Ladies Guild members taken in the hall at the back of Methodist Church, about 1941. Caption on back identifies some of the ladies present: (back row, left to right) Mrs Weaver, Linda Jones, unknown, Annie Partington(nee Medhurst), Nell French (Oakley?), unknown, Mrs Bertha Hall. (front row, left to right) unknown,[child Ron Jones born1936], Mrs Roberts, Mrs Ollie Lang (nee Roberts) and Robert Lang, Amy Knapsey (nee Medhurst), Dot Hall (nee Roberts).Digital copy of black and white photograph and caption. Written in pen on front of photograph "Lady guild members taken in the hall at the back of Methodist Church, about 1941. It [hall] was still there after 1970. Sunday School anniversaries were held there for years as well as other functions. Annie and Amy sisters (Medhurst)" greensborough methodist church, ladies guild

The museum houses an extensive collection. It provides educational programmes for schools and other groups. There is a unique collection of 19th century guild banners representing Weavers, the Shoemakers, and the Carpenters. Trade banners also represent the Brick and Stonemasons, Farm Labourers and the Boyne Fishermen. The Old Drogheda Society founded in 1964 by a group of concerned citizens for the preservation of Drogheda's historical monuments and the collection and recording of historical material relating to the town and surrounding area established the award winning museum. The Museum was opened in 1974 and in 2013 achieved full accreditation by the Heritage Council.

"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available

The swift winder together with lace pieces was bought in Europe by Nan Warner, who was a retired school teacher and together with her husband Max travelled to Europe and China after they retired. Nan joined a lace making group in the late 1970s who until well into the 1980s and 1990s the group met in each others homes once a month in the eastern suburbs of Melbourne around the Vermont and Ringwood area. The group later became part of the Australian Lace Guild. The donor was also a lacemaker in the group. Hand turned spindle winders and swifts are also used by weavers and spinners.Hand turned wooden wool winder and swift and spindles. It has a wooden base with drawers with a vertical wheel, spindle with winder on an arm with rotating thread holders.spindles, winder, swift, yarn, spinners

Newspaper article: Prices are competitive, Diamond Valley Leader, 29 June 2005, Description of Eltham Home Timber and Hardware, owner Rob Deylen, staff Peter Wilhelm, Roger Kerr, Brian Weaver, Harley Lee. Newspaper article: Their aim is to please, Diamond Valley Leader, 26 October 2005, Description of Eltham Home Timber and Hardware, originally Eltham Hardware and Plumbing Supplies, staff Peter Wilhilm, Lindsay Campbell, Ben Deylan. Newspaper article: Eltham Home Timber and Hardware 35 years of service, Diamond Valley Leader, 5 May 2010, Description of Eltham Home timber and Hardware.main road, eltham, shops, rob deylen, peter wilhelm, roger kerr, brian weaver, harley lee., eltham home timber and hardware, eltham hardware and plumbing supplies, ben delay

