Colour photograph of an aerial view of Gippsland Campus (South View)churchill campus, gippsland campus, binishell, student residences

For a 2004 comparative view see http://victoriancollections.net.au/items/52fdd83d2162ef1820380448 Two colour photographs showing the view from Nevin's Road towards the Swiss Italian Enclave at Yandoit Creek, 2014yandoit, yandoit creek, yandoit hill, gervasoni, drystone, swiis/italian

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This is the earliest known photograph of the exterior of Byram (later Tara Hall). It shows the original red brick fence, its asymmetrical gate and gateposts, with a large terra cotta gargoyle surmounting the higher of the two. The architect, Edward Kilburn designed Byram in the Arts & Crafts style for the industrialist George Ramsden. Construction began in 1888 and was reputed to have lasted three years. The mansion had frontages to Studley Park Road and Stevenson Street, including gardens laid out with great taste, including pleasure grounds, tennis lawn, fruit and flower garden, and paddock. The size of many of the trees in the garden indicate that many survived from the garden of Clifton Villa, the previous single-storeyed house built on the site by the Stevenson brothers. Byram had views to Melbourne and Port Phillip Bay. The house was demolished in 1960, despite opposition from the National Trust (Victoria), and its gardens subdivided into residential allotments.A View in Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett, byram, tara hall, goathlands

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Before true aerial photography became possible, photographers such as J.F.C. Farquhar were compelled to shoot their images from the highest vantage point. Here, it is presumed to be the roof of Xavier College, from which the panoramic view extends west towards the rise of Studley Park. The houses in the foreground face the southern end of Gellibrand Street. Wellington Street is at an angle to the camera with the Queen Street intersection on the near right. The wooden building behind the large horse paddock on the other side of Gellibrand Street is the Kew Recreation Hall, built 1888, demolished 1960. It was reputed to have one of the finest dancing floors in or around Melbourne. The Bowling Green at the rear of the Hall belonged to the Kew Bowling Club. Further west is the Kew Railway Station on Denmark Street, opened to the public in 1887. At this period, much of Studley Park was locked up in large landholdings, dominated by large mansions such as ‘Byram’. Bird's Eye View Looking Westkew illustrated, kew where we live, photographic books, henry kellett, denmark street, kew recreation hall, kew bowling club, wellington street

An early black and white photograph of the view from Jock's Lookout of Marysville in Victoria. An early black and white photograph of the view from Jock's Lookout of Marysville in Victoria. Jock's Lookout is situated on the Marysville-Wood's Point Road. The Marysville-Woods Point Road was originally part of the Yarra Track, constructed in the early 1860s to provide access between Healesville and the Woods Point Goldfields. Despite the steep terrain and engineering difficulties, the Yarra Track soon became a busy route used by pack horses, horse-drawn drays, and wagons. Today this sealed mountain road is a popular scenic drive between Marysville and Warburton. This postcard was published by the Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.VALENTINE'S/ POST CARD/ A GENUINE PHOTOGRAPHjock's lookout, marysville, victoria, postcard, valentine publishing co, souvenir, marysville-wood's point road, yarra track, mining, warburton

An early black and white photograph of the view from Jock's Lookout of Marysville in Victoria.An early black and white photograph of the view from Jock's Lookout of Marysville in Victoria. Jock's Lookout is situated on the Marysville-Wood's Point Road. The Marysville-Woods Point Road was originally part of the Yarra Track, constructed in the early 1860s to provide access between Healesville and the Woods Point Goldfields. Despite the steep terrain and engineering difficulties, the Yarra Track soon became a busy route used by pack horses, horse-drawn drays, and wagons. Today this sealed mountain road is a popular scenic drive between Marysville and Warburton. This postcard was published by the Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.VALENTINE'S/ POST CARD/ A GENUINE PHOTOGRAPHjock's lookout, marysville, victoria, postcard, valentine publishing co, souvenir, marysville-wood's point road, yarra track, mining, warburton

Possibly from J.L. Provan's photograph collection. Note by T.H. Kneen 8 April 1992, "View is from Botany room entry, east of main entry to Pavilion."Black and white photograph. View from corner of the Pavilion towards the Summer House. Tree in blossom in the foreground.j.l. provan, botany room, pavilion, garden view, summer house, shelter shed, blossom tree

