Rev John Edward Smith: b.1900; 1932 ordained Kergunyah; 1935 Port Campbell; 1937 Wycheproof; 1940 Werribee; 1947 Bendigo, St. John's; 1952 Albury; 1955 Essendon; 1967 Apollo Bay united; 1969 retired; 1971 emeritus, Presbytery of Melbourne West; 1986 died.B & W matte photograph of the Rev. J.E. Smith and an unidentified woman sitting together at a church function..presbyterian, minister, rev. john edward smith, albury, essendon

Rev. John Wade was stationed at: 1934 Wangaratta; 1936 Cudgewa; 1941 Monbulk; 1942 Chaplain; 1943 Womboota, NSW; 1947 Horsham, Pimpinio; 1951 Werribee; 1957 Preston; Home Missions Director at the time of the formation of the Uniting Church.B & W photograph of the Rev. John Wade addressing a congregation. He is dressed in clerical stock and collar and academic grown. The congregation includes a woman at the keyboard of an harmonium."Rev. John Wade"wade, john, home missions, methodist

The C&N article using the photo is headed "Caught between vocations: Colin Knox makes a choice." Faced with the tension of being a parish minister and also with a special calling to communication through photography and the media, Knox chose to focus on the parish ministry and keep his communications interest as a sideline. He hoped that one day the UCA would establish a central audio-visual unit, not dependent upon a private person with privately-owned equipment.B & W photograph of Rev. Colin Knox standing next to an older woman with teddy bearsC&N identificationknox, colin, uniting church minister

B & W photograph of Presbyterian Deaconess Jess Metherell sitting at the bedside of an unidentified woman. "Hamilton Aikin 162 Russell Street Melbourne."bell, bert, presbyteria, deaconess, jess metherell

"Otira" was built in 1887 for Mr. Henry Berry, owner of a large wholesale grocery business. In 1923, the property was acquired by the Methodist Church for use as a home mission training college. B & W photograph of a group of 9 men and 1 woman standing on steps at the Otira Methodist Home Missionary Training College.

Possible Brighton lay people.Matte, sepia, postcard head and shoulders photograph of a man and a woman. The man is looking at the camera and the woman slightly to one side of the camera. He has short white hair and beard and is wearing glasses and a collar and tie. She has her hair tied back and is wearing a white blouse with a broach at the neck underneath a dark coloured dress. She has a long chain around her neck. The couple is Rev. and Mrs. J. Latham. The postcard's width is written on the back in pencil and indication that the photograph was to be used in the Spectator.latham

Head and shoulders, sepia, woman of middle age, short hair cropped close to head, wearing dress with shoulder overlay lace. Photo stuck on brown backing card with photographic studio's name."Mrs Breseford" scrawled on back, although the spelling of the name is not clear.breseford, eden society studios

The photo was taken to record the laying of the foundation stone of St. Andrew's Presbyterian Church (now St. Andrew's Uniting Church) Sunbury 1904.A mounted sepia photograph of a group of men and one woman standing on a construction site and in front of a foundation stone. There are 22 men in the photograph with 7 of them dressed in clerical attire. The other men are wearing dark suits. Cream mounting 1.5cm x 2.5 cm.CHR. CHRISTIANSENclergymen, st. andrew's uniting church, churches, foundation stones, christiansen, chris, photographers, sunbury, clothing and dress, men, st. andrew's presbyterian church, george evans collection

It is a photo of Mrs. Duncan, pictured with the trowel in her hand, laying the foundation stone for St. Andrew's Presbyterian Church, Sunbury in 1904. Written on the back: 'Foundation Stone - St. Andrew's'A b/w photograph of a group of dignified gentlemen and one woman around a foundation stone and a partly completed brick building.THIS MEMORIAL ST / was laid by / MRS J. DUNCAN / 17 August 1904 / H. W. & E. B. TOMPKINS. R & W CO. /CAHILL MINISTERchurches, religion, memorials, duncan, j. (mrs), st. andrew's presbyterian church, st. andrew's uniting church, sunbury, tompkins, h. w., e. b., r. and w. company, cahill, - (rev.), foundation stones, 1900s, george evans collection

This Photograph was loaned by Mrs Gwen Reeve to be copied. Black And White photograph of a Large group of People most Standing apart from One Man and Woman seated in front of a Pipe Organ and the group. Men Standing in suits with Black Bow Ties, Man seated has White Bow Tie. Women in White Dresses.st mattews, choral

Vic Rathgeber and Family. Vic's niece going to christening.