These works are a display of my frustration of hour our family were lucky we were not beheaded, scalped, taken away and impaled as a warning to others not to enter farming lands, which had been traditional lands of the Nganyaywana country. The word 'Policy' represents the White Australia Policy, the word "Lost' stands for those lost including hundreds of family members, 'Jobs' asks why Aboriginal people can only find employment if through Aboriginal positions and policies. The number 3 symbolises myself and my siblings, red is for bloodshed, blue is for secrets and black the family history. Patrice MUTHAYMILES MAHONEY OAM Anewan/Nganyaywan/Dunghutti country. Patrice Mahoney is a printmaker, sculptor, weaver, drawer and painter. Her work challenges mainstream and Aboriginal Australians and is profoundly influenced by space, place and country, taking inspiration from nature, environment and looking forward to a time when she can return to her family's traditional country to make work. In 2012 the artist completed a Bachelor of Visual and Media Arts at Monash University’s Churchill campus (from 2014 Federation University's Churchill Campus). The Victorian Indigenous Art Awards 2014 were exhibited and judged at the Art Gallery of Ballarat.This unique edition triptych involves the techniques of intaglio copper plate, pigment, soft ground, open bite, aquatint, spit-bite, stamping, relief, drawing and burnishing on paper. It was awarded the 2014 Victorian Indigenous Art Awards Federation University Acquisitive Award for for work by a Victorian regional artist. Text, colour, metaphor and Aboriginal symbolism are important components of her work. This work expresses the artist's frustration with unjust situations experienced by traditional owners of Nganyaywana country. The word 'Policy' refers to White Australia Policy, 'Lost' the hundreds of lost family members, and 'Jobs' highlights the difficulty of Aboriginal peple obtaining work, especially outside Aboriginal positions and policy. The number 3 symbolises Patrice Mahoney's siblings, with black used to denote family history. The violently splattered red represents bloodshed, with the blue washing across the work obscuring details and representing secrets. The Selection Panel of the 2014 Victorian Indigenous Art Awards made the following comments on the work: 'The selection panel for the Federation University Acquisitive Award for 2014 were highly impressed by this work and applauded the vigorous use of symbolism and metaphor in a well scripted visual composition. The poignancy of connectedness to the past, memory, place and country is palpable and enhanced by the suggestive employment of text and minimal colour. A provocative and evocative work of art!artist, artwork, patrice mahoney, aboriginal, victorian indigenous awards, jobs, culture, printmaking, drawing, policies, lost, victorian indigenous art awards, available, alumni

Grade 4/5 1996 Top Row: (L to R) Dylan Thorogood, Sunley Tin, Andrew Kempton, Rebecca Tamme, Mr. Ian Michelson, Jessica Kazenwadel, Thomas Davidson. 3rd Row: Cahil Scott, Andrew Campbell, Rebecca Mollison, Zoe Beattie, Ricky Papadimitriou, Amanda Weaver. 2nd Row: David Eang, Jane Takao, Andreea Sasarman, Ben Poston, Grace Kellett, Lacey Templar. 1st Row: Charlotte Crayden, Mahboob Hussain, Lizaane Maneveldt, Sophanny Sophea, Tammy Mollison, Pia James, Nicole Clark. Absent: Daniel Shaw. Teacher: Mr. Jan Michelson. Principal: Mr. Geoff Buzaglo.

Grade 4: 1987 Back Row L-R: Peter Weaver, Daniel Taylor, Wesley Sullivan, Ben Morgan, Ian Brown 3rd Row: Matthew McDougall, Peter Truong, Robbie Walkeley, Shannon Cagliarini, Kelly Reinhardt, Clint Russell, Phillip Luu, Daniel Hunt 2nd Row: Rebecca Ramsden, Sarah Monk, Erika Rauschenbach, Kerrie-Lee Warren, Rebecca Darlow, Natalie Turner, Joanne McCarthy, Nadia Razack Front Row: Chantal Bawden, Jasmine Ozergin, Sarah THorpe, Rebeccas Salt, Kirsty McLelland, Dana White, Rebecca Doorban, Mandy Milgate, Desiree King Teacher: Mrs C. Jones.

"Brown's self interpreting Bible with numerous notes by the Rev Henry Cooke, DD, LLD. Reedited with additions by the Rev J L Porter DD" Editors preface dated 1873. Mary Hannah William Thomas married John Thomas at Sebastopol Congregation Church. John Brown (1722-1787) was a Scottish weaver who became a Presbyterian minister. Although self-educated, he prepared an annotated Bible, Bible dictionary and concordance, and a metrical version of the Psalms. His self-interpreting Bible appeared first in 1778 in Edinburgh and was reprinted many times. [Source: https://hbu.edu/wp-content/uploads/sites/27/2018/06/Byrd-Collection-.pdf]Heavy dark brown dimpled leather covered bible with marbled endpapers, gilt page edges and many monochrome plates. The bible has a dedication plate inside the front cover.On spine "BROWN'S BIBLE" Plate: "A GIFT TO MISS MARY HANNAH WILLIAMS ON HER WEDDING DAY JANUARY 14TH, 1891, BY HER OLD SUNDAY SCHOOL TEACHER TIMOTHY THOMAS. "May the Lord protect her path"mary hannah williams, brown's bible, sebastopol congregational church

