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Port Melbourne Historical & Preservation Society
Document - Wedding dress pattern, Barbara GARDINER, Butterick Pattern Service, 1958
... Wedding dress pattern, Barbara GARDINER...Barbara GARDINER wedding. Butterick paper dress pattern...) GARDINER Barbara GARDINER wedding. Butterick paper dress pattern ...Worn by Barbara GARDINER nee HEGARTY at her wedding to Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT) and later requisitioned for a party dress for a friend.Barbara GARDINER wedding. Butterick paper dress pattern from which the wedding dress was madecelebrations fetes and exhibitions, domestic life, costume, handcrafts, weddings, barbara gardiner nee hegarty, alice hegarty nee mott, robert (bob) gardiner -
Mont De Lancey
Wedding dress, 1900
... Wedding dress...Two piece wedding dress. Cream brocade trimmed with satin..... 5th September 1900. wedding dresses wedding clothing Two piece ...Worn by Mrs. Alice Gibson (nee Pinniger) in 1900. Accompanied by photograph taken at Westbury, Wattletree Road, Malvern. 5th September 1900.Two piece wedding dress. Cream brocade trimmed with satin.wedding dresses, wedding clothing -
Kew Historical Society Inc
Clothing - Cream silk two piece wedding dress, 1891
... Cream silk two piece wedding dress...A wedding dress, forming part of a collection of costumes...Cream silk wedding dress consisting of a long sleeved... A wedding dress, forming part of a collection of costumes ...A wedding dress, forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Cream silk wedding dress consisting of a long sleeved pleated bodice and a very full skirt. The skirt has a deep exterior pocket. The interior of the bodice exhibits extensive use of baleen to provide structure. The outfit includes a marching pair of cream silk shoes.edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses, fashion -- 1890s -
Kew Historical Society Inc
Clothing - White Silk Wedding Dress, c.1968
... White Silk Wedding Dress...Cream coloured taffeta wedding dress with long leg... -- 1960s Cream coloured taffeta wedding dress with long leg ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The outfit was owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Cream coloured taffeta wedding dress with long leg of mutton sleeves and bustle women's clothing, fashion and textiles collection - kew historical society, wedding dresses, mcintyre collection, dione mcinytre, fashion design, fashion -- 1960s -
Bendigo Historical Society Inc.
Clothing - MERLE HOULDEN COLLECTION: WEDDING DRESS, April 1985
... MERLE HOULDEN COLLECTION: WEDDING DRESS....wedding dress... COSTUME Female wedding dress Embroidered silk tulle ...Embroidered silk tulle with an embroidered geometric pattern - .75 cm X .05 cm. 20 cm wide deep frill at hemline. Frill is made of the same fabric, but has a border of embroidered flowers edging the frill.A narrow band of satin ribbon, .05cm wide is stitched midway on the frill. The same frill outlines a deep V shaped neckline front and back, starting 8 cms from the shoulder along the puff sleeves. The main sheer fabric extends to a high round neckline, defined with a band of ribbon and a 3 cm wide frill at the throat. Back neckline fastens with metal hook, and handstitched loop, and a zip extends on the main body of fabric. Back of skirt is gathered, and front has three pleats either side of centre to give fullness to the skirt. Fine elastic marks a frill at the elbow length sleeves, finished with a ribbon bow. Bodice and skirt are lined with silk taffeta fabric, including a frilled skirt, bodice extends to a V shaped waistline. The dress mounted on silk taffeta, extended to a train at the back. Kerryn's dress was made by her mother, Merle Houlden, as a labour of love. Marriage of Kerryn Houlden and Bruce Roberts - April 1985.costume, female, wedding dress -
Bendigo Historical Society Inc.