"Originally known as the “Old Ready Homestead” the house was built in the 1890’s and was surrounded by a larger parcel of land that at least included the lot next door (No 90) and possibly extended as far as the Church property. This area was the scene of many garden parties and Wedding parties and contained a large water fountain. The property remained in the Ready family until sometime after the death of Mabel Ready in 1967." [information from the Bed and Breakfast website in the link above] Peter and Pauline Meade sold the property in November 2017.Black and white photograph of the front of a Victorian style weatherboard house with a man and a woman standing on the veranda.On back of photo: "Ready's house in Rutherglen"roy ready, ready family, royston ready, ready house

Boys believed to be Heralds of the King, an Anglican Youth Group.Black and white photograph of five boys and Church of England rector posing in front of a trestle table of goods at St Nicholas, fair woman in background and small boy looking on. Another stall with girls in charge in distance. Lakes Entrance Victoriareligion, people

Black and white photograph of the Harold Peel family showing a man and woman standing with two women and four children dressed up as if for church, baby in cane pram. Lakes Entrance Victoriagenealogy, celebrations

Jim Keogh owned Lot 7 of the Village Settlement. When the new CRB road went through c1920 his block was cut through leaving a small triangle of land on the high side of the CRB road. He built a shop on this piece of land. The store burned down 31/12/1939. The woman on the step in this photo is Win Woodcock.Sepia image of a woman standing in front of a wooden store. Handwritten inscription on reverse by John Lundy-ClarkeJim Keogh's shop on the north west corner of Falls and Main Roads. Opposite diagonally from St Michael's Church of England. photo Nov 1926.jim keogh, keogh, store, shop, crb road, win woodcock

The photograph is taken at Five Ways intersection at Kalorama in the late 1920s. The cars appear to be parked on Old Coach Road with the FiveWays Cafe and the back of the Methodist Church in the background. The photograph is from the album of Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph showing seven or more old cars parked at FiveWays in Kalorama. A man and woman are in the foreground leaning on the back of a car.Written below photograph in album: CARS AT FIVE WAYSfive ways, fiveways, kalorama, cars, automobiles, methodist church, old coach road, ivy child, ivy may child

Cathy and Finlay Currie (Allan's parents). Mrs Currie is wearing a dark dress with a deep V-shaped patterned insert which extends from neckline to waist and appears to have looped edging. Her dark, wide-brimmed hat is trimmed with flowers. She holds a dark clutch bag and has dark shoes. There is an elaborate corsage pinned to her dress. Mr Currie is in a 3-piece suit of medium light shade, and a tall hat. Another woman can be seen behind them. They are outside a church and are probably at a wedding.

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of an oil painting of a woman which may be of Alma Figuerola. The photo was in the personal photo album of the artist. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

In 'Underwear: Fashion in Detail' (Lynn, Eleri, V&A Publishing, 2014) the chapter on 'Decoration' includes a contemporary quote by the fashion writer Mrs Eric Pritchard, who stated that even the virtuous woman should now wear pretty underwear, and in fact was morally bound to do so to remain attractive to her husband and save him from the sin of adultery. This prettiness included 'underwear that became decorative and delicate, trimmed with the lace and baby-ribbon that complemented the Edwardian predilection for indulgent and seductive lingerie' (Lynn, Eleri, p.46). This bodice and Director Knickers formed part of the trousseau of Margaret Grace Burland, who married John Lawrence Henty Hindson at St George’s Church, Malvern in 1912. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Cotton lingerie including a camisole and drawers owned by Grace Burland, and forming part of her trousseau. Fine lawn, lace, blue silk ribbon threaded through at neck and waist, embroidered, concealed buttons at front (some missing) and rear buttoned flap. Distinguishing feature is the extensive use of lace which was an innovation in taste during the Edwardian period.Nilunderwear, henty collection, grace burland, bodices, drawers, knickers

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.One of a series of pictorial postcards showing a woman on a bicycle near to the River Yarra in Kew.Polychrome postcard of the River Yarra at Kew, showing a woman with a bike (right) looking away from the River.My dear friend I suppose you will think I am a "beauty", but I have no excuse to offer for not writing, only the longer I put it off the longer I want to. I hope the change did you a lot of good & that you feel quite well & strong. Everything here is something about the same. Our two new ministers are nice but I like Mr Dowsing better so far. The weather lately is glorious, just the thing for long walks. Jane Rowe & I go for a walk after church on Sunday nights. That is the most walking I do lately. No room for more. Love from your friend C.G.[sic]postcards -- kew (vic.), postcards -- yarra river -- kew (vic.), colour postcards -- kew (vic.)

William Webster married Annie Martha Chisholm in 1891. He was born in Kapunda, S A in 1858; was a teacher and died in Bright in 1941. She was born in Ararat in 1860 and died in Surrey Hills in 1926. Their 4 sons were: 1. Rupert Chisholm (b1892; d 1953; m Ethel Cross in 1916) - occupation: public servant (became assistant taxation commissioner) 2. Clarence William Willoughby (b 1895; d 1980; m Jessie Mona Stuart Grant in 1924) - occupation: solicitor. 3. Basil Thomas Ross (b 1900; d 1983; m Isabella Rodger in 1934) - occupation: clerk / salesman 4. Ian Bruce (b 1904; d 1983; m Doery Annie Breen in 1935) - occupation: dentist. The family lived in View Street, Mont Albert. Clarence served in WW1 (SERN 36844) The family had strong associations over successive generations with Surrey Hills and the Methodist Church. Mona Webster wrote the history of the Mont Albert shopping centre.A black and white photograph of a family group of a man and a woman and four young boys.william webster (mr), annie webster (mrs), annie chisholm (miss), rupert webster (mr), ruper chisholm webster (mr), ross webster (mr), basil thomas ross webster (mr), clarence webster (mr), clarence william willoghby webster (mr), bruce webster (mr), ian bruce webster (mr), mona grant (miss), jessie mona stuart grant (miss), mona webster (mrs), jessie mona stuart grant (mrs), clothing and dress