1a. Donated by Carine Williams (nee Wettenhall) (1930) in 1991 for the Centenary Year. 1b. Photograph donated by Pat McVickar in 1991 for the Centenary Year, a note associated with the photographs states that she went to England in 1930 and finished the course at Burnley in 1931. 2. Copy of the original Sepia (by E.B. Littlejohn) lent by P. Hayne(s) (1928) for the 1991 Centenary Year who described it as a group of 15 students and Frank Weavers. 10 of these people graduated in 1928 including P.. Haynes, H. Kirkhope (centre with neck tie?) and Harry Wiseman, one of 2 boys in applecatchers?" (large spacious underwear, must mean trousers). Dairy in the background.1. 2 Sepia photographs and 2. Colour photograph. Copy of b/w photograph lent in the Centenary Year, 1991, by P. Haynes (1928).1. On reverse, "Mending the mower (hand-pushed, of course) 1929."mower, carine williams (née wettenhall), centenary, pat mcvickar, 1991, e.b. littlejohn, p. haynes, students, frank weavers, h. kirkhope, harry wiseman, mending mower, student outside class

These mugs are souvenirs of the Warrnambool Woollen Mill. They were either sold as souvenirs or given to clients of the mill. The Warrnambool Woollen Mill in South Warrnambool was opened in 1910 with the first manager being John Bennett, an Englishman who recruited skilled weavers and bought mill equipment from his home country. At the height of production the mill was employing up to 700 people. In 1958 the mill became the first in Australia to manufacture electric blankets. In 1968 the mill was sold to the Dunlop company and in the ensuing years various companies owned the plant. In the year 2000 the mill was closed and the equipment was sold. The buildings were sold to a private developer and the first residents moved into the new housing estate in 2009. These mugs are of interest as mementoes of the Warrnambool Woollen Mill, a key industry in the development of Warrnambool and one that operated for 90 years. .1 This is an insulated plastic mug with a mottled orange-coloured body and a white rim on the top opening and a white handle. On the side of the mug is a printed name with gold lettering on a brown background. The maker’s name is etched into the base of the mug. .2 This is an insulated plastic mug with a purple and black mottled body and a white rim on the top opening and a white handle. On the side of the mug is a printed name on a brown background with gold lettering. The maker’s name is etched into the base of the mug. .1 & .2 Warrnambool Fabrics Blankets Steditemp Insulated Ware Made in Australia by Newlyne MFG Co Pty Ltd Division of J. Glaser & Co Melbourne warrnambool woollen mill

Onkaparinga started in South Australia in 1869. Migrating from Germany, two brothers, Heinrich and Edward Kramm, both weavers, purchased and brought with them some machinery and established themselves in Hahndorf in a mud hut. Their original plant consisted of one carding machine, one spinning mule of 30 spools and 2 hand looms. The spinning mule was horse driven, the others all hand operated. The wool was washed by hand and dried in the sun then teased by hand. Now 145 years later the brand name Onkaparinga, is known all over the world, the products reflect the experience, passion and ingenuity of over a century's tradition in providing luxurious home wares. Donated to the National Wool Museum by Joyce GrayLight orange waffle weave woolen blanket, with nylon trimming. Product tag included with plastic case. On product tag - The better way to sleep. Onkaparinga onkaparinga, blanket, wool, kramm

Grade 3/4 1996 Top Row: (L to R) Manar Rezkallah, Sros Sok, Andrew Huynh, Christopher Watts, Diana Stevanovic, Denis Felic. 3rd Row: Ben Taylor, Nathan Fyfe, Amanda Ashdown, Mrs. J Eyck, Rebecca Lewin, Michael Senton. 2nd Row: Riaan De Wet, Mrs. S. Lambe, Imogen Murtagh, Tenei/le Bird, Emma Nickson, Mrs. G. Winchester, Chloe Bon, Christian Santos, Darren Brown. 1st Row: Di/shad Jayasuriya, Vanny Tin, Marie Weaver, Annie Chen, James Davidson, Bryan Toohey, Michael Szarek. Teacher: Mrs. J Eyck. Principal: Mr. Geoff Buzaglo