Clothing - MERLE HOULDEN COLLECTION: WEDDING DRESS, 06-02-1960
... MERLE HOULDEN COLLECTION: WEDDING DRESS...wedding dress... COSTUME Female wedding dress Merle made her own dress,as she had ...Merle made her own dress,as she had been a Home Economics Teacher, specializing in dressmaking. Dress is of silk chiffon, over tree bark satin, made on princess lines, with a Dior bow at the neckline. The brief sleeved bodice was cut with an oval neckline, trimmed with a flat bow. Fullness for the circular skirt was drawn to the back of the seven panel dress. A watteau pleat, train of embroidered nylon fell from high at the back of the bodice (refer 11400.493). A short tulle veil was held in place by a triple Dior bow. Skirt extends to a small train at back.Refer 11400.492.costume, female, wedding dress -
Bendigo Historical Society Inc.
Clothing - CREAM SATIN AND LACE WEDDING DRESS, 1850
... CREAM SATIN AND LACE WEDDING DRESS...cream satin and lace wedding dress... COSTUME Female cream satin and lace wedding dress High waisted ...High waisted bodice, with centre front seam, back opening fastened with metal press-studs, and finished on the right side, with ball-shaped pearl buttons sewn in pairs - six groups of two. A placket extends into the skirt at back, and is fastened with metal press-studs. Bodice is gathered onto skirt at waistline, and defined with a 1.5cm wide tape. An 8.5cm wide cotton lace frill is gathered around the high neckline. The wrist-length sleeves are an extension of the bodice and have a 4cm band, and 4cm wide gathered frill at the wrist. The sleeves are shaped from the high waistline, and also at the cuff edge. The skirt has an overlay of fine lace, made up of six X 17cm wide bands of lace, with a scalloped edge. No shoulder seams. Back opening and centre front seam indicate the cutting out layout of fabric. A one cm wide ribbon finishes the neckline, and the lace frill is hand stitched to the ribbon. Some seams are hand neatened. A 2.5cm wide flat bow finishes the back neckline.costume, female, cream satin and lace wedding dress -
Bendigo Historical Society Inc.
Clothing - CREAM WEDDING DRESS WITH EXTENDED TRAIN, 1930's
... CREAM WEDDING DRESS WITH EXTENDED TRAIN...cream wedding dress with extended train... COSTUME Female cream wedding dress with extended train Long lily ...Long lily-pointed sleeves, fastened at the wrist with six X 0ne cm covered buttons and loops. A firm padded roll 19cm long, and eleven cm circumference sits at the shoulder at top of sleeve. A gathered panel on either side of the neckline forms a sweetheart neckline. Gathering under the bust, and a A shaped centre front panel - with V shape at lower edge-panel 33cm long. Two semi-circular panels 28 X 19cm from side seam to the centre front, and defining the shape of the peaked centre panel. A small inverted pleat comes from th ebottom peak of the centre panel. Skirt is circular and extends into a sweeping train.29 covered buttons with loops extend from the back neckline to the curved join at the hipline of bodice and skirt. A one cm band of fabric has been machine stitched around the hemline, and hand rolled and hand stitched to give weight and finish at the hemline. Two X 2.5cm loops, hand stitched are at the left and right sides, to slip over the fingers to hold the train above the ground.costume, female, cream wedding dress with extended train -
Nhill & District Historical Society Inc.
Clothing - 1956 wedding dress of Lila Elizabeth Thompson, 17 November 1956
... 1956 wedding dress of Lila Elizabeth Thompson...wedding dress... the district. wedding dress lila thompson church of christ kaniva ...Lila Elizabeth Thompson & Lloyd Frederick Henseleit were married at Church of Christ, Kaniva on Saturday, November 17th 1956The Thompson and the Henseleit families are from the district.1956 Wedding gown of white figured nylon organza over satin featuring a V shaped neckline front and back. The skirt was styled in a bouffant H-line with a satin band tying in a big bow at the back and falling into two satin panels each side of the train.wedding dress, lila thompson, church of christ, kaniva, november 17 1956, vintage - dresses, textiles - bridal - fashion, lloyd henseleit -
Nhill & District Historical Society Inc.