Norman Carter took many photos of Surrey Hills and Mont Albert in the 1920s; many were associated with events and activities of the Church of England.Black and white photo of 4 cleaning ladies and a young girl outside the entrance to the Holy Trinity Church in Union Road, Surrey Hills. Miss Walch is identified as the woman on the left; Betty Duncan as the one in the centre and Miss Bedford as the one on the right.churches, holy trinity church, anglican church, betty duncan, miss walch, miss bedford, cleaning ladies

“The Willows” home of John Butler Maling on south side of Whitehorse Road in Shepreth Street, near Banool Road. He built 2-roomed mud brick cottage in about 1861 extending it in stages into a weatherboard Victorian villa as his family grew. John Butler Maling's uncle (also John Butler Maling lived nearby at 'Ancyra' at 26 Weybridge Street). 'The Willows' was situated on a small farm of c13 acres with a creek running through it, lined with willows. The house was demolished after J B Maling's death in 1931 when the land was subdivided, some of it having been previously bought by the Education Department for the site of Chatham Primary School. J B Maling trained his six sons as builders. Charles Henry and his family are pictured in this photo. Charles Henry Maling (1875-1953) married Katherine Mitchell (1875-1958) in 1901. They lived at 9 Benson Street, Surrey Hills but came to live at 'The Willows' for 5 years prior to 1931 to care for Charles' father. Charles and Katherine are the older man and woman centre back with daughter Ellen Grace, known as Nell (1882-1960) in the front of them. Right front seated on the pillar is daughter Jane Emma (1872-1980) with her baby. Her husband Robert Wilhelm (Bob) Sutherland is the younger man at the back. The occasion is thought to be the christening of their first child. The other people are Rev O Cordell, his wife Mary and their children who are friends visiting from Africa where the donor, Rev Charles Maling, son of Charles Henry Maling was working with the Church Mission Society. A black and white photograph of a group of people standing (one lady sitting) on the front steps of a house.the willows, house names, (mr) john butler maling, whitehorse road, banool road, balwyn, surrey hills, (mr) charles henry maling, (mrs) katherine maling, (miss) nell maling, (mrs) jane sutherland, (mr) bob sutherland, (rev) o cordell, (mrs) mary cordell

This bed jacket was crocheted for Carmela Materia (1931-2018) by her mother, Giuseppa Auditore, around the time they emigrated from Italy to Melbourne. Both women were longtime Brighton locals, residing in the area from the 1950s until their deaths. Carmela Auditore was the first woman from her home village of Scaletta, Italy to emigrate to Australia. Setting sail alone in 1950 at the age of 19, she joined her brother John and uncle Frank in McCallum St, Brighton. Frank had arrived some years earlier and had spent the duration of the First World War in an internment camp. John worked at the Brighton Case Company, a box manufacturer on Nepean Highway, and paid for her passage. Carmela found a job sewing children's clothing at Drummonds, a small factory in Church St. Working eight hours a day, five days per week, netted her a weekly wage of three pounds. To earn a little extra, she washed dishes at a St Kilda Road restaurant for ten shillings a shift. Her parents, Salvatore and Giuseppa Auditore, joined her in Brighton in 1952. They rented a house behind an antique shop in Bay Street. Salvatore had been a fisherman in Scaletta, but quickly adapted to the job he found helping around the Garage at Brighton Motors in Male Street. On 14 February 1953, Carmela married her sweetheart, Salvatore Materia, at St James Catholic Church in Gardenvale. Salvatore had been living with his aunt in Well Street and worked on the wharves. Both Carmela and Salvatore were hard workers. They owned a fruit shop in Church Street where Woolworths now stands, and years later Carmela recalled the familiar 6am tap on her window each morning when her husband returned from the market. On dark winter mornings, she felt as if her hands would freeze as she helped Salvatore unload cold cabbages and cauliflowers from his truck. They later owned a shop in Ludstone Street in Hampton. After Salvatore died suddenly at the age of 48, Carmela returned to sewing, working at the Willow Fashions knitting mill in Gardenvale. She later went into partnership with her sister and brother-in-law, this time in the delicatessen business. Her parents, Giuseppa and Salvatore, spent the rest of their days with Brighton. Carmela recalled her father cheerfully walking the streets, greeting people by name. He knew everybody. He loved being in Australia and enjoyed life to the last, insisting on having bread and wine on the table at every meal.Cream crocheted wool bed jacket. Loose around bust with wide sleeves and open sides. Fastens at collar with thin braided ties, and at waist with two pearlescent plastic buttons.bed jacket, migration, 1950s, carmela auditore, carmela materia, giuseppa auditore

A bookplate featuring a church with a woman standing under a spotlight. bob mcguire, bookplate, framed bookplate, keith wingrove memorial trust