An early black and white photograph of the view of Marysville in Victoria taken from Nicholl's Lookout.An early black and white photograph of the view of Marysville in Victoria taken from Nicholl's Lookout. This lookout is situated on the Marysville-Wood's Point Road. The Marysville-Woods Point Road was originally part of the Yarra Track, constructed in the early 1860s to provide access between Healesville and the Woods Point Goldfields. Despite the steep terrain and engineering difficulties, the Yarra Track soon became a busy route used by pack horses, horse-drawn drays, and wagons. Today this sealed mountain road is a popular scenic drive between Marysville and Warburton. This postcard was published by the Valentine Publishing Co Pty. Ltd. as a souvenir of Marysville.VALENTINE'S/ POST CARD/ A GENUINE PHOTOGRAPHmarysville, nicholl's lookout, victoria, postcard, valentine publishing co, souvenir

The photograph shows the view of the shore and Lady Bay with the Breakwater and Middle Island all visible. It was taken to show that the Flagstaff Hill area was unlikely to have any further development between it and the Bay, with the view of development of the Flagstaff Hill Maritime Museum and Village. This photograph, a print, is one of a set of five that show the site of Flagstaff Hill. The photographer was John Lindsay, Founding Director of Flagstaff Hill Maritime Museum and Village, with the words "Photo J Lindsay" on the back. It was taken in the early 1970s during the initial stages of the development of Flagstaff Hill as a Museum and Maritime Village. The photographs belonged to the donor's grandparents, who lived in the Warrnambool district of Allansford/Naringal. The photograph is a record of the site and surrounds of Flagstaff Hill Maritime Museum and Village before its development and opening in 1975. It shows the Surfside Holiday Park, Surf Lifesaving Club, and the Breakwater. The photograph is significant for recording the location and condition of the Lower Lighthouse on the Hill.Coloured photograph, glassy print, one of a set of five. Flagstaff Hill's Lower Lighthouse is in the foreground above the Surfside Holiday Park. To the right of centre is the Surf Lifesaving Club. In the background is Lady Bay and the Breakwater and Middle Island, with the Southern Ocean the other side. The photograph's paper has the printer's watermark and a pencilled inscription on the back. The early 1970s scene was photographed by John Lindsay, Warrnambool.Label on the back: "VIEW OF THE BAY FROM the southern boundary of the Ports and Harbours land. No development below this area is likely to obstruct the view, due to the steep grade down to the Southern boundary of Flagstaff Hill property." Handwritten in pencil: "Photo J Lindsay"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, 1970s, photograph, surfside holiday park, lady bay, flagstaff hill site, john lindsay, lower lighthouse, lower light, surf lifesaving club, breakwater, middle island, ports and harbours

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.31 / ‘View of Sailor’s Creek Bridge’ / Albumen silver photograph mounted on boardOn Reverse" ‘Sailor’s Creek as situated in the Jim Crow Ranges, which Range forms a portion of the Great Dividing Range of Mountains in Victoria. These hills contain many romantic spots. The one which forms the subject of the present illustration is a view of the Bridge which spans the Creek. Gold has been found throughout the course of the bed of this Creek in payable quantities. The diggers, as may be seen in the photograph, have constructed sluices in the side of the embankment for the purpose of washing the fine gold contained in the wash-dirt.’nicholas caire (1837-1918), sailor's creek (vic), gold mining (vic)

1909 view of Olinda showing 'Charlemont' guest house and the Olinda school on the skyline above Dodd's stables. Range Road (The Bullock Track) is in the foireground. The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke.1909 view of Olinda from Range Road (The Bullock Track). Showing school on skyline above Dodd’s stables with “Charlemont” on left.charlemont guest house, dodd, dodd's stables, stables, olinda, olinda school, range road, bullock track

The photograph, taken c 1940 show The Gong and the view to the Buninyong Gardens. The trees in the Gardens are well established and early model motor vehicles are seen parked on the Gong dam wall. The Gong and the Buninyong Botanic Gardens are iconic features of the town. They are of great historic, aesthetic and social significance. They are representative of early parklands.Original B/W photograph of the view over the Gong towards the Buninyong Gardens, with established trees and early model motor vehiclesthe gong, buninyong, gardens, botanic gardens, cars, parklands