Black and white photograph - Basketball, 1964."Attached to photograph" Back Row- L to R: Lorraine Tann, Julie Cook, Meg Flowers, Rhonda McLeod, Lynette Milne. 2nd Row- L to R: Deb Lawrence, Barbara Donald, Rosemary Weaver, Ann Downey, Ann Hagar, Susan Simpson. Front Row- L to R: Jean Carruthers, Pam Williams, Cheryl McLaughlin, Vicki Munro, Kay Langford, Jenny Flaherty, Jenny Buchanan.

A black and white photograph of 161 (Indep) Recce flight Officers, in a playful mood. Standing (L to R) Lt Ross Hutchinson (RW), Lt Kev Peacock (RW & FW), 2Lt Peter Garton (FW), 2Lt Don Trick (Operations), 2Lt Blair Weaver (RW), 2Lt Mike Meehan (RW), 2Lt Ross Goldspink (RW). 2Lt Dave McFerran (FW), Sitting (L to R) 2Lt Tom "Rockets" Guivarra MID (FW), Capt Bernie Forrest (Sect. Comd FW), Capt Phil Roberts (2IC), Maj George Constable (O.C.)(FW & RW)(Kia) Capt Peter Robinson (Engr. Officer) Capt John Coggin DFC (RW), 2Lt Adam Frisch (RW). Note (FW = Fixed Wing and RW = Rotary Wingphotograph, 161 recon flt, lt ross hutchinson, lt kev peacock, 2lt peter garton, 2lt don trick, 2lt blair weaver, 2lt mike meehan, 2lt ross goldspink, 2lt dave mcferran, 2lt tom "rockets" guivarra, capt bernie forrest, capt phil roberts, maj george constable, capt peter robinson, capt john coggin, 2lt adam frisch, gibbons collection catalogue

Any faults in the final product can be repaired by mending. Prior to more advanced machinery, fabric was draped over a mending table and carefully inspected for faults. Quick eyes and nimble fingers were needed. Repairing faults was a highly skilled manual operation. Any knot or thickness had to be removed without affecting the quality of the fabric and mending had to be invisible. In the 1930s to make the day pass faster, popular records were played to the factory workers in the mending room. The top of the table is propped up to make it a well-lit surface over which bolts of fabric were unrolled to check for faults. Menders repaired them with invisible hand stitching. Each weaver stitched a coloured thread in the selvage to show the start of their shift, therefore if mistakes were found the company could easily find who was responsible. This table was used by Gail Morris in teh 1960s. Large wooden table with tilted top. mending table, wool processing, fabric, textile industry

Colour photographRingwood State School- Grade 4/5, 1986 Back Row- L to R: Greg Gozdz, Nathan Monk, John Mitchell, Rafe Itchins 2nd Row- L to R: Simon Herdina, Dean Smith, David Joyce, Julie Ann Billingsley, Atilla Erbasan, Darren Poulianakis, Craig Marden Front Row- L to R: Karen Green, Carey Postlethwaite, Susan Weaver, Jessica Taylor, Sukaina Rusack, Rachel Pilmore Teacher: P Bisset

Grade 1/2 1994. Names taken from typed legend below each photo (via OCR). Photos mounted on Kuddly Koala School Portraits Card. Top Row: (L to R) Timothy Dalton, Sros Sok, Denis Felic, Michael Senton, Rebecca Lewin, Varun Bhatia, Sonya Shafaati 3rd Row: Annie Chen, Diana Stevanovic, Jessica McDonald, Sean Coleman, Mrs. Glenda Winchester. 2nd Row: Teneille Bird, Sharon Legg, Amanda Ashdown, Jane Truong, Nicholas Macklin, Steven Butkovic, Vanny Tin, Christian Santos. 1st Row: Phillip Rouse, Ben Taylor, Aaron Roberts, Kate Hayes, David Doyle, James Davidson, Marie Weaver, Daniel Guy. Teacher: Mr. Jan Michelson. Principal: Mr. Geojf Buzaglo.