Clothing - c 1860 Wedding dress of Erstine Schlisweg, 1860
... c 1860 Wedding dress of Erstine Schlisweg ...wedding dress... wedding dress william bosse erstine schlisweg nhill German ...Erstine Schlisweg married William Bosse in Germany in 1860, later settled in Nhill districtSettlers in Nhillc 1860 Three piece silk & lace wedding ensemble handmade in Germany, consisting of a silk full length skirt with lace & ribbon trim which hugs the waist, flows into a small train at the back; the high round neck, sleeveless bodice/top tucks into the skirt, is silk with pleats down either side of a lace panel in front; cape is silk, slightly gathered so it elegantly flows over the shoulders, finishing below the hips, is trimmed with lace around the neck and bottom. Lace & ribbon trims wedding dress, william bosse, erstine schlisweg, nhill, german - textiles - handmade -
Nhill & District Historical Society Inc.
Clothing - 1967 Wedding dress of Brenda Crute, Helen Blair Frock Salon of Distinction - Bridal and evening wear specialists, 1967
... 1967 Wedding dress of Brenda Crute ...wedding dress... wedding dress Brenda crute Jim bywaters 1967 textiles - bridal ...Brenda Crute married Jim Bywaters 19671967 A delightful bridal gown fashioned in chantilly lace cur on empire lines, fitted sleeveless bodice with boat shaped neckline back and front. Sheath skirt. Chapel length nylon organza coat train with butterfly sleeves & edging of chantilly lace. Headdress - Pearlized orange blossom & leaves mounted to a three-tiered nylon tulle veil.wedding dress, brenda crute, jim bywaters, 1967, textiles - bridal - fashion, stawell - wedding -
Nhill & District Historical Society Inc.
Clothing - 1938 Wedding dress of Clara Maud Field, 24 August 1938
... 1938 Wedding dress of Clara Maud Field. ...wedding dress... Magrath, 24th August 1938 wedding dress clare maud field george ...Clare Maud Field married George Thomas Magrath, 24th August 19381938 cream wedding gown, long sleeves, small train, roulette trim on peter pan collarwedding dress, clare maud field, george thomas magrath, 1938, marriage, nhill -
Nhill & District Historical Society Inc.
Clothing - 1953 Wedding dress of Mary Pilgrim
... 1953 Wedding dress of Mary Pilgrim ...1953 Wedding dress... of the early pioneers of Winiam, Victoria. 1953 Wedding dress Pilgrim ...Mary Pilgrim married Graham Keam 1953 at Winiam Methodist Church by Rev. A. C. Boquest.The Pilgrim family has been in the district for generations, possibly one of the early pioneers of Winiam, Victoria.A charming white lace frock with a train and scalloped neckline set with diamente. Her veil of embroidered tulle was held in place with a coronet of orange blossoms.scalloped neckline set with diamente, and embroidery on veil.1953 wedding dress, pilgrim, keam, ceremonies, marriage, bride, textiles - bridal - fashion -
Nhill & District Historical Society Inc.
Clothing - 1968 Wedding dress of Faye Falting, 1968
... 1968 Wedding dress of Faye Falting...Wedding dress of Faye Falting... is buried in the Nhill Cemetery. Wedding dress of Faye Falting ...Faye Falting of Nhill married William Crawford of Nagambie in 1968William and Faye Crawford after their marriage became longtime residents of Nhill. William Crawford is buried in the Nhill Cemetery.The bridal gown is a classical 'A' line styled gown of treebark satin, with a high empire bodice of guipure lace over satin, and lace sleeves. A detachable train fanned from pleats and fell from the high bodice line at the back. wedding dress of faye falting -
Whitehorse Historical Society Inc.
Clothing - Wedding dress, Pink ruched bodice, Circa 1941
... Wedding dress...Pale pink wedding dress... Example of wartime wedding dress. Pale pink wedding dress 1942 ...Summer wedding - 17th January 1942 Norman Stanley Garden and Ida Victoria Goods Methodist Church, Box HillExample of wartime wedding dress.1942 Pink silk satin dress with fitted bodice ruched into bow shape v shaped into skirt and neckline has v neck with a train, gathered sleeve at shoulder narrows to point over hand pale pink wedding dress -
Whitehorse Historical Society Inc.