An early black and white photograph of the view of the Taggerty River from Murray Pass near Marysville in Victoria.An early black and white photograph of the Taggerty River from Murray Pass near Marysville, Victoria. Murray Pass is located on the Lady Talbot Drive. Lady Talbot Drive a 24 kilometer scenic rainforest car journey which passes a number of walks and waterfalls in the Yarra Ranges National Park. Lady Talbot Drive is named after Lady Sarah Elizabeth, the wife of Sir Reginald Talbot, who was the Governor of Victoria from 25th April, 1904 to 6th July 1908. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. Dear Harold/ This is the prettiest card I/ could get for you. Probably we will/ go this trip in a day or two./ Yours Nance xxx xxxmarysville, victoria, photograph, taggerty river, murray pass, lady talbot forest drive, 2309, postcard, souvenir, lady talbot drive, sir reginald talbot, sarah elizabeth talbot, rose series postcard

Hand coloured Photograph/postcard of East beach showing ruins of the pier and in the background the lighthouse keeper's residenceBay Viewbeach, sea, seascape, postcard, east beach, light house keepers house, pier

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a three piece suit sitting on a canon which is located in a park overlooking a lake. Trees and houses can be seen on the other side of the lake. The man is Frank Wright and the place is "View Point", Lake Wendouree, Ballarat.Written in pen on back - Frank Wright - on canon at "View Point", Lake Wendouree, Ballarat. Photo by Vernon Holt 3/2/22frank wright, vernon holt, lake wendouree, ballarat, canon

View the driver would have from horse drawn coach. CRB (Main) Road between Wombat Road and Falls Road. c1921. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.View from seat of Jeeves Coach over horses while being driven along the new CRB road between Wombat Road and Falls Rd 1921.wombat road, falls road, crb road, jeeves coach, horse

Colour photograph of a building in View Street Bendigo.coolock, bendigo

Sea View Tea and Refreshment Rooms, Marine Parade (below Brook's Boat Sheds). Mrs Blyth (late of Bendigo) Proprietress. I.X.L. Ice Cream. Roof promenade for Afternoon Tea and Summer Drinks. black and white photograph fair condition unmountedSea View Tea and Refreshment Rooms, Marine Parade (below Brook's Boat Sheds). Mrs Blyth (late of Bendigo) Proprietress. Tel. 1478 w. I.X.L. Ice Cream. Roof promenade for Afternoon Tea and Summer Drinks. K42 Sea View. p.64 St Kilda by the Sea Annual 1915-16 Season F600.65. NationalLibraryof Australia, Canberra.

diamond creek, chute street, view, nillumbik historical society

Note by T.H. Kneen, "View from the Principal's Residence to the SE corner of the Gardens. Prominent tree is Cupressus macrocarpa (Monterey Cypress) one of the earliest trees planted, no longer existant. Removed 1984.Garden view from Principal's Residence to the SE corner of the Gardens (T. H. Kneen). Prominent tree is Cupressus macrocarpa (Monterey Cypress) one of the earliest trees plantes, no longer existant.principal's residence, gardens, cupressus macrocarpa, monterey cypress

This photograph probably taken during Terang day. The people of Terang used to come to Port Fairy by train for the day and lots of events were put on for the people to take part in. Boating, swimming, picnicing in the botanical gardens, foot races, cricket etc.black and white photograph of the Moyne river showing a crowd of tourists possibly on Terang day as they alighted from the train that has pulled onto the wharfAnother view of the Moyne riversouvenir, port-fairy, terang day, train, wharf, moyne river, boats, crowd, people

Appears to be used for an exhibition.Administration Building, particularly Magnolia grandiflora. Caption, "The Same View 1997."administration building, magnolia grandiflora

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. The building in the centre of the photograph is 'Kia-Ora' guest house. Situated on Barber’s Road, ‘Kia-Ora’ was built in 1912 by George Barber. It was later leased by a Mrs Pemberthy. “Kia-Ora’ was one of four places connected when the telephone was brought into the district in 1912. The other places were ‘Mountjoy’, ‘Cherry Farm’ and ‘Callum House’. ‘Kia-Ora’ was burnt down in 1924. Black and White copy of section of a Rose Series postcard. Shows view up the valley at Kalorama with a decorative building centre middle of photograph. Handwritten description by John Lundy-Clarke on reverse.View up valley at Kalorama from near junction of Barbers and Doughty’s Rds. “Kia Ora” guest house in centre. Paynter’s “Iona” top left with “Kalorama” to its right. About 1912. Rose Series copied by JLC 1973.kalorama, kalorama valley, john lundy-clarke, barbers road, george barber, kia-ora, guest house, iona

Cars being bogged in the sand was a common occurencePhotograph showing man on knees, bogged in sand between Fairhaven and Eastern View ( a common event)great ocean road, fairhaven, eastern view car bogged