Grade 2/3 1994. Names taken from typed legend below each photo (via OCR). Photos mounted on Kuddly Koala School Portraits Card. Top Row: (L to R) Andrew Campbell, Tammy Mollison, Jaymee-lee Kruck, Natalie Vita, Jane Takao, Andrew Kempton, Emma Nickson. 4th Row: Amanda Weaver, Dishad Jayasuriya, Pia James, Cahil Scott. 3rd Row: Dylan Thorogood, Soheil Shafaati, Lachlan Carmichael, Mrs. Gordon, Andreea Sasarman, Lynette Chand, Jamshid Abbasszadeh. 2nd Row: Andrew Huynh, Charlotte Crayden, Jessica Kazenwade/, Imogen Murtagh, Alexandra McDonald 1st Row: Manar Rezkal/ah, Benjamin Goudge, Michael Szarek, David Eang. Absent: Nicole Clark. Teacher: Mrs. Dianne Gordon. Principal: Mr. Geoff Buzaglo.

This spinning wheel originates from New Zealand; however, it has no distinguishing features relating to its creator such as an inscription, so its exact maker is not known. Gill Stange remembers buying the wheel on Bridge Road in Richmond, approximately 30 years ago. Gill had joined her local Spinners and Weavers Guild after the Ash Wednesday bushfires of 1983. She was a then resident of Mount Macedon and lost everything in the fires. Moving to Melbourne to get away from the scene of much pain, Gill was also in need of a new hobby to help occupy her mind. That is when spinning and weaving entered her life. The local Spinners and Weavers Guild was a great support network for her and with their recommendation, she purchased her own spinning wheel. Her passion was started, and the wheel was to become a treasured item in Gill’s home. She had several spinning wheels within her possession over the years, however, this wheel was her first and always her favourite. When the time came for Gill to downsize, there was simply no longer room for her spinning wheel. This is when she decided to donate the wheel to the National Wool Museum. Gill remembers one highlight was weaving a tablecloth from a traditional German design. It took her two years to complete, with Gill spinning all the wool herself on this wheel. The tablecloth won the first prize in the Melbourne Show in 1987. Gill also used the wheel to teach programs to school children on how to spin and knit wool. She would take the easily transported little wheel, and its accompanying seat, with her to schools. Its small size enabled her to teach children to knit and spin, bringing others the joy that spinning had brought her. Not just limited to schools, Gill also taught programs with the wheel here at the National Wool Museum. It is a fitting home for the wheel, which Gill donated to the National Wool Museum in 2021.Dark varnished wood in a Castle style spinning wheel. The wheel has 8 small spokes which meet a thick outside rim. The outside rim has four golden disc weights on the bottom edge, to aid in the turning of the wheel. The spinning wheel has four legs of turned wood giving a sculptural form, a design pattern which is continued throughout. The wheel has a single medium sized foot pedal. This pedal is well worn with varnish missing from years of use. The wheel is completed with its accompanying chair. Made of the same dark varnished wood, its legs are also of turned wood, continuing the design pattern and uniting the two objects. The chair is very simple outside of the legs, with a medium size base and a thin backrest ending in a rounded head. The chair’s varnish is also starting to fade from years of use. The chair is small, designed to keep the spinning wheel operator at the appropriate height when spinning on the equally small and compact Castle style spinning wheel. Additional parts were donated with the Spinning Wheel. - 3 x Lazy Kates - Spare Maiden. - 450mm Niddy Noddy - Steel teeth brushspinning wool, spinning wheel, ash wednesday, mount macedon, textile production