Clothing - Wedding dress, C 1992
... Wedding dress...Wedding dress.... Price $1,000. Wedding dress silk 1992 Frank Stuart House ...Purchased 1992 from House of Brides, Box Hill. Price $1,000.1992 Cream Thai silk ' Frank Stuart'House of Frank Stuartwedding dress, silk, 1992, frank stuart -
Whitehorse Historical Society Inc.
Clothing - Wedding dress, C 1956
... Wedding dress...Wedding dress... at back - Shoulder pads Clothing Wedding dress ...The dress and accessories worn by Mrs Margaret Scully for her wedding. Following their engagement in 1956, her husband built their home of 67 years in Box Hill South.- Silk brocade (cream) - Rouleau loops, covered buttons from back neck to waist - hook & eye below waist - Rouleau loop, covered buttons wrist to elbow - Mandarin collar - Corded waistband and hem - Dress forms train at back - Shoulder padsNilwedding dress, c 1950's, marriage -
Maldon Museum and Archives Association
Wedding Dress (Skirt and Bodice), © 1900
... Wedding Dress (Skirt and Bodice)...wedding dress... are trimmed with lace. Wedding Dress (Skirt and Bodice) ...This outfit was worn by Kate Dabb for her wedding to Alf Meyer on the 6th of June 1900 at the Maldon Wesleyan Church. Kate was the 3rd daughter of Samuel Dabb.This dress is in two parts, a bodice and a skirt. Made of cream satin, mostly machine sewn with some hand sewing. The bodice is finely worked with applique panels of scrolls, petals and leaves decorated with glass beads and sequins. The back panel and cuffs are trimmed with lace.wedding dress, samuel dabb, meyer, "dabb, catherine maud", "callow, phoebe" -
Port Fairy Historical Society Museum and Archives
Clothing - Wedding Dress, 1940s
... Wedding Dress...Home made wedding dress with attached train and lining... Anglican church Port Fairy in 1941. female costume dress wedding ...The dress was worn by Gladys May Moutray when she married Alan Tieman at St. John’s Anglican church Port Fairy in 1941.Home made wedding dress with attached train and lining/petticoat. Cream crepe over sewn in rayon lining. Material covered buttons x 7 with fabric loops on each wrist of long sleeves. Hook and eye (hand sewn) at back of neck closure and side closures of lining and dress. Velveteen ruffles around edge of train. Velveteen flower accent at front and back waist with Cornelli embroidery. Shirring at top of shoulders. Press studs at wrist closure. Dress L 134cm, W shoulders (flat) 32 cm, hem (flat) 80 cm. Attached train, L 134cm, W 164 cm. Sleeves, L (inside arm) 46 cm.female costume dress, wedding, gladys may tieman, alan tieman, gladys may moutray -
Whitehorse Historical Society Inc.
Clothing - Wedding dress, 1962 - 1963
... Wedding dress...White cotton long wedding dress with train and lace over... the couple. White cotton long wedding dress with train and lace over ...worn by Estelle Macnaughtan to Alan Bannister on 23/9/1963. Keith Macnaughtan, bride's uncle, married the couple.White cotton long wedding dress with train and lace over blouse. Short veil. -
Kew Historical Society Inc
Clothing, Crushed Velvet Wedding Dress, 1934
... Crushed Velvet Wedding Dress...Cream coloured full length crushed velvet, wedding dress..., underwear and costume accessories. wedding dresses australian ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Cream coloured full length crushed velvet, wedding dress originally worn by Laurie Dean (nee Jenkins) at her wedding in Mildura, August 1934.wedding dresses, australian fashion - 1930s, laurie dean, marriages -- mildura (vic.), fashion design, fashion -- 1930s -
Bendigo Historical Society Inc.
Clothing - BARBARA JOHNSON COLLECTION: WEDDING HEAD DRESS, 1958
... BARBARA JOHNSON COLLECTION: WEDDING HEAD DRESS...Wedding head dress... held a veil. Cream in colour. Part of wedding dress collection... COSTUME Female ceremonial Wedding head dress Wire-framed circlet ...Wire-framed circlet. Frame covered in cotton netting. Frame has a scalloped design 3cms high. The over lapping scallops are covered in small pearl beads. Around the base of the head dress are attached net covered “lilies” each with a tear-drop shaped pearl bead at the centre. An elastic band is attached to hold the head dress firmly to the head. The head dress originally also held a veil. Cream in colour. Part of wedding dress collection 11400.528, 11400.53029, 11400.530, 11400.531 Wedding dress worn at marriage of Barbara Johnson to her first husband Ian Bulte.costume, female ceremonial, wedding head dress -
Whitehorse Historical Society Inc.
