bridge St." 1200.2 -"No. 21 in McRae St. about to turn into Nolan St." 1200.3 - "No. 7 in Nolan St. at corner of McRae St." 1200.4 - "No. 7 turning from Nolan St. into McRae St." 1200.5 - "No. 7 in Thunder St. just after turning from Caledonia St." 1200.6 - "No. 5 just after leaving Needle Loop between Long Gully and California Gully. 1200.7 - "No. 5 in High St. Eaglehawk at start of double track." 1200.8 - "No. 5 at Eaglehawk terminus" 1200.9 - "No. 5 at Eaglehawk terminus" 1200.10 - "No. 5 at Eaglehawk terminus."\ 1200.11 - "No. 5 in McCrae St. about to enter Arnold St." 1200.12 - "No. 5 in Arnold St." 1200.13 - "Entrance to Bendigo Tram Depot, No. 5 running into shed."tramways, trams, bendigo, mccrae st, north bendigo, california gully, eaglehawk, depot, tram 5, tram 7, tram 21

Colour positive (negative) of SEC tram No. 11 at the City terminus. Tram has destination of "Gardens via Sturt St. West" and a Twin Lakes advertising board on the front dash panel. Has fountain and tramway waiting shed in the background as well as the Ballarat Post Office. Tram stop pole and attached signs in front of the tramcar. A colour laser image of this negative made on 10/1/2000 using a Canon Laser printer has been placed on file at 01-01-57. Original film image scanned at 3200dpi 12/5/2020.ballarat, lydiard st. nth, city terminus, sturt st., tram 11

Newspaper cutting from The Courier, Ballarat 19/6/1972 of the moving of tram 26 into the depot. Has photo of tram 26 being moved into the depot using steel channels and rails on their side. Also Bob Davies crane in photo assisting with move. The method of moving 26 was slow and difficult, having derailed it at the depot access road and dragged it up the road and then onto steel channels pushing it into the shed. Information to members for June-July 1972 gives the moving date as 16 June and completed on 17 June. The other trams were not moved until temporary track had been laid between the depot and the kerb in Wendouree Parade, roughly along the same route as the depot access track. The September 1972 issue gives full details of the move and the date. The photo was taken on Sat. 17 June. See Reg Item No. 1858 for Courier Print of the photo. Second copy added 5/11/2018 from donation of Glenise Kellett. See Information for Members (BTPS) - June-July 1972 and Sept. 1972."June 19 -1972" in top right hand cornerbtps, moving trams

Demonstrates aspects of Safeworking on the Ballarat Tramway system from 1960 to c1936 when replaced by electric signs. Yields Information about the operation of Ballarat's trams and safeworking procedures.Cast brass item with a flat part recessed section with the words "BALLARAT TRAMWAYS SECTION STAFF" cast into the surface and a flat section underneath, flush with the outside edges in which the words "CARLTON ST. CAR SHED LOOP." stamped in. Has an open rounded end which forms a handle or a point where it could be hung on a peg. The part with the words "CAR SHED LOOP" appears to have been ground down and a previous location name taken out and replaced. Used a means of authorising a tramcar to have sole use of the track between the named points to avoid head on collisions. Safeworking object - known as a section staff. Not known when made, but in use until the introduction of the electric signalling in the mid 1930's by the SEC. See also Reg Items 934 and 988 for details of use and other examples are at 1851, to 53, 2473 and 4444 to 4448, , 4996 and 4497 and Reg item 934 and 988 for articles on the safeworking systems.trams, tramways, staff, safeworking, tramway staffs, sec, signals

Black and white print of a donated negative. Print made 8/1998. Photo of a MMTB South Melbourne or Hanna St. depot, taken on 10-4-1950. Has two S or T class cars on the depot fan, with a number of W2's in the shed. Shows access tracks etc. High Res scan of negative added 17/1/2019 see image i1.tramways, trams, melbourne, south melbourne depot, depot

Black and white print of a donated negative. Print made 8/1998. Photo of a ex Melbourne cable tram trailer on a property in Portsea. Photo taken 8-9-1963. One end of the trailer has been built into a shed. High Res scan of negative added 17/1/2019 see image i1.tramways, trams, melbourne, cable trams, portsea, scrapped trams

Fold out pamphlet with a 4 panel drawing of Ballarat Botanical Gardens. Included in far left of drawing is Tramway Museum sheds, labelled No. 31, "Ballarat Tramway Museum" Included is notable features is a paragraph on the Ballarat Tramway Museum and details of operations. Remaining 4 panels include introduction, history and events, not to be missed and contacts. Printed in dark green ink on light grey heavy paper. 2nd copy added 31-10-12 and scanned images added.trams, tramways, btm, ballarat botanical gardens, city of ballarat

Newspaper clipping from The Courier, 14/11/1972 about Mr Maurie Calnin for the BTPS expressing surprise that the Fish Acclimatisation Society had approached the City Council with its worries about drainage from the shed. Notes discussion with Mr. Sharp, the City Engineer and the hope that it would be able to have the tram line saved to Forest St. to enable passengers to disembark at Wendouree Railway Station.date in pencil of "14/11/72" in top right hand corner of cutting.trams, tramways, btps, fish hatchery, drainage