Comprehensive Baker Family History / John,Ann of 48 pages.John Weaver Baker arrived in Williamstown aboard the "Marion" on 25th January 1848.He was transported from Parkhurst Prison on the Isle of Wight as an "Exile",having been convicted of having in his possesion a silk handkerchief and sentenced to 10 years.On arrival he "left ship at own request",finding his own way to Melbourne and a new life.Proof of birth has at this time not been located,it is possible he may have been an orphan.He met Ann Neligan,an Irish orphan,who along with her sister,Eliza,made the journey from the poor house in Mallow on board ship.They were Married in Melbourne 9th July 1850. They had three daughters Caroline Ann 2nd May 1851,Elizabeth Conchetta 1st April 1853,died 20th August 1853,and Elizabeth born 1854.History of Journey of the Baker family from England and Ireland to Australia, then Melbourne/Ercildoune/Addington and finally to Donald.Family History Book, England / Ireland to Australia. Melbourne to Ercildoune / Addington and Addington to Donald. Author Jean Tillet/ Great Grandaughter.18/06/2010.Baker, John and Ann, Family History.ercildoune, addington, baker family

Part of the Zakrzewski Collection of spinning wheels donated to the National Wool Museum by Mr Wlodzimierz Zakrzewski. For many years, Mr Zakrzewski collected, researched and repaired spinning wheels from all over the world. This wheel is known as a Carrington wheel. It was designed and built by Mr Zakrzewski who made 400 similar wheels of three different designs over a 30 year period. The design was named for his wife, Sonya Carrington who was a Polish artist and teacher who became a well known tapestry weaver. She married Mr Zakrzewski in 1956 and continued to exhibit under her own name. As it was difficult in the 1950s to obtain tapestry wools she decided to spin and dye her own. She didn't have a spinning wheel, so Mr Zakrzewski, whose training was in engineering, offered to make her one. They became very popular and he continued to make and sell them.Part of the Zakrzewski Spinning Wheel collection.handicrafts - history, spinning wheels, carrington wheel, highlights of the national wool museum: the zakrzewski spinning wheel collection - exhibition (28/07/2001 - 02/12/2001), zakrzewski, mr wlodzimierz carrington-zakrzewska, mrs sonya

Colour photographRingwood State School- Grade 2/3, 1986 Back Row- L to R: Robbie Walkely, Daniel Taylor, Wesley Sullivan, Ben Morgan, Jess Sinclair, Matthew McDougall 2nd Row - L to R: Joanne McCarthy, Nadia Razak, Sarah Monk, Rebecca Ramsden, Erika Rauschenbach, Adele Matthews, Natalie Turner Front Row- L to R: Mandy Milgate, Michelle Benson, Sarah Thorpe, Dana White, Rebecca Darlow, Jasmine Ozergin, Samantha Weaver. Teacher: G Williamson

Black and White Photograph Names of Teachers and Office Staff Top row: J. Davidson, Mr Sutherland, ?, Mr Stevens, Doug Thomas, Mr Burgoyne. 3rd row: Mr Misso, Doug Alkemade, Lance Brittingham, Mr Donaldson, ?, Ollie Norris, Tom Butcher, Mr Nelson, Jack Montgomery, Lindsay Boucher. 2nd row: Graham Moore, Mr Burgoyne, Lindsay Beulke, Mrs Howard, Miss Beanland (Office), Mrs Jonson, Jean Nelson, Mrs Rutledge (Office), Kath Hickinbotham, Mrs Kovak, Mr Johnson, Doug Webster, Pat Guinane. 1st row: Audrey Hartigan, Miss Cox, Ruth Barber (Office), Mrs Elizabeth Goss, Wilma Cotes (Head Mistress), Edward Heard (Principal), Roy Holmes (Headmaster), Mrs Weavers, ? , Miss Croxford /Mrs Bowring, Miss Lauritz / Mrs Woolrich. Not all teachers are shown in the photograph as some were part-time or absent.rts, ringwood tech