Wedding Dress
... Wedding Dress...Cream satin long wedding dress with back train. 'Peter Pan... of England, Mitcham. COSTUME Female Cream satin long wedding dress ...See photo NP1832 of Doris & Cecil Evans on their wedding day, arriving at 22 Cassella Street for afternoon tea. Doris's father had died 1 month before, and the wedding had been postponed. The wedding took place at Christ Church, Church of England, Mitcham.Cream satin long wedding dress with back train. 'Peter Pan' collar and long sleeves with cuff. Photo of dress on wedding day, see NP1832.costume, female -
Port Melbourne Historical & Preservation Society
Photograph - Win Woodruff with Barbara Syme in wedding dress made by Win
... Win Woodruff with Barbara Syme in wedding dress made by Win... photo of Win with Barbara Syme in wedding dress made by Win... Syme in wedding dress made by Win ...From the Woodruff family archives, lasercopy of newspaper photo of Win with Barbara Syme in wedding dress made by Win (undated)families, winifred mary prest woodruff -
Kew Historical Society Inc
Clothing - Cream Tussar Silk Wedding Dress, c.1912
... Cream Tussar Silk Wedding Dress..., nightwear, underwear and costume accessories. This wedding dress...Raw silk wedding dress. The full length dress has lace..., underwear and costume accessories. This wedding dress was worn ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This wedding dress was worn by the grandmother of Val Warren.Raw silk wedding dress. The full length dress has lace on the bodice and long sleeves. Other decorative elements include finely pleated silk panels on the bodice, an insert on the skirt and on the cuffs of the sleeves The dress features extensive use of both utilitarian and decorative buttons that are covered in the same silk fabric as the dress. The final photograph shows two early repairs to the dress. Lydia Edwards in 'How to Read A Dress (Bloomsbury Academic, 2017), when describing a 1912 dress in the McCord Museum notes that: 'In 1911-12 the use of buttons for both fastening and decoration was extremely popular, the American women's magazine The Delineator declaring at the end of 1911 that "one cannot use buttons to liberally in the present mode".' (p.132)costumes, wedding dresses, women's fashion - 1910s, fashion design, fashion -- 1910s -
Port Melbourne Historical & Preservation Society
Clothing - Wedding dress, Alice Mott Hegarty, 1958
... Wedding dress...Wedding dress of ivory brocaded satin, long sleeves...) GARDINER Wedding dress of ivory brocaded satin, long sleeves ...Worn by Barbara GARDINER (nee HEGARTY) at her wedding to Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT) and later requisitioned for a party dress for a friend.Wedding dress of ivory brocaded satin, long sleeves with pointed ends, piped at waist and hem, short train with loop for wristcelebrations fetes and exhibitions, domestic life, costume, handcrafts, weddings, barbara gardiner nee hegarty, alice hegarty nee mott, robert (bob) gardiner -
Coal Creek Community Park & Museum
Cream Wedding dress, C.1906
... Cream Wedding dress...Cream silk wedding dress, consisting of long skirt... Korumburra gippsland Cream silk wedding dress, consisting of long ...Cream silk wedding dress, consisting of long skirt with matching long sleeved jacket and detachable train. 9057.2 Photo of the bride wearing the dress and the wedding party. -
Whitehorse Historical Society Inc.