Document. Various legal papers. 1 - 1915 -1920 - Moxom Mrs M (Kamarooka, later Bendigo) re costs. 2 - 1920 - Manning Mrs Jane (Bright) re costs Will. 3 - 1920 - Mann Arthur (Nullawill) re costs Weaver. 4 - 1919 - McCormick D (Prairie) re costs. 5 - 1920 - Mann J & N (Bendigo) re costs. 6 - 1919 - 1920 - McManus John & Ors. (Farmers Sea Lake) and McManus William H (Sea Lake). Re costs Lindsay, Weller & C). Contains handwritten letters by William H McManus. 7 - 1920 - Michelson Mrs A I (Bendigo) re costs Leggo. 8 - 1920 - Kerr R H (Runnymede East) Re costs. Re G Kerr. Estate Federal Land Tax. 9 - 1919 - Hartley Bros Pty Ltd (Bendigo) Re costs. Re Butterworth & Rhodes Motor Cycle Coy, Simes, Roberts, Stolen Bicycle. Other names: Simes, Roberts.bendigo, business, connelly tatchell and dunlop, connelly, tatchell & dunlop, moxom mrs jane, mann arthur, weaver, mccormick d, mann j & n, mcmanus john & ors, mcmanus william h, lindsay, weller & c, michelsen mrs a i, leggo, kerr r h, kerr g, hartley bros, butterworth & rhodes motor cycle co

David Malloch was born in 1818 in Dundee Scotland and died in January 1891, his father was James Malloch a weaver and his mother was Jane nee Watson. David Malloch had taken over a plane and tool-making business from John McGlashan a Perth plane maker in 1849 after McGlashan had died. David and later his son (John) ran the business at first from South Methven Street Perth, until early 1856 then the business moved to the center of town in Kirkside at 25 John's Street. He used these premises until 1870 when he moved again to 50 South Street Perth. It is believed his son John was involved at this time and the move was due to the business had outgrown the premises at John Street. It was noted in local publications that the firm by this time had nine employees and regarded as a manufacturer of edge tools of various kinds for cabinet makers, specifically wood planes. The firm continued under David Malloch's son John after David's death in 1891 but the company appears to have ceased trading in 1913.A vintage cabinet maker's tool from the mid 19th to early 20th century giving a snapshot into early cabinet and furniture making. Wood Plane with flat base curved sides single iron, 2 inch, size.D Malloch and Son Perth, Scotlandflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Colour photographRingwood State School- Grade 3/4, 1986 Back Row- L to R: Claudio Toro, James Brown, Dylan Coulson, Misha Deikmann, Sean Pietersz, Ben Pearson, Geoffrey Harding, Peter Weaver 2nd Row- L to R: Ian Brown, Paul Grbac, Emma Rainey, Sandra Ralcliffe, Deanne Short, Narelle Elliot, Kelly Reinhardt, Justin Ross Front Row- L to R: Lea Adams, Rebecca Daotbar, Brooke Sinclair, Melissa Brushahan, Naney Belingerij, Kirsty Mclver, Michelle McLean. Teacher: J Stock

Community Arts Centre - a. Space Requirements: 'Spreadsheet' - single page ruled up with horizontal rows listing 21 Bendigo arts organizations and vertical columns inserting 20 varied space requirements (e.g. main auditorium; stage; back stage; wings; etc) + Total space requirement for each organization. No date or author provided; b. Same 'spreadsheet' but specified as space in square feet. Attached is a handwritten note (no stated author) entitled ''Plaza Proposal'' (19/1/77) stating that the schedule is for the area requirements of local groups with information as to spending money of architectural surveys of existing buildings and time constraints on putting forward any proposition. List of Community Arts organisations; M.A.S.B.,M.L., Competitions society, Repertory society, Shakespeare Society, Operatic Society, concert Orchestra, Benola Choristers, Brass Bands Association, Pipe Bands Association, Victorian Society of Organ's, Film Group, Bendigo Arts Council, Photographic Society, W.E.L., Music Teachers, Spinners & Weavers, Wyse Players, Organ Club, Friends of the Art Gallery, California Gully Youth Club.