Clothing - Wedding Dress
... Wedding Dress...Wedding dress worn by Marian Hinde in 1886.... Mitcham melbourne Wedding dress worn by Marian Hinde in 1886 ...Wedding dress worn by Marian Hinde in 1886.1886 Wedding Gown with short waisted jacket, buttoned down front. Full pleated skirt with over hip yoke and bustled (beige). Lace at neck and at cuff edge. Worn by Marian Hinde in 1886. See framed photo NA750 of Marian in the wedding gown.costume, female, female ceremonial -
Kew Historical Society Inc
Clothing - Wedding dress, The House of Franke, Stuart, c.1975
... Wedding dress... business had been in operation since 1926. I loved my wedding dress...The wedding dress is made of fine soft white jersey... in operation since 1926. I loved my wedding dress. It was soft ...At 5pm on 2 May 1975 at Christ Church, Hawthorn, the wedding took place between Kathryn Gwynn Marx of Mason Street, Hawthorn, and William Peter Reeve of Mountain Grove, Kew. The bride's dress was purchased from the 'House of Franke, Stuart', 612 Glenferrie Road, Hawthorn, a very popular place in the 1970s for brides. Kathryn was educated at Ruyton Girls' School with Margaret Franke so it was a nice connection. Margaret's family business had been in operation since 1926. I loved my wedding dress. It was soft and comfortable to wear and kept me warm on the May evening. It was elegant and I knew I would never get the chance to wear something with a long train again. Walking down the staircase at the Windsor Hotel in Melbourne felt very grand; a memory I still hold today. (Kate Reeve, 2022) [Note: Two photos and a newspaper article which are viewable in the image carousel are held in the donation file]Strong local provenance to Hawthorn, Kew and Boroondara due to owner and retailer. It is a representative example of wedding dresses sold in the 1970s. The wedding dress is made of fine soft white jersey with guipure lace around the neckline, wrists and bodice. The long train has three small discreet loops along the hemline which can be slipped onto a finger for a draped effect giving ease of movement for dancing etc. A satin trimmed veil covered the length of the train and was secured on the head with a satin coronet. White leather shoes were worn. The bouquet Phalaenopsis orchids. (Note: the veil and shoes were not part of the donation)Label: Franke Stuart / Hawthornfashion & design - 1970s, wedding dresses, kate reeve, peter reeve, franke stuart, retailers - glenferrie road - hawthorn (vic.) -
Kew Historical Society Inc
Clothing - Two Piece White Satin & Lace Wedding Dress, Mme Pamely, c.1900
... Two Piece White Satin & Lace Wedding Dress...This wedding dress was made for an unknown customer...Cream satin wedding dress comprised of a fitted bodice... This wedding dress was made for an unknown customer by a late 19th ...This wedding dress was made for an unknown customer by a late 19th and early 20th century Richmond dressmaker known by her married name as Mrs Pamely. The dressmaker’s name is identified on Petersham ribbon on the bodice. (1877 was the first known use of a dressmaker’s name on a dress in Australia). The dress entered the Collection by donation. The donor, Netta Fuller, and her husband Alec, were long-term residents of Kew. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The core of the parade consisted of a collection of 19th Costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. Not satisfied with purchasing authentic costumes of the period, she also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century items of clothing to the Kew Historical Society. Some garments were parts of costumes such as bodices, while others were complete outfits. Many of the latter exhibit signs of old damage, however very few of the costumes have been modified to enable them to be worn in exhibitions. Known provenance is limited to donor information, although some of these donations may have originally formed part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance. This is the only 19th century costume in the Collection where the maker's name and address is known. To date, no other costumes by this dressmaker have been identified. The maker's business activity (1888-1905) allow one to, with an assessment of style, be relatively certain about its late Victorian construction. This adds to the item's significance even though its condition has been compromised by later removals and additions of decorative fabric on the bodice.Cream satin wedding dress comprised of a fitted bodice and a full skirt with a long wide train. Both the skirt and the bodice feature extensive use of ruched silk. Originally the bodice was covered with silk net embroidered with small white flowers. While sections of the net remain on the rear of the bodice (and on the sleeves), that on the front has been removed, probably due to damage. The name of the dressmaker is stamped on Petersham ribbon on the bodice."Madame Pamely, Costumiere, 41 Stanley St. Richmond"wedding dresses, australian fashion - 19th century, women's clothing, dressmakers - richmond (vic), netta fuller, fashion manufacturers - mrs pamely